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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE173 it is the complementary color #111E8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEE173 shade: #F3E16E, #FFF381, #FFFF94, #FFFFA7 and #FFFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEE173 shade: #EEE173, #DDCF60, #CCBD4D, #BBAB3A and #AA9927

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEE173 shade: #EDE072, #EDBF72, #ED9E72, #ED7C72 and #ED7272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEE173 shade: #EDE072, #D9ED72, #B8ED72, #96ED72 and #75ED72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEE173 shade matches the following richer shades: #EDE072 and #FAEA65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEE173 shade: #EDE072, #E0D67F, #D4CC8B, #C7C298 and #BAB8A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEE173 shade: #ED9D72, #EDBE72, #EDDF72, #DBED72 and #BAED72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEE173 shade: #E4D028, #E9D84D, #EDE072, #F2E897 and #F6F0BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEE173 shade: #EEE173, #72ED7C and #AD72ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEE173 shade: #EEE173, #72EDDF and #DF72ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEE173 shade: #EEE173, #72ED7C, #7280ED and #ED72E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEE173 shade: #EEE173, #72EDA1, #7280ED and #ED72BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 52 / 7

HEX #EEE173

RGB 238 225 115

HSL 53.66, 0.78%, 0.69%

LAB 88.57, -9.6, 54.77

 

Complementary color

CMYK 88 / 79 / 0 / 45

HEX #111E8C

RGB 17 30 140

HSL 233.66, 0.78%, 0.31%

LAB 19.81, 38.22, -60.88

 

CMYK 0 / 7 / 55 / 5

HEX #F3E16E

RGB 243 225 110

HSL 51.88, 0.85%, 0.69%

LAB 88.94, -7.99, 57.61

 

CMYK 0 / 5 / 49 / 0

HEX #FFF381

RGB 255 243 129

HSL 54.29, 1%, 0.75%

LAB 94.72, -10.6, 55.9

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 5 / 52 / 7

HEX #EEE173

RGB 238 225 115

HSL 53.66, 0.78%, 0.69%

LAB 88.57, -9.6, 54.77

 

CMYK 0 / 6 / 57 / 13

HEX #DDCF60

RGB 221 207 96

HSL 53.28, 0.65%, 0.62%

LAB 82.29, -8.94, 55.88

 

CMYK 0 / 7 / 62 / 20

HEX #CCBD4D

RGB 204 189 77

HSL 52.91, 0.55%, 0.55%

LAB 75.93, -8.16, 56.87

 

CMYK 0 / 9 / 69 / 27

HEX #BBAB3A

RGB 187 171 58

HSL 52.56, 0.53%, 0.48%

LAB 69.47, -7.23, 57.62

 

CMYK 0 / 10 / 77 / 33

HEX #AA9927

RGB 170 153 39

HSL 52.21, 0.63%, 0.41%

LAB 62.91, -6.1, 57.88

 

CMYK 0 / 5 / 52 / 7

HEX #EDE072

RGB 237 224 114

HSL 53.66, 0.77%, 0.69%

LAB 88.22, -9.59, 54.8

 

CMYK 0 / 19 / 52 / 7

HEX #EDBF72

RGB 237 191 114

HSL 37.56, 0.77%, 0.69%

LAB 79.89, 7.34, 44.78

 

CMYK 0 / 33 / 52 / 7

HEX #ED9E72

RGB 237 158 114

HSL 21.46, 0.77%, 0.69%

LAB 72.01, 24.78, 34.91

 

CMYK 0 / 48 / 52 / 7

HEX #ED7C72

RGB 237 124 114

HSL 4.88, 0.77%, 0.69%

LAB 64.67, 42.47, 25.34

 

CMYK 0 / 52 / 52 / 7

HEX #ED7272

RGB 237 114 114

HSL 0, 0.77%, 0.69%

LAB 62.72, 47.41, 22.73

 

CMYK 0 / 5 / 52 / 7

HEX #EDE072

RGB 237 224 114

HSL 53.66, 0.77%, 0.69%

LAB 88.22, -9.59, 54.8

 

CMYK 8 / 0 / 52 / 7

HEX #D9ED72

RGB 217 237 114

HSL 69.76, 0.77%, 0.69%

LAB 90.11, -23.87, 56.63

 

CMYK 22 / 0 / 52 / 7

HEX #B8ED72

RGB 184 237 114

HSL 85.85, 0.77%, 0.69%

LAB 87.96, -36.31, 53.56

 

CMYK 37 / 0 / 52 / 7

HEX #96ED72

RGB 150 237 114

HSL 102.44, 0.77%, 0.69%

LAB 86.14, -47.98, 50.96

 

CMYK 51 / 0 / 52 / 7

HEX #75ED72

RGB 117 237 114

HSL 118.54, 0.77%, 0.69%

LAB 84.77, -57.63, 48.99

 

CMYK 0 / 5 / 52 / 7

HEX #EDE072

RGB 237 224 114

HSL 53.66, 0.77%, 0.69%

LAB 88.22, -9.59, 54.8

 

CMYK 0 / 6 / 60 / 2

HEX #FAEA65

RGB 250 234 101

HSL 53.56, 0.94%, 0.69%

LAB 91.73, -10.28, 64.9

 

CMYK 0 / 5 / 52 / 7

HEX #EDE072

RGB 237 224 114

HSL 53.66, 0.77%, 0.69%

LAB 88.22, -9.59, 54.8

 

CMYK 0 / 4 / 43 / 12

HEX #E0D67F

RGB 224 214 127

HSL 53.81, 0.61%, 0.69%

LAB 84.73, -8.57, 44.07

 

