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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF20F3 it is the complementary color #10DF0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF20F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF20F3 shade: #F420EE, #FF32FF, #FF44FF, #FF56FF and #FF68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF20F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF20F3 shade: #EF20F3, #DE0EE0, #CD00CD, #BC00BA and #AB00A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF20F3 shade: #EF20F3, #F320BE, #F32085, #F3204C and #F32020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF20F3 shade: #EF20F3, #B620F3, #7D20F3, #4420F3 and #2020F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF20F3 shade matches the following richer shades: #EF20F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF20F3 shade: #EF20F3, #DD33E0, #CA46CD, #B859BA and #A66CA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF20F3 shade: #7B20F3, #B320F3, #EC20F3, #F320C2 and #F32089

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF20F3 shade: #B309B7, #DA0BDE, #EF20F3, #F247F5 and #F46EF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF20F3 shade: #EF20F3, #F34320 and #20F397

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF20F3 shade: #EF20F3, #F3EC20 and #20F3EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF20F3 shade: #EF20F3, #F34320, #27F320 and #20D0F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF20F3 shade: #EF20F3, #F38220, #27F320 and #2090F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 87 / 0 / 5

HEX #EF20F3

RGB 239 32 243

HSL 298.86, 0.9%, 0.54%

LAB 57.9, 91.17, -58.2

 

Complementary color

CMYK 93 / 0 / 95 / 13

HEX #10DF0C

RGB 16 223 12

HSL 118.86, 0.9%, 0.46%

LAB 77.82, -77.08, 74.14

 

CMYK 0 / 87 / 2 / 4

HEX #F420EE

RGB 244 32 238

HSL 301.7, 0.91%, 0.54%

LAB 58.45, 91.3, -54.47

 

CMYK 0 / 80 / 0 / 0

HEX #FF32FF

RGB 255 50 255

HSL 300, 1%, 0.6%

LAB 62.31, 92.42, -57.67

 

CMYK 0 / 73 / 0 / 0

HEX #FF44FF

RGB 255 68 255

HSL 300, 1%, 0.63%

LAB 63.85, 87.96, -55.22

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 2 / 87 / 0 / 5

HEX #EF20F3

RGB 239 32 243

HSL 298.86, 0.9%, 0.54%

LAB 57.9, 91.17, -58.2

 

CMYK 1 / 94 / 0 / 12

HEX #DE0EE0

RGB 222 14 224

HSL 299.43, 0.88%, 0.47%

LAB 53.2, 87.76, -55.19

 

CMYK 0 / 100 / 0 / 20

HEX #CD00CD

RGB 205 0 205

HSL 300, 1%, 0.4%

LAB 48.74, 83.35, -51.61

 

CMYK 0 / 100 / 1 / 26

HEX #BC00BA

RGB 188 0 186

HSL 300.64, 1%, 0.37%

LAB 44.57, 77.84, -47.4

 

CMYK 0 / 100 / 2 / 33

HEX #AB00A7

RGB 171 0 167

HSL 301.4, 1%, 0.34%

LAB 40.32, 72.24, -43.1

 

CMYK 2 / 87 / 0 / 5

HEX #EF20F3

RGB 239 32 243

HSL 298.86, 0.9%, 0.54%

LAB 57.9, 91.17, -58.2

 

CMYK 0 / 87 / 22 / 5

HEX #F320BE

RGB 243 32 190

HSL 315.07, 0.9%, 0.54%

LAB 55.89, 84.87, -31.21

 

CMYK 0 / 87 / 45 / 5

HEX #F32085

RGB 243 32 133

HSL 331.28, 0.9%, 0.54%

LAB 53.79, 79.13, -0.81

 

CMYK 0 / 87 / 69 / 5

HEX #F3204C

RGB 243 32 76

HSL 347.49, 0.9%, 0.54%

LAB 52.52, 75.51, 31.76

 

CMYK 0 / 87 / 87 / 5

HEX #F32020

RGB 243 32 32

HSL 0, 0.9%, 0.54%

LAB 52.05, 74.16, 55.14

 

CMYK 2 / 87 / 0 / 5

HEX #EF20F3

RGB 239 32 243

HSL 298.86, 0.9%, 0.54%

LAB 57.9, 91.17, -58.2

 

CMYK 25 / 87 / 0 / 5

HEX #B620F3

RGB 182 32 243

HSL 282.65, 0.9%, 0.54%

LAB 48.82, 82.31, -73.3

 

CMYK 49 / 87 / 0 / 5

HEX #7D20F3

RGB 125 32 243

HSL 266.45, 0.9%, 0.54%

LAB 41, 75.32, -86.43

 

CMYK 72 / 87 / 0 / 5

HEX #4420F3

RGB 68 32 243

HSL 250.24, 0.9%, 0.54%

LAB 35.47, 70.92, -95.76

 

CMYK 87 / 87 / 0 / 5

HEX #2020F3

RGB 32 32 243

HSL 240, 0.9%, 0.54%

LAB 33.59, 69.57, -98.94

 

CMYK 2 / 87 / 0 / 5

HEX #EF20F3

RGB 239 32 243

HSL 298.86, 0.9%, 0.54%

LAB 57.9, 91.17, -58.2

 

CMYK 2 / 87 / 0 / 5

HEX #EF20F3

RGB 239 32 243

HSL 298.86, 0.9%, 0.54%

LAB 57.9, 91.17, -58.2

 

CMYK 1 / 77 / 0 / 12

HEX #DD33E0

RGB 221 51 224

HSL 298.96, 0.74%, 0.54%

LAB 55.2, 81.24, -52

 

