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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE44E it is the complementary color #111BB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE44E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEE44E shade: #F3E449, #FFF65C, #FFFF6F, #FFFF82 and #FFFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE44E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEE44E shade: #EEE44E, #DDD23B, #CCC028, #BBAE15 and #AA9C02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEE44E shade: #EDE34E, #EDB84E, #ED8D4E, #ED634E and #ED4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEE44E shade: #EDE34E, #CCED4E, #A1ED4E, #76ED4E and #4EED51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEE44E shade matches the following richer shades: #EDE34E and #FDF13E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEE44E shade: #EDE34E, #DDD55E, #CEC86D, #BEBA7D and #AEAC8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEE44E shade: #ED8E4E, #EDB84E, #EDE24E, #CDED4E and #A3ED4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEE44E shade: #D4C815, #E9DD29, #EDE34E, #F1E974 and #F4EF99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEE44E shade: #EEE44E, #4EED63 and #A34EED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEE44E shade: #EEE44E, #4EEDE2 and #E24EED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEE44E shade: #EEE44E, #4EED63, #4E59ED and #ED4ED8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEE44E shade: #EEE44E, #4EED93, #4E59ED and #ED4EA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 67 / 7

HEX #EEE44E

RGB 238 228 78

HSL 56.25, 0.82%, 0.62%

LAB 89.02, -13.58, 71.03

 

Complementary color

CMYK 90 / 85 / 0 / 31

HEX #111BB1

RGB 17 27 177

HSL 236.25, 0.82%, 0.38%

LAB 23.93, 52.02, -76.67

 

CMYK 0 / 6 / 70 / 5

HEX #F3E449

RGB 243 228 73

HSL 54.71, 0.88%, 0.62%

LAB 89.4, -11.77, 73.38

 

CMYK 0 / 4 / 64 / 0

HEX #FFF65C

RGB 255 246 92

HSL 56.69, 1%, 0.68%

LAB 95.14, -14.7, 72.35

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 4 / 67 / 7

HEX #EEE44E

RGB 238 228 78

HSL 56.25, 0.82%, 0.62%

LAB 89.02, -13.58, 71.03

 

CMYK 0 / 5 / 73 / 13

HEX #DDD23B

RGB 221 210 59

HSL 55.93, 0.7%, 0.55%

LAB 82.8, -12.62, 71.27

 

CMYK 0 / 6 / 80 / 20

HEX #CCC028

RGB 204 192 40

HSL 55.61, 0.67%, 0.48%

LAB 76.49, -11.48, 70.87

 

CMYK 0 / 7 / 89 / 27

HEX #BBAE15

RGB 187 174 21

HSL 55.3, 0.8%, 0.41%

LAB 70.1, -10.14, 69.42

 

CMYK 0 / 8 / 99 / 33

HEX #AA9C02

RGB 170 156 2

HSL 55, 0.98%, 0.34%

LAB 63.61, -8.59, 66.63

 

CMYK 0 / 4 / 67 / 7

HEX #EDE34E

RGB 237 227 78

HSL 56.23, 0.82%, 0.62%

LAB 88.68, -13.5, 70.66

 

CMYK 0 / 22 / 67 / 7

HEX #EDB84E

RGB 237 184 78

HSL 40, 0.82%, 0.62%

LAB 77.78, 8.47, 59.34

 

CMYK 0 / 41 / 67 / 7

HEX #ED8D4E

RGB 237 141 78

HSL 23.77, 0.82%, 0.62%

LAB 67.73, 31.17, 48.33

 

CMYK 0 / 58 / 67 / 7

HEX #ED634E

RGB 237 99 78

HSL 7.92, 0.82%, 0.62%

LAB 59.41, 52, 38.71

 

CMYK 0 / 67 / 67 / 7

HEX #ED4E4E

RGB 237 78 78

HSL 0, 0.82%, 0.62%

LAB 56.09, 60.89, 34.71

 

CMYK 0 / 4 / 67 / 7

HEX #EDE34E

RGB 237 227 78

HSL 56.23, 0.82%, 0.62%

LAB 88.68, -13.5, 70.66

 

CMYK 14 / 0 / 67 / 7

HEX #CCED4E

RGB 204 237 78

HSL 72.45, 0.82%, 0.62%

LAB 88.9, -31.6, 70.09

 

CMYK 32 / 0 / 67 / 7

HEX #A1ED4E

RGB 161 237 78

HSL 88.68, 0.82%, 0.62%

LAB 86.35, -47.6, 66.66

 

CMYK 50 / 0 / 67 / 7

HEX #76ED4E

RGB 118 237 78

HSL 104.91, 0.82%, 0.62%

LAB 84.47, -61.09, 64.1

 

CMYK 67 / 0 / 66 / 7

HEX #4EED51

RGB 78 237 81

HSL 121.13, 0.82%, 0.62%

LAB 83.33, -70.06, 61.36

 

CMYK 0 / 4 / 67 / 7

HEX #EDE34E

RGB 237 227 78

HSL 56.23, 0.82%, 0.62%

LAB 88.68, -13.5, 70.66

 

CMYK 0 / 5 / 75 / 1

HEX #FDF13E

RGB 253 241 62

HSL 56.23, 0.98%, 0.62%

LAB 93.51, -14.49, 81.2

 

CMYK 0 / 4 / 67 / 7

HEX #EDE34E

RGB 237 227 78

HSL 56.23, 0.82%, 0.62%

LAB 88.68, -13.5, 70.66

 

