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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF337C it is the complementary color #10CC83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF337C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF337C shade: #F43377, #FF458A, #FF579D, #FF69B0 and #FF7BC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF337C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF337C shade: #EF337C, #DE2169, #CD0F56, #BC0043 and #AB0030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF337C shade: #EE347C, #EE344A and #EE3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF337C shade: #EE347C, #EE34AE, #EE34E1, #C934EE and #9734EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF337C shade matches the following richer shades: #EE347C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF337C shade: #EE347C, #DC4580, #CB5784, #B96988 and #A77B8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF337C shade: #EE34E2, #EE34B0, #EE347E, #EE344D and #EE4D34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF337C shade: #C00F54, #E61265, #EE347C, #F15A95 and #F480AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF337C shade: #EF337C, #EEC934 and #34C9EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF337C shade: #EF337C, #7EEE34 and #347EEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF337C shade: #EF337C, #EEC934, #34EEA3 and #3459EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF337C shade: #EF337C, #DBEE34, #34EEA3 and #4634EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 48 / 6

HEX #EF337C

RGB 239 51 124

HSL 336.7, 0.85%, 0.57%

LAB 54.21, 73.36, 5.1

 

Complementary color

CMYK 92 / 0 / 36 / 20

HEX #10CC83

RGB 16 204 131

HSL 156.7, 0.85%, 0.43%

LAB 72.85, -58.8, 24.83

 

CMYK 0 / 79 / 51 / 4

HEX #F43377

RGB 244 51 119

HSL 338.86, 0.9%, 0.58%

LAB 55, 74.25, 9.35

 

CMYK 0 / 73 / 46 / 0

HEX #FF458A

RGB 255 69 138

HSL 337.74, 1%, 0.64%

LAB 59.3, 73.49, 4.49

 

CMYK 0 / 66 / 38 / 0

HEX #FF579D

RGB 255 87 157

HSL 335, 1%, 0.67%

LAB 62.09, 68.99, -2.51

 

CMYK 0 / 59 / 31 / 0

HEX #FF69B0

RGB 255 105 176

HSL 331.6, 1%, 0.71%

LAB 65.36, 63.77, -8.57

 

CMYK 0 / 52 / 24 / 0

HEX #FF7BC3

RGB 255 123 195

HSL 327.27, 1%, 0.74%

LAB 69.02, 58.07, -13.82

 

CMYK 0 / 79 / 48 / 6

HEX #EF337C

RGB 239 51 124

HSL 336.7, 0.85%, 0.57%

LAB 54.21, 73.36, 5.1

 

CMYK 0 / 85 / 53 / 13

HEX #DE2169

RGB 222 33 105

HSL 337.14, 0.74%, 0.5%

LAB 49.05, 71.79, 8.83

 

CMYK 0 / 93 / 58 / 20

HEX #CD0F56

RGB 205 15 86

HSL 337.58, 0.86%, 0.43%

LAB 44.22, 69.22, 13.36

 

CMYK 0 / 100 / 64 / 26

HEX #BC0043

RGB 188 0 67

HSL 338.62, 1%, 0.37%

LAB 39.74, 65.57, 18.73

 

CMYK 0 / 100 / 72 / 33

HEX #AB0030

RGB 171 0 48

HSL 343.16, 1%, 0.34%

LAB 35.74, 60.52, 25.04

 

CMYK 0 / 78 / 48 / 7

HEX #EE347C

RGB 238 52 124

HSL 336.77, 0.85%, 0.57%

LAB 54.12, 72.84, 4.95

 

CMYK 0 / 78 / 69 / 7

HEX #EE344A

RGB 238 52 74

HSL 352.9, 0.85%, 0.57%

LAB 53.09, 69.65, 33.41

 

CMYK 0 / 78 / 78 / 7

HEX #EE3434

RGB 238 52 52

HSL 0, 0.85%, 0.57%

LAB 52.82, 68.8, 45.52

 

CMYK 0 / 78 / 48 / 7

HEX #EE347C

RGB 238 52 124

HSL 336.77, 0.85%, 0.57%

LAB 54.12, 72.84, 4.95

 

CMYK 0 / 78 / 27 / 7

HEX #EE34AE

RGB 238 52 174

HSL 320.65, 0.85%, 0.57%

LAB 55.78, 77.79, -22.17

 

CMYK 0 / 78 / 5 / 7

HEX #EE34E1

RGB 238 52 225

HSL 304.19, 0.85%, 0.57%

LAB 58.1, 84.43, -47.78

 

CMYK 16 / 78 / 0 / 7

HEX #C934EE

RGB 201 52 238

HSL 288.06, 0.85%, 0.57%

LAB 53, 79.6, -63.59

 

CMYK 37 / 78 / 0 / 7

HEX #9734EE

RGB 151 52 238

HSL 271.94, 0.85%, 0.57%

LAB 45.92, 71.35, -75.41

 

CMYK 0 / 78 / 48 / 7

HEX #EE347C

RGB 238 52 124

HSL 336.77, 0.85%, 0.57%

LAB 54.12, 72.84, 4.95

 

CMYK 0 / 78 / 48 / 7

HEX #EE347C

RGB 238 52 124

HSL 336.77, 0.85%, 0.57%

LAB 54.12, 72.84, 4.95

 

CMYK 0 / 69 / 42 / 14

HEX #DC4580

RGB 220 69 128

HSL 336.56, 0.68%, 0.57%

LAB 52.98, 62.88, 0.5

 

