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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEB44A it is the complementary color #114BB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEB44A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEB44A shade: #F3B445, #FFC658, #FFD86B, #FFEA7E and #FFFC91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEB44A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEB44A shade: #EEB44A, #DDA237, #CC9024, #BB7E11 and #AA6C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEB44A shade: #EEB349, #EE8749, #EE5A49 and #EE4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEB44A shade: #EEB349, #EEE049, #CFEE49, #A2EE49 and #76EE49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEB44A shade matches the following richer shades: #EEB349 and #FEB838

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEB44A shade: #EEB349, #DEAE59, #CDAA69, #BDA579 and #ADA089

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEB44A shade: #EE5949, #EE8549, #EEB149, #EEDD49 and #D2EE49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEB44A shade: #D18E13, #EAA423, #EEB349, #F1C36E and #F5D294

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEB44A shade: #EEB44A, #64EE49 and #6F49EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEB44A shade: #EEB44A, #49EEB1 and #B149EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEB44A shade: #EEB44A, #64EE49, #4985EE and #D249EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEB44A shade: #EEB44A, #49EE5F, #4985EE and #EE49D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 69 / 7

HEX #EEB44A

RGB 238 180 74

HSL 38.78, 0.83%, 0.61%

LAB 76.87, 10.77, 60.15

 

Complementary color

CMYK 91 / 59 / 0 / 29

HEX #114BB5

RGB 17 75 181

HSL 218.78, 0.83%, 0.39%

LAB 34.98, 24.57, -60.83

 

CMYK 0 / 26 / 72 / 5

HEX #F3B445

RGB 243 180 69

HSL 38.28, 0.88%, 0.61%

LAB 77.36, 12.63, 62.92

 

CMYK 0 / 22 / 65 / 0

HEX #FFC658

RGB 255 198 88

HSL 39.52, 1%, 0.67%

LAB 83.1, 9.24, 61.23

HEX #FFC658

CMYK 0 / 15 / 58 / 0

HEX #FFD86B

RGB 255 216 107

HSL 44.19, 1%, 0.71%

LAB 87.7, 1.21, 57.82

HEX #FFD86B

CMYK 0 / 8 / 51 / 0

HEX #FFEA7E

RGB 255 234 126

HSL 50.23, 1%, 0.75%

LAB 92.4, -6.39, 54.53

HEX #FFEA7E

CMYK 0 / 1 / 43 / 0

HEX #FFFC91

RGB 255 252 145

HSL 58.36, 1%, 0.78%

LAB 97.2, -13.56, 51.4

HEX #FFFC91

CMYK 0 / 24 / 69 / 7

HEX #EEB44A

RGB 238 180 74

HSL 38.78, 0.83%, 0.61%

LAB 76.87, 10.77, 60.15

 

CMYK 0 / 27 / 75 / 13

HEX #DDA237

RGB 221 162 55

HSL 38.67, 0.71%, 0.54%

LAB 70.52, 12.19, 60.98

 

CMYK 0 / 29 / 82 / 20

HEX #CC9024

RGB 204 144 36

HSL 38.57, 0.7%, 0.47%

LAB 64.09, 13.83, 61.28

 

CMYK 0 / 33 / 91 / 27

HEX #BB7E11

RGB 187 126 17

HSL 38.47, 0.83%, 0.4%

LAB 57.59, 15.73, 60.5

 

CMYK 0 / 36 / 100 / 33

HEX #AA6C00

RGB 170 108 0

HSL 38.12, 1%, 0.33%

LAB 51, 17.91, 58.2

 

CMYK 0 / 25 / 69 / 7

HEX #EEB349

RGB 238 179 73

HSL 38.55, 0.83%, 0.61%

LAB 76.62, 11.25, 60.31

 

CMYK 0 / 43 / 69 / 7

HEX #EE8749

RGB 238 135 73

HSL 22.55, 0.83%, 0.61%

LAB 66.51, 34.42, 49.48

 

CMYK 0 / 62 / 69 / 7

HEX #EE5A49

RGB 238 90 73

HSL 6.18, 0.83%, 0.61%

LAB 58.01, 56.06, 39.83

 

CMYK 0 / 69 / 69 / 7

HEX #EE4949

RGB 238 73 73

HSL 0, 0.83%, 0.61%

LAB 55.51, 62.84, 36.89

 

CMYK 0 / 25 / 69 / 7

HEX #EEB349

RGB 238 179 73

HSL 38.55, 0.83%, 0.61%

LAB 76.62, 11.25, 60.31

 

CMYK 0 / 6 / 69 / 7

HEX #EEE049

RGB 238 224 73

HSL 54.91, 0.83%, 0.61%

LAB 87.95, -11.85, 71.82

 

CMYK 13 / 0 / 69 / 7

HEX #CFEE49

RGB 207 238 73

HSL 71.27, 0.83%, 0.61%

LAB 89.34, -31.17, 72.42

 

CMYK 32 / 0 / 69 / 7

HEX #A2EE49

RGB 162 238 73

HSL 87.64, 0.83%, 0.61%

LAB 86.66, -48.01, 68.84

 

CMYK 50 / 0 / 69 / 7

HEX #76EE49

RGB 118 238 73

HSL 103.64, 0.83%, 0.61%

LAB 84.73, -61.85, 66.25

 

CMYK 0 / 25 / 69 / 7

HEX #EEB349

RGB 238 179 73

HSL 38.55, 0.83%, 0.61%

LAB 76.62, 11.25, 60.31

 

CMYK 0 / 28 / 78 / 0

HEX #FEB838

RGB 254 184 56

HSL 38.79, 0.99%, 0.61%

LAB 79.41, 14.63, 70.27

 

