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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE8103 it is the complementary color #117EFC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE8103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE8103 shade: #F38100, #FF9311, #FFA524, #FFB737 and #FFC94A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE8103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE8103 shade: #EE8103, #DD6F00, #CC5D00, #BB4B00 and #AA3900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE8103 shade: #ED8002, #ED4002 and #ED0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE8103 shade: #ED8002, #EDBF02, #DBED02, #9CED02 and #5CED02

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE8103 shade matches the following richer shades: #ED8002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE8103 shade: #ED8002, #D97E15, #C67D29, #B37C3C and #9F7A4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE8103 shade: #ED0202, #ED4102, #ED7F02, #EDBE02 and #DDED02

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE8103 shade: #9B5401, #C46A01, #ED8002, #FC941C and #FDA745

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE8103 shade: #EE8103, #41ED02 and #2102ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE8103 shade: #EE8103, #02ED7F and #7F02ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE8103 shade: #EE8103, #41ED02, #0270ED and #AE02ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE8103 shade: #EE8103, #02ED0A, #0270ED and #ED02E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 99 / 7

HEX #EE8103

RGB 238 129 3

HSL 32.17, 0.98%, 0.47%

LAB 64.87, 35.63, 71.04

 

Complementary color

CMYK 93 / 50 / 0 / 1

HEX #117EFC

RGB 17 126 252

HSL 212.17, 0.98%, 0.53%

LAB 54.1, 19.32, -70.26

 

CMYK 0 / 47 / 100 / 5

HEX #F38100

RGB 243 129 0

HSL 31.85, 1%, 0.48%

LAB 65.56, 37.61, 72.26

 

CMYK 0 / 42 / 93 / 0

HEX #FF9311

RGB 255 147 17

HSL 32.77, 1%, 0.53%

LAB 70.99, 33.41, 74.12

 

CMYK 0 / 35 / 86 / 0

HEX #FFA524

RGB 255 165 36

HSL 35.34, 1%, 0.57%

LAB 75.01, 24.4, 72.83

 

CMYK 0 / 28 / 78 / 0

HEX #FFB737

RGB 255 183 55

HSL 38.4, 1%, 0.61%

LAB 79.27, 15.53, 70.54

 

CMYK 0 / 21 / 71 / 0

HEX #FFC94A

RGB 255 201 74

HSL 42.1, 1%, 0.65%

LAB 83.72, 6.96, 67.72

 

CMYK 0 / 46 / 99 / 7

HEX #EE8103

RGB 238 129 3

HSL 32.17, 0.98%, 0.47%

LAB 64.87, 35.63, 71.04

 

CMYK 0 / 50 / 100 / 13

HEX #DD6F00

RGB 221 111 0

HSL 30.14, 1%, 0.43%

LAB 58.73, 37.96, 66.56

 

CMYK 0 / 54 / 100 / 20

HEX #CC5D00

RGB 204 93 0

HSL 27.35, 1%, 0.4%

LAB 52.58, 40.28, 61.63

 

CMYK 0 / 60 / 100 / 27

HEX #BB4B00

RGB 187 75 0

HSL 24.06, 1%, 0.37%

LAB 46.44, 42.48, 56.73

 

CMYK 0 / 66 / 100 / 33

HEX #AA3900

RGB 170 57 0

HSL 20.12, 1%, 0.33%

LAB 40.36, 44.4, 51.9

 

CMYK 0 / 46 / 99 / 7

HEX #ED8002

RGB 237 128 2

HSL 32.17, 0.98%, 0.47%

LAB 64.52, 35.73, 70.91

 

CMYK 0 / 73 / 99 / 7

HEX #ED4002

RGB 237 64 2

HSL 15.83, 0.98%, 0.47%

LAB 53.68, 63.97, 64.83

 

CMYK 0 / 99 / 99 / 7

HEX #ED0202

RGB 237 2 2

HSL 0, 0.98%, 0.47%

LAB 49.56, 75.65, 63.05

 

CMYK 0 / 46 / 99 / 7

HEX #ED8002

RGB 237 128 2

HSL 32.17, 0.98%, 0.47%

LAB 64.52, 35.73, 70.91

 

CMYK 0 / 19 / 99 / 7

HEX #EDBF02

RGB 237 191 2

HSL 48.26, 0.98%, 0.47%

LAB 79.2, 2.67, 80.71

 

CMYK 8 / 0 / 99 / 7

HEX #DBED02

RGB 219 237 2

HSL 64.6, 0.98%, 0.47%

LAB 89.69, -27.81, 87.63

 

CMYK 34 / 0 / 99 / 7

HEX #9CED02

RGB 156 237 2

HSL 80.68, 0.98%, 0.47%

LAB 85.83, -52.1, 83

 

CMYK 61 / 0 / 99 / 7

HEX #5CED02

RGB 92 237 2

HSL 97.02, 0.98%, 0.47%

LAB 83.36, -70.9, 80.01

 

CMYK 0 / 46 / 99 / 7

HEX #ED8002

RGB 237 128 2

HSL 32.17, 0.98%, 0.47%

LAB 64.52, 35.73, 70.91

 

CMYK 0 / 46 / 99 / 7

HEX #ED8002

RGB 237 128 2

HSL 32.17, 0.98%, 0.47%

LAB 64.52, 35.73, 70.91

 

CMYK 0 / 42 / 90 / 15

HEX #D97E15

RGB 217 126 21

HSL 32.14, 0.82%, 0.47%

LAB 61.42, 28.77, 64.13

 

