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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE208E it is the complementary color #11DF71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE208E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE208E shade: #F32089, #FF329C, #FF44AF, #FF56C2 and #FF68D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE208E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE208E shade: #EE208E, #DD0E7B, #CC0068, #BB0055 and #AA0042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE208E shade: #EE208E, #EE2056 and #EE2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE208E shade: #EE208E, #EE20C5, #DF20EE, #A720EE and #6F20EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE208E shade matches the following richer shades: #EE208E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE208E shade: #EE208E, #DA338C, #C7468B, #B45A8A and #A06D88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE208E shade: #DD20EE, #EE20C8, #EE2091, #EE205A and #EE2023

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE208E shade: #AE0D63, #D51079, #EE208E, #F146A1 and #F36CB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE208E shade: #EE208E, #EEA620 and #20E3EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE208E shade: #EE208E, #91EE20 and #2091EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE208E shade: #EE208E, #EEA620, #20EE7C and #2068EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE208E shade: #EE208E, #EEE320, #20EE7C and #202AEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 40 / 7

HEX #EE208E

RGB 238 32 142

HSL 327.96, 0.86%, 0.53%

LAB 53.13, 78.78, -7.29

 

Complementary color

CMYK 92 / 0 / 49 / 13

HEX #11DF71

RGB 17 223 113

HSL 147.96, 0.86%, 0.47%

LAB 78.51, -68.47, 41.3

 

CMYK 0 / 87 / 44 / 5

HEX #F32089

RGB 243 32 137

HSL 330.14, 0.9%, 0.54%

LAB 53.91, 79.47, -3.03

 

CMYK 0 / 80 / 39 / 0

HEX #FF329C

RGB 255 50 156

HSL 328.98, 1%, 0.6%

LAB 57.98, 80.34, -8.01

 

CMYK 0 / 73 / 31 / 0

HEX #FF44AF

RGB 255 68 175

HSL 325.67, 1%, 0.63%

LAB 60.33, 77.42, -15.55

 

CMYK 0 / 66 / 24 / 0

HEX #FF56C2

RGB 255 86 194

HSL 321.66, 1%, 0.67%

LAB 63.19, 73.58, -22.09

 

CMYK 0 / 59 / 16 / 0

HEX #FF68D5

RGB 255 104 213

HSL 316.69, 1%, 0.7%

LAB 66.49, 69.01, -27.73

 

CMYK 0 / 87 / 40 / 7

HEX #EE208E

RGB 238 32 142

HSL 327.96, 0.86%, 0.53%

LAB 53.13, 78.78, -7.29

 

CMYK 0 / 94 / 44 / 13

HEX #DD0E7B

RGB 221 14 123

HSL 328.41, 0.88%, 0.46%

LAB 48.41, 75.75, -3.16

 

CMYK 0 / 100 / 49 / 20

HEX #CC0068

RGB 204 0 104

HSL 329.41, 1%, 0.4%

LAB 44, 71.69, 1.73

 

CMYK 0 / 100 / 55 / 27

HEX #BB0055

RGB 187 0 85

HSL 332.73, 1%, 0.37%

LAB 39.95, 66.45, 7.47

 

CMYK 0 / 100 / 61 / 33

HEX #AA0042

RGB 170 0 66

HSL 336.71, 1%, 0.33%

LAB 35.87, 61.21, 13.51

 

CMYK 0 / 87 / 40 / 7

HEX #EE208E

RGB 238 32 142

HSL 327.96, 0.86%, 0.53%

LAB 53.13, 78.78, -7.29

 

CMYK 0 / 87 / 64 / 7

HEX #EE2056

RGB 238 32 86

HSL 344.27, 0.86%, 0.53%

LAB 51.7, 74.75, 24.53

 

CMYK 0 / 87 / 87 / 7

HEX #EE2020

RGB 238 32 32

HSL 0, 0.86%, 0.53%

LAB 51.05, 72.87, 53.92

 

CMYK 0 / 87 / 40 / 7

HEX #EE208E

RGB 238 32 142

HSL 327.96, 0.86%, 0.53%

LAB 53.13, 78.78, -7.29

 

CMYK 0 / 87 / 17 / 7

HEX #EE20C5

RGB 238 32 197

HSL 311.94, 0.86%, 0.53%

LAB 55.32, 84.73, -36.21

 

CMYK 6 / 87 / 0 / 7

HEX #DF20EE

RGB 223 32 238

HSL 295.63, 0.86%, 0.53%

LAB 54.96, 87.77, -60.25

 

CMYK 30 / 87 / 0 / 7

HEX #A720EE

RGB 167 32 238

HSL 279.32, 0.86%, 0.53%

LAB 46.21, 79.29, -74.85

 

CMYK 53 / 87 / 0 / 7

HEX #6F20EE

RGB 111 32 238

HSL 263.01, 0.86%, 0.53%

LAB 38.87, 72.8, -87.16

 

CMYK 0 / 87 / 40 / 7

HEX #EE208E

RGB 238 32 142

HSL 327.96, 0.86%, 0.53%

LAB 53.13, 78.78, -7.29

 

CMYK 0 / 87 / 40 / 7

HEX #EE208E

RGB 238 32 142

HSL 327.96, 0.86%, 0.53%

LAB 53.13, 78.78, -7.29

 

CMYK 0 / 77 / 36 / 15

HEX #DA338C

RGB 218 51 140

HSL 328.02, 0.69%, 0.53%

LAB 50.88, 69.52, -9.83

 

