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Color name
HEX #EF1AA8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF1AA8 it is the complementary color #10E557. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF1AA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF1AA8 shade: #F41AA3, #FF2CB6, #FF3EC9, #FF50DC and #FF62EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF1AA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF1AA8 shade: #EF1AA8, #DE0895, #CD0082, #BC006F and #AB005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF1AA8 shade: #EF1AA8, #EF1A6E, #EF1A35 and #EF1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF1AA8 shade: #EF1AA8, #EF1AE1, #C31AEF, #891AEF and #501AEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF1AA8 shade matches the following richer shades: #EF1AA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF1AA8 shade: #EF1AA8, #DB2DA1, #C7419A, #B35594 and #9F698D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF1AA8 shade: #C41AEF, #EF1AE0, #EF1AA8, #EF1A6F and #EF1A36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF1AA8 shade: #AA0B75, #D10E90, #EF1AA8, #F140B6 and #F467C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF1AA8 shade: #EF1AA8, #EF8B1A and #1AEFE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF1AA8 shade: #EF1AA8, #A8EF1A and #1AA8EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF1AA8 shade: #EF1AA8, #EF8B1A, #1AEF61 and #1A7DEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF1AA8 shade: #EF1AA8, #EFCB1A, #1AEF61 and #1A3DEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 30 / 6

HEX #EF1AA8

RGB 239 26 168

HSL 320, 0.87%, 0.52%

LAB 53.94, 82.48, -21.46

 

Complementary color

CMYK 93 / 0 / 62 / 10

HEX #10E557

RGB 16 229 87

HSL 140, 0.87%, 0.48%

LAB 80.09, -73.92, 55.08

 

CMYK 0 / 89 / 33 / 4

HEX #F41AA3

RGB 244 26 163

HSL 322.29, 0.91%, 0.53%

LAB 54.67, 83, -17.31

 

CMYK 0 / 83 / 29 / 0

HEX #FF2CB6

RGB 255 44 182

HSL 320.76, 1%, 0.59%

LAB 58.45, 84.28, -22.46

 

CMYK 0 / 76 / 21 / 0

HEX #FF3EC9

RGB 255 62 201

HSL 316.79, 1%, 0.62%

LAB 60.71, 82.19, -29.88

 

CMYK 0 / 69 / 14 / 0

HEX #FF50DC

RGB 255 80 220

HSL 312, 1%, 0.66%

LAB 63.48, 79.13, -36.33

 

CMYK 0 / 62 / 6 / 0

HEX #FF62EF

RGB 255 98 239

HSL 306.11, 1%, 0.69%

LAB 66.69, 75.29, -41.89

 

CMYK 0 / 89 / 30 / 6

HEX #EF1AA8

RGB 239 26 168

HSL 320, 0.87%, 0.52%

LAB 53.94, 82.48, -21.46

 

CMYK 0 / 96 / 33 / 13

HEX #DE0895

RGB 222 8 149

HSL 320.47, 0.93%, 0.45%

LAB 49.34, 78.89, -17.49

 

CMYK 0 / 100 / 37 / 20

HEX #CD0082

RGB 205 0 130

HSL 321.95, 1%, 0.4%

LAB 45.07, 74.18, -12.77

 

CMYK 0 / 100 / 41 / 26

HEX #BC006F

RGB 188 0 111

HSL 324.57, 1%, 0.37%

LAB 40.96, 68.79, -7.51

 

CMYK 0 / 100 / 46 / 33

HEX #AB005C

RGB 171 0 92

HSL 327.72, 1%, 0.34%

LAB 36.8, 63.35, -2

 

CMYK 0 / 89 / 30 / 6

HEX #EF1AA8

RGB 239 26 168

HSL 320, 0.87%, 0.52%

LAB 53.94, 82.48, -21.46

 

CMYK 0 / 89 / 54 / 6

HEX #EF1A6E

RGB 239 26 110

HSL 336.34, 0.87%, 0.52%

LAB 52.08, 77.4, 10.51

 

CMYK 0 / 89 / 78 / 6

HEX #EF1A35

RGB 239 26 53

HSL 352.39, 0.87%, 0.52%

LAB 51.09, 74.61, 43.24

 

CMYK 0 / 89 / 89 / 6

HEX #EF1A1A

RGB 239 26 26

HSL 0, 0.87%, 0.52%

LAB 50.88, 74, 56.48

 

CMYK 0 / 89 / 30 / 6

HEX #EF1AA8

RGB 239 26 168

HSL 320, 0.87%, 0.52%

LAB 53.94, 82.48, -21.46

 

CMYK 0 / 89 / 6 / 6

HEX #EF1AE1

RGB 239 26 225

HSL 303.94, 0.87%, 0.52%

LAB 56.61, 89.45, -50.14

 

CMYK 18 / 89 / 0 / 6

HEX #C31AEF

RGB 195 26 239

HSL 287.61, 0.87%, 0.52%

LAB 50.18, 84.53, -68.75

 

CMYK 43 / 89 / 0 / 6

HEX #891AEF

RGB 137 26 239

HSL 271.27, 0.87%, 0.52%

LAB 41.67, 77.09, -83.01

 

CMYK 67 / 89 / 0 / 6

HEX #501AEF

RGB 80 26 239

HSL 255.21, 0.87%, 0.52%

LAB 35.35, 72.32, -93.66

 

CMYK 0 / 89 / 30 / 6

HEX #EF1AA8

RGB 239 26 168

HSL 320, 0.87%, 0.52%

LAB 53.94, 82.48, -21.46

 

CMYK 0 / 89 / 30 / 6

HEX #EF1AA8

RGB 239 26 168

HSL 320, 0.87%, 0.52%

LAB 53.94, 82.48, -21.46

 

