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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE9551 it is the complementary color #116AAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE9551. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE9551 shade: #F3954C, #FFA75F, #FFB972, #FFCB85 and #FFDD98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE9551. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE9551 shade: #EE9551, #DD833E, #CC712B, #BB5F18 and #AA4D05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE9551 shade: #EE9653, #EE6C53 and #EE5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE9551 shade: #EE9653, #EEC053, #EEE953, #C8EE53 and #9EEE53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE9551 shade matches the following richer shades: #EE9653 and #FD9444

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE9551 shade: #EE9653, #DE9862, #CF9A71, #C09C81 and #B09E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE9551 shade: #EE5365, #EE6A53, #EE9353, #EEBD53 and #EEE653

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE9551 shade: #D96A15, #EA7F2D, #EE9653, #F1AD78 and #F5C49E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE9551 shade: #EE9551, #8EEE53 and #5553EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE9551 shade: #EE9551, #53EE93 and #9353EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE9551 shade: #EE9551, #8EEE53, #53ADEE and #B253EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE9551 shade: #EE9551, #60EE53, #53ADEE and #E153EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 66 / 7

HEX #EE9551

RGB 238 149 81

HSL 25.99, 0.82%, 0.63%

LAB 69.66, 27.55, 49.07

 

Complementary color

CMYK 90 / 39 / 0 / 32

HEX #116AAE

RGB 17 106 174

HSL 205.99, 0.82%, 0.37%

LAB 43.48, 1.39, -42.99

 

CMYK 0 / 39 / 69 / 5

HEX #F3954C

RGB 243 149 76

HSL 26.23, 0.87%, 0.63%

LAB 70.23, 29.29, 52.29

 

CMYK 0 / 35 / 63 / 0

HEX #FFA75F

RGB 255 167 95

HSL 27, 1%, 0.69%

LAB 75.9, 25.84, 49.89

 

CMYK 0 / 27 / 55 / 0

HEX #FFB972

RGB 255 185 114

HSL 30.21, 1%, 0.72%

LAB 80.28, 17.77, 45.67

 

CMYK 0 / 20 / 48 / 0

HEX #FFCB85

RGB 255 203 133

HSL 34.43, 1%, 0.76%

LAB 84.83, 10.02, 41.78

 

CMYK 0 / 13 / 40 / 0

HEX #FFDD98

RGB 255 221 152

HSL 40.19, 1%, 0.8%

LAB 89.51, 2.64, 38.2

 

CMYK 0 / 37 / 66 / 7

HEX #EE9551

RGB 238 149 81

HSL 25.99, 0.82%, 0.63%

LAB 69.66, 27.55, 49.07

 

CMYK 0 / 41 / 72 / 13

HEX #DD833E

RGB 221 131 62

HSL 26.04, 0.7%, 0.55%

LAB 63.3, 29.1, 50.66

 

CMYK 0 / 45 / 79 / 20

HEX #CC712B

RGB 204 113 43

HSL 26.09, 0.65%, 0.48%

LAB 56.9, 30.84, 52.08

 

CMYK 0 / 49 / 87 / 27

HEX #BB5F18

RGB 187 95 24

HSL 26.13, 0.77%, 0.41%

LAB 50.47, 32.78, 52.94

 

CMYK 0 / 55 / 97 / 33

HEX #AA4D05

RGB 170 77 5

HSL 26.18, 0.94%, 0.34%

LAB 44.04, 34.89, 52.52

 

CMYK 0 / 37 / 65 / 7

HEX #EE9653

RGB 238 150 83

HSL 25.94, 0.82%, 0.63%

LAB 69.9, 27.14, 48.36

 

CMYK 0 / 55 / 65 / 7

HEX #EE6C53

RGB 238 108 83

HSL 9.68, 0.82%, 0.63%

LAB 61.24, 48.45, 38.21

 

CMYK 0 / 65 / 65 / 7

HEX #EE5353

RGB 238 83 83

HSL 0, 0.82%, 0.63%

LAB 57.06, 59.5, 33.1

 

CMYK 0 / 37 / 65 / 7

HEX #EE9653

RGB 238 150 83

HSL 25.94, 0.82%, 0.63%

LAB 69.9, 27.14, 48.36

 

CMYK 0 / 19 / 65 / 7

HEX #EEC053

RGB 238 192 83

HSL 42.19, 0.82%, 0.63%

LAB 79.9, 4.99, 59.46

 

CMYK 0 / 2 / 65 / 7

HEX #EEE953

RGB 238 233 83

HSL 58.06, 0.82%, 0.63%

LAB 90.36, -15.77, 70.48

 

CMYK 16 / 0 / 65 / 7

HEX #C8EE53

RGB 200 238 83

HSL 74.71, 0.82%, 0.63%

LAB 88.95, -33.31, 68.16

 

CMYK 34 / 0 / 65 / 7

HEX #9EEE53

RGB 158 238 83

HSL 90.97, 0.82%, 0.63%

LAB 86.53, -48.68, 64.86

 

CMYK 0 / 37 / 65 / 7

HEX #EE9653

RGB 238 150 83

HSL 25.94, 0.82%, 0.63%

LAB 69.9, 27.14, 48.36

 

CMYK 0 / 42 / 73 / 1

HEX #FD9444

RGB 253 148 68

HSL 25.95, 0.98%, 0.63%

LAB 71.2, 33.44, 57.42

 

CMYK 0 / 37 / 65 / 7

HEX #EE9653

RGB 238 150 83

HSL 25.94, 0.82%, 0.63%

LAB 69.9, 27.14, 48.36

 

