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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF9A6F it is the complementary color #106590. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF9A6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF9A6F shade: #F49A6A, #FFAC7D, #FFBE90, #FFD0A3 and #FFE2B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF9A6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF9A6F shade: #EF9A6F, #DE885C, #CD7649, #BC6436 and #AB5223

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF9A6F shade: #EF9B70, #EF7970 and #EF7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF9A6F shade: #EF9B70, #EFBD70, #EFDF70, #DCEF70 and #BAEF70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF9A6F shade matches the following richer shades: #EF9B70 and #FB9763

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF9A6F shade: #EF9B70, #E29F7D, #D5A38A, #C8A797 and #BCABA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF9A6F shade: #EF708A, #EF7970, #EF9A70, #EFBC70 and #EFDE70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF9A6F shade: #E66726, #EB814B, #EF9B70, #F3B595 and #F7CFBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF9A6F shade: #EF9A6F, #ABEF70 and #7079EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF9A6F shade: #EF9A6F, #70EF9A and #9A70EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF9A6F shade: #EF9A6F, #ABEF70, #70C5EF and #B470EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF9A6F shade: #EF9A6F, #85EF70, #70C5EF and #DA70EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 54 / 6

HEX #EF9A6F

RGB 239 154 111

HSL 20.16, 0.8%, 0.69%

LAB 71.29, 27.44, 35.63

 

Complementary color

CMYK 89 / 30 / 0 / 44

HEX #106590

RGB 16 101 144

HSL 200.16, 0.8%, 0.31%

LAB 40.3, -7.4, -30.22

 

CMYK 0 / 37 / 57 / 4

HEX #F49A6A

RGB 244 154 106

HSL 20.87, 0.86%, 0.69%

LAB 71.82, 29.02, 39.06

 

CMYK 0 / 33 / 51 / 0

HEX #FFAC7D

RGB 255 172 125

HSL 21.69, 1%, 0.75%

LAB 77.43, 25.48, 36.46

 

CMYK 0 / 25 / 44 / 0

HEX #FFBE90

RGB 255 190 144

HSL 24.86, 1%, 0.78%

LAB 81.89, 17.86, 32.33

 

CMYK 0 / 18 / 36 / 0

HEX #FFD0A3

RGB 255 208 163

HSL 29.35, 1%, 0.82%

LAB 86.51, 10.54, 28.59

 

CMYK 0 / 11 / 29 / 0

HEX #FFE2B6

RGB 255 226 182

HSL 36.16, 1%, 0.86%

LAB 91.25, 3.59, 25.19

 

CMYK 0 / 36 / 54 / 6

HEX #EF9A6F

RGB 239 154 111

HSL 20.16, 0.8%, 0.69%

LAB 71.29, 27.44, 35.63

 

CMYK 0 / 39 / 59 / 13

HEX #DE885C

RGB 222 136 92

HSL 20.31, 0.66%, 0.62%

LAB 64.89, 28.69, 37.3

 

CMYK 0 / 42 / 64 / 20

HEX #CD7649

RGB 205 118 73

HSL 20.45, 0.57%, 0.55%

LAB 58.43, 30.09, 39.1

 

CMYK 0 / 47 / 71 / 26

HEX #BC6436

RGB 188 100 54

HSL 20.6, 0.55%, 0.47%

LAB 51.92, 31.66, 41.01

 

CMYK 0 / 52 / 80 / 33

HEX #AB5223

RGB 171 82 35

HSL 20.74, 0.66%, 0.4%

LAB 45.38, 33.4, 42.91

 

CMYK 0 / 35 / 53 / 6

HEX #EF9B70

RGB 239 155 112

HSL 20.31, 0.8%, 0.69%

LAB 71.53, 26.99, 35.41

 

CMYK 0 / 49 / 53 / 6

HEX #EF7970

RGB 239 121 112

HSL 4.25, 0.8%, 0.69%

LAB 64.32, 44.53, 26.04

 

CMYK 0 / 53 / 53 / 6

HEX #EF7070

RGB 239 112 112

HSL 0, 0.8%, 0.69%

LAB 62.6, 48.92, 23.76

 

CMYK 0 / 35 / 53 / 6

HEX #EF9B70

RGB 239 155 112

HSL 20.31, 0.8%, 0.69%

LAB 71.53, 26.99, 35.41

 

CMYK 0 / 21 / 53 / 6

HEX #EFBD70

RGB 239 189 112

HSL 36.38, 0.8%, 0.69%

LAB 79.57, 9.03, 45.43

 

CMYK 0 / 7 / 53 / 6

HEX #EFDF70

RGB 239 223 112

HSL 52.44, 0.8%, 0.69%

LAB 88.11, -8.44, 55.64

 

CMYK 8 / 0 / 53 / 6

HEX #DCEF70

RGB 220 239 112

HSL 68.98, 0.8%, 0.69%

LAB 90.83, -23.84, 58.44

 

CMYK 22 / 0 / 53 / 6

HEX #BAEF70

RGB 186 239 112

HSL 85.04, 0.8%, 0.69%

LAB 88.61, -36.69, 55.28

 

CMYK 0 / 35 / 53 / 6

HEX #EF9B70

RGB 239 155 112

HSL 20.31, 0.8%, 0.69%

LAB 71.53, 26.99, 35.41

 

CMYK 0 / 40 / 61 / 2

HEX #FB9763

RGB 251 151 99

HSL 20.53, 0.95%, 0.69%

LAB 71.92, 32.83, 43.04

 

CMYK 0 / 35 / 53 / 6

HEX #EF9B70

RGB 239 155 112

HSL 20.31, 0.8%, 0.69%

LAB 71.53, 26.99, 35.41

 

