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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEF37F it is the complementary color #110C80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEF37F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEF37F shade: #F3F37A, #FFFF8D, #FFFFA0, #FFFFB3 and #FFFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEF37F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEF37F shade: #EEF37F, #DDE16C, #CCCF59, #BBBD46 and #AAAB33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEF37F shade: #EEF381, #F3D981, #F3BA81, #F39B81 and #F38181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEF37F shade: #EEF381, #CFF381, #B0F381, #91F381 and #81F38E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEF37F shade matches the following richer shades: #EEF381 and #F8FE75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEF37F shade: #EEF381, #E4E88C, #DADD97, #CFD1A2 and #C5C6AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEF37F shade: #F3BA81, #F3D881, #EFF381, #D1F381 and #B2F381

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEF37F shade: #E4EC35, #E9EF5B, #EEF381, #F3F6A6 and #F8FACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEF37F shade: #EEF37F, #81F39B and #C981F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEF37F shade: #EEF37F, #81EFF3 and #F381EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEF37F shade: #EEF37F, #81F39B, #8481F3 and #F381D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEF37F shade: #EEF37F, #81F3BD, #8481F3 and #F381B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 48 / 5

HEX #EEF37F

RGB 238 243 127

HSL 62.59, 0.83%, 0.73%

LAB 93.37, -17.44, 54.9

 

Complementary color

CMYK 87 / 91 / 0 / 50

HEX #110C80

RGB 17 12 128

HSL 242.59, 0.83%, 0.27%

LAB 15.17, 43.23, -61.02

 

CMYK 0 / 0 / 50 / 5

HEX #F3F37A

RGB 243 243 122

HSL 60, 0.83%, 0.72%

LAB 93.69, -15.92, 57.68

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 2 / 0 / 48 / 5

HEX #EEF37F

RGB 238 243 127

HSL 62.59, 0.83%, 0.73%

LAB 93.37, -17.44, 54.9

 

CMYK 2 / 0 / 52 / 12

HEX #DDE16C

RGB 221 225 108

HSL 62.05, 0.66%, 0.65%

LAB 87.15, -16.99, 55.99

 

CMYK 1 / 0 / 57 / 19

HEX #CCCF59

RGB 204 207 89

HSL 61.53, 0.55%, 0.58%

LAB 80.84, -16.45, 57

 

CMYK 1 / 0 / 63 / 26

HEX #BBBD46

RGB 187 189 70

HSL 61.01, 0.47%, 0.51%

LAB 74.45, -15.8, 57.85

 

CMYK 1 / 0 / 70 / 33

HEX #AAAB33

RGB 170 171 51

HSL 60.5, 0.54%, 0.44%

LAB 67.95, -14.99, 58.36

 

CMYK 2 / 0 / 47 / 5

HEX #EEF381

RGB 238 243 129

HSL 62.63, 0.83%, 0.73%

LAB 93.39, -17.26, 53.99

 

CMYK 0 / 11 / 47 / 5

HEX #F3D981

RGB 243 217 129

HSL 46.32, 0.83%, 0.73%

LAB 87.13, -2.34, 46.42

 

CMYK 0 / 23 / 47 / 5

HEX #F3BA81

RGB 243 186 129

HSL 30, 0.83%, 0.73%

LAB 79.48, 13.74, 36.75

 

CMYK 0 / 36 / 47 / 5

HEX #F39B81

RGB 243 155 129

HSL 13.68, 0.83%, 0.73%

LAB 72.28, 30.09, 27.34

 

CMYK 0 / 47 / 47 / 5

HEX #F38181

RGB 243 129 129

HSL 0, 0.83%, 0.73%

LAB 66.78, 43.5, 19.91

 

CMYK 2 / 0 / 47 / 5

HEX #EEF381

RGB 238 243 129

HSL 62.63, 0.83%, 0.73%

LAB 93.39, -17.26, 53.99

 

CMYK 15 / 0 / 47 / 5

HEX #CFF381

RGB 207 243 129

HSL 78.95, 0.83%, 0.73%

LAB 91.21, -29.09, 50.84

 

CMYK 28 / 0 / 47 / 5

HEX #B0F381

RGB 176 243 129

HSL 95.26, 0.83%, 0.73%

LAB 89.35, -40.21, 48.14

 

CMYK 40 / 0 / 47 / 5

HEX #91F381

RGB 145 243 129

HSL 111.58, 0.83%, 0.73%

LAB 87.83, -50.22, 45.91

 

CMYK 47 / 0 / 42 / 5

HEX #81F38E

RGB 129 243 142

HSL 126.84, 0.83%, 0.73%

LAB 87.35, -52.95, 38.85

 

CMYK 2 / 0 / 47 / 5

HEX #EEF381

RGB 238 243 129

HSL 62.63, 0.83%, 0.73%

LAB 93.39, -17.26, 53.99

 

CMYK 2 / 0 / 54 / 0

HEX #F8FE75

RGB 248 254 117

HSL 62.63, 0.99%, 0.73%

LAB 96.87, -19.67, 63.7

 

CMYK 2 / 0 / 47 / 5

HEX #EEF381

RGB 238 243 129

HSL 62.63, 0.83%, 0.73%

LAB 93.39, -17.26, 53.99

 

CMYK 2 / 0 / 40 / 9

HEX #E4E88C

RGB 228 232 140

HSL 62.61, 0.67%, 0.73%

LAB 89.91, -14.66, 44.25

 