CMYK 0 / 57 / 35 / 20

HEX #CB5784

RGB 203 87 132

HSL 336.72, 0.53%, 0.57%

LAB 53.14, 50.53, -1.97

 

CMYK 0 / 43 / 26 / 27

HEX #B96988

RGB 185 105 136

HSL 336.75, 0.36%, 0.57%

LAB 54.23, 35.81, -3.02

 

CMYK 0 / 26 / 16 / 35

HEX #A77B8C

RGB 167 123 140

HSL 336.82, 0.2%, 0.57%

LAB 56.36, 19.81, -2.47

 

CMYK 0 / 78 / 5 / 7

HEX #EE34E2

RGB 238 52 226

HSL 303.87, 0.85%, 0.57%

LAB 58.15, 84.57, -48.26

 

CMYK 0 / 78 / 26 / 7

HEX #EE34B0

RGB 238 52 176

HSL 320, 0.85%, 0.57%

LAB 55.85, 78.02, -23.22

 

CMYK 0 / 78 / 47 / 7

HEX #EE347E

RGB 238 52 126

HSL 336.13, 0.85%, 0.57%

LAB 54.17, 73.01, 3.83

 

CMYK 0 / 78 / 68 / 7

HEX #EE344D

RGB 238 52 77

HSL 351.94, 0.85%, 0.57%

LAB 53.13, 69.79, 31.71

 

CMYK 0 / 68 / 78 / 7

HEX #EE4D34

RGB 238 77 52

HSL 8.06, 0.85%, 0.57%

LAB 55.82, 60.49, 48.58

 

CMYK 0 / 92 / 56 / 25

HEX #C00F54

RGB 192 15 84

HSL 336.61, 0.86%, 0.41%

LAB 41.51, 65.96, 10.45

 

CMYK 0 / 92 / 56 / 10

HEX #E61265

RGB 230 18 101

HSL 336.51, 0.85%, 0.49%

LAB 49.73, 75.73, 12.46

 

CMYK 0 / 78 / 48 / 7

HEX #EE347C

RGB 238 52 124

HSL 336.77, 0.85%, 0.57%

LAB 54.12, 72.84, 4.95

 

CMYK 0 / 63 / 38 / 5

HEX #F15A95

RGB 241 90 149

HSL 336.56, 0.84%, 0.65%

LAB 60.05, 62.91, -1.12

 

CMYK 0 / 48 / 29 / 4

HEX #F480AD

RGB 244 128 173

HSL 336.72, 0.84%, 0.73%

LAB 67.79, 49.26, -3.44

 

CMYK 0 / 79 / 48 / 6

HEX #EF337C

RGB 239 51 124

HSL 336.7, 0.85%, 0.57%

LAB 54.21, 73.36, 5.1

 

CMYK 0 / 16 / 78 / 7

HEX #EEC934

RGB 238 201 52

HSL 48.06, 0.85%, 0.57%

LAB 81.95, -1.11, 73.31

 

CMYK 78 / 16 / 0 / 7

HEX #34C9EE

RGB 52 201 238

HSL 191.94, 0.85%, 0.57%

LAB 75.25, -25.83, -29.18

 

CMYK 0 / 79 / 48 / 6

HEX #EF337C

RGB 239 51 124

HSL 336.7, 0.85%, 0.57%

LAB 54.21, 73.36, 5.1

 

CMYK 47 / 0 / 78 / 7

HEX #7EEE34

RGB 126 238 52

HSL 96.13, 0.85%, 0.57%

LAB 84.91, -60.9, 73.38

 

CMYK 78 / 47 / 0 / 7

HEX #347EEE

RGB 52 126 238

HSL 216.13, 0.85%, 0.57%

LAB 53.84, 16.35, -62.88

 

CMYK 0 / 79 / 48 / 6

HEX #EF337C

RGB 239 51 124

HSL 336.7, 0.85%, 0.57%

LAB 54.21, 73.36, 5.1

 

CMYK 0 / 16 / 78 / 7

HEX #EEC934

RGB 238 201 52

HSL 48.06, 0.85%, 0.57%

LAB 81.95, -1.11, 73.31

 

CMYK 78 / 0 / 32 / 7

HEX #34EEA3

RGB 52 238 163

HSL 155.81, 0.85%, 0.57%

LAB 84.24, -61.78, 23.77

 

CMYK 78 / 63 / 0 / 7

HEX #3459EE

RGB 52 89 238

HSL 228.06, 0.85%, 0.57%

LAB 44.3, 39.55, -78.38

 

CMYK 0 / 79 / 48 / 6

HEX #EF337C

RGB 239 51 124

HSL 336.7, 0.85%, 0.57%

LAB 54.21, 73.36, 5.1

 

CMYK 8 / 0 / 78 / 7

HEX #DBEE34

RGB 219 238 52

HSL 66.13, 0.85%, 0.57%

LAB 90.07, -27.32, 80

 

CMYK 78 / 0 / 32 / 7

HEX #34EEA3

RGB 52 238 163

HSL 155.81, 0.85%, 0.57%

LAB 84.24, -61.78, 23.77

 

CMYK 71 / 78 / 0 / 7

HEX #4634EE

RGB 70 52 238

HSL 245.81, 0.85%, 0.57%

LAB 37.72, 61.76, -89.19

 

Description

Color code: HEX #EF337C | qconv.com Color code: HEX #EF337C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 51 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 51 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 48 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 48% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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