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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EED762 it is the complementary color #11289D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EED762. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EED762 shade: #F3D75D, #FFE970, #FFFB83, #FFFF96 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EED762. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EED762 shade: #EED762, #DDC54F, #CCB33C, #BBA129 and #AA8F16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EED762 shade: #EDD662, #EDB162, #ED8C62, #ED6662 and #ED6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EED762 shade: #EDD662, #DFED62, #B9ED62, #94ED62 and #6EED62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EED762 shade matches the following richer shades: #EDD662 and #FBE054

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EED762 shade: #EDD662, #DFCD70, #D1C47E, #C3BA8D and #B5B19B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EED762 shade: #ED8C62, #EDB162, #EDD662, #DFED62 and #BAED62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EED762 shade: #E4C319, #E9CD3D, #EDD662, #F1E088 and #F5E9AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EED762 shade: #EED762, #62ED67 and #9F62ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EED762 shade: #EED762, #62EDD6 and #D662ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EED762 shade: #EED762, #62ED67, #627AED and #ED62E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EED762 shade: #EED762, #62ED91, #627AED and #ED62BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 59 / 7

HEX #EED762

RGB 238 215 98

HSL 50.14, 0.8%, 0.66%

LAB 85.84, -5.87, 59.37

 

Complementary color

CMYK 89 / 75 / 0 / 38

HEX #11289D

RGB 17 40 157

HSL 230.14, 0.8%, 0.34%

LAB 23.91, 38.33, -64.6

 

CMYK 0 / 12 / 62 / 5

HEX #F3D75D

RGB 243 215 93

HSL 48.8, 0.86%, 0.66%

LAB 86.23, -4.14, 62.13

 

CMYK 0 / 9 / 56 / 0

HEX #FFE970

RGB 255 233 112

HSL 50.77, 1%, 0.72%

LAB 92, -7, 60.49

 

CMYK 0 / 2 / 49 / 0

HEX #FFFB83

RGB 255 251 131

HSL 58.06, 1%, 0.76%

LAB 96.78, -14.35, 57.44

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 10 / 59 / 7

HEX #EED762

RGB 238 215 98

HSL 50.14, 0.8%, 0.66%

LAB 85.84, -5.87, 59.37

 

CMYK 0 / 11 / 64 / 13

HEX #DDC54F

RGB 221 197 79

HSL 49.86, 0.68%, 0.59%

LAB 79.54, -4.99, 60.33

 

CMYK 0 / 12 / 71 / 20

HEX #CCB33C

RGB 204 179 60

HSL 49.58, 0.59%, 0.52%

LAB 73.16, -3.95, 61.04

 

CMYK 0 / 14 / 78 / 27

HEX #BBA129

RGB 187 161 41

HSL 49.32, 0.64%, 0.45%

LAB 66.68, -2.72, 61.25

 

CMYK 0 / 16 / 87 / 33

HEX #AA8F16

RGB 170 143 22

HSL 49.05, 0.77%, 0.38%

LAB 60.11, -1.25, 60.52

 

CMYK 0 / 10 / 59 / 7

HEX #EDD662

RGB 237 214 98

HSL 50.07, 0.79%, 0.66%

LAB 85.49, -5.77, 58.96

 

CMYK 0 / 25 / 59 / 7

HEX #EDB162

RGB 237 177 98

HSL 34.1, 0.79%, 0.66%

LAB 76.27, 13.44, 48.35

 

CMYK 0 / 41 / 59 / 7

HEX #ED8C62

RGB 237 140 98

HSL 18.13, 0.79%, 0.66%

LAB 67.76, 32.98, 38.06

 

CMYK 0 / 57 / 59 / 7

HEX #ED6662

RGB 237 102 98

HSL 1.73, 0.79%, 0.66%

LAB 60.24, 51.86, 28.55

 

CMYK 0 / 59 / 59 / 7

HEX #ED6262

RGB 237 98 98

HSL 0, 0.79%, 0.66%

LAB 59.55, 53.69, 27.65

 

CMYK 0 / 10 / 59 / 7

HEX #EDD662

RGB 237 214 98

HSL 50.07, 0.79%, 0.66%

LAB 85.49, -5.77, 58.96

 

CMYK 6 / 0 / 59 / 7

HEX #DFED62

RGB 223 237 98

HSL 66.04, 0.79%, 0.66%

LAB 90.39, -22.79, 64.09

 

CMYK 22 / 0 / 59 / 7

HEX #B9ED62

RGB 185 237 98

HSL 82.45, 0.79%, 0.66%

LAB 87.86, -37.42, 60.57

 

CMYK 38 / 0 / 59 / 7

HEX #94ED62

RGB 148 237 98

HSL 98.42, 0.79%, 0.66%

LAB 85.88, -50.3, 57.81

 

CMYK 54 / 0 / 59 / 7

HEX #6EED62

RGB 110 237 98

HSL 114.82, 0.79%, 0.66%

LAB 84.36, -61.31, 55.67

 

CMYK 0 / 10 / 59 / 7

HEX #EDD662

RGB 237 214 98

HSL 50.07, 0.79%, 0.66%

LAB 85.49, -5.77, 58.96

 

CMYK 0 / 11 / 67 / 2

HEX #FBE054

RGB 251 224 84

HSL 50.3, 0.95%, 0.66%

LAB 89.14, -5.91, 69.17

 

CMYK 0 / 10 / 59 / 7

HEX #EDD662

RGB 237 214 98

HSL 50.07, 0.79%, 0.66%

LAB 85.49, -5.77, 58.96

 

