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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF1ED1 it is the complementary color #10E12E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF1ED1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF1ED1 shade: #F41ECC, #FF30DF, #FF42F2, #FF54FF and #FF66FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF1ED1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF1ED1 shade: #EF1ED1, #DE0CBE, #CD00AB, #BC0098 and #AB0085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF1ED1 shade: #EF1ED1, #EF1E99, #EF1E61, #EF1E28 and #EF1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF1ED1 shade: #EF1ED1, #D51EEF, #9C1EEF, #641EEF and #2C1EEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF1ED1 shade matches the following richer shades: #EF1ED1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF1ED1 shade: #EF1ED1, #DC32C3, #C845B5, #B559A8 and #A16C9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF1ED1 shade: #9C1EEF, #D31EEF, #EF1ED3, #EF1E9C and #EF1E64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF1ED1 shade: #AF0C98, #D60EB9, #EF1ED1, #F245D9 and #F46CE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF1ED1 shade: #EF1ED1, #EF641E and #1EEFB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF1ED1 shade: #EF1ED1, #D3EF1E and #1ED3EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF1ED1 shade: #EF1ED1, #EF641E, #1EEF3A and #1EA9EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF1ED1 shade: #EF1ED1, #EFA21E, #1EEF3A and #1E6BEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 13 / 6

HEX #EF1ED1

RGB 239 30 209

HSL 308.61, 0.87%, 0.53%

LAB 55.97, 86.76, -42.06

 

Complementary color

CMYK 93 / 0 / 80 / 12

HEX #10E12E

RGB 16 225 46

HSL 128.61, 0.87%, 0.47%

LAB 78.55, -76.33, 68.26

 

CMYK 0 / 88 / 16 / 4

HEX #F41ECC

RGB 244 30 204

HSL 311.21, 0.91%, 0.54%

LAB 56.61, 87.06, -38.14

 

CMYK 0 / 81 / 13 / 0

HEX #FF30DF

RGB 255 48 223

HSL 309.28, 1%, 0.59%

LAB 60.52, 88.39, -42.65

 

CMYK 0 / 74 / 5 / 0

HEX #FF42F2

RGB 255 66 242

HSL 304.13, 1%, 0.63%

LAB 62.98, 86.59, -49.39

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 87 / 13 / 6

HEX #EF1ED1

RGB 239 30 209

HSL 308.61, 0.87%, 0.53%

LAB 55.97, 86.76, -42.06

 

CMYK 0 / 95 / 14 / 13

HEX #DE0CBE

RGB 222 12 190

HSL 309.14, 0.9%, 0.46%

LAB 51.28, 83.29, -38.71

 

CMYK 0 / 100 / 17 / 20

HEX #CD00AB

RGB 205 0 171

HSL 309.95, 1%, 0.4%

LAB 46.87, 78.75, -34.71

 

CMYK 0 / 100 / 19 / 26

HEX #BC0098

RGB 188 0 152

HSL 311.49, 1%, 0.37%

LAB 42.7, 73.24, -30.1

 

CMYK 0 / 100 / 22 / 33

HEX #AB0085

RGB 171 0 133

HSL 313.33, 1%, 0.34%

LAB 38.47, 67.64, -25.34

 

CMYK 0 / 87 / 13 / 6

HEX #EF1ED1

RGB 239 30 209

HSL 308.61, 0.87%, 0.53%

LAB 55.97, 86.76, -42.06

 

CMYK 0 / 87 / 36 / 6

HEX #EF1E99

RGB 239 30 153

HSL 324.69, 0.87%, 0.53%

LAB 53.58, 80.36, -13.15

 

CMYK 0 / 87 / 59 / 6

HEX #EF1E61

RGB 239 30 97

HSL 340.77, 0.87%, 0.53%

LAB 52, 75.95, 18.3

 

CMYK 0 / 87 / 83 / 6

HEX #EF1E28

RGB 239 30 40

HSL 357.13, 0.87%, 0.53%

LAB 51.19, 73.63, 50.27

 

CMYK 0 / 87 / 87 / 6

HEX #EF1E1E

RGB 239 30 30

HSL 0, 0.87%, 0.53%

LAB 51.12, 73.44, 54.95

 

CMYK 0 / 87 / 13 / 6

HEX #EF1ED1

RGB 239 30 209

HSL 308.61, 0.87%, 0.53%

LAB 55.97, 86.76, -42.06

 

CMYK 11 / 87 / 0 / 6

HEX #D51EEF

RGB 213 30 239

HSL 292.54, 0.87%, 0.53%

LAB 53.28, 86.64, -63.6

 

CMYK 35 / 87 / 0 / 6

HEX #9C1EEF

RGB 156 30 239

HSL 276.17, 0.87%, 0.53%

LAB 44.56, 78.47, -78.17

 

CMYK 58 / 87 / 0 / 6

HEX #641EEF

RGB 100 30 239

HSL 260.1, 0.87%, 0.53%

LAB 37.61, 72.63, -89.86

 

CMYK 82 / 87 / 0 / 6

HEX #2C1EEF

RGB 44 30 239

HSL 244.02, 0.87%, 0.53%

LAB 33.34, 69.49, -97.07

 

CMYK 0 / 87 / 13 / 6

HEX #EF1ED1

RGB 239 30 209

HSL 308.61, 0.87%, 0.53%

LAB 55.97, 86.76, -42.06

 

CMYK 0 / 87 / 13 / 6

HEX #EF1ED1

RGB 239 30 209

HSL 308.61, 0.87%, 0.53%

LAB 55.97, 86.76, -42.06

 