CMYK 0 / 30 / 45 / 11

HEX #E29F7D

RGB 226 159 125

HSL 20.2, 0.64%, 0.69%

LAB 71.18, 20.92, 27.69

 

CMYK 0 / 23 / 35 / 16

HEX #D5A38A

RGB 213 163 138

HSL 20, 0.47%, 0.69%

LAB 70.99, 15.09, 20.12

 

CMYK 0 / 17 / 25 / 22

HEX #C8A797

RGB 200 167 151

HSL 19.59, 0.31%, 0.69%

LAB 70.98, 9.61, 12.78

 

CMYK 0 / 9 / 13 / 26

HEX #BCABA3

RGB 188 171 163

HSL 19.2, 0.16%, 0.69%

LAB 71.19, 4.76, 6.33

 

CMYK 0 / 53 / 42 / 6

HEX #EF708A

RGB 239 112 138

HSL 347.72, 0.8%, 0.69%

LAB 63.16, 51.31, 9.67

 

CMYK 0 / 49 / 53 / 6

HEX #EF7970

RGB 239 121 112

HSL 4.25, 0.8%, 0.69%

LAB 64.32, 44.53, 26.04

 

CMYK 0 / 36 / 53 / 6

HEX #EF9A70

RGB 239 154 112

HSL 19.84, 0.8%, 0.69%

LAB 71.3, 27.52, 35.12

 

CMYK 0 / 21 / 53 / 6

HEX #EFBC70

RGB 239 188 112

HSL 35.91, 0.8%, 0.69%

LAB 79.32, 9.56, 45.13

 

CMYK 0 / 7 / 53 / 6

HEX #EFDE70

RGB 239 222 112

HSL 51.97, 0.8%, 0.69%

LAB 87.85, -7.94, 55.34

 

CMYK 0 / 55 / 83 / 10

HEX #E66726

RGB 230 103 38

HSL 20.31, 0.79%, 0.53%

LAB 58.66, 45.99, 57.17

 

CMYK 0 / 45 / 68 / 8

HEX #EB814B

RGB 235 129 75

HSL 20.25, 0.8%, 0.61%

LAB 64.86, 36.43, 46.53

 

CMYK 0 / 35 / 53 / 6

HEX #EF9B70

RGB 239 155 112

HSL 20.31, 0.8%, 0.69%

LAB 71.53, 26.99, 35.41

 

CMYK 0 / 26 / 39 / 5

HEX #F3B595

RGB 243 181 149

HSL 20.43, 0.8%, 0.77%

LAB 78.62, 18.46, 25.09

 

CMYK 0 / 16 / 25 / 3

HEX #F7CFBA

RGB 247 207 186

HSL 20.66, 0.79%, 0.85%

LAB 85.98, 10.96, 15.68

 

CMYK 0 / 36 / 54 / 6

HEX #EF9A6F

RGB 239 154 111

HSL 20.16, 0.8%, 0.69%

LAB 71.29, 27.44, 35.63

 

CMYK 28 / 0 / 53 / 6

HEX #ABEF70

RGB 171 239 112

HSL 92.13, 0.8%, 0.69%

LAB 87.76, -42.03, 54.06

 

CMYK 53 / 49 / 0 / 6

HEX #7079EF

RGB 112 121 239

HSL 235.75, 0.8%, 0.69%

LAB 55.43, 29.09, -60.73

 

CMYK 0 / 36 / 54 / 6

HEX #EF9A6F

RGB 239 154 111

HSL 20.16, 0.8%, 0.69%

LAB 71.29, 27.44, 35.63

 

CMYK 53 / 0 / 36 / 6

HEX #70EF9A

RGB 112 239 154

HSL 139.84, 0.8%, 0.69%

LAB 85.76, -53.66, 30.66

 

CMYK 36 / 53 / 0 / 6

HEX #9A70EF

RGB 154 112 239

HSL 259.84, 0.8%, 0.69%

LAB 56.77, 43.68, -58.39

 

CMYK 0 / 36 / 54 / 6

HEX #EF9A6F

RGB 239 154 111

HSL 20.16, 0.8%, 0.69%

LAB 71.29, 27.44, 35.63

 

CMYK 28 / 0 / 53 / 6

HEX #ABEF70

RGB 171 239 112

HSL 92.13, 0.8%, 0.69%

LAB 87.76, -42.03, 54.06

 

CMYK 53 / 18 / 0 / 6

HEX #70C5EF

RGB 112 197 239

HSL 199.84, 0.8%, 0.69%

LAB 75.83, -14.29, -28.68

 

CMYK 25 / 53 / 0 / 6

HEX #B470EF

RGB 180 112 239

HSL 272.13, 0.8%, 0.69%

LAB 59.46, 50.07, -53.95

 

CMYK 0 / 36 / 54 / 6

HEX #EF9A6F

RGB 239 154 111

HSL 20.16, 0.8%, 0.69%

LAB 71.29, 27.44, 35.63

 

CMYK 44 / 0 / 53 / 6

HEX #85EF70

RGB 133 239 112

HSL 110.08, 0.8%, 0.69%

LAB 85.95, -54.23, 51.47

 

CMYK 53 / 18 / 0 / 6

HEX #70C5EF

RGB 112 197 239

HSL 199.84, 0.8%, 0.69%

LAB 75.83, -14.29, -28.68

 

CMYK 9 / 53 / 0 / 6

HEX #DA70EF

RGB 218 112 239

HSL 290.08, 0.8%, 0.69%

LAB 63.94, 59.84, -46.57

 

Description

Color code: HEX #EF9A6F | qconv.com Color code: HEX #EF9A6F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 154 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 154 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 54 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 54% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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