CMYK 0 / 8 / 50 / 13

HEX #DFCD70

RGB 223 205 112

HSL 50.27, 0.63%, 0.66%

LAB 82.12, -5.8, 48.19

 

CMYK 0 / 6 / 40 / 18

HEX #D1C47E

RGB 209 196 126

HSL 50.6, 0.47%, 0.66%

LAB 78.78, -5.43, 36.77

 

CMYK 0 / 5 / 28 / 24

HEX #C3BA8D

RGB 195 186 141

HSL 50, 0.31%, 0.66%

LAB 75.23, -3.9, 24.01

 

CMYK 0 / 2 / 14 / 29

HEX #B5B19B

RGB 181 177 155

HSL 50.77, 0.15%, 0.66%

LAB 71.98, -2.39, 11.77

 

CMYK 0 / 41 / 59 / 7

HEX #ED8C62

RGB 237 140 98

HSL 18.13, 0.79%, 0.66%

LAB 67.76, 32.98, 38.06

 

CMYK 0 / 25 / 59 / 7

HEX #EDB162

RGB 237 177 98

HSL 34.1, 0.79%, 0.66%

LAB 76.27, 13.44, 48.35

 

CMYK 0 / 10 / 59 / 7

HEX #EDD662

RGB 237 214 98

HSL 50.07, 0.79%, 0.66%

LAB 85.49, -5.77, 58.96

 

CMYK 6 / 0 / 59 / 7

HEX #DFED62

RGB 223 237 98

HSL 66.04, 0.79%, 0.66%

LAB 90.39, -22.79, 64.09

 

CMYK 22 / 0 / 59 / 7

HEX #BAED62

RGB 186 237 98

HSL 82.01, 0.79%, 0.66%

LAB 87.92, -37.05, 60.66

 

CMYK 0 / 14 / 89 / 11

HEX #E4C319

RGB 228 195 25

HSL 50.25, 0.8%, 0.5%

LAB 79.38, -3.02, 77.57

 

CMYK 0 / 12 / 74 / 9

HEX #E9CD3D

RGB 233 205 61

HSL 50.23, 0.8%, 0.58%

LAB 82.55, -4.94, 70.72

 

CMYK 0 / 10 / 59 / 7

HEX #EDD662

RGB 237 214 98

HSL 50.07, 0.79%, 0.66%

LAB 85.49, -5.77, 58.96

 

CMYK 0 / 7 / 44 / 5

HEX #F1E088

RGB 241 224 136

HSL 50.29, 0.79%, 0.74%

LAB 88.82, -6.01, 45.06

 

CMYK 0 / 5 / 29 / 4

HEX #F5E9AD

RGB 245 233 173

HSL 50, 0.78%, 0.82%

LAB 92, -4.85, 30.69

 

CMYK 0 / 10 / 59 / 7

HEX #EED762

RGB 238 215 98

HSL 50.14, 0.8%, 0.66%

LAB 85.84, -5.87, 59.37

 

CMYK 59 / 0 / 57 / 7

HEX #62ED67

RGB 98 237 103

HSL 122.16, 0.79%, 0.66%

LAB 84.04, -63.61, 52.99

 

CMYK 33 / 59 / 0 / 7

HEX #9F62ED

RGB 159 98 237

HSL 266.33, 0.79%, 0.66%

LAB 54.26, 51.92, -61.28

 

CMYK 0 / 10 / 59 / 7

HEX #EED762

RGB 238 215 98

HSL 50.14, 0.8%, 0.66%

LAB 85.84, -5.87, 59.37

 

CMYK 59 / 0 / 10 / 7

HEX #62EDD6

RGB 98 237 214

HSL 170.07, 0.79%, 0.66%

LAB 86.02, -43.06, -0.15

 

CMYK 10 / 59 / 0 / 7

HEX #D662ED

RGB 214 98 237

HSL 290.07, 0.79%, 0.66%

LAB 60.91, 64.96, -50.28

 

CMYK 0 / 10 / 59 / 7

HEX #EED762

RGB 238 215 98

HSL 50.14, 0.8%, 0.66%

LAB 85.84, -5.87, 59.37

 

CMYK 59 / 0 / 57 / 7

HEX #62ED67

RGB 98 237 103

HSL 122.16, 0.79%, 0.66%

LAB 84.04, -63.61, 52.99

 

CMYK 59 / 49 / 0 / 7

HEX #627AED

RGB 98 122 237

HSL 229.64, 0.79%, 0.66%

LAB 54.69, 25.13, -60.86

 

CMYK 0 / 59 / 2 / 7

HEX #ED62E9

RGB 237 98 233

HSL 301.73, 0.79%, 0.66%

LAB 63.85, 69.92, -43.2

 

CMYK 0 / 10 / 59 / 7

HEX #EED762

RGB 238 215 98

HSL 50.14, 0.8%, 0.66%

LAB 85.84, -5.87, 59.37

 

CMYK 59 / 0 / 39 / 7

HEX #62ED91

RGB 98 237 145

HSL 140.29, 0.79%, 0.66%

LAB 84.59, -57.55, 33.56

 

CMYK 59 / 49 / 0 / 7

HEX #627AED

RGB 98 122 237

HSL 229.64, 0.79%, 0.66%

LAB 54.69, 25.13, -60.86

 

CMYK 0 / 59 / 19 / 7

HEX #ED62BF

RGB 237 98 191

HSL 319.86, 0.79%, 0.66%

LAB 62.08, 63.52, -22.31

 

Description

Color code: HEX #EED762 | qconv.com Color code: HEX #EED762 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 215 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 215 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 59 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 59% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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