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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFA6E1 it is the complementary color #10591E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFA6E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFA6E1 shade: #F4A6DC, #FFB8EF, #FFCAFF, #FFDCFF and #FFEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFA6E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFA6E1 shade: #EFA6E1, #DE94CE, #CD82BB, #BC70A8 and #AB5E95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFA6E1 shade: #EEA3E0, #EEA3CC, #EEA3B8 and #EEA3A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFA6E1 shade: #EEA3E0, #E9A3EE, #D4A3EE, #C0A3EE and #ACA3EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFA6E1 shade matches the following richer shades: #EEA3E0 and #F79BE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFA6E1 shade: #EEA3E0, #E6ACDB, #DDB5D5, #D4BDD0 and #CCC6CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFA6E1 shade: #D4A3EE, #E8A3EE, #EEA3E1, #EEA3CD and #EEA3B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFA6E1 shade: #E25DC9, #E880D4, #EEA3E0, #F5C7EC and #FBEAF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFA6E1 shade: #EFA6E1, #EEC0A3 and #A3EEDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFA6E1 shade: #EFA6E1, #E1EEA3 and #A3E1EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFA6E1 shade: #EFA6E1, #EEC0A3, #A3EEB1 and #A3D2EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFA6E1 shade: #EFA6E1, #EED7A3, #A3EEB1 and #A3BBEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 6 / 6

HEX #EFA6E1

RGB 239 166 225

HSL 311.51, 0.7%, 0.79%

LAB 76.71, 35.91, -18.93

 

Complementary color

CMYK 82 / 0 / 66 / 65

HEX #10591E

RGB 16 89 30

HSL 131.51, 0.7%, 0.21%

LAB 32.59, -35.22, 27.43

 

CMYK 0 / 32 / 10 / 4

HEX #F4A6DC

RGB 244 166 220

HSL 318.46, 0.78%, 0.8%

LAB 77.08, 36.7, -15.6

 

CMYK 0 / 28 / 6 / 0

HEX #FFB8EF

RGB 255 184 239

HSL 313.52, 1%, 0.86%

LAB 82.79, 34.06, -17.15

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 0 / 31 / 6 / 6

HEX #EFA6E1

RGB 239 166 225

HSL 311.51, 0.7%, 0.79%

LAB 76.71, 35.91, -18.93

 

CMYK 0 / 33 / 7 / 13

HEX #DE94CE

RGB 222 148 206

HSL 312.97, 0.53%, 0.73%

LAB 70.29, 36.61, -18.41

 

CMYK 0 / 37 / 9 / 20

HEX #CD82BB

RGB 205 130 187

HSL 314.4, 0.43%, 0.66%

LAB 63.78, 37.35, -17.84

 

CMYK 0 / 40 / 11 / 26

HEX #BC70A8

RGB 188 112 168

HSL 315.79, 0.36%, 0.59%

LAB 57.18, 38.11, -17.21

 

CMYK 0 / 45 / 13 / 33

HEX #AB5E95

RGB 171 94 149

HSL 317.14, 0.31%, 0.52%

LAB 50.49, 38.9, -16.49

 

CMYK 0 / 32 / 6 / 7

HEX #EEA3E0

RGB 238 163 224

HSL 311.2, 0.69%, 0.79%

LAB 75.92, 37, -19.6

 

CMYK 0 / 32 / 14 / 7

HEX #EEA3CC

RGB 238 163 204

HSL 327.2, 0.69%, 0.79%

LAB 75.28, 33.67, -9.63

 

CMYK 0 / 32 / 23 / 7

HEX #EEA3B8

RGB 238 163 184

HSL 343.2, 0.69%, 0.79%

LAB 74.72, 30.64, 0.51

 

CMYK 0 / 32 / 32 / 7

HEX #EEA3A3

RGB 238 163 163

HSL 0, 0.69%, 0.79%

LAB 74.2, 27.78, 11.3

 

CMYK 0 / 32 / 6 / 7

HEX #EEA3E0

RGB 238 163 224

HSL 311.2, 0.69%, 0.79%

LAB 75.92, 37, -19.6

 

CMYK 2 / 32 / 0 / 7

HEX #E9A3EE

RGB 233 163 238

HSL 296, 0.69%, 0.79%

LAB 75.88, 37.91, -27.32

 

CMYK 11 / 32 / 0 / 7

HEX #D4A3EE

RGB 212 163 238

HSL 279.2, 0.69%, 0.79%

LAB 73.78, 31.38, -30.72

 

CMYK 19 / 32 / 0 / 7

HEX #C0A3EE

RGB 192 163 238

HSL 263.2, 0.69%, 0.79%

LAB 71.94, 25.28, -33.71

 

CMYK 28 / 32 / 0 / 7

HEX #ACA3EE

RGB 172 163 238

HSL 247.2, 0.69%, 0.79%

LAB 70.27, 19.39, -36.44

 

CMYK 0 / 32 / 6 / 7

HEX #EEA3E0

RGB 238 163 224

HSL 311.2, 0.69%, 0.79%

LAB 75.92, 37, -19.6

 

CMYK 0 / 37 / 7 / 3

HEX #F79BE5

RGB 247 155 229

HSL 311.74, 0.85%, 0.79%

LAB 75.37, 44.9, -23.06

 

CMYK 0 / 32 / 6 / 7

HEX #EEA3E0

RGB 238 163 224

HSL 311.2, 0.69%, 0.79%

LAB 75.92, 37, -19.6

 

CMYK 0 / 25 / 5 / 10

HEX #E6ACDB

RGB 230 172 219

HSL 311.38, 0.54%, 0.79%

LAB 76.95, 28.7, -15.41

 

