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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE6B96 it is the complementary color #119469. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE6B96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE6B96 shade: #F36B91, #FF7DA4, #FF8FB7, #FFA1CA and #FFB3DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE6B96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE6B96 shade: #EE6B96, #DD5983, #CC4770, #BB355D and #AA234A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE6B96 shade: #ED6C97, #ED6C74 and #ED6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE6B96 shade: #ED6C97, #ED6CBA, #ED6CDC, #DC6CED and #B96CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE6B96 shade matches the following richer shades: #ED6C97 and #FB5F92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE6B96 shade: #ED6C97, #E07A9B, #D387A0, #C694A4 and #B9A1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE6B96 shade: #ED6CDC, #ED6CBA, #ED6C97, #ED6C75 and #ED866C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE6B96 shade: #E52362, #E9487D, #ED6C97, #F291B1 and #F6B6CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE6B96 shade: #EE6B96, #EDDC6C and #6CCBED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE6B96 shade: #EE6B96, #97ED6C and #6C97ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE6B96 shade: #EE6B96, #EDDC6C, #6CEDC2 and #6C7EED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE6B96 shade: #EE6B96, #D8ED6C, #6CEDC2 and #826CED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 37 / 7

HEX #EE6B96

RGB 238 107 150

HSL 340.31, 0.79%, 0.68%

LAB 62.42, 54.62, 1.69

 

Complementary color

CMYK 89 / 0 / 29 / 42

HEX #119469

RGB 17 148 105

HSL 160.31, 0.79%, 0.32%

LAB 54.36, -43.25, 13.69

 

CMYK 0 / 56 / 40 / 5

HEX #F36B91

RGB 243 107 145

HSL 343.24, 0.85%, 0.69%

LAB 63.02, 55.7, 5.53

 

CMYK 0 / 51 / 36 / 0

HEX #FF7DA4

RGB 255 125 164

HSL 342, 1%, 0.75%

LAB 68.47, 53.27, 2.8

 

CMYK 0 / 44 / 28 / 0

HEX #FF8FB7

RGB 255 143 183

HSL 338.57, 1%, 0.78%

LAB 72.44, 46.76, -2.03

 

CMYK 0 / 37 / 21 / 0

HEX #FFA1CA

RGB 255 161 202

HSL 333.83, 1%, 0.82%

LAB 76.69, 40.2, -6.25

 

CMYK 0 / 30 / 13 / 0

HEX #FFB3DD

RGB 255 179 221

HSL 326.84, 1%, 0.85%

LAB 81.14, 33.72, -9.96

 

CMYK 0 / 55 / 37 / 7

HEX #EE6B96

RGB 238 107 150

HSL 340.31, 0.79%, 0.68%

LAB 62.42, 54.62, 1.69

 

CMYK 0 / 60 / 41 / 13

HEX #DD5983

RGB 221 89 131

HSL 340.91, 0.66%, 0.61%

LAB 56.24, 55.29, 3.48

 

CMYK 0 / 65 / 45 / 20

HEX #CC4770

RGB 204 71 112

HSL 341.5, 0.57%, 0.54%

LAB 50.11, 55.76, 5.63

 

CMYK 0 / 72 / 50 / 27

HEX #BB355D

RGB 187 53 93

HSL 342.09, 0.56%, 0.47%

LAB 44.09, 55.88, 8.28

 

CMYK 0 / 79 / 56 / 33

HEX #AA234A

RGB 170 35 74

HSL 342.67, 0.66%, 0.4%

LAB 38.27, 55.38, 11.65

 

CMYK 0 / 54 / 36 / 7

HEX #ED6C97

RGB 237 108 151

HSL 340, 0.78%, 0.68%

LAB 62.48, 53.94, 1.18

 

CMYK 0 / 54 / 51 / 7

HEX #ED6C74

RGB 237 108 116

HSL 356.28, 0.78%, 0.68%

LAB 61.65, 50.46, 20.14

 

CMYK 0 / 54 / 54 / 7

HEX #ED6C6C

RGB 237 108 108

HSL 0, 0.78%, 0.68%

LAB 61.49, 49.8, 24.5

 

CMYK 0 / 54 / 36 / 7

HEX #ED6C97

RGB 237 108 151

HSL 340, 0.78%, 0.68%

LAB 62.48, 53.94, 1.18

 

CMYK 0 / 54 / 22 / 7

HEX #ED6CBA

RGB 237 108 186

HSL 323.72, 0.78%, 0.68%

LAB 63.57, 58.36, -17.21

 

CMYK 0 / 54 / 7 / 7

HEX #ED6CDC

RGB 237 108 220

HSL 307.91, 0.78%, 0.68%

LAB 64.88, 63.45, -34.35

 

CMYK 7 / 54 / 0 / 7

HEX #DC6CED

RGB 220 108 237

HSL 292.09, 0.78%, 0.68%

LAB 63.39, 61.88, -46.31

 

CMYK 22 / 54 / 0 / 7

HEX #B96CED

RGB 185 108 237

HSL 275.81, 0.78%, 0.68%

LAB 59.12, 52.95, -53.35

 

CMYK 0 / 54 / 36 / 7

HEX #ED6C97

RGB 237 108 151

HSL 340, 0.78%, 0.68%

LAB 62.48, 53.94, 1.18

 

CMYK 0 / 62 / 42 / 2

HEX #FB5F92

RGB 251 95 146

HSL 340.38, 0.95%, 0.68%

LAB 62.31, 63.54, 4.09

 

CMYK 0 / 54 / 36 / 7

HEX #ED6C97

RGB 237 108 151

HSL 340, 0.78%, 0.68%

LAB 62.48, 53.94, 1.18

 