CMYK 0 / 4 / 57 / 13

HEX #DDD55E

RGB 221 213 94

HSL 56.22, 0.65%, 0.62%

LAB 83.85, -12.12, 58.52

 

CMYK 0 / 3 / 47 / 19

HEX #CEC86D

RGB 206 200 109

HSL 56.29, 0.5%, 0.62%

LAB 79.35, -10.42, 45.96

 

CMYK 0 / 2 / 34 / 25

HEX #BEBA7D

RGB 190 186 125

HSL 56.31, 0.33%, 0.62%

LAB 74.54, -7.92, 31.48

 

CMYK 0 / 1 / 19 / 32

HEX #AEAC8D

RGB 174 172 141

HSL 56.36, 0.17%, 0.62%

LAB 69.77, -4.57, 16.24

 

CMYK 0 / 40 / 67 / 7

HEX #ED8E4E

RGB 237 142 78

HSL 24.15, 0.82%, 0.62%

LAB 67.95, 30.65, 48.58

 

CMYK 0 / 22 / 67 / 7

HEX #EDB84E

RGB 237 184 78

HSL 40, 0.82%, 0.62%

LAB 77.78, 8.47, 59.34

 

CMYK 0 / 5 / 67 / 7

HEX #EDE24E

RGB 237 226 78

HSL 55.85, 0.82%, 0.62%

LAB 88.42, -13, 70.39

 

CMYK 14 / 0 / 67 / 7

HEX #CDED4E

RGB 205 237 78

HSL 72.08, 0.82%, 0.62%

LAB 88.97, -31.21, 70.18

 

CMYK 31 / 0 / 67 / 7

HEX #A3ED4E

RGB 163 237 78

HSL 87.92, 0.82%, 0.62%

LAB 86.46, -46.9, 66.8

 

CMYK 0 / 6 / 90 / 17

HEX #D4C815

RGB 212 200 21

HSL 56.23, 0.82%, 0.46%

LAB 79.25, -12.54, 77.53

 

CMYK 0 / 5 / 82 / 9

HEX #E9DD29

RGB 233 221 41

HSL 56.25, 0.81%, 0.54%

LAB 86.6, -13.66, 80.22

 

CMYK 0 / 4 / 67 / 7

HEX #EDE34E

RGB 237 227 78

HSL 56.23, 0.82%, 0.62%

LAB 88.68, -13.5, 70.66

 

CMYK 0 / 3 / 52 / 5

HEX #F1E974

RGB 241 233 116

HSL 56.16, 0.82%, 0.7%

LAB 90.89, -12.3, 57.09

 

CMYK 0 / 2 / 37 / 4

HEX #F4EF99

RGB 244 239 153

HSL 56.7, 0.81%, 0.78%

LAB 93.13, -10.57, 42.21

 

CMYK 0 / 4 / 67 / 7

HEX #EEE44E

RGB 238 228 78

HSL 56.25, 0.82%, 0.62%

LAB 89.02, -13.58, 71.03

 

CMYK 67 / 0 / 58 / 7

HEX #4EED63

RGB 78 237 99

HSL 127.92, 0.82%, 0.62%

LAB 83.49, -68.15, 53.99

 

CMYK 31 / 67 / 0 / 7

HEX #A34EED

RGB 163 78 237

HSL 272.08, 0.82%, 0.62%

LAB 51.09, 62.63, -66.36

 

CMYK 0 / 4 / 67 / 7

HEX #EEE44E

RGB 238 228 78

HSL 56.25, 0.82%, 0.62%

LAB 89.02, -13.58, 71.03

 

CMYK 67 / 0 / 5 / 7

HEX #4EEDE2

RGB 78 237 226

HSL 175.85, 0.82%, 0.62%

LAB 85.85, -43.17, -6.76

 

CMYK 5 / 67 / 0 / 7

HEX #E24EED

RGB 226 78 237

HSL 295.85, 0.82%, 0.62%

LAB 59.65, 75.88, -52.18

 

CMYK 0 / 4 / 67 / 7

HEX #EEE44E

RGB 238 228 78

HSL 56.25, 0.82%, 0.62%

LAB 89.02, -13.58, 71.03

 

CMYK 67 / 0 / 58 / 7

HEX #4EED63

RGB 78 237 99

HSL 127.92, 0.82%, 0.62%

LAB 83.49, -68.15, 53.99

 

CMYK 67 / 62 / 0 / 7

HEX #4E59ED

RGB 78 89 237

HSL 235.85, 0.82%, 0.62%

LAB 45.47, 42.05, -75.86

 

CMYK 0 / 67 / 9 / 7

HEX #ED4ED8

RGB 237 78 216

HSL 307.92, 0.82%, 0.62%

LAB 60.26, 75.05, -39.32

 

CMYK 0 / 4 / 67 / 7

HEX #EEE44E

RGB 238 228 78

HSL 56.25, 0.82%, 0.62%

LAB 89.02, -13.58, 71.03

 

CMYK 67 / 0 / 38 / 7

HEX #4EED93

RGB 78 237 147

HSL 146.04, 0.82%, 0.62%

LAB 84.12, -60.98, 31.84

 

CMYK 67 / 62 / 0 / 7

HEX #4E59ED

RGB 78 89 237

HSL 235.85, 0.82%, 0.62%

LAB 45.47, 42.05, -75.86

 

CMYK 0 / 67 / 29 / 7

HEX #ED4EA8

RGB 237 78 168

HSL 326.04, 0.82%, 0.62%

LAB 58.3, 68.61, -14.85

 

Description

Color code: HEX #EEE44E | qconv.com Color code: HEX #EEE44E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 228 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 228 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 67 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 67% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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