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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF6BED it is the complementary color #109412. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF6BED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF6BED shade: #F46BE8, #FF7DFB, #FF8FFF, #FFA1FF and #FFB3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF6BED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF6BED shade: #EF6BED, #DE59DA, #CD47C7, #BC35B4 and #AB23A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF6BED shade: #EE6CEC, #EE6CC9, #EE6CA6, #EE6C83 and #EE6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF6BED shade: #EE6CEC, #CD6CEE, #AA6CEE, #876CEE and #6C6CEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF6BED shade matches the following richer shades: #EE6CEC and #FB5EF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF6BED shade: #EE6CEC, #E179DF, #D486D3, #C793C6 and #B9A0B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF6BED shade: #A96CEE, #CB6CEE, #EE6CEE, #EE6CCB and #EE6CA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF6BED shade: #E621E3, #EA46E8, #EE6CEC, #F291F1 and #F6B6F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF6BED shade: #EF6BED, #EE866C and #6CEEBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF6BED shade: #EF6BED, #EEEE6C and #6CEEEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF6BED shade: #EF6BED, #EE866C, #6CEE6C and #6CD4EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF6BED shade: #EF6BED, #EEAD6C, #6CEE6C and #6CADEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 1 / 6

HEX #EF6BED

RGB 239 107 237

HSL 300.91, 0.8%, 0.68%

LAB 65.73, 67.22, -42.45

 

Complementary color

CMYK 89 / 0 / 88 / 42

HEX #109412

RGB 16 148 18

HSL 120.91, 0.8%, 0.32%

LAB 53.31, -55.75, 52.39

 

CMYK 0 / 56 / 5 / 4

HEX #F46BE8

RGB 244 107 232

HSL 305.26, 0.86%, 0.69%

LAB 66.19, 67.69, -38.91

 

CMYK 0 / 51 / 2 / 0

HEX #FF7DFB

RGB 255 125 251

HSL 301.85, 1%, 0.75%

LAB 71.48, 65.66, -40.99

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 55 / 1 / 6

HEX #EF6BED

RGB 239 107 237

HSL 300.91, 0.8%, 0.68%

LAB 65.73, 67.22, -42.45

 

CMYK 0 / 60 / 2 / 13

HEX #DE59DA

RGB 222 89 218

HSL 301.8, 0.67%, 0.61%

LAB 59.65, 67.48, -41.56

 

CMYK 0 / 65 / 3 / 20

HEX #CD47C7

RGB 205 71 199

HSL 302.69, 0.57%, 0.54%

LAB 53.61, 67.45, -40.43

 

CMYK 0 / 72 / 4 / 26

HEX #BC35B4

RGB 188 53 180

HSL 303.56, 0.56%, 0.47%

LAB 47.67, 66.95, -38.96

 

CMYK 0 / 80 / 6 / 33

HEX #AB23A1

RGB 171 35 161

HSL 304.41, 0.66%, 0.4%

LAB 41.9, 65.72, -37

 

CMYK 0 / 55 / 1 / 7

HEX #EE6CEC

RGB 238 108 236

HSL 300.92, 0.79%, 0.68%

LAB 65.72, 66.35, -41.93

 

CMYK 0 / 55 / 16 / 7

HEX #EE6CC9

RGB 238 108 201

HSL 317.08, 0.79%, 0.68%

LAB 64.26, 60.8, -24.64

 

CMYK 0 / 55 / 30 / 7

HEX #EE6CA6

RGB 238 108 166

HSL 333.23, 0.79%, 0.68%

LAB 63.06, 56.04, -6.55

 

CMYK 0 / 55 / 45 / 7

HEX #EE6C83

RGB 238 108 131

HSL 349.38, 0.79%, 0.68%

LAB 62.12, 52.17, 12.2

 

CMYK 0 / 55 / 55 / 7

HEX #EE6C6C

RGB 238 108 108

HSL 0, 0.79%, 0.68%

LAB 61.64, 50.15, 24.73

 

CMYK 0 / 55 / 1 / 7

HEX #EE6CEC

RGB 238 108 236

HSL 300.92, 0.79%, 0.68%

LAB 65.72, 66.35, -41.93

 

CMYK 14 / 55 / 0 / 7

HEX #CD6CEE

RGB 205 108 238

HSL 284.77, 0.79%, 0.68%

LAB 61.55, 58.22, -49.9

 

CMYK 29 / 55 / 0 / 7

HEX #AA6CEE

RGB 170 108 238

HSL 268.62, 0.79%, 0.68%

LAB 57.51, 49.47, -56.57

 

CMYK 43 / 55 / 0 / 7

HEX #876CEE

RGB 135 108 238

HSL 252.46, 0.79%, 0.68%

LAB 54.08, 41.32, -62.26

 

CMYK 55 / 55 / 0 / 7

HEX #6C6CEE

RGB 108 108 238

HSL 240, 0.79%, 0.68%

LAB 51.93, 35.78, -65.82

 

CMYK 0 / 55 / 1 / 7

HEX #EE6CEC

RGB 238 108 236

HSL 300.92, 0.79%, 0.68%

LAB 65.72, 66.35, -41.93

 

CMYK 0 / 63 / 1 / 2

HEX #FB5EF9

RGB 251 94 249

HSL 300.76, 0.95%, 0.68%

LAB 66.02, 77.47, -48.5

 

CMYK 0 / 55 / 1 / 7

HEX #EE6CEC

RGB 238 108 236

HSL 300.92, 0.79%, 0.68%

LAB 65.72, 66.35, -41.93

 

