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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEED79 it is the complementary color #111286. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEED79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEED79 shade: #F3ED74, #FFFF87, #FFFF9A, #FFFFAD and #FFFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEED79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEED79 shade: #EEED79, #DDDB66, #CCC953, #BBB740 and #AAA52D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEED79 shade: #EDEC77, #EDCC77, #EDAC77, #ED8D77 and #ED7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEED79 shade: #EDEC77, #CEED77, #AEED77, #8FED77 and #77ED7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEED79 shade matches the following richer shades: #EDEC77 and #F9F86B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEED79 shade: #EDEC77, #E1E083, #D4D490, #C8C79C and #BBBBA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEED79 shade: #EDAC77, #EDCC77, #EDEB77, #CFED77 and #B0ED77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEED79 shade: #E3E22E, #E8E753, #EDEC77, #F2F19C and #F6F6C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEED79 shade: #EEED79, #77ED8D and #BC77ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEED79 shade: #EEED79, #77EDEB and #EB77ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEED79 shade: #EEED79, #77ED8D, #7779ED and #ED77D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEED79 shade: #EEED79, #77EDB0, #7779ED and #ED77B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 49 / 7

HEX #EEED79

RGB 238 237 121

HSL 59.49, 0.77%, 0.7%

LAB 91.74, -15.04, 55.74

 

Complementary color

CMYK 87 / 87 / 0 / 47

HEX #111286

RGB 17 18 134

HSL 239.49, 0.77%, 0.3%

LAB 16.86, 42.54, -62.01

 

CMYK 0 / 2 / 52 / 5

HEX #F3ED74

RGB 243 237 116

HSL 57.17, 0.84%, 0.7%

LAB 92.08, -13.47, 58.52

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 49 / 7

HEX #EEED79

RGB 238 237 121

HSL 59.49, 0.77%, 0.7%

LAB 91.74, -15.04, 55.74

 

CMYK 0 / 1 / 54 / 13

HEX #DDDB66

RGB 221 219 102

HSL 58.99, 0.64%, 0.63%

LAB 85.5, -14.51, 56.82

 

CMYK 0 / 1 / 59 / 20

HEX #CCC953

RGB 204 201 83

HSL 58.51, 0.54%, 0.56%

LAB 79.18, -13.88, 57.79

 

CMYK 0 / 2 / 66 / 27

HEX #BBB740

RGB 187 183 64

HSL 58.05, 0.49%, 0.49%

LAB 72.76, -13.11, 58.56

 

CMYK 0 / 3 / 74 / 33

HEX #AAA52D

RGB 170 165 45

HSL 57.6, 0.58%, 0.42%

LAB 66.25, -12.18, 58.9

 

CMYK 0 / 0 / 50 / 7

HEX #EDEC77

RGB 237 236 119

HSL 59.49, 0.77%, 0.7%

LAB 91.38, -15.11, 56.22

 

CMYK 0 / 14 / 50 / 7

HEX #EDCC77

RGB 237 204 119

HSL 43.22, 0.77%, 0.7%

LAB 83.19, 1.01, 46.36

 

CMYK 0 / 27 / 50 / 7

HEX #EDAC77

RGB 237 172 119

HSL 26.95, 0.77%, 0.7%

LAB 75.35, 17.8, 36.55

 

CMYK 0 / 41 / 50 / 7

HEX #ED8D77

RGB 237 141 119

HSL 11.19, 0.77%, 0.7%

LAB 68.3, 34.18, 27.38

 

CMYK 0 / 50 / 50 / 7

HEX #ED7777

RGB 237 119 119

HSL 0, 0.77%, 0.7%

LAB 63.78, 45.4, 21.33

 

CMYK 0 / 0 / 50 / 7

HEX #EDEC77

RGB 237 236 119

HSL 59.49, 0.77%, 0.7%

LAB 91.38, -15.11, 56.22

 

CMYK 13 / 0 / 50 / 7

HEX #CEED77

RGB 206 237 119

HSL 75.76, 0.77%, 0.7%

LAB 89.4, -27.64, 53.32

 

CMYK 27 / 0 / 50 / 7

HEX #AEED77

RGB 174 237 119

HSL 92.03, 0.77%, 0.7%

LAB 87.44, -39.36, 50.48

 

CMYK 40 / 0 / 50 / 7

HEX #8FED77

RGB 143 237 119

HSL 107.8, 0.77%, 0.7%

LAB 85.88, -49.59, 48.23

 

CMYK 50 / 0 / 46 / 7

HEX #77ED7F

RGB 119 237 127

HSL 124.07, 0.77%, 0.7%

LAB 85.01, -55.38, 43.11

 

CMYK 0 / 0 / 50 / 7

HEX #EDEC77

RGB 237 236 119

HSL 59.49, 0.77%, 0.7%

LAB 91.38, -15.11, 56.22

 

CMYK 0 / 0 / 57 / 2

HEX #F9F86B

RGB 249 248 107

HSL 59.58, 0.92%, 0.7%

LAB 95.3, -17.12, 66.26

 

CMYK 0 / 0 / 50 / 7

HEX #EDEC77

RGB 237 236 119

HSL 59.49, 0.77%, 0.7%

LAB 91.38, -15.11, 56.22

 

CMYK 0 / 0 / 42 / 12

HEX #E1E083

RGB 225 224 131

HSL 59.36, 0.61%, 0.7%

LAB 87.46, -12.79, 45.54

 

