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Color name
HEX #EFAD9E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFAD9E it is the complementary color #105261. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFAD9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFAD9E shade: #F4AD99, #FFBFAC, #FFD1BF, #FFE3D2 and #FFF5E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFAD9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFAD9E shade: #EFAD9E, #DE9B8B, #CD8978, #BC7765 and #AB6552

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFAD9E shade: #EFAD9E and #EF9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFAD9E shade: #EFAD9E, #EFC39E, #EFD99E, #EFEE9E and #D9EF9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFAD9E shade matches the following richer shades: #EFAD9E and #F8A795

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFAD9E shade: #EFAD9E, #E6B3A7, #DDB8B0, #D4BEB9 and #CAC4C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFAD9E shade: #EF9EBA, #EF9EA5, #EFAD9E, #EFC29E and #EFD89E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFAD9E shade: #E37157, #E98F7B, #EFAD9E, #F5CBC1 and #FAE9E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFAD9E shade: #EFAD9E, #D0EF9E and #9EB0EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFAD9E shade: #EFAD9E, #9EEFAD and #AD9EEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFAD9E shade: #EFAD9E, #D0EF9E, #9EE0EF and #BD9EEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFAD9E shade: #EFAD9E, #B8EF9E, #9EE0EF and #D59EEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 34 / 6

HEX #EFAD9E

RGB 239 173 158

HSL 11.11, 0.72%, 0.78%

LAB 76.5, 22.22, 17.27

 

Complementary color

CMYK 84 / 15 / 0 / 62

HEX #105261

RGB 16 82 97

HSL 191.11, 0.72%, 0.22%

LAB 31.82, -14.06, -14.43

 

CMYK 0 / 29 / 37 / 4

HEX #F4AD99

RGB 244 173 153

HSL 13.19, 0.81%, 0.78%

LAB 76.93, 23.53, 20.66

 

CMYK 0 / 25 / 33 / 0

HEX #FFBFAC

RGB 255 191 172

HSL 13.73, 1%, 0.84%

LAB 82.65, 20.49, 18.55

 

CMYK 0 / 18 / 25 / 0

HEX #FFD1BF

RGB 255 209 191

HSL 16.88, 1%, 0.87%

LAB 87.3, 13.56, 15.01

 

CMYK 0 / 11 / 18 / 0

HEX #FFE3D2

RGB 255 227 210

HSL 22.67, 1%, 0.91%

LAB 92.07, 6.96, 11.8

HEX #FFE3D2

CMYK 0 / 4 / 10 / 0

HEX #FFF5E5

RGB 255 245 229

HSL 36.92, 1%, 0.95%

LAB 96.91, 0.7, 8.88

HEX #FFF5E5

CMYK 0 / 28 / 34 / 6

HEX #EFAD9E

RGB 239 173 158

HSL 11.11, 0.72%, 0.78%

LAB 76.5, 22.22, 17.27

 

CMYK 0 / 30 / 37 / 13

HEX #DE9B8B

RGB 222 155 139

HSL 11.57, 0.56%, 0.71%

LAB 70.06, 23.04, 18.45

 

CMYK 0 / 33 / 41 / 20

HEX #CD8978

RGB 205 137 120

HSL 12, 0.46%, 0.64%

LAB 63.53, 23.96, 19.74

 

CMYK 0 / 37 / 46 / 26

HEX #BC7765

RGB 188 119 101

HSL 12.41, 0.39%, 0.57%

LAB 56.9, 24.99, 21.18

 

CMYK 0 / 41 / 52 / 33

HEX #AB6552

RGB 171 101 82

HSL 12.81, 0.35%, 0.5%

LAB 50.19, 26.17, 22.82

 

CMYK 0 / 28 / 34 / 6

HEX #EFAD9E

RGB 239 173 158

HSL 11.11, 0.72%, 0.78%

LAB 76.5, 22.22, 17.27

 

CMYK 0 / 34 / 34 / 6

HEX #EF9E9E

RGB 239 158 158

HSL 0, 0.72%, 0.78%

LAB 73.07, 30.17, 12.46

 

CMYK 0 / 28 / 34 / 6

HEX #EFAD9E

RGB 239 173 158

HSL 11.11, 0.72%, 0.78%

LAB 76.5, 22.22, 17.27

 

CMYK 0 / 18 / 34 / 6

HEX #EFC39E

RGB 239 195 158

HSL 27.41, 0.72%, 0.78%

LAB 81.76, 10.59, 24.51

 

CMYK 0 / 9 / 34 / 6

HEX #EFD99E

RGB 239 217 158

HSL 43.7, 0.72%, 0.78%

LAB 87.21, -0.83, 31.87

 

CMYK 0 / 0 / 34 / 6

HEX #EFEE9E

RGB 239 238 158

HSL 59.26, 0.72%, 0.78%

LAB 92.56, -11.42, 38.91

 

CMYK 9 / 0 / 34 / 6

HEX #D9EF9E

RGB 217 239 158

HSL 76.3, 0.72%, 0.78%

LAB 91.21, -20.14, 36.84

 

CMYK 0 / 28 / 34 / 6

HEX #EFAD9E

RGB 239 173 158

HSL 11.11, 0.72%, 0.78%

LAB 76.5, 22.22, 17.27

 

CMYK 0 / 33 / 40 / 3

HEX #F8A795

RGB 248 167 149

HSL 10.91, 0.88%, 0.78%

LAB 75.92, 27.76, 21.51

 

CMYK 0 / 28 / 34 / 6

HEX #EFAD9E

RGB 239 173 158

HSL 11.11, 0.72%, 0.78%

LAB 76.5, 22.22, 17.27

 