CMYK 0 / 65 / 30 / 22

HEX #C7468B

RGB 199 70 139

HSL 327.91, 0.54%, 0.53%

LAB 49.96, 57.63, -10.94

 

CMYK 0 / 50 / 23 / 29

HEX #B45A8A

RGB 180 90 138

HSL 328, 0.38%, 0.53%

LAB 50.51, 42.26, -9.81

 

CMYK 0 / 32 / 15 / 37

HEX #A06D88

RGB 160 109 136

HSL 328.24, 0.21%, 0.53%

LAB 52.05, 24.5, -6.6

 

CMYK 7 / 87 / 0 / 7

HEX #DD20EE

RGB 221 32 238

HSL 295.05, 0.86%, 0.53%

LAB 54.64, 87.44, -60.79

 

CMYK 0 / 87 / 16 / 7

HEX #EE20C8

RGB 238 32 200

HSL 311.07, 0.86%, 0.53%

LAB 55.46, 85.11, -37.72

 

CMYK 0 / 87 / 39 / 7

HEX #EE2091

RGB 238 32 145

HSL 327.09, 0.86%, 0.53%

LAB 53.23, 79.05, -8.93

 

CMYK 0 / 87 / 62 / 7

HEX #EE205A

RGB 238 32 90

HSL 343.11, 0.86%, 0.53%

LAB 51.78, 74.97, 22.21

 

CMYK 0 / 87 / 85 / 7

HEX #EE2023

RGB 238 32 35

HSL 359.13, 0.86%, 0.53%

LAB 51.07, 72.92, 52.54

 

CMYK 0 / 93 / 43 / 32

HEX #AE0D63

RGB 174 13 99

HSL 327.95, 0.86%, 0.37%

LAB 38.18, 63.14, -4.37

 

CMYK 0 / 92 / 43 / 16

HEX #D51079

RGB 213 16 121

HSL 328.02, 0.86%, 0.45%

LAB 46.84, 73.6, -4.43

 

CMYK 0 / 87 / 40 / 7

HEX #EE208E

RGB 238 32 142

HSL 327.96, 0.86%, 0.53%

LAB 53.13, 78.78, -7.29

 

CMYK 0 / 71 / 33 / 5

HEX #F146A1

RGB 241 70 161

HSL 328.07, 0.86%, 0.61%

LAB 57.71, 71.7, -11.6

 

CMYK 0 / 56 / 26 / 5

HEX #F36CB5

RGB 243 108 181

HSL 327.56, 0.85%, 0.69%

LAB 64.25, 59.48, -13.25

 

CMYK 0 / 87 / 40 / 7

HEX #EE208E

RGB 238 32 142

HSL 327.96, 0.86%, 0.53%

LAB 53.13, 78.78, -7.29

 

CMYK 0 / 30 / 87 / 7

HEX #EEA620

RGB 238 166 32

HSL 39.03, 0.86%, 0.53%

LAB 73.26, 16.63, 71.66

 

CMYK 87 / 5 / 0 / 7

HEX #20E3EE

RGB 32 227 238

HSL 183.2, 0.86%, 0.53%

LAB 82.6, -39.7, -18

 

CMYK 0 / 87 / 40 / 7

HEX #EE208E

RGB 238 32 142

HSL 327.96, 0.86%, 0.53%

LAB 53.13, 78.78, -7.29

 

CMYK 39 / 0 / 87 / 7

HEX #91EE20

RGB 145 238 32

HSL 87.09, 0.86%, 0.53%

LAB 85.64, -55.73, 79.06

 

CMYK 87 / 39 / 0 / 7

HEX #2091EE

RGB 32 145 238

HSL 207.09, 0.86%, 0.53%

LAB 58.72, 3.13, -55.08

 

CMYK 0 / 87 / 40 / 7

HEX #EE208E

RGB 238 32 142

HSL 327.96, 0.86%, 0.53%

LAB 53.13, 78.78, -7.29

 

CMYK 0 / 30 / 87 / 7

HEX #EEA620

RGB 238 166 32

HSL 39.03, 0.86%, 0.53%

LAB 73.26, 16.63, 71.66

 

CMYK 87 / 0 / 48 / 7

HEX #20EE7C

RGB 32 238 124

HSL 146.8, 0.86%, 0.53%

LAB 83.4, -70.7, 42.14

 

CMYK 87 / 56 / 0 / 7

HEX #2068EE

RGB 32 104 238

HSL 219.03, 0.86%, 0.53%

LAB 47.47, 28.59, -73.23

 

CMYK 0 / 87 / 40 / 7

HEX #EE208E

RGB 238 32 142

HSL 327.96, 0.86%, 0.53%

LAB 53.13, 78.78, -7.29

 

CMYK 0 / 5 / 87 / 7

HEX #EEE320

RGB 238 227 32

HSL 56.8, 0.86%, 0.53%

LAB 88.55, -14.73, 83.9

 

CMYK 87 / 0 / 48 / 7

HEX #20EE7C

RGB 32 238 124

HSL 146.8, 0.86%, 0.53%

LAB 83.4, -70.7, 42.14

 

CMYK 87 / 82 / 0 / 7

HEX #202AEE

RGB 32 42 238

HSL 237.09, 0.86%, 0.53%

LAB 34.26, 64.26, -94.98

 

Description

Color code: HEX #EE208E | qconv.com Color code: HEX #EE208E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 32 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 32 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 40 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 40% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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