CMYK 0 / 25 / 69 / 7

HEX #EEB349

RGB 238 179 73

HSL 38.55, 0.83%, 0.61%

LAB 76.62, 11.25, 60.31

 

CMYK 0 / 22 / 60 / 13

HEX #DEAE59

RGB 222 174 89

HSL 38.35, 0.67%, 0.61%

LAB 73.88, 8.14, 49.54

 

CMYK 0 / 17 / 49 / 20

HEX #CDAA69

RGB 205 170 105

HSL 39, 0.5%, 0.61%

LAB 71.38, 4.49, 38.13

 

CMYK 0 / 13 / 36 / 26

HEX #BDA579

RGB 189 165 121

HSL 38.82, 0.34%, 0.61%

LAB 68.83, 2.35, 26.05

 

CMYK 0 / 8 / 21 / 32

HEX #ADA089

RGB 173 160 137

HSL 38.33, 0.18%, 0.61%

LAB 66.39, 0.91, 13.71

 

CMYK 0 / 63 / 69 / 7

HEX #EE5949

RGB 238 89 73

HSL 5.82, 0.83%, 0.61%

LAB 57.85, 56.49, 39.65

 

CMYK 0 / 44 / 69 / 7

HEX #EE8549

RGB 238 133 73

HSL 21.82, 0.83%, 0.61%

LAB 66.08, 35.45, 49.01

 

CMYK 0 / 26 / 69 / 7

HEX #EEB149

RGB 238 177 73

HSL 37.82, 0.83%, 0.61%

LAB 76.13, 12.3, 59.8

 

CMYK 0 / 7 / 69 / 7

HEX #EEDD49

RGB 238 221 73

HSL 53.82, 0.83%, 0.61%

LAB 87.18, -10.36, 71.05

 

CMYK 12 / 0 / 69 / 7

HEX #D2EE49

RGB 210 238 73

HSL 70.18, 0.83%, 0.61%

LAB 89.55, -29.99, 72.69

 

CMYK 0 / 32 / 91 / 18

HEX #D18E13

RGB 209 142 19

HSL 38.84, 0.83%, 0.45%

LAB 64.12, 16.71, 66.17

 

CMYK 0 / 30 / 85 / 8

HEX #EAA423

RGB 234 164 35

HSL 38.89, 0.83%, 0.53%

LAB 72.34, 16.04, 69.92

 

CMYK 0 / 25 / 69 / 7

HEX #EEB349

RGB 238 179 73

HSL 38.55, 0.83%, 0.61%

LAB 76.62, 11.25, 60.31

 

CMYK 0 / 19 / 54 / 5

HEX #F1C36E

RGB 241 195 110

HSL 38.93, 0.82%, 0.69%

LAB 81.21, 6.55, 48.46

 

CMYK 0 / 14 / 40 / 4

HEX #F5D294

RGB 245 210 148

HSL 38.35, 0.83%, 0.77%

LAB 85.83, 3.96, 35.26

 

CMYK 0 / 24 / 69 / 7

HEX #EEB44A

RGB 238 180 74

HSL 38.78, 0.83%, 0.61%

LAB 76.87, 10.77, 60.15

 

CMYK 58 / 0 / 69 / 7

HEX #64EE49

RGB 100 238 73

HSL 110.18, 0.83%, 0.61%

LAB 84.14, -66.46, 65.45

 

CMYK 53 / 69 / 0 / 7

HEX #6F49EE

RGB 111 73 238

HSL 253.82, 0.83%, 0.61%

LAB 44.69, 56.07, -77.6

 

CMYK 0 / 24 / 69 / 7

HEX #EEB44A

RGB 238 180 74

HSL 38.78, 0.83%, 0.61%

LAB 76.87, 10.77, 60.15

 

CMYK 69 / 0 / 26 / 7

HEX #49EEB1

RGB 73 238 177

HSL 157.82, 0.83%, 0.61%

LAB 84.86, -56.17, 17.46

 

CMYK 26 / 69 / 0 / 7

HEX #B149EE

RGB 177 73 238

HSL 277.82, 0.83%, 0.61%

LAB 52.16, 67.8, -65.12

 

CMYK 0 / 24 / 69 / 7

HEX #EEB44A

RGB 238 180 74

HSL 38.78, 0.83%, 0.61%

LAB 76.87, 10.77, 60.15

 

CMYK 58 / 0 / 69 / 7

HEX #64EE49

RGB 100 238 73

HSL 110.18, 0.83%, 0.61%

LAB 84.14, -66.46, 65.45

 

CMYK 69 / 44 / 0 / 7

HEX #4985EE

RGB 73 133 238

HSL 218.18, 0.83%, 0.61%

LAB 56.45, 14.63, -58.65

 

CMYK 12 / 69 / 0 / 7

HEX #D249EE

RGB 210 73 238

HSL 289.82, 0.83%, 0.61%

LAB 56.72, 74.48, -57.54

 

CMYK 0 / 24 / 69 / 7

HEX #EEB44A

RGB 238 180 74

HSL 38.78, 0.83%, 0.61%

LAB 76.87, 10.77, 60.15

 

CMYK 69 / 0 / 60 / 7

HEX #49EE5F

RGB 73 238 95

HSL 128, 0.83%, 0.61%

LAB 83.65, -69.82, 55.89

 

CMYK 69 / 44 / 0 / 7

HEX #4985EE

RGB 73 133 238

HSL 218.18, 0.83%, 0.61%

LAB 56.45, 14.63, -58.65

 

CMYK 0 / 69 / 9 / 7

HEX #EE49D8

RGB 238 73 216

HSL 308, 0.83%, 0.61%

LAB 59.8, 77.01, -40.03

 

Description

Color code: HEX #EEB44A | qconv.com Color code: HEX #EEB44A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 180 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 180 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 69 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 69% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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