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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEF1AC it is the complementary color #110E53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEF1AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEF1AC shade: #F3F1A7, #FFFFBA, #FFFFCD, #FFFFE0 and #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEF1AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEF1AC shade: #EEF1AC, #DDDF99, #CCCD86, #BBBB73 and #AAA960

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEF1AC shade: #EDF0AC, #F0E1AC, #F0CEAC, #F0BCAC and #F0ACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEF1AC shade: #EDF0AC, #DBF0AC, #C8F0AC, #B6F0AC and #ACF0B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEF1AC shade matches the following richer shades: #EDF0AC and #F5F8A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEF1AC shade: #EDF0AC, #E6E9B3, #DFE1BB, #D8D9C3 and #D1D1CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEF1AC shade: #F0CEAC, #F0E0AC, #EEF0AC, #DCF0AC and #C9F0AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEF1AC shade: #DFE465, #E6EA88, #EDF0AC, #F5F6CF and #FCFCF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEF1AC shade: #EEF1AC, #ACF0BC and #D7ACF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEF1AC shade: #EEF1AC, #ACEEF0 and #F0ACEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEF1AC shade: #EEF1AC, #ACF0BC, #AEACF0 and #F0ACE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEF1AC shade: #EEF1AC, #ACF0D0, #AEACF0 and #F0ACCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 29 / 5

HEX #EEF1AC

RGB 238 241 172

HSL 62.61, 0.71%, 0.81%

LAB 93.48, -11.58, 33.08

 

Complementary color

CMYK 80 / 83 / 0 / 67

HEX #110E53

RGB 17 14 83

HSL 242.61, 0.71%, 0.19%

LAB 9.46, 27.11, -40.85

 

CMYK 0 / 1 / 31 / 5

HEX #F3F1A7

RGB 243 241 167

HSL 58.42, 0.76%, 0.8%

LAB 93.78, -10.34, 36.06

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 1 / 0 / 29 / 5

HEX #EEF1AC

RGB 238 241 172

HSL 62.61, 0.71%, 0.81%

LAB 93.48, -11.58, 33.08

 

CMYK 1 / 0 / 31 / 13

HEX #DDDF99

RGB 221 223 153

HSL 61.71, 0.52%, 0.74%

LAB 87.22, -11.37, 34.16

 

CMYK 0 / 0 / 35 / 20

HEX #CCCD86

RGB 204 205 134

HSL 60.85, 0.42%, 0.66%

LAB 80.86, -11.11, 35.29

 

CMYK 0 / 0 / 39 / 27

HEX #BBBB73

RGB 187 187 115

HSL 60, 0.35%, 0.59%

LAB 74.41, -10.8, 36.46

 

CMYK 0 / 1 / 44 / 33

HEX #AAA960

RGB 170 169 96

HSL 59.19, 0.3%, 0.52%

LAB 67.85, -10.43, 37.67

 

CMYK 1 / 0 / 28 / 6

HEX #EDF0AC

RGB 237 240 172

HSL 62.65, 0.69%, 0.81%

LAB 93.15, -11.46, 32.63

 

CMYK 0 / 6 / 28 / 6

HEX #F0E1AC

RGB 240 225 172

HSL 46.76, 0.69%, 0.81%

LAB 89.56, -2.8, 27.83

 

CMYK 0 / 14 / 28 / 6

HEX #F0CEAC

RGB 240 206 172

HSL 30, 0.69%, 0.81%

LAB 84.82, 6.99, 21.34

 

CMYK 0 / 22 / 28 / 6

HEX #F0BCAC

RGB 240 188 172

HSL 14.12, 0.69%, 0.81%

LAB 80.44, 16.44, 15.25

 

CMYK 0 / 28 / 28 / 6

HEX #F0ACAC

RGB 240 172 172

HSL 0, 0.69%, 0.81%

LAB 76.68, 24.92, 9.94

 

CMYK 1 / 0 / 28 / 6

HEX #EDF0AC

RGB 237 240 172

HSL 62.65, 0.69%, 0.81%

LAB 93.15, -11.46, 32.63

 

CMYK 9 / 0 / 28 / 6

HEX #DBF0AC

RGB 219 240 172

HSL 78.53, 0.69%, 0.81%

LAB 91.85, -18.06, 30.65

 

CMYK 17 / 0 / 28 / 6

HEX #C8F0AC

RGB 200 240 172

HSL 95.29, 0.69%, 0.81%

LAB 90.59, -24.8, 28.74

 

CMYK 24 / 0 / 28 / 6

HEX #B6F0AC

RGB 182 240 172

HSL 111.18, 0.69%, 0.81%

LAB 89.51, -30.92, 27.09

 

CMYK 28 / 0 / 25 / 6

HEX #ACF0B4

RGB 172 240 180

HSL 127.06, 0.69%, 0.81%

LAB 89.1, -32.85, 22.36

 

CMYK 1 / 0 / 28 / 6

HEX #EDF0AC

RGB 237 240 172

HSL 62.65, 0.69%, 0.81%

LAB 93.15, -11.46, 32.63

 

CMYK 1 / 0 / 34 / 3

HEX #F5F8A4

RGB 245 248 164

HSL 62.14, 0.86%, 0.81%

LAB 95.68, -13.39, 40.08

 

CMYK 1 / 0 / 28 / 6

HEX #EDF0AC

RGB 237 240 172

HSL 62.65, 0.69%, 0.81%

LAB 93.15, -11.46, 32.63

 

CMYK 1 / 0 / 23 / 9

HEX #E6E9B3

RGB 230 233 179

HSL 63.33, 0.55%, 0.81%

LAB 90.94, -9.62, 25.99

 

