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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE54DF it is the complementary color #11AB20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE54DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE54DF shade: #F354DA, #FF66ED, #FF78FF, #FF8AFF and #FF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE54DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE54DF shade: #EE54DF, #DD42CC, #CC30B9, #BB1EA6 and #AA0C93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE54DF shade: #EE53DE, #EE53B5, #EE538B, #EE5361 and #EE5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE54DF shade: #EE53DE, #D353EE, #A953EE, #7F53EE and #5653EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE54DF shade matches the following richer shades: #EE53DE and #FD44EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE54DF shade: #EE53DE, #DE62D2, #CF71C6, #C081BA and #B090AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE54DF shade: #A853EE, #D153EE, #EE53E1, #EE53B7 and #EE538E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE54DF shade: #D915C6, #EA2DD7, #EE53DE, #F178E5 and #F59EEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE54DF shade: #EE54DF, #EE7F53 and #53EEBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE54DF shade: #EE54DF, #E1EE53 and #53E1EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE54DF shade: #EE54DF, #EE7F53, #53EE60 and #53C2EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE54DF shade: #EE54DF, #EEAD53, #53EE60 and #5393EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 6 / 7

HEX #EE54DF

RGB 238 84 223

HSL 305.84, 0.82%, 0.63%

LAB 61.52, 74.14, -41.27

 

Complementary color

CMYK 90 / 0 / 81 / 33

HEX #11AB20

RGB 17 171 32

HSL 125.84, 0.82%, 0.37%

LAB 61.09, -61.75, 55.81

 

CMYK 0 / 65 / 10 / 5

HEX #F354DA

RGB 243 84 218

HSL 309.43, 0.87%, 0.64%

LAB 62.05, 74.58, -37.58

 

CMYK 0 / 60 / 7 / 0

HEX #FF66ED

RGB 255 102 237

HSL 307.06, 1%, 0.7%

LAB 67.18, 73.39, -40.01

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 65 / 6 / 7

HEX #EE54DF

RGB 238 84 223

HSL 305.84, 0.82%, 0.63%

LAB 61.52, 74.14, -41.27

 

CMYK 0 / 70 / 8 / 13

HEX #DD42CC

RGB 221 66 204

HSL 306.58, 0.7%, 0.56%

LAB 55.71, 73.73, -39.81

 

CMYK 0 / 76 / 9 / 20

HEX #CC30B9

RGB 204 48 185

HSL 307.31, 0.62%, 0.49%

LAB 50.04, 72.74, -37.96

 

CMYK 0 / 84 / 11 / 27

HEX #BB1EA6

RGB 187 30 166

HSL 308.03, 0.72%, 0.43%

LAB 44.58, 70.92, -35.56

 

CMYK 0 / 93 / 14 / 33

HEX #AA0C93

RGB 170 12 147

HSL 308.73, 0.87%, 0.36%

LAB 39.44, 67.92, -32.43

 

CMYK 0 / 65 / 7 / 7

HEX #EE53DE

RGB 238 83 222

HSL 306.19, 0.82%, 0.63%

LAB 61.34, 74.36, -40.99

 

CMYK 0 / 65 / 24 / 7

HEX #EE53B5

RGB 238 83 181

HSL 322.06, 0.82%, 0.63%

LAB 59.62, 68.59, -20.35

 

CMYK 0 / 65 / 42 / 7

HEX #EE538B

RGB 238 83 139

HSL 338.32, 0.82%, 0.63%

LAB 58.25, 63.82, 2.03

 

CMYK 0 / 65 / 59 / 7

HEX #EE5361

RGB 238 83 97

HSL 354.58, 0.82%, 0.63%

LAB 57.3, 60.35, 25.32

 

CMYK 0 / 65 / 65 / 7

HEX #EE5353

RGB 238 83 83

HSL 0, 0.82%, 0.63%

LAB 57.06, 59.5, 33.1

 

CMYK 0 / 65 / 7 / 7

HEX #EE53DE

RGB 238 83 222

HSL 306.19, 0.82%, 0.63%

LAB 61.34, 74.36, -40.99

 

CMYK 11 / 65 / 0 / 7

HEX #D353EE

RGB 211 83 238

HSL 289.55, 0.82%, 0.63%

LAB 58.23, 70.84, -55.12

 

CMYK 29 / 65 / 0 / 7

HEX #A953EE

RGB 169 83 238

HSL 273.29, 0.82%, 0.63%

LAB 52.72, 61.78, -64.26

 

CMYK 47 / 65 / 0 / 7

HEX #7F53EE

RGB 127 83 238

HSL 257.03, 0.82%, 0.63%

LAB 48.1, 53.53, -71.97

 

CMYK 64 / 65 / 0 / 7

HEX #5653EE

RGB 86 83 238

HSL 241.16, 0.82%, 0.63%

LAB 44.71, 46.98, -77.64

 

CMYK 0 / 65 / 7 / 7

HEX #EE53DE

RGB 238 83 222

HSL 306.19, 0.82%, 0.63%

LAB 61.34, 74.36, -40.99

 

CMYK 0 / 73 / 7 / 1

HEX #FD44EB

RGB 253 68 235

HSL 305.84, 0.98%, 0.63%

LAB 62.52, 84.6, -46.25

 

CMYK 0 / 65 / 7 / 7

HEX #EE53DE

RGB 238 83 222

HSL 306.19, 0.82%, 0.63%

LAB 61.34, 74.36, -40.99

 

CMYK 0 / 56 / 5 / 13

HEX #DE62D2

RGB 222 98 210

HSL 305.81, 0.65%, 0.63%

LAB 60.71, 62.27, -35.38

 

