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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEFB2B it is the complementary color #1104D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEFB2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEFB2B shade: #F3FB26, #FFFF39, #FFFF4C, #FFFF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEFB2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEFB2B shade: #EEFB2B, #DDE918, #CCD705, #BBC500 and #AAB300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEFB2B shade: #EDFA2D, #FAD02D, #FA982D, #FA612D and #FA2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEFB2B shade: #EDFA2D, #B6FA2D, #7EFA2D, #47FA2D and #2DFA4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEFB2B shade matches the following richer shades: #EDFA2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEFB2B shade: #EDFA2D, #DEE93E, #CFD84F, #C0C661 and #B1B572

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEFB2B shade: #FA972D, #FACE2D, #F0FA2D, #B9FA2D and #82FA2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEFB2B shade: #C4D104, #EAF905, #EDFA2D, #F1FB55 and #F4FC7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEFB2B shade: #EEFB2B, #2DFA60 and #B22DFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEFB2B shade: #EEFB2B, #2DF0FA and #FA2DF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEFB2B shade: #EEFB2B, #2DFA60, #372DFA and #FA2DC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEFB2B shade: #EEFB2B, #2DFA9E, #372DFA and #FA2D89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 83 / 2

HEX #EEFB2B

RGB 238 251 43

HSL 63.75, 0.96%, 0.58%

LAB 94.88, -26, 86.87

 

Complementary color

CMYK 92 / 98 / 0 / 17

HEX #1104D4

RGB 17 4 212

HSL 243.75, 0.96%, 0.42%

LAB 26.62, 68.23, -92.83

 

CMYK 3 / 0 / 85 / 2

HEX #F3FB26

RGB 243 251 38

HSL 62.25, 0.96%, 0.57%

LAB 95.24, -24.09, 88.34

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF39

RGB 255 255 57

HSL 60, 1%, 0.61%

LAB 97.26, -20.59, 86.04

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 5 / 0 / 83 / 2

HEX #EEFB2B

RGB 238 251 43

HSL 63.75, 0.96%, 0.58%

LAB 94.88, -26, 86.87

 

CMYK 5 / 0 / 90 / 9

HEX #DDE918

RGB 221 233 24

HSL 63.44, 0.83%, 0.5%

LAB 88.79, -24.86, 84.84

 

CMYK 5 / 0 / 98 / 16

HEX #CCD705

RGB 204 215 5

HSL 63.14, 0.95%, 0.43%

LAB 82.62, -23.54, 81.61

 

CMYK 5 / 0 / 100 / 23

HEX #BBC500

RGB 187 197 0

HSL 63.05, 1%, 0.39%

LAB 76.37, -22.04, 76.87

 

CMYK 5 / 0 / 100 / 30

HEX #AAB300

RGB 170 179 0

HSL 63.02, 1%, 0.35%

LAB 70.03, -20.46, 71.59

 

CMYK 5 / 0 / 82 / 2

HEX #EDFA2D

RGB 237 250 45

HSL 63.8, 0.95%, 0.58%

LAB 94.55, -25.89, 86.13

 

CMYK 0 / 17 / 82 / 2

HEX #FAD02D

RGB 250 208 45

HSL 47.71, 0.95%, 0.58%

LAB 84.8, 0.18, 78.29

 

CMYK 0 / 39 / 82 / 2

HEX #FA982D

RGB 250 152 45

HSL 31.32, 0.95%, 0.58%

LAB 71.53, 29.33, 66.87

 

CMYK 0 / 61 / 82 / 2

HEX #FA612D

RGB 250 97 45

HSL 15.22, 0.95%, 0.58%

LAB 60.84, 56.1, 57.38

 

CMYK 0 / 82 / 82 / 2

HEX #FA2D2D

RGB 250 45 45

HSL 0, 0.95%, 0.58%

LAB 54.44, 73.67, 51.53

 

CMYK 5 / 0 / 82 / 2

HEX #EDFA2D

RGB 237 250 45

HSL 63.8, 0.95%, 0.58%

LAB 94.55, -25.89, 86.13

 

CMYK 27 / 0 / 82 / 2

HEX #B6FA2D

RGB 182 250 45

HSL 79.9, 0.95%, 0.58%

LAB 91.01, -47.26, 81.69

 

CMYK 50 / 0 / 82 / 2

HEX #7EFA2D

RGB 126 250 45

HSL 96.29, 0.95%, 0.58%

LAB 88.45, -65.58, 78.44

 

CMYK 72 / 0 / 82 / 2

HEX #47FA2D

RGB 71 250 45

HSL 112.39, 0.95%, 0.58%

LAB 86.95, -77.81, 76.52

 

CMYK 82 / 0 / 70 / 2

HEX #2DFA4A

RGB 45 250 74

HSL 128.49, 0.95%, 0.58%

LAB 86.71, -79.29, 67.42

 

CMYK 5 / 0 / 82 / 2

HEX #EDFA2D

RGB 237 250 45

HSL 63.8, 0.95%, 0.58%

LAB 94.55, -25.89, 86.13

 

CMYK 5 / 0 / 82 / 2

HEX #EDFA2D

RGB 237 250 45

HSL 63.8, 0.95%, 0.58%

LAB 94.55, -25.89, 86.13

 

CMYK 5 / 0 / 73 / 9

HEX #DEE93E

RGB 222 233 62

HSL 63.86, 0.8%, 0.58%

LAB 89, -23.33, 76.15

 