CMYK 1 / 66 / 0 / 20

HEX #CA46CD

RGB 202 70 205

HSL 298.67, 0.57%, 0.54%

LAB 53.32, 68.12, -44.35

 

CMYK 1 / 52 / 0 / 27

HEX #B859BA

RGB 184 89 186

HSL 298.76, 0.41%, 0.54%

LAB 52.82, 51.94, -34.39

 

CMYK 1 / 35 / 0 / 35

HEX #A66CA7

RGB 166 108 167

HSL 298.98, 0.25%, 0.54%

LAB 53.62, 32.84, -22.3

 

CMYK 49 / 87 / 0 / 5

HEX #7B20F3

RGB 123 32 243

HSL 265.88, 0.9%, 0.54%

LAB 40.76, 75.12, -86.83

 

CMYK 26 / 87 / 0 / 5

HEX #B320F3

RGB 179 32 243

HSL 281.8, 0.9%, 0.54%

LAB 48.37, 81.89, -74.06

 

CMYK 3 / 87 / 0 / 5

HEX #EC20F3

RGB 236 32 243

HSL 298.01, 0.9%, 0.54%

LAB 57.4, 90.67, -59.02

 

CMYK 0 / 87 / 20 / 5

HEX #F320C2

RGB 243 32 194

HSL 313.93, 0.9%, 0.54%

LAB 56.07, 85.34, -33.24

 

CMYK 0 / 87 / 44 / 5

HEX #F32089

RGB 243 32 137

HSL 330.14, 0.9%, 0.54%

LAB 53.91, 79.47, -3.03

 

CMYK 2 / 95 / 0 / 28

HEX #B309B7

RGB 179 9 183

HSL 298.62, 0.91%, 0.38%

LAB 43.06, 75.07, -48.15

 

CMYK 2 / 95 / 0 / 13

HEX #DA0BDE

RGB 218 11 222

HSL 298.86, 0.91%, 0.46%

LAB 52.31, 87.07, -55.52

 

CMYK 2 / 87 / 0 / 5

HEX #EF20F3

RGB 239 32 243

HSL 298.86, 0.9%, 0.54%

LAB 57.9, 91.17, -58.2

 

CMYK 1 / 71 / 0 / 4

HEX #F247F5

RGB 242 71 245

HSL 298.97, 0.9%, 0.62%

LAB 61.63, 82.92, -53.33

 

CMYK 1 / 55 / 0 / 3

HEX #F46EF7

RGB 244 110 247

HSL 298.69, 0.9%, 0.7%

LAB 67.35, 68.86, -45.37

 

CMYK 2 / 87 / 0 / 5

HEX #EF20F3

RGB 239 32 243

HSL 298.86, 0.9%, 0.54%

LAB 57.9, 91.17, -58.2

 

CMYK 0 / 72 / 87 / 5

HEX #F34320

RGB 243 67 32

HSL 9.95, 0.9%, 0.54%

LAB 55.25, 65.16, 57.65

 

CMYK 87 / 0 / 38 / 5

HEX #20F397

RGB 32 243 151

HSL 153.84, 0.9%, 0.54%

LAB 85.32, -67.65, 31.3

 

CMYK 2 / 87 / 0 / 5

HEX #EF20F3

RGB 239 32 243

HSL 298.86, 0.9%, 0.54%

LAB 57.9, 91.17, -58.2

 

CMYK 0 / 3 / 87 / 5

HEX #F3EC20

RGB 243 236 32

HSL 58.01, 0.9%, 0.54%

LAB 91.3, -17.04, 86.27

 

CMYK 87 / 0 / 3 / 5

HEX #20F3EC

RGB 32 243 236

HSL 178.01, 0.9%, 0.54%

LAB 87.22, -47.35, -10.03

 

CMYK 2 / 87 / 0 / 5

HEX #EF20F3

RGB 239 32 243

HSL 298.86, 0.9%, 0.54%

LAB 57.9, 91.17, -58.2

 

CMYK 0 / 72 / 87 / 5

HEX #F34320

RGB 243 67 32

HSL 9.95, 0.9%, 0.54%

LAB 55.25, 65.16, 57.65

 

CMYK 84 / 0 / 87 / 5

HEX #27F320

RGB 39 243 32

HSL 118.01, 0.9%, 0.54%

LAB 84.3, -80.37, 76.78

 

CMYK 87 / 14 / 0 / 5

HEX #20D0F3

RGB 32 208 243

HSL 189.95, 0.9%, 0.54%

LAB 77.21, -29.2, -28.87

 

CMYK 2 / 87 / 0 / 5

HEX #EF20F3

RGB 239 32 243

HSL 298.86, 0.9%, 0.54%

LAB 57.9, 91.17, -58.2

 

CMYK 0 / 47 / 87 / 5

HEX #F38220

RGB 243 130 32

HSL 27.87, 0.9%, 0.54%

LAB 65.85, 37.51, 66.02

 

CMYK 84 / 0 / 87 / 5

HEX #27F320

RGB 39 243 32

HSL 118.01, 0.9%, 0.54%

LAB 84.3, -80.37, 76.78

 

CMYK 87 / 41 / 0 / 5

HEX #2090F3

RGB 32 144 243

HSL 208.15, 0.9%, 0.54%

LAB 58.72, 5.59, -57.85

 

Description

Color code: HEX #EF20F3 | qconv.com Color code: HEX #EF20F3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 32 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 32 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 87 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 87% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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