CMYK 0 / 46 / 31 / 12

HEX #E07A9B

RGB 224 122 155

HSL 340.59, 0.62%, 0.68%

LAB 63.45, 43.19, 0.1

 

CMYK 0 / 36 / 24 / 17

HEX #D387A0

RGB 211 135 160

HSL 340.26, 0.46%, 0.68%

LAB 64.74, 32.46, -1.06

 

CMYK 0 / 25 / 17 / 22

HEX #C694A4

RGB 198 148 164

HSL 340.8, 0.3%, 0.68%

LAB 66.42, 21.25, -1.03

 

CMYK 0 / 13 / 9 / 27

HEX #B9A1A9

RGB 185 161 169

HSL 340, 0.15%, 0.68%

LAB 68.51, 10.16, -0.91

 

CMYK 0 / 54 / 7 / 7

HEX #ED6CDC

RGB 237 108 220

HSL 307.91, 0.78%, 0.68%

LAB 64.88, 63.45, -34.35

 

CMYK 0 / 54 / 22 / 7

HEX #ED6CBA

RGB 237 108 186

HSL 323.72, 0.78%, 0.68%

LAB 63.57, 58.36, -17.21

 

CMYK 0 / 54 / 36 / 7

HEX #ED6C97

RGB 237 108 151

HSL 340, 0.78%, 0.68%

LAB 62.48, 53.94, 1.18

 

CMYK 0 / 54 / 51 / 7

HEX #ED6C75

RGB 237 108 117

HSL 355.81, 0.78%, 0.68%

LAB 61.67, 50.55, 19.6

 

CMYK 0 / 43 / 54 / 7

HEX #ED866C

RGB 237 134 108

HSL 12.09, 0.78%, 0.68%

LAB 66.62, 36.87, 31.23

 

CMYK 0 / 85 / 57 / 10

HEX #E52362

RGB 229 35 98

HSL 340.52, 0.79%, 0.52%

LAB 50.38, 72.65, 15.17

 

CMYK 0 / 69 / 46 / 9

HEX #E9487D

RGB 233 72 125

HSL 340.25, 0.79%, 0.6%

LAB 55.52, 65.23, 6.24

 

CMYK 0 / 54 / 36 / 7

HEX #ED6C97

RGB 237 108 151

HSL 340, 0.78%, 0.68%

LAB 62.48, 53.94, 1.18

 

CMYK 0 / 40 / 27 / 5

HEX #F291B1

RGB 242 145 177

HSL 340.21, 0.79%, 0.76%

LAB 71.08, 40.5, -0.88

 

CMYK 0 / 26 / 17 / 4

HEX #F6B6CB

RGB 246 182 203

HSL 340.31, 0.78%, 0.84%

LAB 80.38, 26.23, -1.46

 

CMYK 0 / 55 / 37 / 7

HEX #EE6B96

RGB 238 107 150

HSL 340.31, 0.79%, 0.68%

LAB 62.42, 54.62, 1.69

 

CMYK 0 / 7 / 54 / 7

HEX #EDDC6C

RGB 237 220 108

HSL 52.09, 0.78%, 0.68%

LAB 87.13, -8.06, 56.3

 

CMYK 54 / 14 / 0 / 7

HEX #6CCBED

RGB 108 203 237

HSL 195.81, 0.78%, 0.68%

LAB 77.29, -18.79, -25.38

 

CMYK 0 / 55 / 37 / 7

HEX #EE6B96

RGB 238 107 150

HSL 340.31, 0.79%, 0.68%

LAB 62.42, 54.62, 1.69

 

CMYK 36 / 0 / 54 / 7

HEX #97ED6C

RGB 151 237 108

HSL 100, 0.78%, 0.68%

LAB 86.12, -48.32, 53.69

 

CMYK 54 / 36 / 0 / 7

HEX #6C97ED

RGB 108 151 237

HSL 220, 0.78%, 0.68%

LAB 62.87, 9.8, -47.78

 

CMYK 0 / 55 / 37 / 7

HEX #EE6B96

RGB 238 107 150

HSL 340.31, 0.79%, 0.68%

LAB 62.42, 54.62, 1.69

 

CMYK 0 / 7 / 54 / 7

HEX #EDDC6C

RGB 237 220 108

HSL 52.09, 0.78%, 0.68%

LAB 87.13, -8.06, 56.3

 

CMYK 54 / 0 / 18 / 7

HEX #6CEDC2

RGB 108 237 194

HSL 160, 0.78%, 0.68%

LAB 85.83, -45.78, 10.1

 

CMYK 54 / 47 / 0 / 7

HEX #6C7EED

RGB 108 126 237

HSL 231.63, 0.78%, 0.68%

LAB 56.31, 24.65, -58.22

 

CMYK 0 / 55 / 37 / 7

HEX #EE6B96

RGB 238 107 150

HSL 340.31, 0.79%, 0.68%

LAB 62.42, 54.62, 1.69

 

CMYK 9 / 0 / 54 / 7

HEX #D8ED6C

RGB 216 237 108

HSL 69.77, 0.78%, 0.68%

LAB 89.98, -24.77, 59.16

 

CMYK 54 / 0 / 18 / 7

HEX #6CEDC2

RGB 108 237 194

HSL 160, 0.78%, 0.68%

LAB 85.83, -45.78, 10.1

 

CMYK 45 / 54 / 0 / 7

HEX #826CED

RGB 130 108 237

HSL 250.23, 0.78%, 0.68%

LAB 53.58, 39.95, -62.52

 

Description

Color code: HEX #EE6B96 | qconv.com Color code: HEX #EE6B96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 107 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 107 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 37 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 37% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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