CMYK 0 / 32 / 56 / 13

HEX #DE9862

RGB 222 152 98

HSL 26.13, 0.65%, 0.63%

LAB 68.66, 20.59, 38.77

 

CMYK 0 / 26 / 45 / 19

HEX #CF9A71

RGB 207 154 113

HSL 26.17, 0.49%, 0.63%

LAB 67.7, 14.75, 29.22

 

CMYK 0 / 19 / 33 / 25

HEX #C09C81

RGB 192 156 129

HSL 25.71, 0.33%, 0.63%

LAB 66.95, 9.46, 19.19

 

CMYK 0 / 10 / 18 / 31

HEX #B09E90

RGB 176 158 144

HSL 26.25, 0.17%, 0.63%

LAB 66.29, 4.26, 9.71

 

CMYK 0 / 65 / 58 / 7

HEX #EE5365

RGB 238 83 101

HSL 353.03, 0.82%, 0.63%

LAB 57.37, 60.63, 23.09

 

CMYK 0 / 55 / 65 / 7

HEX #EE6A53

RGB 238 106 83

HSL 8.9, 0.82%, 0.63%

LAB 60.88, 49.39, 37.76

 

CMYK 0 / 38 / 65 / 7

HEX #EE9353

RGB 238 147 83

HSL 24.77, 0.82%, 0.63%

LAB 69.23, 28.72, 47.6

 

CMYK 0 / 21 / 65 / 7

HEX #EEBD53

RGB 238 189 83

HSL 41.03, 0.82%, 0.63%

LAB 79.15, 6.56, 58.66

 

CMYK 0 / 3 / 65 / 7

HEX #EEE653

RGB 238 230 83

HSL 56.9, 0.82%, 0.63%

LAB 89.58, -14.29, 69.68

 

CMYK 0 / 51 / 90 / 15

HEX #D96A15

RGB 217 106 21

HSL 26.02, 0.82%, 0.47%

LAB 57.19, 39.15, 61

 

CMYK 0 / 46 / 81 / 8

HEX #EA7F2D

RGB 234 127 45

HSL 26.03, 0.82%, 0.55%

LAB 64.05, 35.79, 59.4

 

CMYK 0 / 37 / 65 / 7

HEX #EE9653

RGB 238 150 83

HSL 25.94, 0.82%, 0.63%

LAB 69.9, 27.14, 48.36

 

CMYK 0 / 28 / 50 / 5

HEX #F1AD78

RGB 241 173 120

HSL 26.28, 0.81%, 0.71%

LAB 76.03, 18.97, 36.98

 

CMYK 0 / 20 / 36 / 4

HEX #F5C49E

RGB 245 196 158

HSL 26.21, 0.81%, 0.79%

LAB 82.57, 12.38, 25.72

 

CMYK 0 / 37 / 66 / 7

HEX #EE9551

RGB 238 149 81

HSL 25.99, 0.82%, 0.63%

LAB 69.66, 27.55, 49.07

 

CMYK 40 / 0 / 65 / 7

HEX #8EEE53

RGB 142 238 83

HSL 97.16, 0.82%, 0.63%

LAB 85.77, -53.95, 63.83

 

CMYK 64 / 65 / 0 / 7

HEX #5553EE

RGB 85 83 238

HSL 240.77, 0.82%, 0.63%

LAB 44.65, 46.85, -77.75

 

CMYK 0 / 37 / 66 / 7

HEX #EE9551

RGB 238 149 81

HSL 25.99, 0.82%, 0.63%

LAB 69.66, 27.55, 49.07

 

CMYK 65 / 0 / 38 / 7

HEX #53EE93

RGB 83 238 147

HSL 144.77, 0.82%, 0.63%

LAB 84.53, -60.49, 32.41

 

CMYK 38 / 65 / 0 / 7

HEX #9353EE

RGB 147 83 238

HSL 264.77, 0.82%, 0.63%

LAB 50.17, 57.31, -68.51

 

CMYK 0 / 37 / 66 / 7

HEX #EE9551

RGB 238 149 81

HSL 25.99, 0.82%, 0.63%

LAB 69.66, 27.55, 49.07

 

CMYK 40 / 0 / 65 / 7

HEX #8EEE53

RGB 142 238 83

HSL 97.16, 0.82%, 0.63%

LAB 85.77, -53.95, 63.83

 

CMYK 65 / 27 / 0 / 7

HEX #53ADEE

RGB 83 173 238

HSL 205.16, 0.82%, 0.63%

LAB 67.95, -7.1, -40.44

 

CMYK 25 / 65 / 0 / 7

HEX #B253EE

RGB 178 83 238

HSL 276.77, 0.82%, 0.63%

LAB 53.84, 63.67, -62.4

 

CMYK 0 / 37 / 66 / 7

HEX #EE9551

RGB 238 149 81

HSL 25.99, 0.82%, 0.63%

LAB 69.66, 27.55, 49.07

 

CMYK 60 / 0 / 65 / 7

HEX #60EE53

RGB 96 238 83

HSL 114.97, 0.82%, 0.63%

LAB 84.1, -66.52, 61.54

 

CMYK 65 / 27 / 0 / 7

HEX #53ADEE

RGB 83 173 238

HSL 205.16, 0.82%, 0.63%

LAB 67.95, -7.1, -40.44

 

CMYK 5 / 65 / 0 / 7

HEX #E153EE

RGB 225 83 238

HSL 294.97, 0.82%, 0.63%

LAB 60.22, 73.96, -51.84

 

Description

Color code: HEX #EE9551 | qconv.com Color code: HEX #EE9551 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 149 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 149 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 66 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 66% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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