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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF51C8 it is the complementary color #10AE37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF51C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF51C8 shade: #F451C3, #FF63D6, #FF75E9, #FF87FC and #FF99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF51C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF51C8 shade: #EF51C8, #DE3FB5, #CD2DA2, #BC1B8F and #AB097C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF51C8 shade: #EE52C8, #EE529E, #EE5273 and #EE5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF51C8 shade: #EE52C8, #EB52EE, #C152EE, #9652EE and #6C52EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF51C8 shade matches the following richer shades: #EE52C8 and #FE43D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF51C8 shade: #EE52C8, #DF61C0, #D070B8, #C180B1 and #B18FA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF51C8 shade: #BF52EE, #E952EE, #EE52CA, #EE52A0 and #EE5276

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF51C8 shade: #DA14A9, #EB2CBC, #EE52C8, #F278D4 and #F59DE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF51C8 shade: #EF51C8, #EE9652 and #52EED4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF51C8 shade: #EF51C8, #CAEE52 and #52CAEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF51C8 shade: #EF51C8, #EE9652, #52EE76 and #52ABEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF51C8 shade: #EF51C8, #EEC552, #52EE76 and #527CEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 16 / 6

HEX #EF51C8

RGB 239 81 200

HSL 314.81, 0.83%, 0.63%

LAB 60.25, 72.14, -30.23

 

Complementary color

CMYK 91 / 0 / 68 / 32

HEX #10AE37

RGB 16 174 55

HSL 134.81, 0.83%, 0.37%

LAB 62.22, -60.84, 48.76

 

CMYK 0 / 67 / 20 / 4

HEX #F451C3

RGB 244 81 195

HSL 318.04, 0.88%, 0.64%

LAB 60.83, 72.72, -26.42

 

CMYK 0 / 61 / 16 / 0

HEX #FF63D6

RGB 255 99 214

HSL 315.77, 1%, 0.69%

LAB 65.78, 71.21, -29.4

 

CMYK 0 / 54 / 9 / 0

HEX #FF75E9

RGB 255 117 233

HSL 309.57, 1%, 0.73%

LAB 69.37, 66.36, -34.4

 

CMYK 0 / 47 / 1 / 0

HEX #FF87FC

RGB 255 135 252

HSL 301.5, 1%, 0.76%

LAB 73.3, 61.14, -38.71

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 66 / 16 / 6

HEX #EF51C8

RGB 239 81 200

HSL 314.81, 0.83%, 0.63%

LAB 60.25, 72.14, -30.23

 

CMYK 0 / 72 / 18 / 13

HEX #DE3FB5

RGB 222 63 181

HSL 315.47, 0.71%, 0.56%

LAB 54.47, 71.7, -28.49

 

CMYK 0 / 78 / 21 / 20

HEX #CD2DA2

RGB 205 45 162

HSL 316.13, 0.64%, 0.49%

LAB 48.84, 70.64, -26.29

 

CMYK 0 / 86 / 24 / 26

HEX #BC1B8F

RGB 188 27 143

HSL 316.77, 0.75%, 0.42%

LAB 43.45, 68.71, -23.48

 

CMYK 0 / 95 / 27 / 33

HEX #AB097C

RGB 171 9 124

HSL 317.41, 0.9%, 0.35%

LAB 38.39, 65.56, -19.87

 

CMYK 0 / 66 / 16 / 7

HEX #EE52C8

RGB 238 82 200

HSL 314.62, 0.82%, 0.63%

LAB 60.23, 71.52, -30.28

 

CMYK 0 / 66 / 34 / 7

HEX #EE529E

RGB 238 82 158

HSL 330.77, 0.82%, 0.63%

LAB 58.68, 66.22, -8.45

 

CMYK 0 / 66 / 52 / 7

HEX #EE5273

RGB 238 82 115

HSL 347.31, 0.82%, 0.63%

LAB 57.51, 62.07, 15.08

 

CMYK 0 / 66 / 66 / 7

HEX #EE5252

RGB 238 82 82

HSL 0, 0.82%, 0.63%

LAB 56.9, 59.84, 33.47

 

CMYK 0 / 66 / 16 / 7

HEX #EE52C8

RGB 238 82 200

HSL 314.62, 0.82%, 0.63%

LAB 60.23, 71.52, -30.28

 

CMYK 1 / 66 / 0 / 7

HEX #EB52EE

RGB 235 82 238

HSL 298.85, 0.82%, 0.63%

LAB 61.54, 76.56, -49.65

 

CMYK 19 / 66 / 0 / 7

HEX #C152EE

RGB 193 82 238

HSL 282.69, 0.82%, 0.63%

LAB 55.63, 67.32, -59.42

 

CMYK 37 / 66 / 0 / 7

HEX #9652EE

RGB 150 82 238

HSL 266.15, 0.82%, 0.63%

LAB 50.32, 58.39, -68.24

 

CMYK 55 / 66 / 0 / 7

HEX #6C52EE

RGB 108 82 238

HSL 250, 0.82%, 0.63%

LAB 46.17, 50.81, -75.18

 

CMYK 0 / 66 / 16 / 7

HEX #EE52C8

RGB 238 82 200

HSL 314.62, 0.82%, 0.63%

LAB 60.23, 71.52, -30.28

 

CMYK 0 / 74 / 18 / 0

HEX #FE43D0

RGB 254 67 208

HSL 314.76, 0.99%, 0.63%

LAB 61.34, 81.42, -32.9

 

CMYK 0 / 66 / 16 / 7

HEX #EE52C8

RGB 238 82 200

HSL 314.62, 0.82%, 0.63%

LAB 60.23, 71.52, -30.28

 

