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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEDD4D it is the complementary color #1122B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEDD4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEDD4D shade: #F3DD48, #FFEF5B, #FFFF6E, #FFFF81 and #FFFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEDD4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEDD4D shade: #EEDD4D, #DDCB3A, #CCB927, #BBA714 and #AA9501

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEDD4D shade: #EEDD4D, #EEB24D, #EE864D, #EE5B4D and #EE4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEDD4D shade: #EEDD4D, #D4EE4D, #A8EE4D, #7DEE4D and #52EE4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEDD4D shade matches the following richer shades: #EEDD4D and #FEE93D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEDD4D shade: #EEDD4D, #DED15D, #CFC46D, #BFB87C and #AFAC8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEDD4D shade: #EE854D, #EEB04D, #EEDB4D, #D6EE4D and #ABEE4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEDD4D shade: #D5C113, #EBD627, #EEDD4D, #F2E473 and #F5EB99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEDD4D shade: #EEDD4D, #4DEE5B and #9B4DEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEDD4D shade: #EEDD4D, #4DEEDB and #DB4DEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEDD4D shade: #EEDD4D, #4DEE5B, #4D60EE and #EE4DE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEDD4D shade: #EEDD4D, #4DEE8B, #4D60EE and #EE4DB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 68 / 7

HEX #EEDD4D

RGB 238 221 77

HSL 53.66, 0.83%, 0.62%

LAB 87.21, -10.16, 69.57

 

Complementary color

CMYK 90 / 81 / 0 / 30

HEX #1122B2

RGB 17 34 178

HSL 233.66, 0.83%, 0.38%

LAB 25.19, 48.98, -75.16

 

CMYK 0 / 9 / 70 / 5

HEX #F3DD48

RGB 243 221 72

HSL 52.28, 0.88%, 0.62%

LAB 87.6, -8.33, 71.97

 

CMYK 0 / 6 / 64 / 0

HEX #FFEF5B

RGB 255 239 91

HSL 54.15, 1%, 0.68%

LAB 93.34, -11.33, 70.87

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 7 / 68 / 7

HEX #EEDD4D

RGB 238 221 77

HSL 53.66, 0.83%, 0.62%

LAB 87.21, -10.16, 69.57

 

CMYK 0 / 8 / 74 / 13

HEX #DDCB3A

RGB 221 203 58

HSL 53.37, 0.71%, 0.55%

LAB 80.95, -9.13, 69.87

 

CMYK 0 / 9 / 81 / 20

HEX #CCB927

RGB 204 185 39

HSL 53.09, 0.68%, 0.48%

LAB 74.62, -7.93, 69.53

 

CMYK 0 / 11 / 89 / 27

HEX #BBA714

RGB 187 167 20

HSL 52.81, 0.81%, 0.41%

LAB 68.21, -6.5, 68.11

 

CMYK 0 / 12 / 99 / 33

HEX #AA9501

RGB 170 149 1

HSL 52.54, 0.99%, 0.34%

LAB 61.69, -4.86, 65.39

 

CMYK 0 / 7 / 68 / 7

HEX #EEDD4D

RGB 238 221 77

HSL 53.66, 0.83%, 0.62%

LAB 87.21, -10.16, 69.57

 

CMYK 0 / 25 / 68 / 7

HEX #EEB24D

RGB 238 178 77

HSL 37.64, 0.83%, 0.62%

LAB 76.41, 11.99, 58.35

 

CMYK 0 / 44 / 68 / 7

HEX #EE864D

RGB 238 134 77

HSL 21.24, 0.83%, 0.62%

LAB 66.34, 35.15, 47.3

 

CMYK 0 / 62 / 68 / 7

HEX #EE5B4D

RGB 238 91 77

HSL 5.22, 0.83%, 0.62%

LAB 58.22, 55.83, 37.88

 

CMYK 0 / 68 / 68 / 7

HEX #EE4D4D

RGB 238 77 77

HSL 0, 0.83%, 0.62%

LAB 56.11, 61.54, 35.34

 

CMYK 0 / 7 / 68 / 7

HEX #EEDD4D

RGB 238 221 77

HSL 53.66, 0.83%, 0.62%

LAB 87.21, -10.16, 69.57

 

CMYK 11 / 0 / 68 / 7

HEX #D4EE4D

RGB 212 238 77

HSL 69.69, 0.83%, 0.62%

LAB 89.71, -28.97, 71.46

 

CMYK 29 / 0 / 68 / 7

HEX #A8EE4D

RGB 168 238 77

HSL 86.09, 0.83%, 0.62%

LAB 87, -45.63, 67.82

 

CMYK 47 / 0 / 68 / 7

HEX #7DEE4D

RGB 125 238 77

HSL 102.11, 0.83%, 0.62%

LAB 85.02, -59.58, 65.14

 

CMYK 66 / 0 / 68 / 7

HEX #52EE4D

RGB 82 238 77

HSL 118.14, 0.83%, 0.62%

LAB 83.69, -69.99, 63.34

 

CMYK 0 / 7 / 68 / 7

HEX #EEDD4D

RGB 238 221 77

HSL 53.66, 0.83%, 0.62%

LAB 87.21, -10.16, 69.57

 

CMYK 0 / 8 / 76 / 0

HEX #FEE93D

RGB 254 233 61

HSL 53.47, 0.99%, 0.62%

LAB 91.54, -10.19, 79.75

 

CMYK 0 / 7 / 68 / 7

HEX #EEDD4D

RGB 238 221 77

HSL 53.66, 0.83%, 0.62%

LAB 87.21, -10.16, 69.57

 