CMYK 0 / 4 / 34 / 17

HEX #D4CC8B

RGB 212 204 139

HSL 53.42, 0.46%, 0.69%

LAB 81.32, -6.88, 33.43

 

CMYK 0 / 3 / 24 / 22

HEX #C7C298

RGB 199 194 152

HSL 53.62, 0.3%, 0.69%

LAB 77.87, -5.03, 21.81

 

CMYK 0 / 1 / 11 / 27

HEX #BAB8A5

RGB 186 184 165

HSL 54.29, 0.13%, 0.69%

LAB 74.47, -2.63, 9.9

 

CMYK 0 / 34 / 52 / 7

HEX #ED9D72

RGB 237 157 114

HSL 20.98, 0.77%, 0.69%

LAB 71.78, 25.31, 34.62

 

CMYK 0 / 20 / 52 / 7

HEX #EDBE72

RGB 237 190 114

HSL 37.07, 0.77%, 0.69%

LAB 79.64, 7.86, 44.48

 

CMYK 0 / 6 / 52 / 7

HEX #EDDF72

RGB 237 223 114

HSL 53.17, 0.77%, 0.69%

LAB 87.97, -9.09, 54.5

 

CMYK 8 / 0 / 52 / 7

HEX #DBED72

RGB 219 237 114

HSL 68.78, 0.77%, 0.69%

LAB 90.25, -23.1, 56.83

 

CMYK 22 / 0 / 52 / 7

HEX #BAED72

RGB 186 237 114

HSL 84.88, 0.77%, 0.69%

LAB 88.08, -35.58, 53.73

 

CMYK 0 / 9 / 82 / 11

HEX #E4D028

RGB 228 208 40

HSL 53.62, 0.78%, 0.53%

LAB 82.79, -9.31, 77.08

 

CMYK 0 / 7 / 67 / 9

HEX #E9D84D

RGB 233 216 77

HSL 53.46, 0.78%, 0.61%

LAB 85.49, -9.73, 67.69

 

CMYK 0 / 5 / 52 / 7

HEX #EDE072

RGB 237 224 114

HSL 53.66, 0.77%, 0.69%

LAB 88.22, -9.59, 54.8

 

CMYK 0 / 4 / 38 / 5

HEX #F2E897

RGB 242 232 151

HSL 53.41, 0.78%, 0.77%

LAB 91.15, -8.07, 40.62

 

CMYK 0 / 2 / 24 / 4

HEX #F6F0BB

RGB 246 240 187

HSL 53.9, 0.77%, 0.85%

LAB 94.1, -6.17, 26.41

 

CMYK 0 / 5 / 52 / 7

HEX #EEE173

RGB 238 225 115

HSL 53.66, 0.78%, 0.69%

LAB 88.57, -9.6, 54.77

 

CMYK 52 / 0 / 48 / 7

HEX #72ED7C

RGB 114 237 124

HSL 124.88, 0.77%, 0.69%

LAB 84.79, -57.08, 44.25

 

CMYK 27 / 52 / 0 / 7

HEX #AD72ED

RGB 173 114 237

HSL 268.78, 0.77%, 0.69%

LAB 59.01, 46.77, -53.61

 

CMYK 0 / 5 / 52 / 7

HEX #EEE173

RGB 238 225 115

HSL 53.66, 0.78%, 0.69%

LAB 88.57, -9.6, 54.77

 

CMYK 52 / 0 / 6 / 7

HEX #72EDDF

RGB 114 237 223

HSL 173.17, 0.77%, 0.69%

LAB 86.74, -37.75, -3.75

 

CMYK 6 / 52 / 0 / 7

HEX #DF72ED

RGB 223 114 237

HSL 293.17, 0.77%, 0.69%

LAB 64.83, 59.82, -44.01

 

CMYK 0 / 5 / 52 / 7

HEX #EEE173

RGB 238 225 115

HSL 53.66, 0.78%, 0.69%

LAB 88.57, -9.6, 54.77

 

CMYK 52 / 0 / 48 / 7

HEX #72ED7C

RGB 114 237 124

HSL 124.88, 0.77%, 0.69%

LAB 84.79, -57.08, 44.25

 

CMYK 52 / 46 / 0 / 7

HEX #7280ED

RGB 114 128 237

HSL 233.17, 0.77%, 0.69%

LAB 57.2, 24.7, -56.78

 

CMYK 0 / 52 / 4 / 7

HEX #ED72E3

RGB 237 114 227

HSL 304.88, 0.77%, 0.69%

LAB 66.2, 61.85, -36.19

 

CMYK 0 / 5 / 52 / 7

HEX #EEE173

RGB 238 225 115

HSL 53.66, 0.78%, 0.69%

LAB 88.57, -9.6, 54.77

 

CMYK 52 / 0 / 32 / 7

HEX #72EDA1

RGB 114 237 161

HSL 142.93, 0.77%, 0.69%

LAB 85.36, -51.12, 26.57

 

CMYK 52 / 46 / 0 / 7

HEX #7280ED

RGB 114 128 237

HSL 233.17, 0.77%, 0.69%

LAB 57.2, 24.7, -56.78

 

CMYK 0 / 52 / 20 / 7

HEX #ED72BE

RGB 237 114 190

HSL 322.93, 0.77%, 0.69%

LAB 64.77, 56.12, -17.66

 

Description

Color code: HEX #EEE173 | qconv.com Color code: HEX #EEE173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 225 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 225 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 52 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 52% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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