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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE6F38 it is the complementary color #1190C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE6F38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE6F38 shade: #F36F33, #FF8146, #FF9359, #FFA56C and #FFB77F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE6F38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE6F38 shade: #EE6F38, #DD5D25, #CC4B12, #BB3900 and #AA2700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE6F38 shade: #ED7039, #ED3F39 and #ED3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE6F38 shade: #ED7039, #EDA039, #EDD139, #D9ED39 and #A9ED39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE6F38 shade matches the following richer shades: #ED7039

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE6F38 shade: #ED7039, #DC774B, #CB7E5C, #B9846D and #A88B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE6F38 shade: #ED3963, #ED3F39, #ED6F39, #ED9F39 and #EDCF39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE6F38 shade: #C44711, #EA5414, #ED7039, #F18B5F and #F4A785

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE6F38 shade: #EE6F38, #93ED39 and #394BED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE6F38 shade: #EE6F38, #39ED6F and #6F39ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE6F38 shade: #EE6F38, #93ED39, #39B7ED and #9339ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE6F38 shade: #EE6F38, #5DED39, #39B7ED and #C939ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 76 / 7

HEX #EE6F38

RGB 238 111 56

HSL 18.13, 0.84%, 0.58%

LAB 61.51, 45.71, 52.37

 

Complementary color

CMYK 91 / 28 / 0 / 22

HEX #1190C7

RGB 17 144 199

HSL 198.13, 0.84%, 0.42%

LAB 56.28, -11.62, -37.16

 

CMYK 0 / 54 / 79 / 5

HEX #F36F33

RGB 243 111 51

HSL 18.75, 0.89%, 0.58%

LAB 62.22, 47.4, 55.63

 

CMYK 0 / 49 / 73 / 0

HEX #FF8146

RGB 255 129 70

HSL 19.14, 1%, 0.64%

LAB 67.58, 43.9, 52.77

 

CMYK 0 / 42 / 65 / 0

HEX #FF9359

RGB 255 147 89

HSL 20.96, 1%, 0.67%

LAB 71.45, 35.83, 47.71

 

CMYK 0 / 35 / 58 / 0

HEX #FFA56C

RGB 255 165 108

HSL 23.27, 1%, 0.71%

LAB 75.61, 27.77, 43

 

CMYK 0 / 28 / 50 / 0

HEX #FFB77F

RGB 255 183 127

HSL 26.25, 1%, 0.75%

LAB 79.99, 19.9, 38.7

 

CMYK 0 / 53 / 76 / 7

HEX #EE6F38

RGB 238 111 56

HSL 18.13, 0.84%, 0.58%

LAB 61.51, 45.71, 52.37

 

CMYK 0 / 58 / 83 / 13

HEX #DD5D25

RGB 221 93 37

HSL 18.26, 0.73%, 0.51%

LAB 55.42, 47.35, 54.19

 

CMYK 0 / 63 / 91 / 20

HEX #CC4B12

RGB 204 75 18

HSL 18.39, 0.84%, 0.44%

LAB 49.39, 48.95, 55.31

 

CMYK 0 / 70 / 100 / 27

HEX #BB3900

RGB 187 57 0

HSL 18.29, 1%, 0.37%

LAB 43.49, 50.35, 55.2

 

CMYK 0 / 77 / 100 / 33

HEX #AA2700

RGB 170 39 0

HSL 13.76, 1%, 0.33%

LAB 37.84, 51.32, 50.69

 

CMYK 0 / 53 / 76 / 7

HEX #ED7039

RGB 237 112 57

HSL 18.33, 0.83%, 0.58%

LAB 61.56, 44.89, 51.9

 

CMYK 0 / 73 / 76 / 7

HEX #ED3F39

RGB 237 63 57

HSL 2, 0.83%, 0.58%

LAB 53.87, 65.35, 43.88

 

CMYK 0 / 76 / 76 / 7

HEX #ED3939

RGB 237 57 57

HSL 0, 0.83%, 0.58%

LAB 53.2, 67.24, 43.15

 

CMYK 0 / 53 / 76 / 7

HEX #ED7039

RGB 237 112 57

HSL 18.33, 0.83%, 0.58%

LAB 61.56, 44.89, 51.9

 

CMYK 0 / 32 / 76 / 7

HEX #EDA039

RGB 237 160 57

HSL 34.33, 0.83%, 0.58%

LAB 71.85, 20.14, 62.11

 

CMYK 0 / 12 / 76 / 7

HEX #EDD139

RGB 237 209 57

HSL 50.67, 0.83%, 0.58%

LAB 83.91, -5.44, 73.47

 

CMYK 8 / 0 / 76 / 7

HEX #D9ED39

RGB 217 237 57

HSL 66.67, 0.83%, 0.58%

LAB 89.68, -27.47, 78.18

 

CMYK 29 / 0 / 76 / 7

HEX #A9ED39

RGB 169 237 57

HSL 82.67, 0.83%, 0.58%

LAB 86.65, -46, 74.27

 

CMYK 0 / 53 / 76 / 7

HEX #ED7039

RGB 237 112 57

HSL 18.33, 0.83%, 0.58%

LAB 61.56, 44.89, 51.9

 

CMYK 0 / 53 / 76 / 7

HEX #ED7039

RGB 237 112 57

HSL 18.33, 0.83%, 0.58%

LAB 61.56, 44.89, 51.9

 

CMYK 0 / 46 / 66 / 14

HEX #DC774B

RGB 220 119 75

HSL 18.21, 0.67%, 0.58%

LAB 60.71, 35.69, 41.22

 

