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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE844E it is the complementary color #117BB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE844E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE844E shade: #F38449, #FF965C, #FFA86F, #FFBA82 and #FFCC95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE844E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE844E shade: #EE844E, #DD723B, #CC6028, #BB4E15 and #AA3C02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE844E shade: #ED844E, #ED594E and #ED4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE844E shade: #ED844E, #EDAF4E, #EDD94E, #D6ED4E and #ABED4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE844E shade matches the following richer shades: #ED844E and #FD7F3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE844E shade: #ED844E, #DD895E, #CE8E6D, #BE937D and #AE988D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE844E shade: #ED4E6E, #ED594E, #ED834E, #EDAD4E and #EDD84E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE844E shade: #D45515, #E96A29, #ED844E, #F19E74 and #F4B899

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE844E shade: #EE844E, #98ED4E and #4E59ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE844E shade: #EE844E, #4EED83 and #834EED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE844E shade: #EE844E, #98ED4E, #4EB8ED and #A34EED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE844E shade: #EE844E, #69ED4E, #4EB8ED and #D34EED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 67 / 7

HEX #EE844E

RGB 238 132 78

HSL 20.25, 0.82%, 0.62%

LAB 65.93, 36.24, 46.33

 

Complementary color

CMYK 90 / 31 / 0 / 31

HEX #117BB1

RGB 17 123 177

HSL 200.25, 0.82%, 0.38%

LAB 48.83, -7.76, -36.26

 

CMYK 0 / 46 / 70 / 5

HEX #F38449

RGB 243 132 73

HSL 20.82, 0.88%, 0.62%

LAB 66.55, 37.93, 49.71

 

CMYK 0 / 41 / 64 / 0

HEX #FF965C

RGB 255 150 92

HSL 21.35, 1%, 0.68%

LAB 72.13, 34.47, 46.98

 

CMYK 0 / 34 / 56 / 0

HEX #FFA86F

RGB 255 168 111

HSL 23.75, 1%, 0.72%

LAB 76.32, 26.43, 42.34

 

CMYK 0 / 27 / 49 / 0

HEX #FFBA82

RGB 255 186 130

HSL 26.88, 1%, 0.75%

LAB 80.73, 18.6, 38.1

 

CMYK 0 / 20 / 42 / 0

HEX #FFCC95

RGB 255 204 149

HSL 31.13, 1%, 0.79%

LAB 85.31, 11.08, 34.24

 

CMYK 0 / 45 / 67 / 7

HEX #EE844E

RGB 238 132 78

HSL 20.25, 0.82%, 0.62%

LAB 65.93, 36.24, 46.33

 

CMYK 0 / 48 / 73 / 13

HEX #DD723B

RGB 221 114 59

HSL 20.37, 0.7%, 0.55%

LAB 59.64, 37.82, 48.21

 

CMYK 0 / 53 / 80 / 20

HEX #CC6028

RGB 204 96 40

HSL 20.49, 0.67%, 0.48%

LAB 53.34, 39.54, 50.01

 

CMYK 0 / 58 / 89 / 27

HEX #BB4E15

RGB 187 78 21

HSL 20.6, 0.8%, 0.41%

LAB 47.06, 41.34, 51.29

 

CMYK 0 / 65 / 99 / 33

HEX #AA3C02

RGB 170 60 2

HSL 20.71, 0.98%, 0.34%

LAB 40.87, 43.09, 51.51

 

CMYK 0 / 44 / 67 / 7

HEX #ED844E

RGB 237 132 78

HSL 20.38, 0.82%, 0.62%

LAB 65.79, 35.84, 46.14

 

CMYK 0 / 62 / 67 / 7

HEX #ED594E

RGB 237 89 78

HSL 4.15, 0.82%, 0.62%

LAB 57.75, 56.41, 36.72

 

CMYK 0 / 67 / 67 / 7

HEX #ED4E4E

RGB 237 78 78

HSL 0, 0.82%, 0.62%

LAB 56.09, 60.89, 34.71

 

CMYK 0 / 44 / 67 / 7

HEX #ED844E

RGB 237 132 78

HSL 20.38, 0.82%, 0.62%

LAB 65.79, 35.84, 46.14

 

CMYK 0 / 26 / 67 / 7

HEX #EDAF4E

RGB 237 175 78

HSL 36.6, 0.82%, 0.62%

LAB 75.58, 13.21, 56.99

 

CMYK 0 / 8 / 67 / 7

HEX #EDD94E

RGB 237 217 78

HSL 52.45, 0.82%, 0.62%

LAB 86.1, -8.52, 68.02

 

CMYK 10 / 0 / 67 / 7

HEX #D6ED4E

RGB 214 237 78

HSL 68.68, 0.82%, 0.62%

LAB 89.59, -27.65, 71.01

 

CMYK 28 / 0 / 67 / 7

HEX #ABED4E

RGB 171 237 78

HSL 84.91, 0.82%, 0.62%

LAB 86.89, -44.06, 67.38

 

CMYK 0 / 44 / 67 / 7

HEX #ED844E

RGB 237 132 78

HSL 20.38, 0.82%, 0.62%

LAB 65.79, 35.84, 46.14

 

CMYK 0 / 50 / 75 / 1

HEX #FD7F3E

RGB 253 127 62

HSL 20.42, 0.98%, 0.62%

LAB 66.83, 43.8, 55.68

 

CMYK 0 / 44 / 67 / 7

HEX #ED844E

RGB 237 132 78

HSL 20.38, 0.82%, 0.62%

LAB 65.79, 35.84, 46.14

 