CMYK 0 / 57 / 14 / 13

HEX #DF61C0

RGB 223 97 192

HSL 314.76, 0.66%, 0.63%

LAB 59.93, 60.16, -26.37

 

CMYK 0 / 46 / 12 / 18

HEX #D070B8

RGB 208 112 184

HSL 315, 0.51%, 0.63%

LAB 60.3, 47.24, -21.41

 

CMYK 0 / 34 / 8 / 24

HEX #C180B1

RGB 193 128 177

HSL 314.77, 0.34%, 0.63%

LAB 61.61, 32.67, -15.59

 

CMYK 0 / 19 / 5 / 31

HEX #B18FA9

RGB 177 143 169

HSL 314.12, 0.18%, 0.63%

LAB 63.22, 17.29, -8.8

 

CMYK 20 / 66 / 0 / 7

HEX #BF52EE

RGB 191 82 238

HSL 281.92, 0.82%, 0.63%

LAB 55.36, 66.89, -59.86

 

CMYK 2 / 66 / 0 / 7

HEX #E952EE

RGB 233 82 238

HSL 298.08, 0.82%, 0.63%

LAB 61.25, 76.12, -50.13

 

CMYK 0 / 66 / 15 / 7

HEX #EE52CA

RGB 238 82 202

HSL 313.85, 0.82%, 0.63%

LAB 60.32, 71.8, -31.28

 

CMYK 0 / 66 / 33 / 7

HEX #EE52A0

RGB 238 82 160

HSL 330, 0.82%, 0.63%

LAB 58.74, 66.44, -9.52

 

CMYK 0 / 66 / 50 / 7

HEX #EE5276

RGB 238 82 118

HSL 346.15, 0.82%, 0.63%

LAB 57.58, 62.32, 13.41

 

CMYK 0 / 91 / 22 / 15

HEX #DA14A9

RGB 218 20 169

HSL 314.85, 0.83%, 0.47%

LAB 49.82, 79.13, -28.73

 

CMYK 0 / 81 / 20 / 8

HEX #EB2CBC

RGB 235 44 188

HSL 314.76, 0.83%, 0.55%

LAB 55.17, 80.72, -31.29

 

CMYK 0 / 66 / 16 / 7

HEX #EE52C8

RGB 238 82 200

HSL 314.62, 0.82%, 0.63%

LAB 60.23, 71.52, -30.28

 

CMYK 0 / 50 / 12 / 5

HEX #F278D4

RGB 242 120 212

HSL 314.75, 0.82%, 0.71%

LAB 67.32, 58.05, -26.05

 

CMYK 0 / 36 / 9 / 4

HEX #F59DE0

RGB 245 157 224

HSL 314.32, 0.81%, 0.79%

LAB 75.39, 42.4, -20.33

 

CMYK 0 / 66 / 16 / 6

HEX #EF51C8

RGB 239 81 200

HSL 314.81, 0.83%, 0.63%

LAB 60.25, 72.14, -30.23

 

CMYK 0 / 37 / 66 / 7

HEX #EE9652

RGB 238 150 82

HSL 26.15, 0.82%, 0.63%

LAB 69.89, 27.08, 48.85

 

CMYK 66 / 0 / 11 / 7

HEX #52EED4

RGB 82 238 212

HSL 170, 0.82%, 0.63%

LAB 85.85, -46.64, 0.62

 

CMYK 0 / 66 / 16 / 6

HEX #EF51C8

RGB 239 81 200

HSL 314.81, 0.83%, 0.63%

LAB 60.25, 72.14, -30.23

 

CMYK 15 / 0 / 66 / 7

HEX #CAEE52

RGB 202 238 82

HSL 73.85, 0.82%, 0.63%

LAB 89.07, -32.59, 68.71

 

CMYK 66 / 15 / 0 / 7

HEX #52CAEE

RGB 82 202 238

HSL 193.85, 0.82%, 0.63%

LAB 76.2, -22.6, -27.67

 

CMYK 0 / 66 / 16 / 6

HEX #EF51C8

RGB 239 81 200

HSL 314.81, 0.83%, 0.63%

LAB 60.25, 72.14, -30.23

 

CMYK 0 / 37 / 66 / 7

HEX #EE9652

RGB 238 150 82

HSL 26.15, 0.82%, 0.63%

LAB 69.89, 27.08, 48.85

 

CMYK 66 / 0 / 50 / 7

HEX #52EE76

RGB 82 238 118

HSL 133.85, 0.82%, 0.63%

LAB 84.1, -65.3, 46.04

 

CMYK 66 / 28 / 0 / 7

HEX #52ABEE

RGB 82 171 238

HSL 205.77, 0.82%, 0.63%

LAB 67.35, -6.15, -41.38

 

CMYK 0 / 66 / 16 / 6

HEX #EF51C8

RGB 239 81 200

HSL 314.81, 0.83%, 0.63%

LAB 60.25, 72.14, -30.23

 

CMYK 0 / 17 / 66 / 7

HEX #EEC552

RGB 238 197 82

HSL 44.23, 0.82%, 0.63%

LAB 81.14, 2.33, 61.23

 

CMYK 66 / 0 / 50 / 7

HEX #52EE76

RGB 82 238 118

HSL 133.85, 0.82%, 0.63%

LAB 84.1, -65.3, 46.04

 

CMYK 66 / 48 / 0 / 7

HEX #527CEE

RGB 82 124 238

HSL 223.85, 0.82%, 0.63%

LAB 54.43, 21.49, -61.88

 

Description

Color code: HEX #EF51C8 | qconv.com Color code: HEX #EF51C8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 81 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 81 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 16 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 16% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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