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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF53C4 it is the complementary color #10AC3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF53C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF53C4 shade: #F453BF, #FF65D2, #FF77E5, #FF89F8 and #FF9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF53C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF53C4 shade: #EF53C4, #DE41B1, #CD2F9E, #BC1D8B and #AB0B78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF53C4 shade: #EE52C3, #EE5299, #EE526F and #EE5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF53C4 shade: #EE52C3, #EE52EE, #C552EE, #9B52EE and #7152EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF53C4 shade matches the following richer shades: #EE52C3 and #FE43CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF53C4 shade: #EE52C3, #DF61BC, #D070B6, #C180AF and #B18FA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF53C4 shade: #C552EE, #EE52EE, #EE52C5, #EE529B and #EE5271

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF53C4 shade: #DA14A3, #EB2CB6, #EE52C3, #F278D0 and #F59DDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF53C4 shade: #EF53C4, #EE9B52 and #52EEDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF53C4 shade: #EF53C4, #C5EE52 and #52C5EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF53C4 shade: #EF53C4, #EE9B52, #52EE7C and #52A5EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF53C4 shade: #EF53C4, #EECA52, #52EE7C and #5276EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 18 / 6

HEX #EF53C4

RGB 239 83 196

HSL 316.54, 0.83%, 0.63%

LAB 60.36, 70.84, -27.79

 

Complementary color

CMYK 91 / 0 / 66 / 33

HEX #10AC3B

RGB 16 172 59

HSL 136.54, 0.83%, 0.37%

LAB 61.59, -59.8, 46.39

 

CMYK 0 / 66 / 22 / 4

HEX #F453BF

RGB 244 83 191

HSL 319.75, 0.88%, 0.64%

LAB 60.94, 71.46, -23.97

 

CMYK 0 / 60 / 18 / 0

HEX #FF65D2

RGB 255 101 210

HSL 317.53, 1%, 0.7%

LAB 65.92, 69.84, -26.94

 

CMYK 0 / 53 / 10 / 0

HEX #FF77E5

RGB 255 119 229

HSL 311.47, 1%, 0.73%

LAB 69.55, 64.84, -31.92

 

CMYK 0 / 46 / 3 / 0

HEX #FF89F8

RGB 255 137 248

HSL 303.56, 1%, 0.77%

LAB 73.5, 59.5, -36.22

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 65 / 18 / 6

HEX #EF53C4

RGB 239 83 196

HSL 316.54, 0.83%, 0.63%

LAB 60.36, 70.84, -27.79

 

CMYK 0 / 71 / 20 / 13

HEX #DE41B1

RGB 222 65 177

HSL 317.2, 0.7%, 0.56%

LAB 54.54, 70.5, -26.06

 

CMYK 0 / 77 / 23 / 20

HEX #CD2F9E

RGB 205 47 158

HSL 317.85, 0.63%, 0.49%

LAB 48.86, 69.58, -23.88

 

CMYK 0 / 85 / 26 / 26

HEX #BC1D8B

RGB 188 29 139

HSL 318.49, 0.73%, 0.43%

LAB 43.41, 67.82, -21.1

 

CMYK 0 / 94 / 30 / 33

HEX #AB0B78

RGB 171 11 120

HSL 319.13, 0.88%, 0.36%

LAB 38.29, 64.87, -17.52

 

CMYK 0 / 66 / 18 / 7

HEX #EE52C3

RGB 238 82 195

HSL 316.54, 0.82%, 0.63%

LAB 60.03, 70.83, -27.74

 

CMYK 0 / 66 / 36 / 7

HEX #EE5299

RGB 238 82 153

HSL 332.69, 0.82%, 0.63%

LAB 58.52, 65.66, -5.77

 

CMYK 0 / 66 / 53 / 7

HEX #EE526F

RGB 238 82 111

HSL 348.85, 0.82%, 0.63%

LAB 57.42, 61.76, 17.31

 

CMYK 0 / 66 / 66 / 7

HEX #EE5252

RGB 238 82 82

HSL 0, 0.82%, 0.63%

LAB 56.9, 59.84, 33.47

 

CMYK 0 / 66 / 18 / 7

HEX #EE52C3

RGB 238 82 195

HSL 316.54, 0.82%, 0.63%

LAB 60.03, 70.83, -27.74

 

CMYK 0 / 66 / 0 / 7

HEX #EE52EE

RGB 238 82 238

HSL 300, 0.82%, 0.63%

LAB 61.98, 77.23, -48.92

 

CMYK 17 / 66 / 0 / 7

HEX #C552EE

RGB 197 82 238

HSL 284.23, 0.82%, 0.63%

LAB 56.17, 68.19, -58.53

 

CMYK 35 / 66 / 0 / 7

HEX #9B52EE

RGB 155 82 238

HSL 268.08, 0.82%, 0.63%

LAB 50.89, 59.39, -67.3

 

CMYK 53 / 66 / 0 / 7

HEX #7152EE

RGB 113 82 238

HSL 251.92, 0.82%, 0.63%

LAB 46.6, 51.63, -74.46

 

CMYK 0 / 66 / 18 / 7

HEX #EE52C3

RGB 238 82 195

HSL 316.54, 0.82%, 0.63%

LAB 60.03, 70.83, -27.74

 

CMYK 0 / 74 / 20 / 0

HEX #FE43CA

RGB 254 67 202

HSL 316.68, 0.99%, 0.63%

LAB 61.09, 80.66, -29.88

 

CMYK 0 / 66 / 18 / 7

HEX #EE52C3

RGB 238 82 195

HSL 316.54, 0.82%, 0.63%

LAB 60.03, 70.83, -27.74

 