CMYK 0 / 79 / 26 / 14

HEX #DB2DA1

RGB 219 45 161

HSL 320, 0.71%, 0.52%

LAB 51.28, 73.72, -21.73

 

CMYK 0 / 67 / 23 / 22

HEX #C7419A

RGB 199 65 154

HSL 320.15, 0.54%, 0.52%

LAB 49.8, 61.55, -20.13

 

CMYK 0 / 53 / 17 / 30

HEX #B35594

RGB 179 85 148

HSL 319.79, 0.38%, 0.52%

LAB 49.76, 45.98, -16.91

 

CMYK 0 / 34 / 11 / 38

HEX #9F698D

RGB 159 105 141

HSL 320, 0.22%, 0.52%

LAB 51.15, 27.28, -10.91

 

CMYK 18 / 89 / 0 / 6

HEX #C41AEF

RGB 196 26 239

HSL 287.89, 0.87%, 0.52%

LAB 50.34, 84.68, -68.49

 

CMYK 0 / 89 / 6 / 6

HEX #EF1AE0

RGB 239 26 224

HSL 304.23, 0.87%, 0.52%

LAB 56.56, 89.32, -49.66

 

CMYK 0 / 89 / 30 / 6

HEX #EF1AA8

RGB 239 26 168

HSL 320, 0.87%, 0.52%

LAB 53.94, 82.48, -21.46

 

CMYK 0 / 89 / 54 / 6

HEX #EF1A6F

RGB 239 26 111

HSL 336.06, 0.87%, 0.52%

LAB 52.1, 77.47, 9.94

 

CMYK 0 / 89 / 77 / 6

HEX #EF1A36

RGB 239 26 54

HSL 352.11, 0.87%, 0.52%

LAB 51.1, 74.64, 42.69

 

CMYK 0 / 94 / 31 / 33

HEX #AA0B75

RGB 170 11 117

HSL 320, 0.88%, 0.35%

LAB 37.97, 64.32, -16.15

 

CMYK 0 / 93 / 31 / 18

HEX #D10E90

RGB 209 14 144

HSL 320, 0.87%, 0.44%

LAB 46.82, 75.18, -18.56

 

CMYK 0 / 89 / 30 / 6

HEX #EF1AA8

RGB 239 26 168

HSL 320, 0.87%, 0.52%

LAB 53.94, 82.48, -21.46

 

CMYK 0 / 73 / 24 / 5

HEX #F140B6

RGB 241 64 182

HSL 320, 0.86%, 0.6%

LAB 57.79, 76.05, -23.67

 

CMYK 0 / 58 / 19 / 4

HEX #F467C5

RGB 244 103 197

HSL 320, 0.87%, 0.68%

LAB 64.13, 64.16, -22.49

 

CMYK 0 / 89 / 30 / 6

HEX #EF1AA8

RGB 239 26 168

HSL 320, 0.87%, 0.52%

LAB 53.94, 82.48, -21.46

 

CMYK 0 / 42 / 89 / 6

HEX #EF8B1A

RGB 239 139 26

HSL 31.83, 0.87%, 0.52%

LAB 67.19, 31.14, 68.51

 

CMYK 89 / 0 / 6 / 6

HEX #1AEFE0

RGB 26 239 224

HSL 175.77, 0.87%, 0.52%

LAB 85.67, -49.28, -6.04

 

CMYK 0 / 89 / 30 / 6

HEX #EF1AA8

RGB 239 26 168

HSL 320, 0.87%, 0.52%

LAB 53.94, 82.48, -21.46

 

CMYK 30 / 0 / 89 / 6

HEX #A8EF1A

RGB 168 239 26

HSL 80, 0.87%, 0.52%

LAB 87.06, -48.28, 81.73

 

CMYK 89 / 30 / 0 / 6

HEX #1AA8EF

RGB 26 168 239

HSL 200, 0.87%, 0.52%

LAB 65.32, -10.07, -45.18

 

CMYK 0 / 89 / 30 / 6

HEX #EF1AA8

RGB 239 26 168

HSL 320, 0.87%, 0.52%

LAB 53.94, 82.48, -21.46

 

CMYK 0 / 42 / 89 / 6

HEX #EF8B1A

RGB 239 139 26

HSL 31.83, 0.87%, 0.52%

LAB 67.19, 31.14, 68.51

 

CMYK 89 / 0 / 59 / 6

HEX #1AEF61

RGB 26 239 97

HSL 140, 0.87%, 0.52%

LAB 83.35, -75.2, 54.51

 

CMYK 89 / 48 / 0 / 6

HEX #1A7DEF

RGB 26 125 239

HSL 212.11, 0.87%, 0.52%

LAB 53.08, 15.35, -64.7

 

CMYK 0 / 89 / 30 / 6

HEX #EF1AA8

RGB 239 26 168

HSL 320, 0.87%, 0.52%

LAB 53.94, 82.48, -21.46

 

CMYK 0 / 15 / 89 / 6

HEX #EFCB1A

RGB 239 203 26

HSL 49.86, 0.87%, 0.52%

LAB 82.45, -2.37, 80.22

 

CMYK 89 / 0 / 59 / 6

HEX #1AEF61

RGB 26 239 97

HSL 140, 0.87%, 0.52%

LAB 83.35, -75.2, 54.51

 

CMYK 89 / 74 / 0 / 6

HEX #1A3DEF

RGB 26 61 239

HSL 230.14, 0.87%, 0.52%

LAB 37.46, 54.96, -90.24

 

Description

Color code: HEX #EF1AA8 | qconv.com Color code: HEX #EF1AA8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 26 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 26 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 30 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 30% 6% C M Y K

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Provide designers and agencies with accurate color values.

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