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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF7078 it is the complementary color #108F87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF7078. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF7078 shade: #F47073, #FF8286, #FF9499, #FFA6AC and #FFB8BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF7078. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF7078 shade: #EF7078, #DE5E65, #CD4C52, #BC3A3F and #AB282C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF7078 shade: #EF7078 and #EF7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF7078 shade: #EF7078, #EF709A, #EF70BC, #EF70DF and #DD70EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF7078 shade matches the following richer shades: #EF7078 and #FB636D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF7078 shade: #EF7078, #E27D83, #D58A8F, #C8979A and #BCA3A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF7078 shade: #EF70BC, #EF709A, #EF7079, #EF8A70 and #EFAB70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF7078 shade: #E62632, #EB4B55, #EF7078, #F3959B and #F7BABE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF7078 shade: #EF7078, #DEEF70 and #70ABEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF7078 shade: #EF7078, #79EF70 and #7079EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF7078 shade: #EF7078, #DEEF70, #70EFE6 and #8170EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF7078 shade: #EF7078, #B8EF70, #70EFE6 and #A770EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 50 / 6

HEX #EF7078

RGB 239 112 120

HSL 356.22, 0.8%, 0.69%

LAB 62.76, 49.6, 19.41

 

Complementary color

CMYK 89 / 0 / 6 / 44

HEX #108F87

RGB 16 143 135

HSL 176.22, 0.8%, 0.31%

LAB 53.5, -32.95, -4.75

 

CMYK 0 / 54 / 53 / 4

HEX #F47073

RGB 244 112 115

HSL 358.64, 0.86%, 0.7%

LAB 63.39, 50.92, 23.24

 

CMYK 0 / 49 / 47 / 0

HEX #FF8286

RGB 255 130 134

HSL 358.08, 1%, 0.75%

LAB 68.71, 47.76, 20.02

 

CMYK 0 / 42 / 40 / 0

HEX #FF9499

RGB 255 148 153

HSL 357.2, 1%, 0.79%

LAB 72.72, 40.66, 15.01

 

CMYK 0 / 35 / 33 / 0

HEX #FFA6AC

RGB 255 166 172

HSL 355.96, 1%, 0.83%

LAB 76.99, 33.57, 10.59

 

CMYK 0 / 28 / 25 / 0

HEX #FFB8BF

RGB 255 184 191

HSL 354.08, 1%, 0.86%

LAB 81.46, 26.64, 6.69

 

CMYK 0 / 53 / 50 / 6

HEX #EF7078

RGB 239 112 120

HSL 356.22, 0.8%, 0.69%

LAB 62.76, 49.6, 19.41

 

CMYK 0 / 58 / 55 / 13

HEX #DE5E65

RGB 222 94 101

HSL 356.72, 0.66%, 0.62%

LAB 56.56, 50.59, 21.55

 

CMYK 0 / 63 / 60 / 20

HEX #CD4C52

RGB 205 76 82

HSL 357.21, 0.56%, 0.55%

LAB 50.4, 51.49, 24.07

 

CMYK 0 / 69 / 66 / 26

HEX #BC3A3F

RGB 188 58 63

HSL 357.69, 0.53%, 0.48%

LAB 44.34, 52.15, 27.1

 

CMYK 0 / 77 / 74 / 33

HEX #AB282C

RGB 171 40 44

HSL 358.17, 0.62%, 0.41%

LAB 38.48, 52.36, 30.74

 

CMYK 0 / 53 / 50 / 6

HEX #EF7078

RGB 239 112 120

HSL 356.22, 0.8%, 0.69%

LAB 62.76, 49.6, 19.41

 

CMYK 0 / 53 / 53 / 6

HEX #EF7070

RGB 239 112 112

HSL 0, 0.8%, 0.69%

LAB 62.6, 48.92, 23.76

 

CMYK 0 / 53 / 50 / 6

HEX #EF7078

RGB 239 112 120

HSL 356.22, 0.8%, 0.69%

LAB 62.76, 49.6, 19.41

 

CMYK 0 / 53 / 36 / 6

HEX #EF709A

RGB 239 112 154

HSL 340.16, 0.8%, 0.69%

LAB 63.57, 53.05, 1.08

 

CMYK 0 / 53 / 21 / 6

HEX #EF70BC

RGB 239 112 188

HSL 324.09, 0.8%, 0.69%

LAB 64.62, 57.38, -16.72

 

CMYK 0 / 53 / 7 / 6

HEX #EF70DF

RGB 239 112 223

HSL 307.56, 0.8%, 0.69%

LAB 65.96, 62.67, -34.33

 

CMYK 8 / 53 / 0 / 6

HEX #DD70EF

RGB 221 112 239

HSL 291.5, 0.8%, 0.69%

LAB 64.32, 60.62, -45.94

 

CMYK 0 / 53 / 50 / 6

HEX #EF7078

RGB 239 112 120

HSL 356.22, 0.8%, 0.69%

LAB 62.76, 49.6, 19.41

 

CMYK 0 / 61 / 57 / 2

HEX #FB636D

RGB 251 99 109

HSL 356.05, 0.95%, 0.69%

LAB 62.11, 58.7, 25.15

 

CMYK 0 / 53 / 50 / 6

HEX #EF7078

RGB 239 112 120

HSL 356.22, 0.8%, 0.69%

LAB 62.76, 49.6, 19.41

 

CMYK 0 / 45 / 42 / 11

HEX #E27D83

RGB 226 125 131

HSL 356.44, 0.64%, 0.69%

LAB 63.73, 39.55, 14.22

 