CMYK 0 / 57 / 16 / 13

HEX #DF61BC

RGB 223 97 188

HSL 316.67, 0.66%, 0.63%

LAB 59.77, 59.56, -24.33

 

CMYK 0 / 46 / 13 / 18

HEX #D070B6

RGB 208 112 182

HSL 316.25, 0.51%, 0.63%

LAB 60.23, 46.91, -20.38

 

CMYK 0 / 34 / 9 / 24

HEX #C180AF

RGB 193 128 175

HSL 316.62, 0.34%, 0.63%

LAB 61.54, 32.32, -14.56

 

CMYK 0 / 19 / 5 / 31

HEX #B18FA8

RGB 177 143 168

HSL 315.88, 0.18%, 0.63%

LAB 63.19, 17.11, -8.28

 

CMYK 17 / 66 / 0 / 7

HEX #C552EE

RGB 197 82 238

HSL 284.23, 0.82%, 0.63%

LAB 56.17, 68.19, -58.53

 

CMYK 0 / 66 / 0 / 7

HEX #EE52EE

RGB 238 82 238

HSL 300, 0.82%, 0.63%

LAB 61.98, 77.23, -48.92

 

CMYK 0 / 66 / 17 / 7

HEX #EE52C5

RGB 238 82 197

HSL 315.77, 0.82%, 0.63%

LAB 60.11, 71.1, -28.76

 

CMYK 0 / 66 / 35 / 7

HEX #EE529B

RGB 238 82 155

HSL 331.92, 0.82%, 0.63%

LAB 58.58, 65.88, -6.85

 

CMYK 0 / 66 / 53 / 7

HEX #EE5271

RGB 238 82 113

HSL 348.08, 0.82%, 0.63%

LAB 57.47, 61.91, 16.19

 

CMYK 0 / 91 / 25 / 15

HEX #DA14A3

RGB 218 20 163

HSL 316.67, 0.83%, 0.47%

LAB 49.56, 78.43, -25.59

 

CMYK 0 / 81 / 23 / 8

HEX #EB2CB6

RGB 235 44 182

HSL 316.65, 0.83%, 0.55%

LAB 54.91, 79.99, -28.21

 

CMYK 0 / 66 / 18 / 7

HEX #EE52C3

RGB 238 82 195

HSL 316.54, 0.82%, 0.63%

LAB 60.03, 70.83, -27.74

 

CMYK 0 / 50 / 14 / 5

HEX #F278D0

RGB 242 120 208

HSL 316.72, 0.82%, 0.71%

LAB 67.18, 57.43, -24.05

 

CMYK 0 / 36 / 10 / 4

HEX #F59DDD

RGB 245 157 221

HSL 316.36, 0.81%, 0.79%

LAB 75.29, 41.9, -18.84

 

CMYK 0 / 65 / 18 / 6

HEX #EF53C4

RGB 239 83 196

HSL 316.54, 0.83%, 0.63%

LAB 60.36, 70.84, -27.79

 

CMYK 0 / 35 / 66 / 7

HEX #EE9B52

RGB 238 155 82

HSL 28.08, 0.82%, 0.63%

LAB 71.03, 24.44, 50.13

 

CMYK 66 / 0 / 8 / 7

HEX #52EEDA

RGB 82 238 218

HSL 172.31, 0.82%, 0.63%

LAB 86.01, -45.12, -2.3

 

CMYK 0 / 65 / 18 / 6

HEX #EF53C4

RGB 239 83 196

HSL 316.54, 0.83%, 0.63%

LAB 60.36, 70.84, -27.79

 

CMYK 17 / 0 / 66 / 7

HEX #C5EE52

RGB 197 238 82

HSL 75.77, 0.82%, 0.63%

LAB 88.75, -34.53, 68.27

 

CMYK 66 / 17 / 0 / 7

HEX #52C5EE

RGB 82 197 238

HSL 195.77, 0.82%, 0.63%

LAB 74.76, -20.05, -29.87

 

CMYK 0 / 65 / 18 / 6

HEX #EF53C4

RGB 239 83 196

HSL 316.54, 0.83%, 0.63%

LAB 60.36, 70.84, -27.79

 

CMYK 0 / 35 / 66 / 7

HEX #EE9B52

RGB 238 155 82

HSL 28.08, 0.82%, 0.63%

LAB 71.03, 24.44, 50.13

 

CMYK 66 / 0 / 48 / 7

HEX #52EE7C

RGB 82 238 124

HSL 136.15, 0.82%, 0.63%

LAB 84.17, -64.43, 43.28

 

CMYK 66 / 31 / 0 / 7

HEX #52A5EE

RGB 82 165 238

HSL 208.08, 0.82%, 0.63%

LAB 65.65, -2.79, -44.03

 

CMYK 0 / 65 / 18 / 6

HEX #EF53C4

RGB 239 83 196

HSL 316.54, 0.83%, 0.63%

LAB 60.36, 70.84, -27.79

 

CMYK 0 / 15 / 66 / 7

HEX #EECA52

RGB 238 202 82

HSL 46.15, 0.82%, 0.63%

LAB 82.39, -0.25, 62.56

 

CMYK 66 / 0 / 48 / 7

HEX #52EE7C

RGB 82 238 124

HSL 136.15, 0.82%, 0.63%

LAB 84.17, -64.43, 43.28

 

CMYK 66 / 50 / 0 / 7

HEX #5276EE

RGB 82 118 238

HSL 226.15, 0.82%, 0.63%

LAB 52.87, 25.18, -64.4

 

Description

Color code: HEX #EF53C4 | qconv.com Color code: HEX #EF53C4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 83 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 83 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 18 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 18% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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