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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE588 it is the complementary color #111A77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE588. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEE588 shade: #F3E583, #FFF796, #FFFFA9, #FFFFBC and #FFFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE588. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEE588 shade: #EEE588, #DDD375, #CCC162, #BBAF4F and #AA9D3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEE588 shade: #EDE486, #EDC886, #EDAC86, #ED9186 and #ED8686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEE588 shade: #EDE486, #DBED86, #BFED86, #A3ED86 and #87ED86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEE588 shade matches the following richer shades: #EDE486 and #F8ED7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEE588 shade: #EDE486, #E2DB91, #D7D29C, #CCC9A7 and #C1BFB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEE588 shade: #EDAC86, #EDC786, #EDE386, #DCED86 and #C1ED86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEE588 shade: #E3D43E, #E8DC62, #EDE486, #F2ECAA and #F8F4CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEE588 shade: #EEE588, #86ED90 and #BA86ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEE588 shade: #EEE588, #86EDE3 and #E386ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEE588 shade: #EEE588, #86ED90, #8690ED and #ED86E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEE588 shade: #EEE588, #86EDAF, #8690ED and #ED86C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 43 / 7

HEX #EEE588

RGB 238 229 136

HSL 54.71, 0.75%, 0.73%

LAB 89.86, -9.69, 46.31

 

Complementary color

CMYK 86 / 78 / 0 / 53

HEX #111A77

RGB 17 26 119

HSL 234.71, 0.75%, 0.27%

LAB 16.45, 33.02, -53.13

 

CMYK 0 / 6 / 46 / 5

HEX #F3E583

RGB 243 229 131

HSL 52.5, 0.82%, 0.73%

LAB 90.2, -8.21, 49.24

 

CMYK 0 / 3 / 41 / 0

HEX #FFF796

RGB 255 247 150

HSL 55.43, 1%, 0.79%

LAB 95.99, -10.62, 47.49

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCF

RGB 255 255 207

HSL 60, 1%, 0.91%

LAB 98.94, -7.63, 23

 

CMYK 0 / 4 / 43 / 7

HEX #EEE588

RGB 238 229 136

HSL 54.71, 0.75%, 0.73%

LAB 89.86, -9.69, 46.31

 

CMYK 0 / 5 / 47 / 13

HEX #DDD375

RGB 221 211 117

HSL 54.23, 0.6%, 0.66%

LAB 83.57, -9.21, 47.49

 

CMYK 0 / 5 / 52 / 20

HEX #CCC162

RGB 204 193 98

HSL 53.77, 0.51%, 0.59%

LAB 77.2, -8.64, 48.66

 

CMYK 0 / 6 / 58 / 27

HEX #BBAF4F

RGB 187 175 79

HSL 53.33, 0.44%, 0.52%

LAB 70.73, -7.96, 49.8

 

CMYK 0 / 8 / 65 / 33

HEX #AA9D3C

RGB 170 157 60

HSL 52.91, 0.48%, 0.45%

LAB 64.15, -7.13, 50.78

 

CMYK 0 / 4 / 43 / 7

HEX #EDE486

RGB 237 228 134

HSL 54.76, 0.74%, 0.73%

LAB 89.49, -9.78, 46.81

 

CMYK 0 / 16 / 43 / 7

HEX #EDC886

RGB 237 200 134

HSL 38.45, 0.74%, 0.73%

LAB 82.4, 4.51, 37.83

 

CMYK 0 / 27 / 43 / 7

HEX #EDAC86

RGB 237 172 134

HSL 22.14, 0.74%, 0.73%

LAB 75.59, 19.26, 28.93

 

CMYK 0 / 39 / 43 / 7

HEX #ED9186

RGB 237 145 134

HSL 6.41, 0.74%, 0.73%

LAB 69.45, 33.55, 20.65

 

CMYK 0 / 43 / 43 / 7

HEX #ED8686

RGB 237 134 134

HSL 0, 0.74%, 0.73%

LAB 67.11, 39.26, 17.43

 

CMYK 0 / 4 / 43 / 7

HEX #EDE486

RGB 237 228 134

HSL 54.76, 0.74%, 0.73%

LAB 89.49, -9.78, 46.81

 

CMYK 8 / 0 / 43 / 7

HEX #DBED86

RGB 219 237 134

HSL 70.49, 0.74%, 0.73%

LAB 90.48, -21.19, 47.74

 

CMYK 19 / 0 / 43 / 7

HEX #BFED86

RGB 191 237 134

HSL 86.8, 0.74%, 0.73%

LAB 88.62, -31.61, 45.02

 

CMYK 31 / 0 / 43 / 7

HEX #A3ED86

RGB 163 237 134

HSL 103.11, 0.74%, 0.73%

LAB 87.03, -41.32, 42.68

 

CMYK 43 / 0 / 43 / 7

HEX #87ED86

RGB 135 237 134

HSL 119.42, 0.74%, 0.73%

LAB 85.73, -50, 40.75

 

CMYK 0 / 4 / 43 / 7

HEX #EDE486

RGB 237 228 134

HSL 54.76, 0.74%, 0.73%

LAB 89.49, -9.78, 46.81

 

CMYK 0 / 4 / 50 / 3

HEX #F8ED7B

RGB 248 237 123

HSL 54.72, 0.9%, 0.73%

LAB 92.55, -10.91, 55.97

 

CMYK 0 / 4 / 43 / 7

HEX #EDE486

RGB 237 228 134

HSL 54.76, 0.74%, 0.73%

LAB 89.49, -9.78, 46.81

 

