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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEC7EA it is the complementary color #113815. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEC7EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEC7EA shade: #F3C7E5, #FFD9F8, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEC7EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEC7EA shade: #EEC7EA, #DDB5D7, #CCA3C4, #BB91B1 and #AA7F9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEC7EA shade: #EEC8EA, #EEC8E0, #EEC8D5, #EEC8CB and #EEC8C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEC7EA shade: #EEC8EA, #E7C8EE, #DDC8EE, #D3C8EE and #C9C8EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEC7EA shade matches the following richer shades: #EEC8EA, #F3C2EE and #F9BCF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEC7EA shade: #EEC8EA, #E8CEE5, #E2D3E1, #DCD9DC and #D7DFD7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEC7EA shade: #DDC8EE, #E7C8EE, #EEC8EA, #EEC8E0 and #EEC8D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEC7EA shade: #DA89D2, #E4A8DE, #EEC8EA and #F7E7F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEC7EA shade: #EEC7EA, #EED3C8 and #C8EEE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEC7EA shade: #EEC7EA, #EAEEC8 and #C8EAEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEC7EA shade: #EEC7EA, #EED3C8, #C8EECC and #C8E2EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEC7EA shade: #EEC7EA, #EEDFC8, #C8EECC and #C8D7EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 2 / 7

HEX #EEC7EA

RGB 238 199 234

HSL 306.15, 0.53%, 0.86%

LAB 84.47, 19.64, -12.13

 

Complementary color

CMYK 70 / 0 / 63 / 78

HEX #113815

RGB 17 56 21

HSL 126.15, 0.53%, 0.14%

LAB 20.05, -22.59, 17.71

 

CMYK 0 / 18 / 6 / 5

HEX #F3C7E5

RGB 243 199 229

HSL 319.09, 0.65%, 0.87%

LAB 84.77, 20.44, -8.97

 

CMYK 0 / 15 / 3 / 0

HEX #FFD9F8

RGB 255 217 248

HSL 311.05, 1%, 0.93%

LAB 90.63, 18.31, -10.19

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 16 / 2 / 7

HEX #EEC7EA

RGB 238 199 234

HSL 306.15, 0.53%, 0.86%

LAB 84.47, 19.64, -12.13

 

CMYK 0 / 18 / 3 / 13

HEX #DDB5D7

RGB 221 181 215

HSL 309, 0.37%, 0.79%

LAB 78.07, 20.11, -11.65

 

CMYK 0 / 20 / 4 / 20

HEX #CCA3C4

RGB 204 163 196

HSL 311.71, 0.29%, 0.72%

LAB 71.57, 20.63, -11.15

 

CMYK 0 / 22 / 5 / 27

HEX #BB91B1

RGB 187 145 177

HSL 314.29, 0.24%, 0.65%

LAB 64.95, 21.18, -10.63

 

CMYK 0 / 25 / 7 / 33

HEX #AA7F9E

RGB 170 127 158

HSL 316.74, 0.2%, 0.58%

LAB 58.22, 21.79, -10.08

 

CMYK 0 / 16 / 2 / 7

HEX #EEC8EA

RGB 238 200 234

HSL 306.32, 0.53%, 0.86%

LAB 84.7, 19.11, -11.78

 

CMYK 0 / 16 / 6 / 7

HEX #EEC8E0

RGB 238 200 224

HSL 322.11, 0.53%, 0.86%

LAB 84.42, 17.35, -6.88

 

CMYK 0 / 16 / 11 / 7

HEX #EEC8D5

RGB 238 200 213

HSL 339.47, 0.53%, 0.86%

LAB 84.12, 15.49, -1.45

 

CMYK 0 / 16 / 15 / 7

HEX #EEC8CB

RGB 238 200 203

HSL 355.26, 0.53%, 0.86%

LAB 83.86, 13.88, 3.51

 

CMYK 0 / 16 / 16 / 7

HEX #EEC8C8

RGB 238 200 200

HSL 0, 0.53%, 0.86%

LAB 83.79, 13.41, 5.01

 

CMYK 0 / 16 / 2 / 7

HEX #EEC8EA

RGB 238 200 234

HSL 306.32, 0.53%, 0.86%

LAB 84.7, 19.11, -11.78

 

CMYK 3 / 16 / 0 / 7

HEX #E7C8EE

RGB 231 200 238

HSL 288.95, 0.53%, 0.86%

LAB 84.21, 17.52, -14.71

 

CMYK 7 / 16 / 0 / 7

HEX #DDC8EE

RGB 221 200 238

HSL 273.16, 0.53%, 0.86%

LAB 83.37, 14.25, -16.06

 

CMYK 11 / 16 / 0 / 7

HEX #D3C8EE

RGB 211 200 238

HSL 257.37, 0.53%, 0.86%

LAB 82.56, 11.03, -17.36

 

CMYK 16 / 16 / 0 / 7

HEX #C9C8EE

RGB 201 200 238

HSL 241.58, 0.53%, 0.86%

LAB 81.78, 7.85, -18.6

 

CMYK 0 / 16 / 2 / 7

HEX #EEC8EA

RGB 238 200 234

HSL 306.32, 0.53%, 0.86%

LAB 84.7, 19.11, -11.78

 

CMYK 0 / 20 / 2 / 5

HEX #F3C2EE

RGB 243 194 238

HSL 306.12, 0.67%, 0.86%

LAB 83.87, 24.67, -15.11

 

CMYK 0 / 24 / 2 / 2

HEX #F9BCF3

RGB 249 188 243

HSL 305.9, 0.84%, 0.86%

LAB 83.22, 30.7, -18.7

 

