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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE167B it is the complementary color #11E984. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE167B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE167B shade: #F31676, #FF2889, #FF3A9C, #FF4CAF and #FF5EC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE167B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE167B shade: #EE167B, #DD0468, #CC0055, #BB0042 and #AA002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE167B shade: #ED167B, #ED1641 and #ED1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE167B shade: #ED167B, #ED16B5, #EC16ED, #B216ED and #7816ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE167B shade matches the following richer shades: #ED167B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE167B shade: #ED167B, #D92A7C, #C53F7D, #B0537F and #9C6780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE167B shade: #E916ED, #ED16B7, #ED167E, #ED1645 and #ED2116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE167B shade: #A50C53, #CB0F67, #ED167B, #F03C90 and #F363A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE167B shade: #EE167B, #EDB016 and #16D4ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE167B shade: #EE167B, #7EED16 and #167EED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE167B shade: #EE167B, #EDB016, #16ED85 and #1653ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE167B shade: #EE167B, #E9ED16, #16ED85 and #1A16ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 48 / 7

HEX #EE167B

RGB 238 22 123

HSL 331.94, 0.86%, 0.51%

LAB 52.04, 78.65, 2.55

 

Complementary color

CMYK 93 / 0 / 43 / 9

HEX #11E984

RGB 17 233 132

HSL 151.94, 0.86%, 0.49%

LAB 81.87, -68.55, 36.25

 

CMYK 0 / 91 / 51 / 5

HEX #F31676

RGB 243 22 118

HSL 333.94, 0.9%, 0.52%

LAB 52.88, 79.41, 6.91

 

CMYK 0 / 84 / 46 / 0

HEX #FF2889

RGB 255 40 137

HSL 332.93, 1%, 0.58%

LAB 56.67, 80.8, 1.27

 

CMYK 0 / 77 / 39 / 0

HEX #FF3A9C

RGB 255 58 156

HSL 330.15, 1%, 0.61%

LAB 58.68, 78.34, -6.97

 

CMYK 0 / 70 / 31 / 0

HEX #FF4CAF

RGB 255 76 175

HSL 326.82, 1%, 0.65%

LAB 61.24, 74.85, -14.17

 

CMYK 0 / 63 / 24 / 0

HEX #FF5EC2

RGB 255 94 194

HSL 322.73, 1%, 0.68%

LAB 64.29, 70.53, -20.41

 

CMYK 0 / 91 / 48 / 7

HEX #EE167B

RGB 238 22 123

HSL 331.94, 0.86%, 0.51%

LAB 52.04, 78.65, 2.55

 

CMYK 0 / 98 / 53 / 13

HEX #DD0468

RGB 221 4 104

HSL 332.35, 0.96%, 0.44%

LAB 47.57, 75.13, 7.31

 

CMYK 0 / 100 / 58 / 20

HEX #CC0055

RGB 204 0 85

HSL 335, 1%, 0.4%

LAB 43.5, 70.36, 12.95

 

CMYK 0 / 100 / 65 / 27

HEX #BB0042

RGB 187 0 66

HSL 338.82, 1%, 0.37%

LAB 39.51, 65.28, 19.02

 

CMYK 0 / 100 / 72 / 33

HEX #AA002F

RGB 170 0 47

HSL 343.41, 1%, 0.33%

LAB 35.5, 60.23, 25.34

 

CMYK 0 / 91 / 48 / 7

HEX #ED167B

RGB 237 22 123

HSL 331.81, 0.86%, 0.51%

LAB 51.85, 78.43, 2.24

 

CMYK 0 / 91 / 73 / 7

HEX #ED1641

RGB 237 22 65

HSL 348, 0.86%, 0.51%

LAB 50.64, 75.08, 35.72

 

CMYK 0 / 91 / 91 / 7

HEX #ED1616

RGB 237 22 22

HSL 0, 0.86%, 0.51%

LAB 50.26, 74, 57.45

 

CMYK 0 / 91 / 48 / 7

HEX #ED167B

RGB 237 22 123

HSL 331.81, 0.86%, 0.51%

LAB 51.85, 78.43, 2.24

 

CMYK 0 / 91 / 24 / 7

HEX #ED16B5

RGB 237 22 181

HSL 315.63, 0.86%, 0.51%

LAB 53.94, 84.02, -29.11

 

CMYK 0 / 91 / 0 / 7

HEX #EC16ED

RGB 236 22 237

HSL 299.72, 0.86%, 0.51%

LAB 56.61, 91.11, -56.93

 

CMYK 25 / 91 / 0 / 7

HEX #B216ED

RGB 178 22 237

HSL 283.53, 0.86%, 0.51%

LAB 47.17, 82.4, -72.63

 

CMYK 49 / 91 / 0 / 7

HEX #7816ED

RGB 120 22 237

HSL 267.35, 0.86%, 0.51%

LAB 39.04, 75.78, -86.29

 

CMYK 0 / 91 / 48 / 7

HEX #ED167B

RGB 237 22 123

HSL 331.81, 0.86%, 0.51%

LAB 51.85, 78.43, 2.24

 

CMYK 0 / 91 / 48 / 7

HEX #ED167B

RGB 237 22 123

HSL 331.81, 0.86%, 0.51%

LAB 51.85, 78.43, 2.24

 

CMYK 0 / 81 / 43 / 15

HEX #D92A7C

RGB 217 42 124

HSL 331.89, 0.7%, 0.51%

LAB 49.33, 70.12, -2.5

 