CMYK 0 / 38 / 55 / 20

HEX #CB7E5C

RGB 203 126 92

HSL 18.38, 0.52%, 0.58%

LAB 60.24, 26.39, 30.96

 

CMYK 0 / 29 / 41 / 27

HEX #B9846D

RGB 185 132 109

HSL 18.16, 0.35%, 0.58%

LAB 59.82, 17.45, 20.5

 

CMYK 0 / 17 / 24 / 34

HEX #A88B7F

RGB 168 139 127

HSL 17.56, 0.19%, 0.58%

LAB 60.18, 9.07, 10.52

 

CMYK 0 / 76 / 58 / 7

HEX #ED3963

RGB 237 57 99

HSL 346, 0.83%, 0.58%

LAB 53.85, 69.33, 19.53

 

CMYK 0 / 73 / 76 / 7

HEX #ED3F39

RGB 237 63 57

HSL 2, 0.83%, 0.58%

LAB 53.87, 65.35, 43.88

 

CMYK 0 / 53 / 76 / 7

HEX #ED6F39

RGB 237 111 57

HSL 18, 0.83%, 0.58%

LAB 61.37, 45.38, 51.71

 

CMYK 0 / 33 / 76 / 7

HEX #ED9F39

RGB 237 159 57

HSL 34, 0.83%, 0.58%

LAB 71.62, 20.67, 61.88

 

CMYK 0 / 13 / 76 / 7

HEX #EDCF39

RGB 237 207 57

HSL 50, 0.83%, 0.58%

LAB 83.4, -4.42, 73

 

CMYK 0 / 64 / 91 / 23

HEX #C44711

RGB 196 71 17

HSL 18.1, 0.84%, 0.42%

LAB 47.34, 47.84, 53.53

 

CMYK 0 / 64 / 91 / 8

HEX #EA5414

RGB 234 84 20

HSL 17.94, 0.84%, 0.5%

LAB 55.97, 55.61, 61.67

 

CMYK 0 / 53 / 76 / 7

HEX #ED7039

RGB 237 112 57

HSL 18.33, 0.83%, 0.58%

LAB 61.56, 44.89, 51.9

 

CMYK 0 / 42 / 61 / 5

HEX #F18B5F

RGB 241 139 95

HSL 18.08, 0.84%, 0.66%

LAB 68.01, 34.86, 40.08

 

CMYK 0 / 32 / 45 / 4

HEX #F4A785

RGB 244 167 133

HSL 18.38, 0.83%, 0.74%

LAB 75.18, 24.55, 29.05

 

CMYK 0 / 53 / 76 / 7

HEX #EE6F38

RGB 238 111 56

HSL 18.13, 0.84%, 0.58%

LAB 61.51, 45.71, 52.37

 

CMYK 38 / 0 / 76 / 7

HEX #93ED39

RGB 147 237 57

HSL 90, 0.83%, 0.58%

LAB 85.54, -53.66, 72.82

 

CMYK 76 / 68 / 0 / 7

HEX #394BED

RGB 57 75 237

HSL 234, 0.83%, 0.58%

LAB 41.24, 48.11, -82.83

 

CMYK 0 / 53 / 76 / 7

HEX #EE6F38

RGB 238 111 56

HSL 18.13, 0.84%, 0.58%

LAB 61.51, 45.71, 52.37

 

CMYK 76 / 0 / 53 / 7

HEX #39ED6F

RGB 57 237 111

HSL 138, 0.83%, 0.58%

LAB 83.22, -69.85, 48.15

 

CMYK 53 / 76 / 0 / 7

HEX #6F39ED

RGB 111 57 237

HSL 258, 0.83%, 0.58%

LAB 41.88, 63.48, -81.65

 

CMYK 0 / 53 / 76 / 7

HEX #EE6F38

RGB 238 111 56

HSL 18.13, 0.84%, 0.58%

LAB 61.51, 45.71, 52.37

 

CMYK 38 / 0 / 76 / 7

HEX #93ED39

RGB 147 237 57

HSL 90, 0.83%, 0.58%

LAB 85.54, -53.66, 72.82

 

CMYK 76 / 23 / 0 / 7

HEX #39B7ED

RGB 57 183 237

HSL 198, 0.83%, 0.58%

LAB 70.07, -16.39, -36.63

 

CMYK 38 / 76 / 0 / 7

HEX #9339ED

RGB 147 57 237

HSL 270, 0.83%, 0.58%

LAB 45.97, 68.66, -74.79

 

CMYK 0 / 53 / 76 / 7

HEX #EE6F38

RGB 238 111 56

HSL 18.13, 0.84%, 0.58%

LAB 61.51, 45.71, 52.37

 

CMYK 61 / 0 / 76 / 7

HEX #5DED39

RGB 93 237 57

HSL 108, 0.83%, 0.58%

LAB 83.54, -68.86, 70.21

 

CMYK 76 / 23 / 0 / 7

HEX #39B7ED

RGB 57 183 237

HSL 198, 0.83%, 0.58%

LAB 70.07, -16.39, -36.63

 

CMYK 15 / 76 / 0 / 7

HEX #C939ED

RGB 201 57 237

HSL 288, 0.83%, 0.58%

LAB 53.45, 77.95, -62.31

 

Description

Color code: HEX #EE6F38 | qconv.com Color code: HEX #EE6F38 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 111 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 111 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 76 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 76% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - AF Notícias - Aragua...
Link: http://www.afnoticias.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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