CMYK 0 / 35 / 33 / 16

HEX #D58A8F

RGB 213 138 143

HSL 356, 0.47%, 0.69%

LAB 65.2, 29.26, 9.26

 

CMYK 0 / 25 / 23 / 22

HEX #C8979A

RGB 200 151 154

HSL 356.33, 0.31%, 0.69%

LAB 67.09, 18.8, 5.57

 

CMYK 0 / 13 / 12 / 26

HEX #BCA3A5

RGB 188 163 165

HSL 355.2, 0.16%, 0.69%

LAB 69.19, 9.47, 2.33

 

CMYK 0 / 53 / 21 / 6

HEX #EF70BC

RGB 239 112 188

HSL 324.09, 0.8%, 0.69%

LAB 64.62, 57.38, -16.72

 

CMYK 0 / 53 / 36 / 6

HEX #EF709A

RGB 239 112 154

HSL 340.16, 0.8%, 0.69%

LAB 63.57, 53.05, 1.08

 

CMYK 0 / 53 / 49 / 6

HEX #EF7079

RGB 239 112 121

HSL 355.75, 0.8%, 0.69%

LAB 62.78, 49.69, 18.87

 

CMYK 0 / 42 / 53 / 6

HEX #EF8A70

RGB 239 138 112

HSL 12.28, 0.8%, 0.69%

LAB 67.8, 35.9, 30.61

 

CMYK 0 / 28 / 53 / 6

HEX #EFAB70

RGB 239 171 112

HSL 27.87, 0.8%, 0.69%

LAB 75.23, 18.52, 40.08

 

CMYK 0 / 83 / 78 / 10

HEX #E62632

RGB 230 38 50

HSL 356.25, 0.79%, 0.53%

LAB 50.02, 70, 43.23

 

CMYK 0 / 68 / 64 / 8

HEX #EB4B55

RGB 235 75 85

HSL 356.25, 0.8%, 0.61%

LAB 55.43, 61.79, 29.79

 

CMYK 0 / 53 / 50 / 6

HEX #EF7078

RGB 239 112 120

HSL 356.22, 0.8%, 0.69%

LAB 62.76, 49.6, 19.41

 

CMYK 0 / 39 / 36 / 5

HEX #F3959B

RGB 243 149 155

HSL 356.17, 0.8%, 0.77%

LAB 71.5, 36.01, 11.97

 

CMYK 0 / 25 / 23 / 3

HEX #F7BABE

RGB 247 186 190

HSL 356.07, 0.79%, 0.85%

LAB 81.08, 22.56, 6.57

 

CMYK 0 / 53 / 50 / 6

HEX #EF7078

RGB 239 112 120

HSL 356.22, 0.8%, 0.69%

LAB 62.76, 49.6, 19.41

 

CMYK 7 / 0 / 53 / 6

HEX #DEEF70

RGB 222 239 112

HSL 68.03, 0.8%, 0.69%

LAB 90.98, -23.06, 58.64

 

CMYK 53 / 28 / 0 / 6

HEX #70ABEF

RGB 112 171 239

HSL 212.13, 0.8%, 0.69%

LAB 68.61, -0.18, -39.86

 

CMYK 0 / 53 / 50 / 6

HEX #EF7078

RGB 239 112 120

HSL 356.22, 0.8%, 0.69%

LAB 62.76, 49.6, 19.41

 

CMYK 49 / 0 / 53 / 6

HEX #79EF70

RGB 121 239 112

HSL 115.75, 0.8%, 0.69%

LAB 85.49, -57.59, 50.81

 

CMYK 53 / 49 / 0 / 6

HEX #7079EF

RGB 112 121 239

HSL 235.75, 0.8%, 0.69%

LAB 55.43, 29.09, -60.73

 

CMYK 0 / 53 / 50 / 6

HEX #EF7078

RGB 239 112 120

HSL 356.22, 0.8%, 0.69%

LAB 62.76, 49.6, 19.41

 

CMYK 7 / 0 / 53 / 6

HEX #DEEF70

RGB 222 239 112

HSL 68.03, 0.8%, 0.69%

LAB 90.98, -23.06, 58.64

 

CMYK 53 / 0 / 4 / 6

HEX #70EFE6

RGB 112 239 230

HSL 175.75, 0.8%, 0.69%

LAB 87.43, -37.33, -6.41

 

CMYK 46 / 53 / 0 / 6

HEX #8170EF

RGB 129 112 239

HSL 248.03, 0.8%, 0.69%

LAB 54.54, 37.99, -62.1

 

CMYK 0 / 53 / 50 / 6

HEX #EF7078

RGB 239 112 120

HSL 356.22, 0.8%, 0.69%

LAB 62.76, 49.6, 19.41

 

CMYK 23 / 0 / 53 / 6

HEX #B8EF70

RGB 184 239 112

HSL 85.98, 0.8%, 0.69%

LAB 88.49, -37.41, 55.11

 

CMYK 53 / 0 / 4 / 6

HEX #70EFE6

RGB 112 239 230

HSL 175.75, 0.8%, 0.69%

LAB 87.43, -37.33, -6.41

 

CMYK 30 / 53 / 0 / 6

HEX #A770EF

RGB 167 112 239

HSL 265.98, 0.8%, 0.69%

LAB 58.07, 46.83, -56.24

 

Description

Color code: HEX #EF7078 | qconv.com Color code: HEX #EF7078 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 112 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 112 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 50 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 50% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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