CMYK 0 / 18 / 4 / 13

HEX #DDB5D5

RGB 221 181 213

HSL 312, 0.37%, 0.79%

LAB 78.01, 19.75, -10.65

 

CMYK 0 / 11 / 2 / 17

HEX #D4BDD0

RGB 212 189 208

HSL 310.43, 0.21%, 0.79%

LAB 79.01, 11.46, -6.55

 

CMYK 0 / 3 / 0 / 20

HEX #CCC6CB

RGB 204 198 203

HSL 310, 0.06%, 0.79%

LAB 80.48, 2.99, -1.76

 

CMYK 11 / 32 / 0 / 7

HEX #D4A3EE

RGB 212 163 238

HSL 279.2, 0.69%, 0.79%

LAB 73.78, 31.38, -30.72

 

CMYK 3 / 32 / 0 / 7

HEX #E8A3EE

RGB 232 163 238

HSL 295.2, 0.69%, 0.79%

LAB 75.78, 37.6, -27.49

 

CMYK 0 / 32 / 5 / 7

HEX #EEA3E1

RGB 238 163 225

HSL 310.4, 0.69%, 0.79%

LAB 75.95, 37.17, -20.1

 

CMYK 0 / 32 / 14 / 7

HEX #EEA3CD

RGB 238 163 205

HSL 326.4, 0.69%, 0.79%

LAB 75.31, 33.83, -10.13

 

CMYK 0 / 32 / 22 / 7

HEX #EEA3B9

RGB 238 163 185

HSL 342.4, 0.69%, 0.79%

LAB 74.75, 30.78, -0

 

CMYK 0 / 59 / 11 / 11

HEX #E25DC9

RGB 226 93 201

HSL 311.28, 0.7%, 0.63%

LAB 60.08, 64.11, -31.22

 

CMYK 0 / 45 / 9 / 9

HEX #E880D4

RGB 232 128 212

HSL 311.54, 0.69%, 0.71%

LAB 67.54, 51.16, -25.84

 

CMYK 0 / 32 / 6 / 7

HEX #EEA3E0

RGB 238 163 224

HSL 311.2, 0.69%, 0.79%

LAB 75.92, 37, -19.6

 

CMYK 0 / 19 / 4 / 4

HEX #F5C7EC

RGB 245 199 236

HSL 311.74, 0.7%, 0.87%

LAB 85.16, 22.33, -12.1

 

CMYK 0 / 7 / 1 / 2

HEX #FBEAF8

RGB 251 234 248

HSL 310.59, 0.68%, 0.95%

LAB 94.37, 8.16, -4.69

 

CMYK 0 / 31 / 6 / 6

HEX #EFA6E1

RGB 239 166 225

HSL 311.51, 0.7%, 0.79%

LAB 76.71, 35.91, -18.93

 

CMYK 0 / 19 / 32 / 7

HEX #EEC0A3

RGB 238 192 163

HSL 23.2, 0.69%, 0.79%

LAB 81.03, 12.41, 20.84

 

CMYK 32 / 0 / 7 / 7

HEX #A3EEDE

RGB 163 238 222

HSL 167.2, 0.69%, 0.79%

LAB 89.02, -26.49, 0.35

 

CMYK 0 / 31 / 6 / 6

HEX #EFA6E1

RGB 239 166 225

HSL 311.51, 0.7%, 0.79%

LAB 76.71, 35.91, -18.93

 

CMYK 5 / 0 / 32 / 7

HEX #E1EEA3

RGB 225 238 163

HSL 70.4, 0.69%, 0.79%

LAB 91.6, -16.06, 34.94

 

CMYK 32 / 5 / 0 / 7

HEX #A3E1EE

RGB 163 225 238

HSL 190.4, 0.69%, 0.79%

LAB 85.91, -16.49, -12.65

 

CMYK 0 / 31 / 6 / 6

HEX #EFA6E1

RGB 239 166 225

HSL 311.51, 0.7%, 0.79%

LAB 76.71, 35.91, -18.93

 

CMYK 0 / 19 / 32 / 7

HEX #EEC0A3

RGB 238 192 163

HSL 23.2, 0.69%, 0.79%

LAB 81.03, 12.41, 20.84

 

CMYK 32 / 0 / 26 / 7

HEX #A3EEB1

RGB 163 238 177

HSL 131.2, 0.69%, 0.79%

LAB 88.02, -35.24, 22.33

 

CMYK 32 / 12 / 0 / 7

HEX #A3D2EE

RGB 163 210 238

HSL 202.4, 0.69%, 0.79%

LAB 81.87, -8.79, -18.72

 

CMYK 0 / 31 / 6 / 6

HEX #EFA6E1

RGB 239 166 225

HSL 311.51, 0.7%, 0.79%

LAB 76.71, 35.91, -18.93

 

CMYK 0 / 10 / 32 / 7

HEX #EED7A3

RGB 238 215 163

HSL 41.6, 0.69%, 0.79%

LAB 86.71, 0.42, 28.6

 

CMYK 32 / 0 / 26 / 7

HEX #A3EEB1

RGB 163 238 177

HSL 131.2, 0.69%, 0.79%

LAB 88.02, -35.24, 22.33

 

CMYK 32 / 21 / 0 / 7

HEX #A3BBEE

RGB 163 187 238

HSL 220.8, 0.69%, 0.79%

LAB 75.76, 3.5, -28.01

 

Description

Color code: HEX #EFA6E1 | qconv.com Color code: HEX #EFA6E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 166 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 166 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 6 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 6% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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