CMYK 1 / 0 / 32 / 13

HEX #DADD97

RGB 218 221 151

HSL 62.57, 0.51%, 0.73%

LAB 86.43, -11.75, 34.1

 

CMYK 1 / 0 / 22 / 18

HEX #CFD1A2

RGB 207 209 162

HSL 62.55, 0.34%, 0.73%

LAB 82.63, -8.35, 23.16

 

CMYK 1 / 0 / 13 / 22

HEX #C5C6AD

RGB 197 198 173

HSL 62.4, 0.18%, 0.73%

LAB 79.2, -4.67, 12.42

 

CMYK 0 / 23 / 47 / 5

HEX #F3BA81

RGB 243 186 129

HSL 30, 0.83%, 0.73%

LAB 79.48, 13.74, 36.75

 

CMYK 0 / 11 / 47 / 5

HEX #F3D881

RGB 243 216 129

HSL 45.79, 0.83%, 0.73%

LAB 86.87, -1.83, 46.11

 

CMYK 2 / 0 / 47 / 5

HEX #EFF381

RGB 239 243 129

HSL 62.11, 0.83%, 0.73%

LAB 93.47, -16.87, 54.1

 

CMYK 14 / 0 / 47 / 5

HEX #D1F381

RGB 209 243 129

HSL 77.89, 0.83%, 0.73%

LAB 91.34, -28.34, 51.03

 

CMYK 27 / 0 / 47 / 5

HEX #B2F381

RGB 178 243 129

HSL 94.21, 0.83%, 0.73%

LAB 89.46, -39.52, 48.3

 

CMYK 3 / 0 / 78 / 7

HEX #E4EC35

RGB 228 236 53

HSL 62.62, 0.83%, 0.57%

LAB 90.2, -22.67, 80.09

 

CMYK 3 / 0 / 62 / 6

HEX #E9EF5B

RGB 233 239 91

HSL 62.43, 0.82%, 0.65%

LAB 91.6, -20.23, 68.51

 

CMYK 2 / 0 / 47 / 5

HEX #EEF381

RGB 238 243 129

HSL 62.63, 0.83%, 0.73%

LAB 93.39, -17.26, 53.99

 

CMYK 1 / 0 / 33 / 4

HEX #F3F6A6

RGB 243 246 166

HSL 62.25, 0.82%, 0.81%

LAB 95.04, -12.93, 38.23

 

CMYK 1 / 0 / 18 / 2

HEX #F8FACC

RGB 248 250 204

HSL 62.61, 0.82%, 0.89%

LAB 97.1, -8.07, 21.89

 

CMYK 2 / 0 / 48 / 5

HEX #EEF37F

RGB 238 243 127

HSL 62.59, 0.83%, 0.73%

LAB 93.37, -17.44, 54.9

 

CMYK 47 / 0 / 36 / 5

HEX #81F39B

RGB 129 243 155

HSL 133.68, 0.83%, 0.73%

LAB 87.55, -50.89, 32.64

 

CMYK 17 / 47 / 0 / 5

HEX #C981F3

RGB 201 129 243

HSL 277.89, 0.83%, 0.73%

LAB 65.43, 47.51, -46.56

 

CMYK 2 / 0 / 48 / 5

HEX #EEF37F

RGB 238 243 127

HSL 62.59, 0.83%, 0.73%

LAB 93.37, -17.44, 54.9

 

CMYK 47 / 2 / 0 / 5

HEX #81EFF3

RGB 129 239 243

HSL 182.11, 0.83%, 0.73%

LAB 88.39, -30.53, -11.74

 

CMYK 0 / 47 / 2 / 5

HEX #F381EF

RGB 243 129 239

HSL 302.11, 0.83%, 0.73%

LAB 70.17, 58.44, -36.59

 

CMYK 2 / 0 / 48 / 5

HEX #EEF37F

RGB 238 243 127

HSL 62.59, 0.83%, 0.73%

LAB 93.37, -17.44, 54.9

 

CMYK 47 / 0 / 36 / 5

HEX #81F39B

RGB 129 243 155

HSL 133.68, 0.83%, 0.73%

LAB 87.55, -50.89, 32.64

 

CMYK 46 / 47 / 0 / 5

HEX #8481F3

RGB 132 129 243

HSL 241.58, 0.83%, 0.73%

LAB 59.05, 29.87, -57.09

 

CMYK 0 / 47 / 11 / 5

HEX #F381D8

RGB 243 129 216

HSL 314.21, 0.83%, 0.73%

LAB 69.26, 54.64, -25.29

 

CMYK 2 / 0 / 48 / 5

HEX #EEF37F

RGB 238 243 127

HSL 62.59, 0.83%, 0.73%

LAB 93.37, -17.44, 54.9

 

CMYK 47 / 0 / 22 / 5

HEX #81F3BD

RGB 129 243 189

HSL 151.58, 0.83%, 0.73%

LAB 88.18, -44.65, 16.13

 

CMYK 46 / 47 / 0 / 5

HEX #8481F3

RGB 132 129 243

HSL 241.58, 0.83%, 0.73%

LAB 59.05, 29.87, -57.09

 

CMYK 0 / 47 / 25 / 5

HEX #F381B6

RGB 243 129 182

HSL 332.11, 0.83%, 0.73%

LAB 68.12, 49.63, -8.03

 

Description

Color code: HEX #EEF37F | qconv.com Color code: HEX #EEF37F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 243 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 243 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 48 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 48% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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