CMYK 0 / 68 / 37 / 23

HEX #C53F7D

RGB 197 63 125

HSL 332.24, 0.54%, 0.51%

LAB 48.14, 58.21, -5.26

 

CMYK 0 / 53 / 28 / 31

HEX #B0537F

RGB 176 83 127

HSL 331.61, 0.37%, 0.51%

LAB 48.2, 42.92, -6.75

 

CMYK 0 / 34 / 18 / 39

HEX #9C6780

RGB 156 103 128

HSL 331.7, 0.21%, 0.51%

LAB 49.89, 25.1, -5.12

 

CMYK 2 / 91 / 0 / 7

HEX #E916ED

RGB 233 22 237

HSL 298.88, 0.86%, 0.51%

LAB 56.1, 90.63, -57.77

 

CMYK 0 / 91 / 23 / 7

HEX #ED16B7

RGB 237 22 183

HSL 315.07, 0.86%, 0.51%

LAB 54.02, 84.25, -30.14

 

CMYK 0 / 91 / 47 / 7

HEX #ED167E

RGB 237 22 126

HSL 330.98, 0.86%, 0.51%

LAB 51.93, 78.66, 0.55

 

CMYK 0 / 91 / 71 / 7

HEX #ED1645

RGB 237 22 69

HSL 346.88, 0.86%, 0.51%

LAB 50.7, 75.23, 33.42

 

CMYK 0 / 86 / 91 / 7

HEX #ED2116

RGB 237 33 22

HSL 3.07, 0.86%, 0.51%

LAB 50.86, 72.26, 57.85

 

CMYK 0 / 93 / 50 / 35

HEX #A50C53

RGB 165 12 83

HSL 332.16, 0.86%, 0.35%

LAB 35.77, 59.74, 2.16

 

CMYK 0 / 93 / 49 / 20

HEX #CB0F67

RGB 203 15 103

HSL 331.91, 0.86%, 0.43%

LAB 44.26, 69.95, 2.7

 

CMYK 0 / 91 / 48 / 7

HEX #ED167B

RGB 237 22 123

HSL 331.81, 0.86%, 0.51%

LAB 51.85, 78.43, 2.24

 

CMYK 0 / 75 / 40 / 6

HEX #F03C90

RGB 240 60 144

HSL 332, 0.86%, 0.59%

LAB 55.86, 72.87, -4.39

 

CMYK 0 / 59 / 32 / 5

HEX #F363A6

RGB 243 99 166

HSL 332.08, 0.86%, 0.67%

LAB 62.28, 61.6, -7.63

 

CMYK 0 / 91 / 48 / 7

HEX #EE167B

RGB 238 22 123

HSL 331.94, 0.86%, 0.51%

LAB 52.04, 78.65, 2.55

 

CMYK 0 / 26 / 91 / 7

HEX #EDB016

RGB 237 176 22

HSL 42.98, 0.86%, 0.51%

LAB 75.52, 10.73, 75.55

 

CMYK 91 / 11 / 0 / 7

HEX #16D4ED

RGB 22 212 237

HSL 186.98, 0.86%, 0.51%

LAB 78.09, -33.52, -24.32

 

CMYK 0 / 91 / 48 / 7

HEX #EE167B

RGB 238 22 123

HSL 331.94, 0.86%, 0.51%

LAB 52.04, 78.65, 2.55

 

CMYK 47 / 0 / 91 / 7

HEX #7EED16

RGB 126 237 22

HSL 90.98, 0.86%, 0.51%

LAB 84.52, -61.61, 79.43

 

CMYK 91 / 47 / 0 / 7

HEX #167EED

RGB 22 126 237

HSL 210.98, 0.86%, 0.51%

LAB 53.17, 13.76, -63.43

 

CMYK 0 / 91 / 48 / 7

HEX #EE167B

RGB 238 22 123

HSL 331.94, 0.86%, 0.51%

LAB 52.04, 78.65, 2.55

 

CMYK 0 / 26 / 91 / 7

HEX #EDB016

RGB 237 176 22

HSL 42.98, 0.86%, 0.51%

LAB 75.52, 10.73, 75.55

 

CMYK 91 / 0 / 44 / 7

HEX #16ED85

RGB 22 237 133

HSL 150.98, 0.86%, 0.51%

LAB 83.14, -69.47, 37.41

 

CMYK 91 / 65 / 0 / 7

HEX #1653ED

RGB 22 83 237

HSL 222.98, 0.86%, 0.51%

LAB 41.96, 41.05, -81.7

 

CMYK 0 / 91 / 48 / 7

HEX #EE167B

RGB 238 22 123

HSL 331.94, 0.86%, 0.51%

LAB 52.04, 78.65, 2.55

 

CMYK 2 / 0 / 91 / 7

HEX #E9ED16

RGB 233 237 22

HSL 61.12, 0.86%, 0.51%

LAB 90.76, -21.84, 87.04

 

CMYK 91 / 0 / 44 / 7

HEX #16ED85

RGB 22 237 133

HSL 150.98, 0.86%, 0.51%

LAB 83.14, -69.47, 37.41

 

CMYK 89 / 91 / 0 / 7

HEX #1A16ED

RGB 26 22 237

HSL 241.12, 0.86%, 0.51%

LAB 31.6, 70.92, -98.87

 

Description

Color code: HEX #EE167B | qconv.com Color code: HEX #EE167B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 22 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 22 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 48 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 48% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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