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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE02AF it is the complementary color #11FD50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE02AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE02AF shade: #F302AA, #FF14BD, #FF26D0, #FF38E3 and #FF4AF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE02AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE02AF shade: #EE02AF, #DD009C, #CC0089, #BB0076 and #AA0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE02AF shade: #ED02AE, #ED026F, #ED022F and #ED0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE02AF shade: #ED02AE, #EC02ED, #AD02ED, #6D02ED and #2E02ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE02AF shade matches the following richer shades: #ED02AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE02AF shade: #ED02AE, #D915A5, #C6299C, #B33C93 and #9F4F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE02AF shade: #AE02ED, #ED02ED, #ED02AE, #ED0270 and #ED0231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE02AF shade: #9B0172, #C40190, #ED02AE, #FC1CC0 and #FD45CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE02AF shade: #EE02AF, #ED7002 and #02EDCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE02AF shade: #EE02AF, #AEED02 and #02AEED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE02AF shade: #EE02AF, #ED7002, #02ED41 and #027FED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE02AF shade: #EE02AF, #EDB602, #02ED41 and #0239ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 26 / 7

HEX #EE02AF

RGB 238 2 175

HSL 316.02, 0.98%, 0.47%

LAB 53.29, 85.22, -26.58

 

Complementary color

CMYK 93 / 0 / 68 / 1

HEX #11FD50

RGB 17 253 80

HSL 136.02, 0.98%, 0.53%

LAB 87.46, -81.51, 65.95

 

CMYK 0 / 99 / 30 / 5

HEX #F302AA

RGB 243 2 170

HSL 318.17, 0.98%, 0.48%

LAB 54.03, 85.65, -22.44

 

CMYK 0 / 92 / 26 / 0

HEX #FF14BD

RGB 255 20 189

HSL 316.85, 1%, 0.54%

LAB 57.5, 88.64, -27.98

 

CMYK 0 / 85 / 18 / 0

HEX #FF26D0

RGB 255 38 208

HSL 313, 1%, 0.57%

LAB 59.16, 88.4, -36.29

 

CMYK 0 / 78 / 11 / 0

HEX #FF38E3

RGB 255 56 227

HSL 308.44, 1%, 0.61%

LAB 61.34, 87.11, -43.61

 

CMYK 0 / 71 / 4 / 0

HEX #FF4AF6

RGB 255 74 246

HSL 302.98, 1%, 0.65%

LAB 64.01, 84.83, -49.99

 

CMYK 0 / 99 / 26 / 7

HEX #EE02AF

RGB 238 2 175

HSL 316.02, 0.98%, 0.47%

LAB 53.29, 85.22, -26.58

 

CMYK 0 / 100 / 29 / 13

HEX #DD009C

RGB 221 0 156

HSL 317.65, 1%, 0.43%

LAB 49.22, 80.04, -21.89

 

CMYK 0 / 100 / 33 / 20

HEX #CC0089

RGB 204 0 137

HSL 319.71, 1%, 0.4%

LAB 45.14, 74.67, -16.96

 

CMYK 0 / 100 / 37 / 27

HEX #BB0076

RGB 187 0 118

HSL 322.14, 1%, 0.37%

LAB 41.01, 69.24, -11.83

 

CMYK 0 / 100 / 42 / 33

HEX #AA0063

RGB 170 0 99

HSL 325.06, 1%, 0.33%

LAB 36.83, 63.76, -6.47

 

CMYK 0 / 99 / 27 / 7

HEX #ED02AE

RGB 237 2 174

HSL 316.09, 0.98%, 0.47%

LAB 53.06, 84.92, -26.37

 

CMYK 0 / 99 / 53 / 7

HEX #ED026F

RGB 237 2 111

HSL 332.17, 0.98%, 0.47%

LAB 50.92, 79.32, 8.21

 

CMYK 0 / 99 / 80 / 7

HEX #ED022F

RGB 237 2 47

HSL 348.51, 0.98%, 0.47%

LAB 49.8, 76.32, 45.11

 

CMYK 0 / 99 / 99 / 7

HEX #ED0202

RGB 237 2 2

HSL 0, 0.98%, 0.47%

LAB 49.56, 75.65, 63.05

 

CMYK 0 / 99 / 27 / 7

HEX #ED02AE

RGB 237 2 174

HSL 316.09, 0.98%, 0.47%

LAB 53.06, 84.92, -26.37

 

CMYK 0 / 99 / 0 / 7

HEX #EC02ED

RGB 236 2 237

HSL 299.74, 0.98%, 0.47%

LAB 56.08, 92.67, -57.78

 

CMYK 27 / 99 / 0 / 7

HEX #AD02ED

RGB 173 2 237

HSL 283.66, 0.98%, 0.47%

LAB 45.69, 83.87, -75.08

 

CMYK 54 / 99 / 0 / 7

HEX #6D02ED

RGB 109 2 237

HSL 267.32, 0.98%, 0.47%

LAB 36.76, 77.78, -90.1

 

CMYK 81 / 99 / 0 / 7

HEX #2E02ED

RGB 46 2 237

HSL 251.23, 0.98%, 0.47%

LAB 31.2, 75.09, -99.5

 

CMYK 0 / 99 / 27 / 7

HEX #ED02AE

RGB 237 2 174

HSL 316.09, 0.98%, 0.47%

LAB 53.06, 84.92, -26.37

 

CMYK 0 / 99 / 27 / 7

HEX #ED02AE

RGB 237 2 174

HSL 316.09, 0.98%, 0.47%

LAB 53.06, 84.92, -26.37

 