CMYK 0 / 0 / 32 / 17

HEX #D4D490

RGB 212 212 144

HSL 60, 0.44%, 0.7%

LAB 83.49, -10.36, 33.72

 

CMYK 0 / 0 / 22 / 22

HEX #C8C79C

RGB 200 199 156

HSL 58.64, 0.29%, 0.7%

LAB 79.34, -6.68, 21.72

 

CMYK 0 / 0 / 10 / 27

HEX #BBBBA9

RGB 187 187 169

HSL 60, 0.12%, 0.7%

LAB 75.43, -3.18, 9.12

 

CMYK 0 / 27 / 50 / 7

HEX #EDAC77

RGB 237 172 119

HSL 26.95, 0.77%, 0.7%

LAB 75.35, 17.8, 36.55

 

CMYK 0 / 14 / 50 / 7

HEX #EDCC77

RGB 237 204 119

HSL 43.22, 0.77%, 0.7%

LAB 83.19, 1.01, 46.36

 

CMYK 0 / 1 / 50 / 7

HEX #EDEB77

RGB 237 235 119

HSL 58.98, 0.77%, 0.7%

LAB 91.12, -14.62, 55.91

 

CMYK 13 / 0 / 50 / 7

HEX #CFED77

RGB 207 237 119

HSL 75.25, 0.77%, 0.7%

LAB 89.47, -27.26, 53.41

 

CMYK 26 / 0 / 50 / 7

HEX #B0ED77

RGB 176 237 119

HSL 91.02, 0.77%, 0.7%

LAB 87.55, -38.66, 50.65

 

CMYK 0 / 0 / 80 / 11

HEX #E3E22E

RGB 227 226 46

HSL 59.67, 0.76%, 0.54%

LAB 87.45, -18.48, 79.51

 

CMYK 0 / 0 / 64 / 9

HEX #E8E753

RGB 232 231 83

HSL 59.6, 0.76%, 0.62%

LAB 89.36, -17.24, 69.3

 

CMYK 0 / 0 / 50 / 7

HEX #EDEC77

RGB 237 236 119

HSL 59.49, 0.77%, 0.7%

LAB 91.38, -15.11, 56.22

 

CMYK 0 / 0 / 36 / 5

HEX #F2F19C

RGB 242 241 156

HSL 59.3, 0.77%, 0.78%

LAB 93.53, -11.99, 41.21

 

CMYK 0 / 0 / 22 / 4

HEX #F6F6C0

RGB 246 246 192

HSL 60, 0.75%, 0.86%

LAB 95.71, -8.49, 26.06

 

CMYK 0 / 0 / 49 / 7

HEX #EEED79

RGB 238 237 121

HSL 59.49, 0.77%, 0.7%

LAB 91.74, -15.04, 55.74

 

CMYK 50 / 0 / 41 / 7

HEX #77ED8D

RGB 119 237 141

HSL 131.19, 0.77%, 0.7%

LAB 85.21, -53.3, 36.5

 

CMYK 21 / 50 / 0 / 7

HEX #BC77ED

RGB 188 119 237

HSL 275.08, 0.77%, 0.7%

LAB 61.65, 47.99, -49.3

 

CMYK 0 / 0 / 49 / 7

HEX #EEED79

RGB 238 237 121

HSL 59.49, 0.77%, 0.7%

LAB 91.74, -15.04, 55.74

 

CMYK 50 / 0 / 1 / 7

HEX #77EDEB

RGB 119 237 235

HSL 178.98, 0.77%, 0.7%

LAB 87.24, -33.73, -9.3

 

CMYK 1 / 50 / 0 / 7

HEX #EB77ED

RGB 235 119 237

HSL 298.98, 0.77%, 0.7%

LAB 67.25, 60.67, -40.1

 

CMYK 0 / 0 / 49 / 7

HEX #EEED79

RGB 238 237 121

HSL 59.49, 0.77%, 0.7%

LAB 91.74, -15.04, 55.74

 

CMYK 50 / 0 / 41 / 7

HEX #77ED8D

RGB 119 237 141

HSL 131.19, 0.77%, 0.7%

LAB 85.21, -53.3, 36.5

 

CMYK 50 / 49 / 0 / 7

HEX #7779ED

RGB 119 121 237

HSL 238.98, 0.77%, 0.7%

LAB 55.8, 29.94, -59.01

 

CMYK 0 / 50 / 9 / 7

HEX #ED77D7

RGB 237 119 215

HSL 311.19, 0.77%, 0.7%

LAB 66.6, 57.54, -28.9

 

CMYK 0 / 0 / 49 / 7

HEX #EEED79

RGB 238 237 121

HSL 59.49, 0.77%, 0.7%

LAB 91.74, -15.04, 55.74

 

CMYK 50 / 0 / 26 / 7

HEX #77EDB0

RGB 119 237 176

HSL 148.98, 0.77%, 0.7%

LAB 85.82, -47.08, 19.5

 

CMYK 50 / 49 / 0 / 7

HEX #7779ED

RGB 119 121 237

HSL 238.98, 0.77%, 0.7%

LAB 55.8, 29.94, -59.01

 

CMYK 0 / 50 / 24 / 7

HEX #ED77B4

RGB 237 119 180

HSL 328.98, 0.77%, 0.7%

LAB 65.35, 52.32, -11.12

 

Description

Color code: HEX #EEED79 | qconv.com Color code: HEX #EEED79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 237 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 237 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 49 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 49% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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