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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF6E6C it is the complementary color #109193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF6E6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF6E6C shade: #F46E67, #FF807A, #FF928D, #FFA4A0 and #FFB6B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF6E6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF6E6C shade: #EF6E6C, #DE5C59, #CD4A46, #BC3833 and #AB2620

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF6E6C shade: #EE6E6C and #EE6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF6E6C shade: #EE6E6C, #EE916C, #EEB46C, #EED76C and #E2EE6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF6E6C shade matches the following richer shades: #EE6E6C and #FB615E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF6E6C shade: #EE6E6C, #E17A79, #D48786, #C79493 and #B9A1A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF6E6C shade: #EE6CB1, #EE6C8E, #EE6C6C, #EE8E6C and #EEB16C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF6E6C shade: #E62421, #EA4946, #EE6E6C, #F29291 and #F6B7B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF6E6C shade: #EF6E6C, #D4EE6C and #6CA0EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF6E6C shade: #EF6E6C, #6CEE6C and #6C6CEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF6E6C shade: #EF6E6C, #D4EE6C, #6CEEEE and #866CEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF6E6C shade: #EF6E6C, #ADEE6C, #6CEEEE and #AD6CEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 55 / 6

HEX #EF6E6C

RGB 239 110 108

HSL 0.92, 0.8%, 0.68%

LAB 62.16, 49.56, 25.44

 

Complementary color

CMYK 89 / 1 / 0 / 42

HEX #109193

RGB 16 145 147

HSL 180.92, 0.8%, 0.32%

LAB 54.52, -30.17, -10.15

 

CMYK 0 / 55 / 58 / 4

HEX #F46E67

RGB 244 110 103

HSL 2.98, 0.87%, 0.68%

LAB 62.81, 50.94, 29.27

 

CMYK 0 / 50 / 52 / 0

HEX #FF807A

RGB 255 128 122

HSL 2.71, 1%, 0.74%

LAB 68.1, 47.69, 25.88

 

CMYK 0 / 43 / 45 / 0

HEX #FF928D

RGB 255 146 141

HSL 2.63, 1%, 0.78%

LAB 72.05, 40.43, 20.71

 

CMYK 0 / 36 / 37 / 0

HEX #FFA4A0

RGB 255 164 160

HSL 2.53, 1%, 0.81%

LAB 76.28, 33.19, 16.15

 

CMYK 0 / 29 / 30 / 0

HEX #FFB6B3

RGB 255 182 179

HSL 2.37, 1%, 0.85%

LAB 80.72, 26.09, 12.1

 

CMYK 0 / 54 / 55 / 6

HEX #EF6E6C

RGB 239 110 108

HSL 0.92, 0.8%, 0.68%

LAB 62.16, 49.56, 25.44

 

CMYK 0 / 59 / 60 / 13

HEX #DE5C59

RGB 222 92 89

HSL 1.35, 0.67%, 0.61%

LAB 55.99, 50.63, 27.76

 

CMYK 0 / 64 / 66 / 20

HEX #CD4A46

RGB 205 74 70

HSL 1.78, 0.57%, 0.54%

LAB 49.88, 51.6, 30.47

 

CMYK 0 / 70 / 73 / 26

HEX #BC3833

RGB 188 56 51

HSL 2.19, 0.57%, 0.47%

LAB 43.88, 52.32, 33.65

 

CMYK 0 / 78 / 81 / 33

HEX #AB2620

RGB 171 38 32

HSL 2.59, 0.68%, 0.4%

LAB 38.11, 52.57, 37.29

 

CMYK 0 / 54 / 55 / 7

HEX #EE6E6C

RGB 238 110 108

HSL 0.92, 0.79%, 0.68%

LAB 62.01, 49.2, 25.22

 

CMYK 0 / 55 / 55 / 7

HEX #EE6C6C

RGB 238 108 108

HSL 0, 0.79%, 0.68%

LAB 61.64, 50.15, 24.73

 

CMYK 0 / 54 / 55 / 7

HEX #EE6E6C

RGB 238 110 108

HSL 0.92, 0.79%, 0.68%

LAB 62.01, 49.2, 25.22

 

CMYK 0 / 39 / 55 / 7

HEX #EE916C

RGB 238 145 108

HSL 17.08, 0.79%, 0.68%

LAB 69.12, 31.53, 34.45

 

CMYK 0 / 24 / 55 / 7

HEX #EEB46C

RGB 238 180 108

HSL 33.23, 0.79%, 0.68%

LAB 77.22, 13.03, 44.55

 

CMYK 0 / 10 / 55 / 7

HEX #EED76C

RGB 238 215 108

HSL 49.38, 0.79%, 0.68%

LAB 85.94, -5.13, 54.93

 

CMYK 5 / 0 / 55 / 7

HEX #E2EE6C

RGB 226 238 108

HSL 65.54, 0.79%, 0.68%

LAB 90.96, -21.33, 60.48

 

CMYK 0 / 54 / 55 / 7

HEX #EE6E6C

RGB 238 110 108

HSL 0.92, 0.79%, 0.68%

LAB 62.01, 49.2, 25.22

 

CMYK 0 / 61 / 63 / 2

HEX #FB615E

RGB 251 97 94

HSL 1.15, 0.95%, 0.68%

LAB 61.54, 58.57, 32.92

 

CMYK 0 / 54 / 55 / 7

HEX #EE6E6C

RGB 238 110 108

HSL 0.92, 0.79%, 0.68%

LAB 62.01, 49.2, 25.22

 