CMYK 0 / 38 / 57 / 13

HEX #DD895E

RGB 221 137 94

HSL 20.31, 0.65%, 0.62%

LAB 65.02, 27.91, 36.36

 

CMYK 0 / 31 / 47 / 19

HEX #CE8E6D

RGB 206 142 109

HSL 20.41, 0.5%, 0.62%

LAB 64.62, 20.47, 27.34

 

CMYK 0 / 23 / 34 / 25

HEX #BE937D

RGB 190 147 125

HSL 20.31, 0.33%, 0.62%

LAB 64.4, 13.09, 17.87

 

CMYK 0 / 13 / 19 / 32

HEX #AE988D

RGB 174 152 141

HSL 20, 0.17%, 0.62%

LAB 64.47, 6.32, 8.77

 

CMYK 0 / 67 / 54 / 7

HEX #ED4E6E

RGB 237 78 110

HSL 347.92, 0.82%, 0.62%

LAB 56.66, 62.93, 16.82

 

CMYK 0 / 62 / 67 / 7

HEX #ED594E

RGB 237 89 78

HSL 4.15, 0.82%, 0.62%

LAB 57.75, 56.41, 36.72

 

CMYK 0 / 45 / 67 / 7

HEX #ED834E

RGB 237 131 78

HSL 20, 0.82%, 0.62%

LAB 65.58, 36.36, 45.9

 

CMYK 0 / 27 / 67 / 7

HEX #EDAD4E

RGB 237 173 78

HSL 35.85, 0.82%, 0.62%

LAB 75.1, 14.26, 56.47

 

CMYK 0 / 9 / 67 / 7

HEX #EDD84E

RGB 237 216 78

HSL 52.08, 0.82%, 0.62%

LAB 85.84, -8.01, 67.76

 

CMYK 0 / 60 / 90 / 17

HEX #D45515

RGB 212 85 21

HSL 20.1, 0.82%, 0.46%

LAB 52.45, 47.4, 57.17

 

CMYK 0 / 55 / 82 / 9

HEX #E96A29

RGB 233 106 41

HSL 20.31, 0.81%, 0.54%

LAB 59.7, 45.75, 57.04

 

CMYK 0 / 44 / 67 / 7

HEX #ED844E

RGB 237 132 78

HSL 20.38, 0.82%, 0.62%

LAB 65.79, 35.84, 46.14

 

CMYK 0 / 34 / 52 / 5

HEX #F19E74

RGB 241 158 116

HSL 20.16, 0.82%, 0.7%

LAB 72.51, 26.54, 34.58

 

CMYK 0 / 25 / 37 / 4

HEX #F4B899

RGB 244 184 153

HSL 20.44, 0.81%, 0.78%

LAB 79.51, 17.72, 24.18

 

CMYK 0 / 45 / 67 / 7

HEX #EE844E

RGB 238 132 78

HSL 20.25, 0.82%, 0.62%

LAB 65.93, 36.24, 46.33

 

CMYK 36 / 0 / 67 / 7

HEX #98ED4E

RGB 152 237 78

HSL 92.08, 0.82%, 0.62%

LAB 85.9, -50.67, 66.05

 

CMYK 67 / 62 / 0 / 7

HEX #4E59ED

RGB 78 89 237

HSL 235.85, 0.82%, 0.62%

LAB 45.47, 42.05, -75.86

 

CMYK 0 / 45 / 67 / 7

HEX #EE844E

RGB 238 132 78

HSL 20.25, 0.82%, 0.62%

LAB 65.93, 36.24, 46.33

 

CMYK 67 / 0 / 45 / 7

HEX #4EED83

RGB 78 237 131

HSL 140, 0.82%, 0.62%

LAB 83.88, -63.7, 39.48

 

CMYK 45 / 67 / 0 / 7

HEX #834EED

RGB 131 78 237

HSL 260, 0.82%, 0.62%

LAB 47.48, 56.56, -72.4

 

CMYK 0 / 45 / 67 / 7

HEX #EE844E

RGB 238 132 78

HSL 20.25, 0.82%, 0.62%

LAB 65.93, 36.24, 46.33

 

CMYK 36 / 0 / 67 / 7

HEX #98ED4E

RGB 152 237 78

HSL 92.08, 0.82%, 0.62%

LAB 85.9, -50.67, 66.05

 

CMYK 67 / 22 / 0 / 7

HEX #4EB8ED

RGB 78 184 237

HSL 200, 0.82%, 0.62%

LAB 70.88, -14.18, -35.33

 

CMYK 31 / 67 / 0 / 7

HEX #A34EED

RGB 163 78 237

HSL 272.08, 0.82%, 0.62%

LAB 51.09, 62.63, -66.36

 

CMYK 0 / 45 / 67 / 7

HEX #EE844E

RGB 238 132 78

HSL 20.25, 0.82%, 0.62%

LAB 65.93, 36.24, 46.33

 

CMYK 56 / 0 / 67 / 7

HEX #69ED4E

RGB 105 237 78

HSL 109.81, 0.82%, 0.62%

LAB 84.03, -64.49, 63.5

 

CMYK 67 / 22 / 0 / 7

HEX #4EB8ED

RGB 78 184 237

HSL 200, 0.82%, 0.62%

LAB 70.88, -14.18, -35.33

 

CMYK 11 / 67 / 0 / 7

HEX #D34EED

RGB 211 78 237

HSL 290.19, 0.82%, 0.62%

LAB 57.47, 72.63, -55.77

 

Description

Color code: HEX #EE844E | qconv.com Color code: HEX #EE844E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 132 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 132 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 67 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 67% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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