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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF8EB1 it is the complementary color #10714E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF8EB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF8EB1 shade: #F48EAC, #FFA0BF, #FFB2D2, #FFC4E5 and #FFD6F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF8EB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF8EB1 shade: #EF8EB1, #DE7C9E, #CD6A8B, #BC5878 and #AB4665

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF8EB1 shade: #EF8FB1, #EF8F98 and #EF8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF8EB1 shade: #EF8FB1, #EF8FCB, #EF8FE5, #DE8FEF and #C58FEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF8EB1 shade matches the following richer shades: #EF8FB1 and #F985AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF8EB1 shade: #EF8FB1, #E499B4, #DAA4B7, #D0AEBA and #C5B8BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF8EB1 shade: #EF8FE5, #EF8FCC, #EF8FB2, #EF8F98 and #EF9F8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF8EB1 shade: #E44780, #E96B99, #EF8FB1, #F4B3CA and #F9D7E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF8EB1 shade: #EF8EB1, #EFDF8F and #8FD8EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF8EB1 shade: #EF8EB1, #B2EF8F and #8FB2EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF8EB1 shade: #EF8EB1, #EFDF8F, #8FEFCC and #8F9FEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF8EB1 shade: #EF8EB1, #E2EF8F, #8FEFCC and #9C8FEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 26 / 6

HEX #EF8EB1

RGB 239 142 177

HSL 338.35, 0.75%, 0.75%

LAB 70.09, 41.02, -2.38

 

Complementary color

CMYK 86 / 0 / 31 / 56

HEX #10714E

RGB 16 113 78

HSL 158.35, 0.75%, 0.25%

LAB 41.95, -35.4, 12.1

 

CMYK 0 / 42 / 30 / 4

HEX #F48EAC

RGB 244 142 172

HSL 342.35, 0.82%, 0.76%

LAB 70.56, 42.08, 1.18

 

CMYK 0 / 37 / 25 / 0

HEX #FFA0BF

RGB 255 160 191

HSL 340.42, 1%, 0.81%

LAB 76.17, 39.16, -0.98

 

CMYK 0 / 30 / 18 / 0

HEX #FFB2D2

RGB 255 178 210

HSL 335.06, 1%, 0.85%

LAB 80.6, 32.54, -4.81

 

CMYK 0 / 23 / 10 / 0

HEX #FFC4E5

RGB 255 196 229

HSL 326.44, 1%, 0.88%

LAB 85.2, 26.09, -8.21

 

CMYK 0 / 16 / 3 / 0

HEX #FFD6F8

RGB 255 214 248

HSL 310.24, 1%, 0.92%

LAB 89.92, 19.88, -11.24

 

CMYK 0 / 41 / 26 / 6

HEX #EF8EB1

RGB 239 142 177

HSL 338.35, 0.75%, 0.75%

LAB 70.09, 41.02, -2.38

 

CMYK 0 / 44 / 29 / 13

HEX #DE7C9E

RGB 222 124 158

HSL 339.18, 0.6%, 0.68%

LAB 63.68, 41.87, -1.31

 

CMYK 0 / 48 / 32 / 20

HEX #CD6A8B

RGB 205 106 139

HSL 340, 0.5%, 0.61%

LAB 57.22, 42.74, -0.08

 

CMYK 0 / 53 / 36 / 26

HEX #BC5878

RGB 188 88 120

HSL 340.8, 0.43%, 0.54%

LAB 50.72, 43.6, 1.37

 

CMYK 0 / 59 / 41 / 33

HEX #AB4665

RGB 171 70 101

HSL 341.58, 0.42%, 0.47%

LAB 44.2, 44.38, 3.13

 

CMYK 0 / 40 / 26 / 6

HEX #EF8FB1

RGB 239 143 177

HSL 338.75, 0.75%, 0.75%

LAB 70.29, 40.5, -2.08

 

CMYK 0 / 40 / 36 / 6

HEX #EF8F98

RGB 239 143 152

HSL 354.38, 0.75%, 0.75%

LAB 69.66, 37.32, 10.96

 

CMYK 0 / 40 / 40 / 6

HEX #EF8F8F

RGB 239 143 143

HSL 0, 0.75%, 0.75%

LAB 69.45, 36.3, 15.7

 

CMYK 0 / 40 / 26 / 6

HEX #EF8FB1

RGB 239 143 177

HSL 338.75, 0.75%, 0.75%

LAB 70.29, 40.5, -2.08

 

CMYK 0 / 40 / 15 / 6

HEX #EF8FCB

RGB 239 143 203

HSL 322.5, 0.75%, 0.75%

LAB 71.08, 44.31, -15.36

 

CMYK 0 / 40 / 4 / 6

HEX #EF8FE5

RGB 239 143 229

HSL 306.25, 0.75%, 0.75%

LAB 72, 48.58, -28.31

 

CMYK 7 / 40 / 0 / 6

HEX #DE8FEF

RGB 222 143 239

HSL 289.38, 0.75%, 0.75%

LAB 70.46, 45.31, -36.33

 

CMYK 18 / 40 / 0 / 6

HEX #C58FEF

RGB 197 143 239

HSL 273.75, 0.75%, 0.75%

LAB 67.83, 38, -40.62

 

CMYK 0 / 40 / 26 / 6

HEX #EF8FB1

RGB 239 143 177

HSL 338.75, 0.75%, 0.75%

LAB 70.29, 40.5, -2.08

 

CMYK 0 / 47 / 30 / 2

HEX #F985AF

RGB 249 133 175

HSL 338.28, 0.91%, 0.75%

LAB 69.48, 48.71, -2.01

 

CMYK 0 / 40 / 26 / 6

HEX #EF8FB1

RGB 239 143 177

HSL 338.75, 0.75%, 0.75%

LAB 70.29, 40.5, -2.08

 

