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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF6E04 it is the complementary color #1091FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF6E04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF6E04 shade: #F46E00, #FF8012, #FF9225, #FFA438 and #FFB64B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF6E04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF6E04 shade: #EF6E04, #DE5C00, #CD4A00, #BC3800 and #AB2600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF6E04 shade: #F16E03, #F12E03 and #F10303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF6E04 shade: #F16E03, #F1AE03, #F1EE03, #B3F103 and #73F103

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF6E04 shade matches the following richer shades: #F16E03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF6E04 shade: #F16E03, #DD7017, #C9722B, #B5743F and #A17652

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF6E04 shade: #F10317, #F12F03, #F16E03, #F1AD03 and #F1ED03

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF6E04 shade: #9F4902, #C85C03, #F16E03, #FB8422 and #FC9A4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF6E04 shade: #EF6E04, #56F103 and #0F03F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF6E04 shade: #EF6E04, #03F16E and #6E03F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF6E04 shade: #EF6E04, #56F103, #0386F1 and #9E03F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF6E04 shade: #EF6E04, #0FF103, #0386F1 and #E503F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 98 / 6

HEX #EF6E04

RGB 239 110 4

HSL 27.06, 0.97%, 0.48%

LAB 61.23, 45.5, 68.73

 

Complementary color

CMYK 94 / 42 / 0 / 2

HEX #1091FB

RGB 16 145 251

HSL 207.06, 0.97%, 0.52%

LAB 59.27, 7.25, -61.38

 

CMYK 0 / 55 / 100 / 4

HEX #F46E00

RGB 244 110 0

HSL 27.05, 1%, 0.48%

LAB 61.98, 47.35, 70.24

 

CMYK 0 / 50 / 93 / 0

HEX #FF8012

RGB 255 128 18

HSL 27.85, 1%, 0.54%

LAB 67.08, 42.99, 71.26

 

CMYK 0 / 43 / 85 / 0

HEX #FF9225

RGB 255 146 37

HSL 30, 1%, 0.57%

LAB 70.84, 34.25, 69.16

 

CMYK 0 / 36 / 78 / 0

HEX #FFA438

RGB 255 164 56

HSL 32.56, 1%, 0.61%

LAB 74.89, 25.49, 66.12

 

CMYK 0 / 29 / 71 / 0

HEX #FFB64B

RGB 255 182 75

HSL 35.67, 1%, 0.65%

LAB 79.17, 16.88, 62.68

 

CMYK 0 / 54 / 98 / 6

HEX #EF6E04

RGB 239 110 4

HSL 27.06, 0.97%, 0.48%

LAB 61.23, 45.5, 68.73

 

CMYK 0 / 59 / 100 / 13

HEX #DE5C00

RGB 222 92 0

HSL 24.86, 1%, 0.44%

LAB 55.26, 47.61, 64.65

 

CMYK 0 / 64 / 100 / 20

HEX #CD4A00

RGB 205 74 0

HSL 21.66, 1%, 0.4%

LAB 49.35, 49.54, 59.94

 

CMYK 0 / 70 / 100 / 26

HEX #BC3800

RGB 188 56 0

HSL 17.87, 1%, 0.37%

LAB 43.54, 51.08, 55.33

 

CMYK 0 / 78 / 100 / 33

HEX #AB2600

RGB 171 38 0

HSL 13.33, 1%, 0.34%

LAB 37.92, 51.96, 50.85

 

CMYK 0 / 54 / 99 / 5

HEX #F16E03

RGB 241 110 3

HSL 26.97, 0.98%, 0.48%

LAB 61.53, 46.25, 69.23

 

CMYK 0 / 81 / 99 / 5

HEX #F12E03

RGB 241 46 3

HSL 10.84, 0.98%, 0.48%

LAB 52.58, 70.38, 64.52

 

CMYK 0 / 99 / 99 / 5

HEX #F10303

RGB 241 3 3

HSL 0, 0.98%, 0.48%

LAB 50.42, 76.55, 63.61

 

CMYK 0 / 54 / 99 / 5

HEX #F16E03

RGB 241 110 3

HSL 26.97, 0.98%, 0.48%

LAB 61.53, 46.25, 69.23

 

CMYK 0 / 28 / 99 / 5

HEX #F1AE03

RGB 241 174 3

HSL 43.11, 0.98%, 0.48%

LAB 75.44, 13.3, 78.19

 

CMYK 0 / 1 / 99 / 5

HEX #F1EE03

RGB 241 238 3

HSL 59.24, 0.98%, 0.48%

LAB 91.62, -19.19, 89.73

 

CMYK 26 / 0 / 99 / 5

HEX #B3F103

RGB 179 241 3

HSL 75.63, 0.98%, 0.48%

LAB 88.21, -45.38, 85.29

 

CMYK 52 / 0 / 99 / 5

HEX #73F103

RGB 115 241 3

HSL 91.76, 0.98%, 0.48%

LAB 85.28, -66.48, 81.75

 

CMYK 0 / 54 / 99 / 5

HEX #F16E03

RGB 241 110 3

HSL 26.97, 0.98%, 0.48%

LAB 61.53, 46.25, 69.23

 

CMYK 0 / 54 / 99 / 5

HEX #F16E03

RGB 241 110 3

HSL 26.97, 0.98%, 0.48%

LAB 61.53, 46.25, 69.23

 

CMYK 0 / 49 / 90 / 13

HEX #DD7017

RGB 221 112 23

HSL 26.97, 0.81%, 0.48%

LAB 59, 37.73, 62.04

 