CMYK 0 / 46 / 1 / 12

HEX #E179DF

RGB 225 121 223

HSL 301.15, 0.63%, 0.68%

LAB 65.76, 54.45, -34.78

 

CMYK 0 / 37 / 0 / 17

HEX #D486D3

RGB 212 134 211

HSL 300.77, 0.48%, 0.68%

LAB 66.33, 41.74, -27.34

 

CMYK 0 / 26 / 1 / 22

HEX #C793C6

RGB 199 147 198

HSL 301.15, 0.32%, 0.68%

LAB 67.34, 28.08, -18.67

 

CMYK 0 / 14 / 0 / 27

HEX #B9A0B9

RGB 185 160 185

HSL 300, 0.15%, 0.68%

LAB 68.72, 13.64, -9.49

 

CMYK 29 / 55 / 0 / 7

HEX #A96CEE

RGB 169 108 238

HSL 268.15, 0.79%, 0.68%

LAB 57.4, 49.23, -56.75

 

CMYK 15 / 55 / 0 / 7

HEX #CB6CEE

RGB 203 108 238

HSL 283.85, 0.79%, 0.68%

LAB 61.3, 57.72, -50.3

 

CMYK 0 / 55 / 0 / 7

HEX #EE6CEE

RGB 238 108 238

HSL 300, 0.79%, 0.68%

LAB 65.81, 66.69, -42.89

 

CMYK 0 / 55 / 15 / 7

HEX #EE6CCB

RGB 238 108 203

HSL 316.15, 0.79%, 0.68%

LAB 64.33, 61.1, -25.65

 

CMYK 0 / 55 / 29 / 7

HEX #EE6CA9

RGB 238 108 169

HSL 331.85, 0.79%, 0.68%

LAB 63.15, 56.41, -8.13

 

CMYK 0 / 86 / 1 / 10

HEX #E621E3

RGB 230 33 227

HSL 300.91, 0.8%, 0.52%

LAB 55.54, 87.14, -53.07

 

CMYK 0 / 70 / 1 / 8

HEX #EA46E8

RGB 234 70 232

HSL 300.73, 0.8%, 0.6%

LAB 59.62, 79.54, -49.36

 

CMYK 0 / 55 / 1 / 7

HEX #EE6CEC

RGB 238 108 236

HSL 300.92, 0.79%, 0.68%

LAB 65.72, 66.35, -41.93

 

CMYK 0 / 40 / 0 / 5

HEX #F291F1

RGB 242 145 241

HSL 300.62, 0.79%, 0.76%

LAB 73.21, 50.56, -32.98

 

CMYK 0 / 26 / 0 / 4

HEX #F6B6F5

RGB 246 182 245

HSL 300.94, 0.78%, 0.84%

LAB 81.64, 33.26, -22.19

 

CMYK 0 / 55 / 1 / 6

HEX #EF6BED

RGB 239 107 237

HSL 300.91, 0.8%, 0.68%

LAB 65.73, 67.22, -42.45

 

CMYK 0 / 44 / 55 / 7

HEX #EE866C

RGB 238 134 108

HSL 12, 0.79%, 0.68%

LAB 66.76, 37.25, 31.42

 

CMYK 55 / 0 / 22 / 7

HEX #6CEEBA

RGB 108 238 186

HSL 156, 0.79%, 0.68%

LAB 85.95, -47.94, 14.44

 

CMYK 0 / 55 / 1 / 6

HEX #EF6BED

RGB 239 107 237

HSL 300.91, 0.8%, 0.68%

LAB 65.73, 67.22, -42.45

 

CMYK 0 / 0 / 55 / 7

HEX #EEEE6C

RGB 238 238 108

HSL 60, 0.79%, 0.68%

LAB 91.87, -16.57, 61.75

 

CMYK 55 / 0 / 0 / 7

HEX #6CEEEE

RGB 108 238 238

HSL 180, 0.79%, 0.68%

LAB 87.25, -35.59, -10.89

 

CMYK 0 / 55 / 1 / 6

HEX #EF6BED

RGB 239 107 237

HSL 300.91, 0.8%, 0.68%

LAB 65.73, 67.22, -42.45

 

CMYK 0 / 44 / 55 / 7

HEX #EE866C

RGB 238 134 108

HSL 12, 0.79%, 0.68%

LAB 66.76, 37.25, 31.42

 

CMYK 55 / 0 / 55 / 7

HEX #6CEE6C

RGB 108 238 108

HSL 120, 0.79%, 0.68%

LAB 84.7, -61.03, 51.59

 

CMYK 55 / 11 / 0 / 7

HEX #6CD4EE

RGB 108 212 238

HSL 192, 0.79%, 0.68%

LAB 79.87, -23.06, -21.99

 

CMYK 0 / 55 / 1 / 6

HEX #EF6BED

RGB 239 107 237

HSL 300.91, 0.8%, 0.68%

LAB 65.73, 67.22, -42.45

 

CMYK 0 / 27 / 55 / 7

HEX #EEAD6C

RGB 238 173 108

HSL 30, 0.79%, 0.68%

LAB 75.54, 16.73, 42.49

 

CMYK 55 / 0 / 55 / 7

HEX #6CEE6C

RGB 108 238 108

HSL 120, 0.79%, 0.68%

LAB 84.7, -61.03, 51.59

 

CMYK 55 / 27 / 0 / 7

HEX #6CADEE

RGB 108 173 238

HSL 210, 0.79%, 0.68%

LAB 68.93, -2.45, -38.83

 

Description

Color code: HEX #EF6BED | qconv.com Color code: HEX #EF6BED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 107 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 107 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 1 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 1% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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