CMYK 0 / 33 / 21 / 11

HEX #E499B4

RGB 228 153 180

HSL 338.4, 0.58%, 0.75%

LAB 71.26, 31.82, -2.47

 

CMYK 0 / 25 / 16 / 15

HEX #DAA4B7

RGB 218 164 183

HSL 338.89, 0.42%, 0.75%

LAB 72.81, 22.8, -1.99

 

CMYK 0 / 16 / 11 / 18

HEX #D0AEBA

RGB 208 174 186

HSL 338.82, 0.27%, 0.75%

LAB 74.33, 14.28, -1.51

 

CMYK 0 / 7 / 4 / 23

HEX #C5B8BD

RGB 197 184 189

HSL 336.92, 0.1%, 0.75%

LAB 75.96, 5.49, -0.88

 

CMYK 0 / 40 / 4 / 6

HEX #EF8FE5

RGB 239 143 229

HSL 306.25, 0.75%, 0.75%

LAB 72, 48.58, -28.31

 

CMYK 0 / 40 / 15 / 6

HEX #EF8FCC

RGB 239 143 204

HSL 321.88, 0.75%, 0.75%

LAB 71.12, 44.46, -15.87

 

CMYK 0 / 40 / 26 / 6

HEX #EF8FB2

RGB 239 143 178

HSL 338.13, 0.75%, 0.75%

LAB 70.32, 40.64, -2.59

 

CMYK 0 / 40 / 36 / 6

HEX #EF8F98

RGB 239 143 152

HSL 354.38, 0.75%, 0.75%

LAB 69.66, 37.32, 10.96

 

CMYK 0 / 33 / 40 / 6

HEX #EF9F8F

RGB 239 159 143

HSL 10, 0.75%, 0.75%

LAB 72.98, 27.9, 20.57

 

CMYK 0 / 69 / 44 / 11

HEX #E44780

RGB 228 71 128

HSL 338.22, 0.74%, 0.59%

LAB 54.62, 64.43, 3.04

 

CMYK 0 / 54 / 34 / 9

HEX #E96B99

RGB 233 107 153

HSL 338.1, 0.74%, 0.67%

LAB 61.77, 53.34, -1.06

 

CMYK 0 / 40 / 26 / 6

HEX #EF8FB1

RGB 239 143 177

HSL 338.75, 0.75%, 0.75%

LAB 70.29, 40.5, -2.08

 

CMYK 0 / 27 / 17 / 4

HEX #F4B3CA

RGB 244 179 202

HSL 338.77, 0.75%, 0.83%

LAB 79.46, 26.96, -2.29

 

CMYK 0 / 14 / 9 / 2

HEX #F9D7E3

RGB 249 215 227

HSL 338.82, 0.74%, 0.91%

LAB 89.06, 13.74, -1.52

 

CMYK 0 / 41 / 26 / 6

HEX #EF8EB1

RGB 239 142 177

HSL 338.35, 0.75%, 0.75%

LAB 70.09, 41.02, -2.38

 

CMYK 0 / 7 / 40 / 6

HEX #EFDF8F

RGB 239 223 143

HSL 50, 0.75%, 0.75%

LAB 88.5, -5.57, 41.15

 

CMYK 40 / 10 / 0 / 6

HEX #8FD8EF

RGB 143 216 239

HSL 194.38, 0.75%, 0.75%

LAB 82.48, -16.94, -18.43

 

CMYK 0 / 41 / 26 / 6

HEX #EF8EB1

RGB 239 142 177

HSL 338.35, 0.75%, 0.75%

LAB 70.09, 41.02, -2.38

 

CMYK 26 / 0 / 40 / 6

HEX #B2EF8F

RGB 178 239 143

HSL 98.13, 0.75%, 0.75%

LAB 88.53, -35.99, 40.34

 

CMYK 40 / 26 / 0 / 6

HEX #8FB2EF

RGB 143 178 239

HSL 218.13, 0.75%, 0.75%

LAB 72.17, 3.28, -34.19

 

CMYK 0 / 41 / 26 / 6

HEX #EF8EB1

RGB 239 142 177

HSL 338.35, 0.75%, 0.75%

LAB 70.09, 41.02, -2.38

 

CMYK 0 / 7 / 40 / 6

HEX #EFDF8F

RGB 239 223 143

HSL 50, 0.75%, 0.75%

LAB 88.5, -5.57, 41.15

 

CMYK 40 / 0 / 15 / 6

HEX #8FEFCC

RGB 143 239 204

HSL 158.13, 0.75%, 0.75%

LAB 87.94, -36.22, 8.07

 

CMYK 40 / 33 / 0 / 6

HEX #8F9FEF

RGB 143 159 239

HSL 230, 0.75%, 0.75%

LAB 67.18, 13.99, -41.97

 

CMYK 0 / 41 / 26 / 6

HEX #EF8EB1

RGB 239 142 177

HSL 338.35, 0.75%, 0.75%

LAB 70.09, 41.02, -2.38

 

CMYK 5 / 0 / 40 / 6

HEX #E2EF8F

RGB 226 239 143

HSL 68.13, 0.75%, 0.75%

LAB 91.63, -18.53, 44.93

 

CMYK 40 / 0 / 15 / 6

HEX #8FEFCC

RGB 143 239 204

HSL 158.13, 0.75%, 0.75%

LAB 87.94, -36.22, 8.07

 

CMYK 35 / 40 / 0 / 6

HEX #9C8FEF

RGB 156 143 239

HSL 248.13, 0.75%, 0.75%

LAB 64.12, 26.57, -46.71

 

Description

Color code: HEX #EF8EB1 | qconv.com Color code: HEX #EF8EB1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 142 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 142 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 26 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 26% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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