CMYK 1 / 0 / 17 / 12

HEX #DFE1BB

RGB 223 225 187

HSL 63.16, 0.39%, 0.81%

LAB 88.51, -6.97, 18.4

 

CMYK 0 / 0 / 10 / 15

HEX #D8D9C3

RGB 216 217 195

HSL 62.73, 0.22%, 0.81%

LAB 86.09, -4.13, 10.72

 

CMYK 0 / 0 / 3 / 18

HEX #D1D1CB

RGB 209 209 203

HSL 60, 0.06%, 0.81%

LAB 83.69, -1.07, 2.96

 

CMYK 0 / 14 / 28 / 6

HEX #F0CEAC

RGB 240 206 172

HSL 30, 0.69%, 0.81%

LAB 84.82, 6.99, 21.34

 

CMYK 0 / 7 / 28 / 6

HEX #F0E0AC

RGB 240 224 172

HSL 45.88, 0.69%, 0.81%

LAB 89.31, -2.29, 27.49

 

CMYK 1 / 0 / 28 / 6

HEX #EEF0AC

RGB 238 240 172

HSL 61.76, 0.69%, 0.81%

LAB 93.22, -11.09, 32.74

 

CMYK 8 / 0 / 28 / 6

HEX #DCF0AC

RGB 220 240 172

HSL 77.65, 0.69%, 0.81%

LAB 91.92, -17.69, 30.76

 

CMYK 16 / 0 / 28 / 6

HEX #C9F0AC

RGB 201 240 172

HSL 94.41, 0.69%, 0.81%

LAB 90.65, -24.46, 28.84

 

CMYK 2 / 0 / 56 / 11

HEX #DFE465

RGB 223 228 101

HSL 62.36, 0.7%, 0.65%

LAB 88.02, -18.22, 60.17

 

CMYK 2 / 0 / 42 / 8

HEX #E6EA88

RGB 230 234 136

HSL 62.45, 0.7%, 0.73%

LAB 90.53, -15.29, 47.01

 

CMYK 1 / 0 / 28 / 6

HEX #EDF0AC

RGB 237 240 172

HSL 62.65, 0.69%, 0.81%

LAB 93.15, -11.46, 32.63

 

CMYK 0 / 0 / 16 / 4

HEX #F5F6CF

RGB 245 246 207

HSL 61.54, 0.68%, 0.89%

LAB 95.93, -6.69, 18.69

 

CMYK 0 / 0 / 4 / 1

HEX #FCFCF2

RGB 252 252 242

HSL 60, 0.63%, 0.97%

LAB 98.72, -1.72, 4.77

 

CMYK 1 / 0 / 29 / 5

HEX #EEF1AC

RGB 238 241 172

HSL 62.61, 0.71%, 0.81%

LAB 93.48, -11.58, 33.08

 

CMYK 28 / 0 / 22 / 6

HEX #ACF0BC

RGB 172 240 188

HSL 134.12, 0.69%, 0.81%

LAB 89.26, -31.45, 18.45

 

CMYK 10 / 28 / 0 / 6

HEX #D7ACF0

RGB 215 172 240

HSL 277.94, 0.69%, 0.81%

LAB 76.22, 27.83, -28.04

 

CMYK 1 / 0 / 29 / 5

HEX #EEF1AC

RGB 238 241 172

HSL 62.61, 0.71%, 0.81%

LAB 93.48, -11.58, 33.08

 

CMYK 28 / 1 / 0 / 6

HEX #ACEEF0

RGB 172 238 240

HSL 181.76, 0.69%, 0.81%

LAB 89.96, -20.03, -7.63

 

CMYK 0 / 28 / 1 / 6

HEX #F0ACEE

RGB 240 172 238

HSL 301.76, 0.69%, 0.81%

LAB 78.58, 35.36, -23.13

 

CMYK 1 / 0 / 29 / 5

HEX #EEF1AC

RGB 238 241 172

HSL 62.61, 0.71%, 0.81%

LAB 93.48, -11.58, 33.08

 

CMYK 28 / 0 / 22 / 6

HEX #ACF0BC

RGB 172 240 188

HSL 134.12, 0.69%, 0.81%

LAB 89.26, -31.45, 18.45

 

CMYK 28 / 28 / 0 / 6

HEX #AEACF0

RGB 174 172 240

HSL 241.76, 0.69%, 0.81%

LAB 72.76, 15.42, -33.66

 

CMYK 0 / 28 / 7 / 6

HEX #F0ACE0

RGB 240 172 224

HSL 314.12, 0.69%, 0.81%

LAB 78.12, 32.89, -16.26

 

CMYK 1 / 0 / 29 / 5

HEX #EEF1AC

RGB 238 241 172

HSL 62.61, 0.71%, 0.81%

LAB 93.48, -11.58, 33.08

 

CMYK 28 / 0 / 13 / 6

HEX #ACF0D0

RGB 172 240 208

HSL 151.76, 0.69%, 0.81%

LAB 89.69, -27.72, 8.69

 

CMYK 28 / 28 / 0 / 6

HEX #AEACF0

RGB 174 172 240

HSL 241.76, 0.69%, 0.81%

LAB 72.76, 15.42, -33.66

 

CMYK 0 / 28 / 15 / 6

HEX #F0ACCC

RGB 240 172 204

HSL 331.76, 0.69%, 0.81%

LAB 77.51, 29.59, -6.3

 

Description

Color code: HEX #EEF1AC | qconv.com Color code: HEX #EEF1AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 241 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 241 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 29 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 29% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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