CMYK 0 / 77 / 11 / 14

HEX #DC32C3

RGB 220 50 195

HSL 308.82, 0.71%, 0.53%

LAB 53.42, 77.02, -38.25

 

CMYK 0 / 66 / 10 / 22

HEX #C845B5

RGB 200 69 181

HSL 308.7, 0.54%, 0.53%

LAB 51.69, 64.16, -33.08

 

CMYK 0 / 51 / 7 / 29

HEX #B559A8

RGB 181 89 168

HSL 308.48, 0.38%, 0.53%

LAB 51.61, 47.88, -25.84

 

CMYK 0 / 33 / 4 / 37

HEX #A16C9A

RGB 161 108 154

HSL 307.92, 0.22%, 0.53%

LAB 52.55, 28.66, -16.41

 

CMYK 35 / 87 / 0 / 6

HEX #9C1EEF

RGB 156 30 239

HSL 276.17, 0.87%, 0.53%

LAB 44.56, 78.47, -78.17

 

CMYK 12 / 87 / 0 / 6

HEX #D31EEF

RGB 211 30 239

HSL 291.96, 0.87%, 0.53%

LAB 52.96, 86.32, -64.14

 

CMYK 0 / 87 / 12 / 6

HEX #EF1ED3

RGB 239 30 211

HSL 308.04, 0.87%, 0.53%

LAB 56.07, 87.02, -43.05

 

CMYK 0 / 87 / 35 / 6

HEX #EF1E9C

RGB 239 30 156

HSL 323.83, 0.87%, 0.53%

LAB 53.69, 80.66, -14.76

 

CMYK 0 / 87 / 58 / 6

HEX #EF1E64

RGB 239 30 100

HSL 339.9, 0.87%, 0.53%

LAB 52.06, 76.14, 16.56

 

CMYK 0 / 93 / 13 / 31

HEX #AF0C98

RGB 175 12 152

HSL 308.47, 0.87%, 0.37%

LAB 40.64, 69.57, -33.51

 

CMYK 0 / 93 / 14 / 16

HEX #D60EB9

RGB 214 14 185

HSL 308.7, 0.88%, 0.45%

LAB 49.63, 81.01, -38.49

 

CMYK 0 / 87 / 13 / 6

HEX #EF1ED1

RGB 239 30 209

HSL 308.61, 0.87%, 0.53%

LAB 55.97, 86.76, -42.06

 

CMYK 0 / 71 / 10 / 5

HEX #F245D9

RGB 242 69 217

HSL 308.67, 0.87%, 0.61%

LAB 60.02, 79.35, -40.2

 

CMYK 0 / 56 / 8 / 4

HEX #F46CE1

RGB 244 108 225

HSL 308.38, 0.86%, 0.69%

LAB 66.05, 66.13, -35.24

 

CMYK 0 / 87 / 13 / 6

HEX #EF1ED1

RGB 239 30 209

HSL 308.61, 0.87%, 0.53%

LAB 55.97, 86.76, -42.06

 

CMYK 0 / 58 / 87 / 6

HEX #EF641E

RGB 239 100 30

HSL 20.1, 0.87%, 0.53%

LAB 59.49, 50.52, 61.42

 

CMYK 87 / 0 / 23 / 6

HEX #1EEFB7

RGB 30 239 183

HSL 163.92, 0.87%, 0.53%

LAB 84.7, -59.53, 14.03

 

CMYK 0 / 87 / 13 / 6

HEX #EF1ED1

RGB 239 30 209

HSL 308.61, 0.87%, 0.53%

LAB 55.97, 86.76, -42.06

 

CMYK 12 / 0 / 87 / 6

HEX #D3EF1E

RGB 211 239 30

HSL 68.04, 0.87%, 0.53%

LAB 89.71, -31.63, 84.33

 

CMYK 87 / 12 / 0 / 6

HEX #1ED3EF

RGB 30 211 239

HSL 188.04, 0.87%, 0.53%

LAB 77.93, -32.04, -25.63

 

CMYK 0 / 87 / 13 / 6

HEX #EF1ED1

RGB 239 30 209

HSL 308.61, 0.87%, 0.53%

LAB 55.97, 86.76, -42.06

 

CMYK 0 / 58 / 87 / 6

HEX #EF641E

RGB 239 100 30

HSL 20.1, 0.87%, 0.53%

LAB 59.49, 50.52, 61.42

 

CMYK 87 / 0 / 76 / 6

HEX #1EEF3A

RGB 30 239 58

HSL 128.04, 0.87%, 0.53%

LAB 83.08, -78.64, 69.08

 

CMYK 87 / 29 / 0 / 6

HEX #1EA9EF

RGB 30 169 239

HSL 200.1, 0.87%, 0.53%

LAB 65.66, -10.4, -44.65

 

CMYK 0 / 87 / 13 / 6

HEX #EF1ED1

RGB 239 30 209

HSL 308.61, 0.87%, 0.53%

LAB 55.97, 86.76, -42.06

 

CMYK 0 / 32 / 87 / 6

HEX #EFA21E

RGB 239 162 30

HSL 37.89, 0.87%, 0.53%

LAB 72.42, 19.12, 71.54

 

CMYK 87 / 0 / 76 / 6

HEX #1EEF3A

RGB 30 239 58

HSL 128.04, 0.87%, 0.53%

LAB 83.08, -78.64, 69.08

 

CMYK 87 / 55 / 0 / 6

HEX #1E6BEF

RGB 30 107 239

HSL 217.89, 0.87%, 0.53%

LAB 48.29, 26.94, -72.46

 

Description

Color code: HEX #EF1ED1 | qconv.com Color code: HEX #EF1ED1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 30 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 30 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 13 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 13% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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