CMYK 0 / 37 / 79 / 22

HEX #C67D29

RGB 198 125 41

HSL 32.1, 0.66%, 0.47%

LAB 58.82, 21.76, 54.44

 

CMYK 0 / 31 / 66 / 30

HEX #B37C3C

RGB 179 124 60

HSL 32.27, 0.5%, 0.47%

LAB 56.41, 14.99, 42.62

 

CMYK 0 / 23 / 50 / 38

HEX #9F7A4F

RGB 159 122 79

HSL 32.25, 0.34%, 0.47%

LAB 53.87, 8.9, 28.99

 

CMYK 0 / 99 / 99 / 7

HEX #ED0202

RGB 237 2 2

HSL 0, 0.98%, 0.47%

LAB 49.56, 75.65, 63.05

 

CMYK 0 / 73 / 99 / 7

HEX #ED4102

RGB 237 65 2

HSL 16.09, 0.98%, 0.47%

LAB 53.8, 63.64, 64.89

 

CMYK 0 / 46 / 99 / 7

HEX #ED7F02

RGB 237 127 2

HSL 31.91, 0.98%, 0.47%

LAB 64.31, 36.24, 70.78

 

CMYK 0 / 20 / 99 / 7

HEX #EDBE02

RGB 237 190 2

HSL 48, 0.98%, 0.47%

LAB 78.95, 3.19, 80.53

 

CMYK 7 / 0 / 99 / 7

HEX #DDED02

RGB 221 237 2

HSL 64.09, 0.98%, 0.47%

LAB 89.83, -26.99, 87.8

 

CMYK 0 / 46 / 99 / 39

HEX #9B5401

RGB 155 84 1

HSL 32.34, 0.99%, 0.31%

LAB 43.23, 24.71, 51.95

 

CMYK 0 / 46 / 99 / 23

HEX #C46A01

RGB 196 106 1

HSL 32.31, 0.99%, 0.39%

LAB 54.08, 30.34, 61.7

 

CMYK 0 / 46 / 99 / 7

HEX #ED8002

RGB 237 128 2

HSL 32.17, 0.98%, 0.47%

LAB 64.52, 35.73, 70.91

 

CMYK 0 / 41 / 89 / 1

HEX #FC941C

RGB 252 148 28

HSL 32.14, 0.97%, 0.55%

LAB 70.84, 31.83, 71.51

 

CMYK 0 / 34 / 73 / 1

HEX #FDA745

RGB 253 167 69

HSL 31.96, 0.98%, 0.63%

LAB 75.42, 23.61, 61.31

 

CMYK 0 / 46 / 99 / 7

HEX #EE8103

RGB 238 129 3

HSL 32.17, 0.98%, 0.47%

LAB 64.87, 35.63, 71.04

 

CMYK 73 / 0 / 99 / 7

HEX #41ED02

RGB 65 237 2

HSL 103.91, 0.98%, 0.47%

LAB 82.75, -76.11, 79.27

 

CMYK 86 / 99 / 0 / 7

HEX #2102ED

RGB 33 2 237

HSL 247.91, 0.98%, 0.47%

LAB 30.6, 74.86, -100.53

 

CMYK 0 / 46 / 99 / 7

HEX #EE8103

RGB 238 129 3

HSL 32.17, 0.98%, 0.47%

LAB 64.87, 35.63, 71.04

 

CMYK 99 / 0 / 46 / 7

HEX #02ED7F

RGB 2 237 127

HSL 151.91, 0.98%, 0.47%

LAB 82.97, -71.19, 40.12

 

CMYK 46 / 99 / 0 / 7

HEX #7F02ED

RGB 127 2 237

HSL 271.91, 0.98%, 0.47%

LAB 39.02, 79.14, -86.29

 

CMYK 0 / 46 / 99 / 7

HEX #EE8103

RGB 238 129 3

HSL 32.17, 0.98%, 0.47%

LAB 64.87, 35.63, 71.04

 

CMYK 73 / 0 / 99 / 7

HEX #41ED02

RGB 65 237 2

HSL 103.91, 0.98%, 0.47%

LAB 82.75, -76.11, 79.27

 

CMYK 99 / 53 / 0 / 7

HEX #0270ED

RGB 2 112 237

HSL 211.91, 0.98%, 0.47%

LAB 49.15, 21.96, -69.95

 

CMYK 27 / 99 / 0 / 7

HEX #AE02ED

RGB 174 2 237

HSL 283.91, 0.98%, 0.47%

LAB 45.85, 83.99, -74.82

 

CMYK 0 / 46 / 99 / 7

HEX #EE8103

RGB 238 129 3

HSL 32.17, 0.98%, 0.47%

LAB 64.87, 35.63, 71.04

 

CMYK 99 / 0 / 96 / 7

HEX #02ED0A

RGB 2 237 10

HSL 122.04, 0.98%, 0.47%

LAB 82.16, -81.32, 77.87

 

CMYK 99 / 53 / 0 / 7

HEX #0270ED

RGB 2 112 237

HSL 211.91, 0.98%, 0.47%

LAB 49.15, 21.96, -69.95

 

CMYK 0 / 99 / 3 / 7

HEX #ED02E5

RGB 237 2 229

HSL 302.04, 0.98%, 0.47%

LAB 55.79, 91.72, -53.72

 

Description

Color code: HEX #EE8103 | qconv.com Color code: HEX #EE8103 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 129 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 129 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 99 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 99% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

33% - 資格,就職の短大なら大分の別府溝部学園短...
Link: http://www.mizobe.ac.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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