CMYK 4 / 0 / 63 / 15

HEX #CFD84F

RGB 207 216 79

HSL 63.94, 0.64%, 0.58%

LAB 83.41, -20.35, 64.08

 

CMYK 3 / 0 / 51 / 22

HEX #C0C661

RGB 192 198 97

HSL 63.56, 0.47%, 0.58%

LAB 77.55, -16.2, 49.32

 

CMYK 2 / 0 / 37 / 29

HEX #B1B572

RGB 177 181 114

HSL 63.58, 0.31%, 0.58%

LAB 71.97, -11.82, 33.69

 

CMYK 0 / 40 / 82 / 2

HEX #FA972D

RGB 250 151 45

HSL 31.02, 0.95%, 0.58%

LAB 71.31, 29.85, 66.68

 

CMYK 0 / 18 / 82 / 2

HEX #FACE2D

RGB 250 206 45

HSL 47.12, 0.95%, 0.58%

LAB 84.31, 1.21, 77.87

 

CMYK 4 / 0 / 82 / 2

HEX #F0FA2D

RGB 240 250 45

HSL 62.93, 0.95%, 0.58%

LAB 94.77, -24.67, 86.4

 

CMYK 26 / 0 / 82 / 2

HEX #B9FA2D

RGB 185 250 45

HSL 79.02, 0.95%, 0.58%

LAB 91.18, -46.16, 81.9

 

CMYK 48 / 0 / 82 / 2

HEX #82FA2D

RGB 130 250 45

HSL 95.12, 0.95%, 0.58%

LAB 88.59, -64.44, 78.62

 

CMYK 6 / 0 / 98 / 18

HEX #C4D104

RGB 196 209 4

HSL 63.8, 0.96%, 0.42%

LAB 80.37, -24.02, 79.75

 

CMYK 6 / 0 / 98 / 2

HEX #EAF905

RGB 234 249 5

HSL 63.69, 0.96%, 0.5%

LAB 93.99, -27.28, 91.1

 

CMYK 5 / 0 / 82 / 2

HEX #EDFA2D

RGB 237 250 45

HSL 63.8, 0.95%, 0.58%

LAB 94.55, -25.89, 86.13

 

CMYK 4 / 0 / 66 / 2

HEX #F1FB55

RGB 241 251 85

HSL 63.61, 0.95%, 0.66%

LAB 95.31, -23.12, 74.85

 

CMYK 3 / 0 / 50 / 1

HEX #F4FC7D

RGB 244 252 125

HSL 63.78, 0.95%, 0.74%

LAB 96.14, -19.63, 59.21

 

CMYK 5 / 0 / 83 / 2

HEX #EEFB2B

RGB 238 251 43

HSL 63.75, 0.96%, 0.58%

LAB 94.88, -26, 86.87

 

CMYK 82 / 0 / 62 / 2

HEX #2DFA60

RGB 45 250 96

HSL 134.93, 0.95%, 0.58%

LAB 86.89, -77.15, 59.04

 

CMYK 29 / 82 / 0 / 2

HEX #B22DFA

RGB 178 45 250

HSL 278.93, 0.95%, 0.58%

LAB 49.79, 80.03, -75.67

 

CMYK 5 / 0 / 83 / 2

HEX #EEFB2B

RGB 238 251 43

HSL 63.75, 0.96%, 0.58%

LAB 94.88, -26, 86.87

 

CMYK 82 / 4 / 0 / 2

HEX #2DF0FA

RGB 45 240 250

HSL 182.93, 0.95%, 0.58%

LAB 86.89, -41.22, -17.85

 

CMYK 0 / 82 / 4 / 2

HEX #FA2DF0

RGB 250 45 240

HSL 302.93, 0.95%, 0.58%

LAB 60.33, 90.38, -52.54

 

CMYK 5 / 0 / 83 / 2

HEX #EEFB2B

RGB 238 251 43

HSL 63.75, 0.96%, 0.58%

LAB 94.88, -26, 86.87

 

CMYK 82 / 0 / 62 / 2

HEX #2DFA60

RGB 45 250 96

HSL 134.93, 0.95%, 0.58%

LAB 86.89, -77.15, 59.04

 

CMYK 78 / 82 / 0 / 2

HEX #372DFA

RGB 55 45 250

HSL 242.93, 0.95%, 0.58%

LAB 37.1, 67.37, -97.01

 

CMYK 0 / 82 / 20 / 2

HEX #FA2DC7

RGB 250 45 199

HSL 314.93, 0.95%, 0.58%

LAB 58.34, 84.98, -32.48

 

CMYK 5 / 0 / 83 / 2

HEX #EEFB2B

RGB 238 251 43

HSL 63.75, 0.96%, 0.58%

LAB 94.88, -26, 86.87

 

CMYK 82 / 0 / 37 / 2

HEX #2DFA9E

RGB 45 250 158

HSL 153.07, 0.95%, 0.58%

LAB 87.68, -67.75, 30.95

 

CMYK 78 / 82 / 0 / 2

HEX #372DFA

RGB 55 45 250

HSL 242.93, 0.95%, 0.58%

LAB 37.1, 67.37, -97.01

 

CMYK 0 / 82 / 45 / 2

HEX #FA2D89

RGB 250 45 137

HSL 333.07, 0.95%, 0.58%

LAB 56.09, 78.59, 0.32

 

Description

Color code: HEX #EEFB2B | qconv.com Color code: HEX #EEFB2B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 251 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 251 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 83 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 83% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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