CMYK 0 / 43 / 79 / 21

HEX #C9722B

RGB 201 114 43

HSL 26.96, 0.65%, 0.48%

LAB 56.71, 29.06, 51.75

 

CMYK 0 / 36 / 65 / 29

HEX #B5743F

RGB 181 116 63

HSL 26.95, 0.48%, 0.48%

LAB 54.73, 20.51, 39.26

 

CMYK 0 / 27 / 49 / 37

HEX #A17652

RGB 161 118 82

HSL 27.34, 0.33%, 0.48%

LAB 53.11, 12.34, 26.38

 

CMYK 0 / 99 / 90 / 5

HEX #F10317

RGB 241 3 23

HSL 354.96, 0.98%, 0.48%

LAB 50.49, 76.73, 57.61

 

CMYK 0 / 80 / 99 / 5

HEX #F12F03

RGB 241 47 3

HSL 11.09, 0.98%, 0.48%

LAB 52.66, 70.13, 64.56

 

CMYK 0 / 54 / 99 / 5

HEX #F16E03

RGB 241 110 3

HSL 26.97, 0.98%, 0.48%

LAB 61.53, 46.25, 69.23

 

CMYK 0 / 28 / 99 / 5

HEX #F1AD03

RGB 241 173 3

HSL 42.86, 0.98%, 0.48%

LAB 75.2, 13.83, 78.02

 

CMYK 0 / 2 / 99 / 5

HEX #F1ED03

RGB 241 237 3

HSL 58.99, 0.98%, 0.48%

LAB 91.36, -18.71, 89.54

 

CMYK 0 / 54 / 99 / 38

HEX #9F4902

RGB 159 73 2

HSL 27.13, 0.98%, 0.32%

LAB 41.44, 32.42, 50.86

 

CMYK 0 / 54 / 99 / 22

HEX #C85C03

RGB 200 92 3

HSL 27.11, 0.97%, 0.4%

LAB 51.77, 39.24, 60.17

 

CMYK 0 / 54 / 99 / 5

HEX #F16E03

RGB 241 110 3

HSL 26.97, 0.98%, 0.48%

LAB 61.53, 46.25, 69.23

 

CMYK 0 / 47 / 86 / 2

HEX #FB8422

RGB 251 132 34

HSL 27.1, 0.96%, 0.56%

LAB 67.37, 39.7, 67.08

 

CMYK 0 / 39 / 70 / 1

HEX #FC9A4B

RGB 252 154 75

HSL 26.78, 0.97%, 0.64%

LAB 72.44, 30.27, 55.49

 

CMYK 0 / 54 / 98 / 6

HEX #EF6E04

RGB 239 110 4

HSL 27.06, 0.97%, 0.48%

LAB 61.23, 45.5, 68.73

 

CMYK 64 / 0 / 99 / 5

HEX #56F103

RGB 86 241 3

HSL 99.08, 0.98%, 0.48%

LAB 84.43, -73.45, 80.71

 

CMYK 94 / 99 / 0 / 5

HEX #0F03F1

RGB 15 3 241

HSL 243.03, 0.98%, 0.48%

LAB 30.68, 75.47, -102.67

 

CMYK 0 / 54 / 98 / 6

HEX #EF6E04

RGB 239 110 4

HSL 27.06, 0.97%, 0.48%

LAB 61.23, 45.5, 68.73

 

CMYK 99 / 0 / 54 / 5

HEX #03F16E

RGB 3 241 110

HSL 146.97, 0.98%, 0.48%

LAB 83.99, -75.01, 49.44

 

CMYK 54 / 99 / 0 / 5

HEX #6E03F1

RGB 110 3 241

HSL 266.97, 0.98%, 0.48%

LAB 37.36, 78.59, -91.38

 

CMYK 0 / 54 / 98 / 6

HEX #EF6E04

RGB 239 110 4

HSL 27.06, 0.97%, 0.48%

LAB 61.23, 45.5, 68.73

 

CMYK 64 / 0 / 99 / 5

HEX #56F103

RGB 86 241 3

HSL 99.08, 0.98%, 0.48%

LAB 84.43, -73.45, 80.71

 

CMYK 99 / 44 / 0 / 5

HEX #0386F1

RGB 3 134 241

HSL 206.97, 0.98%, 0.48%

LAB 55.5, 9.75, -61.92

 

CMYK 34 / 99 / 0 / 5

HEX #9E03F1

RGB 158 3 241

HSL 279.08, 0.98%, 0.48%

LAB 43.78, 82.81, -80.57

 

CMYK 0 / 54 / 98 / 6

HEX #EF6E04

RGB 239 110 4

HSL 27.06, 0.97%, 0.48%

LAB 61.23, 45.5, 68.73

 

CMYK 94 / 0 / 99 / 5

HEX #0FF103

RGB 15 241 3

HSL 116.97, 0.98%, 0.48%

LAB 83.45, -82.04, 79.52

 

CMYK 99 / 44 / 0 / 5

HEX #0386F1

RGB 3 134 241

HSL 206.97, 0.98%, 0.48%

LAB 55.5, 9.75, -61.92

 

CMYK 5 / 99 / 0 / 5

HEX #E503F1

RGB 229 3 241

HSL 296.97, 0.98%, 0.48%

LAB 55.15, 92.11, -61.58

 

Description

Color code: HEX #EF6E04 | qconv.com Color code: HEX #EF6E04 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 110 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 110 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 98 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 98% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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