CMYK 0 / 45 / 4 / 19

HEX #CF71C6

RGB 207 113 198

HSL 305.74, 0.49%, 0.63%

LAB 60.92, 48.79, -28.43

 

CMYK 0 / 33 / 3 / 25

HEX #C081BA

RGB 192 129 186

HSL 305.71, 0.33%, 0.63%

LAB 62.04, 33.41, -20.06

 

CMYK 0 / 18 / 2 / 31

HEX #B090AD

RGB 176 144 173

HSL 305.63, 0.17%, 0.63%

LAB 63.5, 17.13, -10.66

 

CMYK 29 / 65 / 0 / 7

HEX #A853EE

RGB 168 83 238

HSL 272.9, 0.82%, 0.63%

LAB 52.6, 61.57, -64.46

 

CMYK 12 / 65 / 0 / 7

HEX #D153EE

RGB 209 83 238

HSL 288.77, 0.82%, 0.63%

LAB 57.96, 70.4, -55.58

 

CMYK 0 / 65 / 5 / 7

HEX #EE53E1

RGB 238 83 225

HSL 305.03, 0.82%, 0.63%

LAB 61.48, 74.82, -42.45

 

CMYK 0 / 65 / 23 / 7

HEX #EE53B7

RGB 238 83 183

HSL 321.29, 0.82%, 0.63%

LAB 59.69, 68.85, -21.38

 

CMYK 0 / 65 / 40 / 7

HEX #EE538E

RGB 238 83 142

HSL 337.16, 0.82%, 0.63%

LAB 58.34, 64.12, 0.39

 

CMYK 0 / 90 / 9 / 15

HEX #D915C6

RGB 217 21 198

HSL 305.82, 0.82%, 0.47%

LAB 51.11, 82.51, -43.67

 

CMYK 0 / 81 / 8 / 8

HEX #EA2DD7

RGB 234 45 215

HSL 306.03, 0.82%, 0.55%

LAB 56.36, 83.86, -44.92

 

CMYK 0 / 65 / 7 / 7

HEX #EE53DE

RGB 238 83 222

HSL 306.19, 0.82%, 0.63%

LAB 61.34, 74.36, -40.99

 

CMYK 0 / 50 / 5 / 5

HEX #F178E5

RGB 241 120 229

HSL 305.95, 0.81%, 0.71%

LAB 67.87, 60.49, -34.67

 

CMYK 0 / 36 / 4 / 4

HEX #F59EEC

RGB 245 158 236

HSL 306.21, 0.81%, 0.79%

LAB 76.02, 43.92, -25.9

 

CMYK 0 / 65 / 6 / 7

HEX #EE54DF

RGB 238 84 223

HSL 305.84, 0.82%, 0.63%

LAB 61.52, 74.14, -41.27

 

CMYK 0 / 47 / 65 / 7

HEX #EE7F53

RGB 238 127 83

HSL 17.03, 0.82%, 0.63%

LAB 64.95, 39.08, 42.62

 

CMYK 65 / 0 / 21 / 7

HEX #53EEBD

RGB 83 238 189

HSL 161.03, 0.82%, 0.63%

LAB 85.33, -51.97, 11.91

 

CMYK 0 / 65 / 6 / 7

HEX #EE54DF

RGB 238 84 223

HSL 305.84, 0.82%, 0.63%

LAB 61.52, 74.14, -41.27

 

CMYK 5 / 0 / 65 / 7

HEX #E1EE53

RGB 225 238 83

HSL 65.03, 0.82%, 0.63%

LAB 90.68, -23.45, 70.49

 

CMYK 65 / 5 / 0 / 7

HEX #53E1EE

RGB 83 225 238

HSL 185.03, 0.82%, 0.63%

LAB 82.84, -33.69, -17.57

 

CMYK 0 / 65 / 6 / 7

HEX #EE54DF

RGB 238 84 223

HSL 305.84, 0.82%, 0.63%

LAB 61.52, 74.14, -41.27

 

CMYK 0 / 47 / 65 / 7

HEX #EE7F53

RGB 238 127 83

HSL 17.03, 0.82%, 0.63%

LAB 64.95, 39.08, 42.62

 

CMYK 65 / 0 / 60 / 7

HEX #53EE60

RGB 83 238 96

HSL 125.03, 0.82%, 0.63%

LAB 83.88, -67.9, 55.78

 

CMYK 65 / 18 / 0 / 7

HEX #53C2EE

RGB 83 194 238

HSL 197.03, 0.82%, 0.63%

LAB 73.93, -18.35, -31.15

 

CMYK 0 / 65 / 6 / 7

HEX #EE54DF

RGB 238 84 223

HSL 305.84, 0.82%, 0.63%

LAB 61.52, 74.14, -41.27

 

CMYK 0 / 27 / 65 / 7

HEX #EEAD53

RGB 238 173 83

HSL 34.84, 0.82%, 0.63%

LAB 75.26, 14.97, 54.38

 

CMYK 65 / 0 / 60 / 7

HEX #53EE60

RGB 83 238 96

HSL 125.03, 0.82%, 0.63%

LAB 83.88, -67.9, 55.78

 

CMYK 65 / 38 / 0 / 7

HEX #5393EE

RGB 83 147 238

HSL 215.23, 0.82%, 0.63%

LAB 60.68, 7.78, -51.89

 

Description

Color code: HEX #EE54DF | qconv.com Color code: HEX #EE54DF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 84 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 84 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 6 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 6% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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