CMYK 0 / 22 / 27 / 10

HEX #E6B3A7

RGB 230 179 167

HSL 11.43, 0.56%, 0.78%

LAB 77.19, 16.79, 13.23

 

CMYK 0 / 17 / 20 / 13

HEX #DDB8B0

RGB 221 184 176

HSL 10.67, 0.4%, 0.78%

LAB 77.75, 12.05, 9.03

 

CMYK 0 / 10 / 13 / 17

HEX #D4BEB9

RGB 212 190 185

HSL 11.11, 0.24%, 0.78%

LAB 78.65, 6.95, 5.35

 

CMYK 0 / 3 / 4 / 21

HEX #CAC4C2

RGB 202 196 194

HSL 15, 0.07%, 0.78%

LAB 79.57, 1.73, 1.73

 

CMYK 0 / 34 / 22 / 6

HEX #EF9EBA

RGB 239 158 186

HSL 339.26, 0.72%, 0.78%

LAB 73.77, 33.92, -1.96

 

CMYK 0 / 34 / 31 / 6

HEX #EF9EA5

RGB 239 158 165

HSL 354.81, 0.72%, 0.78%

LAB 73.23, 31.05, 8.84

 

CMYK 0 / 28 / 34 / 6

HEX #EFAD9E

RGB 239 173 158

HSL 11.11, 0.72%, 0.78%

LAB 76.5, 22.22, 17.27

 

CMYK 0 / 19 / 34 / 6

HEX #EFC29E

RGB 239 194 158

HSL 26.67, 0.72%, 0.78%

LAB 81.51, 11.12, 24.18

 

CMYK 0 / 10 / 34 / 6

HEX #EFD89E

RGB 239 216 158

HSL 42.96, 0.72%, 0.78%

LAB 86.96, -0.32, 31.53

 

CMYK 0 / 50 / 62 / 11

HEX #E37157

RGB 227 113 87

HSL 11.14, 0.71%, 0.62%

LAB 60.63, 42.2, 34.89

 

CMYK 0 / 39 / 47 / 9

HEX #E98F7B

RGB 233 143 123

HSL 10.91, 0.71%, 0.7%

LAB 68.31, 31.97, 25.11

 

CMYK 0 / 28 / 34 / 6

HEX #EFAD9E

RGB 239 173 158

HSL 11.11, 0.72%, 0.78%

LAB 76.5, 22.22, 17.27

 

CMYK 0 / 17 / 21 / 4

HEX #F5CBC1

RGB 245 203 193

HSL 11.54, 0.72%, 0.86%

LAB 84.98, 13.31, 10.53

 

CMYK 0 / 7 / 8 / 2

HEX #FAE9E5

RGB 250 233 229

HSL 11.43, 0.68%, 0.94%

LAB 93.56, 5.1, 4

 

CMYK 0 / 28 / 34 / 6

HEX #EFAD9E

RGB 239 173 158

HSL 11.11, 0.72%, 0.78%

LAB 76.5, 22.22, 17.27

 

CMYK 13 / 0 / 34 / 6

HEX #D0EF9E

RGB 208 239 158

HSL 82.96, 0.72%, 0.78%

LAB 90.6, -23.43, 35.93

 

CMYK 34 / 26 / 0 / 6

HEX #9EB0EF

RGB 158 176 239

HSL 226.67, 0.72%, 0.78%

LAB 72.6, 8.41, -33.46

 

CMYK 0 / 28 / 34 / 6

HEX #EFAD9E

RGB 239 173 158

HSL 11.11, 0.72%, 0.78%

LAB 76.5, 22.22, 17.27

 

CMYK 34 / 0 / 28 / 6

HEX #9EEFAD

RGB 158 239 173

HSL 131.11, 0.72%, 0.78%

LAB 87.98, -37.91, 24.29

 

CMYK 28 / 34 / 0 / 6

HEX #AD9EEF

RGB 173 158 239

HSL 251.11, 0.72%, 0.78%

LAB 69.16, 22.74, -38.7

 

CMYK 0 / 28 / 34 / 6

HEX #EFAD9E

RGB 239 173 158

HSL 11.11, 0.72%, 0.78%

LAB 76.5, 22.22, 17.27

 

CMYK 13 / 0 / 34 / 6

HEX #D0EF9E

RGB 208 239 158

HSL 82.96, 0.72%, 0.78%

LAB 90.6, -23.43, 35.93

 

CMYK 34 / 6 / 0 / 6

HEX #9EE0EF

RGB 158 224 239

HSL 191.11, 0.72%, 0.78%

LAB 85.41, -17.1, -13.95

 

CMYK 21 / 34 / 0 / 6

HEX #BD9EEF

RGB 189 158 239

HSL 262.96, 0.72%, 0.78%

LAB 70.53, 27.39, -36.47

 

CMYK 0 / 28 / 34 / 6

HEX #EFAD9E

RGB 239 173 158

HSL 11.11, 0.72%, 0.78%

LAB 76.5, 22.22, 17.27

 

CMYK 23 / 0 / 34 / 6

HEX #B8EF9E

RGB 184 239 158

HSL 100.74, 0.72%, 0.78%

LAB 89.11, -31.88, 33.68

 

CMYK 34 / 6 / 0 / 6

HEX #9EE0EF

RGB 158 224 239

HSL 191.11, 0.72%, 0.78%

LAB 85.41, -17.1, -13.95

 

CMYK 11 / 34 / 0 / 6

HEX #D59EEF

RGB 213 158 239

HSL 280.74, 0.72%, 0.78%

LAB 72.78, 34.6, -32.8

 

Description

Color code: HEX #EFAD9E | qconv.com Color code: HEX #EFAD9E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 173 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 173 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 34 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 34% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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