CMYK 0 / 16 / 2 / 7

HEX #EEC8EA

RGB 238 200 234

HSL 306.32, 0.53%, 0.86%

LAB 84.7, 19.11, -11.78

 

CMYK 0 / 11 / 1 / 9

HEX #E8CEE5

RGB 232 206 229

HSL 306.92, 0.36%, 0.86%

LAB 85.48, 13.02, -8.02

 

CMYK 0 / 7 / 0 / 11

HEX #E2D3E1

RGB 226 211 225

HSL 304, 0.21%, 0.86%

LAB 86.1, 7.64, -5.03

 

CMYK 0 / 1 / 0 / 14

HEX #DCD9DC

RGB 220 217 220

HSL 300, 0.04%, 0.86%

LAB 87, 1.56, -1.12

 

CMYK 4 / 0 / 4 / 13

HEX #D7DFD7

RGB 215 223 215

HSL 120, 0.11%, 0.86%

LAB 88.03, -4.13, 2.97

 

CMYK 7 / 16 / 0 / 7

HEX #DDC8EE

RGB 221 200 238

HSL 273.16, 0.53%, 0.86%

LAB 83.37, 14.25, -16.06

 

CMYK 3 / 16 / 0 / 7

HEX #E7C8EE

RGB 231 200 238

HSL 288.95, 0.53%, 0.86%

LAB 84.21, 17.52, -14.71

 

CMYK 0 / 16 / 2 / 7

HEX #EEC8EA

RGB 238 200 234

HSL 306.32, 0.53%, 0.86%

LAB 84.7, 19.11, -11.78

 

CMYK 0 / 16 / 6 / 7

HEX #EEC8E0

RGB 238 200 224

HSL 322.11, 0.53%, 0.86%

LAB 84.42, 17.35, -6.88

 

CMYK 0 / 16 / 10 / 7

HEX #EEC8D6

RGB 238 200 214

HSL 337.89, 0.53%, 0.86%

LAB 84.14, 15.65, -1.95

 

CMYK 0 / 37 / 4 / 15

HEX #DA89D2

RGB 218 137 210

HSL 305.93, 0.52%, 0.7%

LAB 67.61, 41.85, -24.75

 

CMYK 0 / 26 / 3 / 11

HEX #E4A8DE

RGB 228 168 222

HSL 306, 0.53%, 0.78%

LAB 75.93, 30.71, -18.6

 

CMYK 0 / 16 / 2 / 7

HEX #EEC8EA

RGB 238 200 234

HSL 306.32, 0.53%, 0.86%

LAB 84.7, 19.11, -11.78

 

CMYK 0 / 6 / 0 / 3

HEX #F7E7F6

RGB 247 231 246

HSL 303.75, 0.5%, 0.94%

LAB 93.27, 8.02, -5.31

 

CMYK 0 / 16 / 2 / 7

HEX #EEC7EA

RGB 238 199 234

HSL 306.15, 0.53%, 0.86%

LAB 84.47, 19.64, -12.13

 

CMYK 0 / 11 / 16 / 7

HEX #EED3C8

RGB 238 211 200

HSL 17.37, 0.53%, 0.86%

LAB 86.47, 7.64, 8.87

 

CMYK 16 / 0 / 5 / 7

HEX #C8EEE2

RGB 200 238 226

HSL 161.05, 0.53%, 0.86%

LAB 91.2, -14.6, 1.69

 

CMYK 0 / 16 / 2 / 7

HEX #EEC7EA

RGB 238 199 234

HSL 306.15, 0.53%, 0.86%

LAB 84.47, 19.64, -12.13

 

CMYK 2 / 0 / 16 / 7

HEX #EAEEC8

RGB 234 238 200

HSL 66.32, 0.53%, 0.86%

LAB 92.93, -7.64, 17.97

 

CMYK 16 / 2 / 0 / 7

HEX #C8EAEE

RGB 200 234 238

HSL 186.32, 0.53%, 0.86%

LAB 90.46, -10.21, -5.66

 

CMYK 0 / 16 / 2 / 7

HEX #EEC7EA

RGB 238 199 234

HSL 306.15, 0.53%, 0.86%

LAB 84.47, 19.64, -12.13

 

CMYK 0 / 11 / 16 / 7

HEX #EED3C8

RGB 238 211 200

HSL 17.37, 0.53%, 0.86%

LAB 86.47, 7.64, 8.87

 

CMYK 16 / 0 / 14 / 7

HEX #C8EECC

RGB 200 238 204

HSL 126.32, 0.53%, 0.86%

LAB 90.68, -18.66, 12.4

 

CMYK 16 / 5 / 0 / 7

HEX #C8E2EE

RGB 200 226 238

HSL 198.95, 0.53%, 0.86%

LAB 88.37, -6.12, -8.74

 

CMYK 0 / 16 / 2 / 7

HEX #EEC7EA

RGB 238 199 234

HSL 306.15, 0.53%, 0.86%

LAB 84.47, 19.64, -12.13

 

CMYK 0 / 6 / 16 / 7

HEX #EEDFC8

RGB 238 223 200

HSL 36.32, 0.53%, 0.86%

LAB 89.45, 1.42, 13.11

 

CMYK 16 / 0 / 14 / 7

HEX #C8EECC

RGB 200 238 204

HSL 126.32, 0.53%, 0.86%

LAB 90.68, -18.66, 12.4

 

CMYK 16 / 10 / 0 / 7

HEX #C8D7EE

RGB 200 215 238

HSL 216.32, 0.53%, 0.86%

LAB 85.53, -0.41, -12.98

 

Description

Color code: HEX #EEC7EA | qconv.com Color code: HEX #EEC7EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 199 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 199 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 2 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 2% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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