CMYK 0 / 3 / 36 / 11

HEX #E2DB91

RGB 226 219 145

HSL 54.81, 0.58%, 0.73%

LAB 86.44, -8.38, 37.28

 

CMYK 0 / 2 / 27 / 16

HEX #D7D29C

RGB 215 210 156

HSL 54.92, 0.42%, 0.73%

LAB 83.41, -6.67, 27.45

 

CMYK 0 / 1 / 18 / 20

HEX #CCC9A7

RGB 204 201 167

HSL 55.14, 0.27%, 0.73%

LAB 80.4, -4.61, 17.4

 

CMYK 0 / 1 / 7 / 24

HEX #C1BFB3

RGB 193 191 179

HSL 51.43, 0.1%, 0.73%

LAB 77.19, -1.43, 6.29

 

CMYK 0 / 27 / 43 / 7

HEX #EDAC86

RGB 237 172 134

HSL 22.14, 0.74%, 0.73%

LAB 75.59, 19.26, 28.93

 

CMYK 0 / 16 / 43 / 7

HEX #EDC786

RGB 237 199 134

HSL 37.86, 0.74%, 0.73%

LAB 82.15, 5.03, 37.51

 

CMYK 0 / 4 / 43 / 7

HEX #EDE386

RGB 237 227 134

HSL 54.17, 0.74%, 0.73%

LAB 89.24, -9.28, 46.49

 

CMYK 7 / 0 / 43 / 7

HEX #DCED86

RGB 220 237 134

HSL 69.9, 0.74%, 0.73%

LAB 90.55, -20.8, 47.85

 

CMYK 19 / 0 / 43 / 7

HEX #C1ED86

RGB 193 237 134

HSL 85.63, 0.74%, 0.73%

LAB 88.75, -30.88, 45.2

 

CMYK 0 / 7 / 73 / 11

HEX #E3D43E

RGB 227 212 62

HSL 54.55, 0.75%, 0.57%

LAB 83.84, -10.97, 71.42

 

CMYK 0 / 5 / 58 / 9

HEX #E8DC62

RGB 232 220 98

HSL 54.63, 0.74%, 0.65%

LAB 86.61, -10.84, 60.1

 

CMYK 0 / 4 / 43 / 7

HEX #EDE486

RGB 237 228 134

HSL 54.76, 0.74%, 0.73%

LAB 89.49, -9.78, 46.81

 

CMYK 0 / 2 / 30 / 5

HEX #F2ECAA

RGB 242 236 170

HSL 55, 0.73%, 0.81%

LAB 92.47, -7.85, 32.81

 

CMYK 0 / 2 / 17 / 3

HEX #F8F4CE

RGB 248 244 206

HSL 54.29, 0.75%, 0.89%

LAB 95.63, -4.78, 18.82

 

CMYK 0 / 4 / 43 / 7

HEX #EEE588

RGB 238 229 136

HSL 54.71, 0.75%, 0.73%

LAB 89.86, -9.69, 46.31

 

CMYK 43 / 0 / 39 / 7

HEX #86ED90

RGB 134 237 144

HSL 125.83, 0.74%, 0.73%

LAB 85.83, -48.8, 35.93

 

CMYK 22 / 43 / 0 / 7

HEX #BA86ED

RGB 186 134 237

HSL 270.29, 0.74%, 0.73%

LAB 64.65, 39.35, -44.59

 

CMYK 0 / 4 / 43 / 7

HEX #EEE588

RGB 238 229 136

HSL 54.71, 0.75%, 0.73%

LAB 89.86, -9.69, 46.31

 

CMYK 43 / 0 / 4 / 7

HEX #86EDE3

RGB 134 237 227

HSL 174.17, 0.74%, 0.73%

LAB 87.57, -32.37, -4.54

 

CMYK 4 / 43 / 0 / 7

HEX #E386ED

RGB 227 134 237

HSL 294.17, 0.74%, 0.73%

LAB 69.11, 51.04, -37.29

 

CMYK 0 / 4 / 43 / 7

HEX #EEE588

RGB 238 229 136

HSL 54.71, 0.75%, 0.73%

LAB 89.86, -9.69, 46.31

 

CMYK 43 / 0 / 39 / 7

HEX #86ED90

RGB 134 237 144

HSL 125.83, 0.74%, 0.73%

LAB 85.83, -48.8, 35.93

 

CMYK 43 / 39 / 0 / 7

HEX #8690ED

RGB 134 144 237

HSL 234.17, 0.74%, 0.73%

LAB 62.62, 19.83, -48.09

 

CMYK 0 / 43 / 4 / 7

HEX #ED86E3

RGB 237 134 227

HSL 305.83, 0.74%, 0.73%

LAB 69.9, 52.18, -30.47

 

CMYK 0 / 4 / 43 / 7

HEX #EEE588

RGB 238 229 136

HSL 54.71, 0.75%, 0.73%

LAB 89.86, -9.69, 46.31

 

CMYK 43 / 0 / 26 / 7

HEX #86EDAF

RGB 134 237 175

HSL 143.88, 0.74%, 0.73%

LAB 86.37, -43.49, 20.87

 

CMYK 43 / 39 / 0 / 7

HEX #8690ED

RGB 134 144 237

HSL 234.17, 0.74%, 0.73%

LAB 62.62, 19.83, -48.09

 

CMYK 0 / 43 / 17 / 7

HEX #ED86C4

RGB 237 134 196

HSL 323.88, 0.74%, 0.73%

LAB 68.78, 47.18, -14.96

 

Description

Color code: HEX #EEE588 | qconv.com Color code: HEX #EEE588 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 229 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 229 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 43 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 43% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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