CMYK 0 / 90 / 24 / 15

HEX #D915A5

RGB 217 21 165

HSL 315.92, 0.82%, 0.47%

LAB 49.5, 78.34, -26.87

 

CMYK 0 / 79 / 21 / 22

HEX #C6299C

RGB 198 41 156

HSL 316.05, 0.66%, 0.47%

LAB 46.96, 69.35, -25.72

 

CMYK 0 / 66 / 18 / 30

HEX #B33C93

RGB 179 60 147

HSL 316.13, 0.5%, 0.47%

LAB 45.53, 57.16, -22.81

 

CMYK 0 / 50 / 13 / 38

HEX #9F4F8A

RGB 159 79 138

HSL 315.75, 0.34%, 0.47%

LAB 45.36, 41.04, -17.91

 

CMYK 27 / 99 / 0 / 7

HEX #AE02ED

RGB 174 2 237

HSL 283.91, 0.98%, 0.47%

LAB 45.85, 83.99, -74.82

 

CMYK 0 / 99 / 0 / 7

HEX #ED02ED

RGB 237 2 237

HSL 300, 0.98%, 0.47%

LAB 56.25, 92.83, -57.49

 

CMYK 0 / 99 / 27 / 7

HEX #ED02AE

RGB 237 2 174

HSL 316.09, 0.98%, 0.47%

LAB 53.06, 84.92, -26.37

 

CMYK 0 / 99 / 53 / 7

HEX #ED0270

RGB 237 2 112

HSL 331.91, 0.98%, 0.47%

LAB 50.94, 79.39, 7.63

 

CMYK 0 / 99 / 79 / 7

HEX #ED0231

RGB 237 2 49

HSL 348, 0.98%, 0.47%

LAB 49.82, 76.37, 44.03

 

CMYK 0 / 99 / 26 / 39

HEX #9B0172

RGB 155 1 114

HSL 315.97, 0.99%, 0.31%

LAB 34.41, 62.02, -20

 

CMYK 0 / 99 / 27 / 23

HEX #C40190

RGB 196 1 144

HSL 316, 0.99%, 0.39%

LAB 43.9, 73.74, -23.26

 

CMYK 0 / 99 / 27 / 7

HEX #ED02AE

RGB 237 2 174

HSL 316.09, 0.98%, 0.47%

LAB 53.06, 84.92, -26.37

 

CMYK 0 / 89 / 24 / 1

HEX #FC1CC0

RGB 252 28 192

HSL 316.07, 0.97%, 0.55%

LAB 57.4, 87.46, -29.9

 

CMYK 0 / 73 / 20 / 1

HEX #FD45CB

RGB 253 69 203

HSL 316.3, 0.98%, 0.63%

LAB 61.18, 79.96, -30.33

 

CMYK 0 / 99 / 26 / 7

HEX #EE02AF

RGB 238 2 175

HSL 316.02, 0.98%, 0.47%

LAB 53.29, 85.22, -26.58

 

CMYK 0 / 53 / 99 / 7

HEX #ED7002

RGB 237 112 2

HSL 28.09, 0.98%, 0.47%

LAB 61.31, 43.75, 68.95

 

CMYK 99 / 0 / 14 / 7

HEX #02EDCD

RGB 2 237 205

HSL 171.83, 0.98%, 0.47%

LAB 84.48, -54.3, 2.18

 

CMYK 0 / 99 / 26 / 7

HEX #EE02AF

RGB 238 2 175

HSL 316.02, 0.98%, 0.47%

LAB 53.29, 85.22, -26.58

 

CMYK 27 / 0 / 99 / 7

HEX #AEED02

RGB 174 237 2

HSL 76.09, 0.98%, 0.47%

LAB 86.79, -45.56, 84.16

 

CMYK 99 / 27 / 0 / 7

HEX #02AEED

RGB 2 174 237

HSL 196.09, 0.98%, 0.47%

LAB 66.82, -14.88, -41.75

 

CMYK 0 / 99 / 26 / 7

HEX #EE02AF

RGB 238 2 175

HSL 316.02, 0.98%, 0.47%

LAB 53.29, 85.22, -26.58

 

CMYK 0 / 53 / 99 / 7

HEX #ED7002

RGB 237 112 2

HSL 28.09, 0.98%, 0.47%

LAB 61.31, 43.75, 68.95

 

CMYK 99 / 0 / 73 / 7

HEX #02ED41

RGB 2 237 65

HSL 136.09, 0.98%, 0.47%

LAB 82.36, -78.81, 66.02

 

CMYK 99 / 46 / 0 / 7

HEX #027FED

RGB 2 127 237

HSL 208.09, 0.98%, 0.47%

LAB 53.28, 12.49, -63.26

 

CMYK 0 / 99 / 26 / 7

HEX #EE02AF

RGB 238 2 175

HSL 316.02, 0.98%, 0.47%

LAB 53.29, 85.22, -26.58

 

CMYK 0 / 23 / 99 / 7

HEX #EDB602

RGB 237 182 2

HSL 45.96, 0.98%, 0.47%

LAB 76.96, 7.37, 79.14

 

CMYK 99 / 0 / 73 / 7

HEX #02ED41

RGB 2 237 65

HSL 136.09, 0.98%, 0.47%

LAB 82.36, -78.81, 66.02

 

CMYK 99 / 76 / 0 / 7

HEX #0239ED

RGB 2 57 237

HSL 225.96, 0.98%, 0.47%

LAB 36.09, 55.95, -91.4

 

Description

Color code: HEX #EE02AF | qconv.com Color code: HEX #EE02AF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 2 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 2 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 26 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 26% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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