CMYK 0 / 6 / 58 / 13

HEX #DED15D

RGB 222 209 93

HSL 53.95, 0.66%, 0.62%

LAB 82.87, -9.76, 57.9

 

CMYK 0 / 5 / 47 / 19

HEX #CFC46D

RGB 207 196 109

HSL 53.27, 0.51%, 0.62%

LAB 78.37, -7.97, 44.79

 

CMYK 0 / 4 / 35 / 25

HEX #BFB87C

RGB 191 184 124

HSL 53.73, 0.34%, 0.62%

LAB 74.07, -6.6, 31.41

 

CMYK 0 / 2 / 20 / 31

HEX #AFAC8C

RGB 175 172 140

HSL 54.86, 0.18%, 0.62%

LAB 69.83, -4.34, 16.88

 

CMYK 0 / 44 / 68 / 7

HEX #EE854D

RGB 238 133 77

HSL 20.87, 0.83%, 0.62%

LAB 66.13, 35.67, 47.06

 

CMYK 0 / 26 / 68 / 7

HEX #EEB04D

RGB 238 176 77

HSL 36.89, 0.83%, 0.62%

LAB 75.92, 13.04, 57.84

 

CMYK 0 / 8 / 68 / 7

HEX #EEDB4D

RGB 238 219 77

HSL 52.92, 0.83%, 0.62%

LAB 86.69, -9.16, 69.05

 

CMYK 10 / 0 / 68 / 7

HEX #D6EE4D

RGB 214 238 77

HSL 68.94, 0.83%, 0.62%

LAB 89.85, -28.18, 71.64

 

CMYK 28 / 0 / 68 / 7

HEX #ABEE4D

RGB 171 238 77

HSL 84.97, 0.83%, 0.62%

LAB 87.16, -44.55, 68.04

 

CMYK 0 / 9 / 91 / 16

HEX #D5C113

RGB 213 193 19

HSL 53.81, 0.84%, 0.45%

LAB 77.48, -8.59, 76.51

 

CMYK 0 / 9 / 83 / 8

HEX #EBD627

RGB 235 214 39

HSL 53.57, 0.83%, 0.54%

LAB 84.95, -9.38, 79.38

 

CMYK 0 / 7 / 68 / 7

HEX #EEDD4D

RGB 238 221 77

HSL 53.66, 0.83%, 0.62%

LAB 87.21, -10.16, 69.57

 

CMYK 0 / 6 / 52 / 5

HEX #F2E473

RGB 242 228 115

HSL 53.39, 0.83%, 0.7%

LAB 89.67, -9.5, 56.15

 

CMYK 0 / 4 / 38 / 4

HEX #F5EB99

RGB 245 235 153

HSL 53.48, 0.82%, 0.78%

LAB 92.19, -8.2, 41.01

 

CMYK 0 / 7 / 68 / 7

HEX #EEDD4D

RGB 238 221 77

HSL 53.66, 0.83%, 0.62%

LAB 87.21, -10.16, 69.57

 

CMYK 68 / 0 / 62 / 7

HEX #4DEE5B

RGB 77 238 91

HSL 125.22, 0.83%, 0.62%

LAB 83.7, -69.56, 57.67

 

CMYK 35 / 68 / 0 / 7

HEX #9B4DEE

RGB 155 77 238

HSL 269.07, 0.83%, 0.62%

LAB 50.04, 61.75, -68.68

 

CMYK 0 / 7 / 68 / 7

HEX #EEDD4D

RGB 238 221 77

HSL 53.66, 0.83%, 0.62%

LAB 87.21, -10.16, 69.57

 

CMYK 68 / 0 / 8 / 7

HEX #4DEEDB

RGB 77 238 219

HSL 172.92, 0.83%, 0.62%

LAB 85.93, -45.58, -2.96

 

CMYK 8 / 68 / 0 / 7

HEX #DB4DEE

RGB 219 77 238

HSL 292.92, 0.83%, 0.62%

LAB 58.55, 74.9, -54.55

 

CMYK 0 / 7 / 68 / 7

HEX #EEDD4D

RGB 238 221 77

HSL 53.66, 0.83%, 0.62%

LAB 87.21, -10.16, 69.57

 

CMYK 68 / 0 / 62 / 7

HEX #4DEE5B

RGB 77 238 91

HSL 125.22, 0.83%, 0.62%

LAB 83.7, -69.56, 57.67

 

CMYK 68 / 60 / 0 / 7

HEX #4D60EE

RGB 77 96 238

HSL 232.92, 0.83%, 0.62%

LAB 47.13, 38.01, -73.72

 

CMYK 0 / 68 / 5 / 7

HEX #EE4DE1

RGB 238 77 225

HSL 304.84, 0.83%, 0.62%

LAB 60.71, 76.98, -43.66

 

CMYK 0 / 7 / 68 / 7

HEX #EEDD4D

RGB 238 221 77

HSL 53.66, 0.83%, 0.62%

LAB 87.21, -10.16, 69.57

 

CMYK 68 / 0 / 42 / 7

HEX #4DEE8B

RGB 77 238 139

HSL 143.11, 0.83%, 0.62%

LAB 84.27, -62.91, 36.04

 

CMYK 68 / 60 / 0 / 7

HEX #4D60EE

RGB 77 96 238

HSL 232.92, 0.83%, 0.62%

LAB 47.13, 38.01, -73.72

 

CMYK 0 / 68 / 26 / 7

HEX #EE4DB0

RGB 238 77 176

HSL 323.11, 0.83%, 0.62%

LAB 58.62, 70.21, -18.98

 

Description

Color code: HEX #EEDD4D | qconv.com Color code: HEX #EEDD4D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 221 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 221 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 68 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 68% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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