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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE29D0 it is the complementary color #11D62F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE29D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE29D0 shade: #F329CB, #FF3BDE, #FF4DF1, #FF5FFF and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE29D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE29D0 shade: #EE29D0, #DD17BD, #CC05AA, #BB0097 and #AA0084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE29D0 shade: #ED2AD0, #ED2A9B, #ED2A66, #ED2A32 and #ED2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE29D0 shade: #ED2AD0, #D62AED, #A22AED, #6D2AED and #392AED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE29D0 shade matches the following richer shades: #ED2AD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE29D0 shade: #ED2AD0, #DB3DC3, #C84FB6, #B662A9 and #A3749C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE29D0 shade: #A32AED, #D72AED, #ED2AD0, #ED2A9C and #ED2A68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE29D0 shade: #B70E9D, #DD11BE, #ED2AD0, #F050D8 and #F377E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE29D0 shade: #EE29D0, #ED6E2A and #2AEDBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE29D0 shade: #EE29D0, #D0ED2A and #2AD0ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE29D0 shade: #EE29D0, #ED6E2A, #2AED47 and #2AA9ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE29D0 shade: #EE29D0, #EDA92A, #2AED47 and #2A6EED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 13 / 7

HEX #EE29D0

RGB 238 41 208

HSL 309.14, 0.85%, 0.55%

LAB 56.4, 84.53, -40.82

 

Complementary color

CMYK 92 / 0 / 78 / 16

HEX #11D62F

RGB 17 214 47

HSL 129.14, 0.85%, 0.45%

LAB 75.09, -73.16, 64.67

 

CMYK 0 / 83 / 16 / 5

HEX #F329CB

RGB 243 41 203

HSL 311.88, 0.89%, 0.56%

LAB 57.03, 84.86, -36.92

 

CMYK 0 / 77 / 13 / 0

HEX #FF3BDE

RGB 255 59 222

HSL 310.1, 1%, 0.62%

LAB 61.36, 85.68, -40.77

 

CMYK 0 / 70 / 5 / 0

HEX #FF4DF1

RGB 255 77 241

HSL 304.72, 1%, 0.65%

LAB 64.09, 83.13, -47.08

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 83 / 13 / 7

HEX #EE29D0

RGB 238 41 208

HSL 309.14, 0.85%, 0.55%

LAB 56.4, 84.53, -40.82

 

CMYK 0 / 90 / 14 / 13

HEX #DD17BD

RGB 221 23 189

HSL 309.7, 0.81%, 0.48%

LAB 51.45, 81.8, -37.87

 

CMYK 0 / 98 / 17 / 20

HEX #CC05AA

RGB 204 5 170

HSL 310.25, 0.95%, 0.41%

LAB 46.77, 78.02, -34.28

 

CMYK 0 / 100 / 19 / 27

HEX #BB0097

RGB 187 0 151

HSL 311.55, 1%, 0.37%

LAB 42.46, 72.93, -29.89

 

CMYK 0 / 100 / 22 / 33

HEX #AA0084

RGB 170 0 132

HSL 313.41, 1%, 0.33%

LAB 38.22, 67.32, -25.12

 

CMYK 0 / 82 / 12 / 7

HEX #ED2AD0

RGB 237 42 208

HSL 308.92, 0.84%, 0.55%

LAB 56.3, 84.13, -40.99

 

CMYK 0 / 82 / 35 / 7

HEX #ED2A9B

RGB 237 42 155

HSL 325.23, 0.84%, 0.55%

LAB 54.06, 77.87, -13.65

 

CMYK 0 / 82 / 57 / 7

HEX #ED2A66

RGB 237 42 102

HSL 341.54, 0.84%, 0.55%

LAB 52.53, 73.44, 15.93

 

CMYK 0 / 82 / 79 / 7

HEX #ED2A32

RGB 237 42 50

HSL 357.54, 0.84%, 0.55%

LAB 51.71, 70.99, 45.4

 

CMYK 0 / 82 / 82 / 7

HEX #ED2A2A

RGB 237 42 42

HSL 0, 0.84%, 0.55%

LAB 51.64, 70.78, 49.53

 

CMYK 0 / 82 / 12 / 7

HEX #ED2AD0

RGB 237 42 208

HSL 308.92, 0.84%, 0.55%

LAB 56.3, 84.13, -40.99

 

CMYK 10 / 82 / 0 / 7

HEX #D62AED

RGB 214 42 237

HSL 292.92, 0.84%, 0.55%

LAB 54.1, 84.19, -61.16

 

CMYK 32 / 82 / 0 / 7

HEX #A22AED

RGB 162 42 237

HSL 276.92, 0.84%, 0.55%

LAB 46.25, 75.92, -74.25

 

CMYK 54 / 82 / 0 / 7

HEX #6D2AED

RGB 109 42 237

HSL 260.62, 0.84%, 0.55%

LAB 39.62, 69.21, -85.38

 

CMYK 76 / 82 / 0 / 7

HEX #392AED

RGB 57 42 237

HSL 244.62, 0.84%, 0.55%

LAB 35.28, 65.03, -92.69

 

CMYK 0 / 82 / 12 / 7

HEX #ED2AD0

RGB 237 42 208

HSL 308.92, 0.84%, 0.55%

LAB 56.3, 84.13, -40.99

 

CMYK 0 / 82 / 12 / 7

HEX #ED2AD0

RGB 237 42 208

HSL 308.92, 0.84%, 0.55%

LAB 56.3, 84.13, -40.99

 