CMYK 0 / 46 / 46 / 12

HEX #E17A79

RGB 225 122 121

HSL 0.58, 0.63%, 0.68%

LAB 62.77, 39.7, 18.54

 

CMYK 0 / 36 / 37 / 17

HEX #D48786

RGB 212 135 134

HSL 0.77, 0.48%, 0.68%

LAB 64.2, 29.38, 12.9

 

CMYK 0 / 26 / 26 / 22

HEX #C79493

RGB 199 148 147

HSL 1.15, 0.32%, 0.68%

LAB 66.08, 19.04, 8.04

 

CMYK 0 / 13 / 14 / 27

HEX #B9A1A0

RGB 185 161 160

HSL 2.4, 0.15%, 0.68%

LAB 68.27, 8.61, 3.75

 

CMYK 0 / 55 / 26 / 7

HEX #EE6CB1

RGB 238 108 177

HSL 328.15, 0.79%, 0.68%

LAB 63.41, 57.44, -12.32

 

CMYK 0 / 55 / 40 / 7

HEX #EE6C8E

RGB 238 108 142

HSL 344.31, 0.79%, 0.68%

LAB 62.39, 53.28, 6.25

 

CMYK 0 / 55 / 55 / 7

HEX #EE6C6C

RGB 238 108 108

HSL 0, 0.79%, 0.68%

LAB 61.64, 50.15, 24.73

 

CMYK 0 / 40 / 55 / 7

HEX #EE8E6C

RGB 238 142 108

HSL 15.69, 0.79%, 0.68%

LAB 68.46, 33.1, 33.62

 

CMYK 0 / 26 / 55 / 7

HEX #EEB16C

RGB 238 177 108

HSL 31.85, 0.79%, 0.68%

LAB 76.5, 14.61, 43.66

 

CMYK 0 / 84 / 86 / 10

HEX #E62421

RGB 230 36 33

HSL 0.91, 0.8%, 0.52%

LAB 49.73, 70, 51.72

 

CMYK 0 / 69 / 70 / 8

HEX #EA4946

RGB 234 73 70

HSL 1.1, 0.8%, 0.6%

LAB 54.76, 61.45, 37.53

 

CMYK 0 / 54 / 55 / 7

HEX #EE6E6C

RGB 238 110 108

HSL 0.92, 0.79%, 0.68%

LAB 62.01, 49.2, 25.22

 

CMYK 0 / 40 / 40 / 5

HEX #F29291

RGB 242 146 145

HSL 0.62, 0.79%, 0.76%

LAB 70.51, 36.07, 16.11

 

CMYK 0 / 26 / 26 / 4

HEX #F6B7B6

RGB 246 183 182

HSL 0.94, 0.78%, 0.84%

LAB 80.09, 22.66, 9.45

 

CMYK 0 / 54 / 55 / 6

HEX #EF6E6C

RGB 239 110 108

HSL 0.92, 0.8%, 0.68%

LAB 62.16, 49.56, 25.44

 

CMYK 11 / 0 / 55 / 7

HEX #D4EE6C

RGB 212 238 108

HSL 72, 0.79%, 0.68%

LAB 89.97, -26.8, 59.07

 

CMYK 55 / 33 / 0 / 7

HEX #6CA0EE

RGB 108 160 238

HSL 216, 0.79%, 0.68%

LAB 65.36, 4.9, -44.42

 

CMYK 0 / 54 / 55 / 6

HEX #EF6E6C

RGB 239 110 108

HSL 0.92, 0.8%, 0.68%

LAB 62.16, 49.56, 25.44

 

CMYK 55 / 0 / 55 / 7

HEX #6CEE6C

RGB 108 238 108

HSL 120, 0.79%, 0.68%

LAB 84.7, -61.03, 51.59

 

CMYK 55 / 55 / 0 / 7

HEX #6C6CEE

RGB 108 108 238

HSL 240, 0.79%, 0.68%

LAB 51.93, 35.78, -65.82

 

CMYK 0 / 54 / 55 / 6

HEX #EF6E6C

RGB 239 110 108

HSL 0.92, 0.8%, 0.68%

LAB 62.16, 49.56, 25.44

 

CMYK 11 / 0 / 55 / 7

HEX #D4EE6C

RGB 212 238 108

HSL 72, 0.79%, 0.68%

LAB 89.97, -26.8, 59.07

 

CMYK 55 / 0 / 0 / 7

HEX #6CEEEE

RGB 108 238 238

HSL 180, 0.79%, 0.68%

LAB 87.25, -35.59, -10.89

 

CMYK 44 / 55 / 0 / 7

HEX #866CEE

RGB 134 108 238

HSL 252, 0.79%, 0.68%

LAB 53.99, 41.1, -62.4

 

CMYK 0 / 54 / 55 / 6

HEX #EF6E6C

RGB 239 110 108

HSL 0.92, 0.8%, 0.68%

LAB 62.16, 49.56, 25.44

 

CMYK 27 / 0 / 55 / 7

HEX #ADEE6C

RGB 173 238 108

HSL 90, 0.79%, 0.68%

LAB 87.54, -41.29, 55.64

 

CMYK 55 / 0 / 0 / 7

HEX #6CEEEE

RGB 108 238 238

HSL 180, 0.79%, 0.68%

LAB 87.25, -35.59, -10.89

 

CMYK 27 / 55 / 0 / 7

HEX #AD6CEE

RGB 173 108 238

HSL 270, 0.79%, 0.68%

LAB 57.83, 50.2, -56.04

 

Description

Color code: HEX #EF6E6C | qconv.com Color code: HEX #EF6E6C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 110 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 110 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 55 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 55% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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