CMYK 0 / 72 / 11 / 14

HEX #DB3DC3

RGB 219 61 195

HSL 309.11, 0.69%, 0.55%

LAB 54.38, 73.59, -36.76

 

CMYK 0 / 61 / 9 / 22

HEX #C84FB6

RGB 200 79 182

HSL 308.93, 0.52%, 0.55%

LAB 53.22, 60.22, -31.28

 

CMYK 0 / 46 / 7 / 29

HEX #B662A9

RGB 182 98 169

HSL 309.29, 0.37%, 0.55%

LAB 53.54, 43.76, -23.43

 

CMYK 0 / 29 / 4 / 36

HEX #A3749C

RGB 163 116 156

HSL 308.94, 0.2%, 0.55%

LAB 54.74, 25.19, -14.24

 

CMYK 31 / 82 / 0 / 7

HEX #A32AED

RGB 163 42 237

HSL 277.23, 0.84%, 0.55%

LAB 46.39, 76.07, -74.01

 

CMYK 9 / 82 / 0 / 7

HEX #D72AED

RGB 215 42 237

HSL 293.23, 0.84%, 0.55%

LAB 54.26, 84.36, -60.89

 

CMYK 0 / 82 / 12 / 7

HEX #ED2AD0

RGB 237 42 208

HSL 308.92, 0.84%, 0.55%

LAB 56.3, 84.13, -40.99

 

CMYK 0 / 82 / 34 / 7

HEX #ED2A9C

RGB 237 42 156

HSL 324.92, 0.84%, 0.55%

LAB 54.09, 77.97, -14.18

 

CMYK 0 / 82 / 56 / 7

HEX #ED2A68

RGB 237 42 104

HSL 340.92, 0.84%, 0.55%

LAB 52.58, 73.57, 14.78

 

CMYK 0 / 92 / 14 / 28

HEX #B70E9D

RGB 183 14 157

HSL 309.23, 0.86%, 0.39%

LAB 42.48, 71.53, -33.53

 

CMYK 0 / 92 / 14 / 13

HEX #DD11BE

RGB 221 17 190

HSL 309.12, 0.86%, 0.47%

LAB 51.26, 82.64, -38.76

 

CMYK 0 / 82 / 12 / 7

HEX #ED2AD0

RGB 237 42 208

HSL 308.92, 0.84%, 0.55%

LAB 56.3, 84.13, -40.99

 

CMYK 0 / 67 / 10 / 6

HEX #F050D8

RGB 240 80 216

HSL 309, 0.84%, 0.63%

LAB 60.98, 75.04, -38.16

 

CMYK 0 / 51 / 8 / 5

HEX #F377E0

RGB 243 119 224

HSL 309.19, 0.84%, 0.71%

LAB 67.75, 60.7, -32.06

 

CMYK 0 / 83 / 13 / 7

HEX #EE29D0

RGB 238 41 208

HSL 309.14, 0.85%, 0.55%

LAB 56.4, 84.53, -40.82

 

CMYK 0 / 54 / 82 / 7

HEX #ED6E2A

RGB 237 110 42

HSL 20.92, 0.84%, 0.55%

LAB 61.07, 45.36, 58.08

 

CMYK 82 / 0 / 20 / 7

HEX #2AEDBD

RGB 42 237 189

HSL 165.23, 0.84%, 0.55%

LAB 84.35, -56.51, 10.41

 

CMYK 0 / 83 / 13 / 7

HEX #EE29D0

RGB 238 41 208

HSL 309.14, 0.85%, 0.55%

LAB 56.4, 84.53, -40.82

 

CMYK 12 / 0 / 82 / 7

HEX #D0ED2A

RGB 208 237 42

HSL 68.92, 0.84%, 0.55%

LAB 88.99, -31.61, 81.26

 

CMYK 82 / 12 / 0 / 7

HEX #2AD0ED

RGB 42 208 237

HSL 188.92, 0.84%, 0.55%

LAB 77.11, -30.45, -25.8

 

CMYK 0 / 83 / 13 / 7

HEX #EE29D0

RGB 238 41 208

HSL 309.14, 0.85%, 0.55%

LAB 56.4, 84.53, -40.82

 

CMYK 0 / 54 / 82 / 7

HEX #ED6E2A

RGB 237 110 42

HSL 20.92, 0.84%, 0.55%

LAB 61.07, 45.36, 58.08

 

CMYK 82 / 0 / 70 / 7

HEX #2AED47

RGB 42 237 71

HSL 128.92, 0.84%, 0.55%

LAB 82.66, -76.04, 64.27

 

CMYK 82 / 29 / 0 / 7

HEX #2AA9ED

RGB 42 169 237

HSL 200.92, 0.84%, 0.55%

LAB 65.74, -10.26, -43.43

 

CMYK 0 / 83 / 13 / 7

HEX #EE29D0

RGB 238 41 208

HSL 309.14, 0.85%, 0.55%

LAB 56.4, 84.53, -40.82

 

CMYK 0 / 29 / 82 / 7

HEX #EDA92A

RGB 237 169 42

HSL 39.08, 0.84%, 0.55%

LAB 73.9, 14.86, 69.31

 

CMYK 82 / 0 / 70 / 7

HEX #2AED47

RGB 42 237 71

HSL 128.92, 0.84%, 0.55%

LAB 82.66, -76.04, 64.27

 

CMYK 82 / 54 / 0 / 7

HEX #2A6EED

RGB 42 110 237

HSL 219.08, 0.84%, 0.55%

LAB 49.2, 25.1, -69.84

 

Description

Color code: HEX #EE29D0 | qconv.com Color code: HEX #EE29D0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 41 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 41 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 13 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 13% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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