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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDEAB5 it is the complementary color #12154A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDEAB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDEAB5 shade: #F2EAB0, #FFFCC3, #FFFFD6, #FFFFE9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDEAB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDEAB5 shade: #EDEAB5, #DCD8A2, #CBC68F, #BAB47C and #A9A269

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDEAB5 shade: #EDEAB5, #EDDBB5, #EDCBB5, #EDBCB5 and #EDB5B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDEAB5 shade: #EDEAB5, #E0EDB5, #D1EDB5, #C2EDB5 and #B5EDB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDEAB5 shade matches the following richer shades: #EDEAB5, #F4F0AD and #FBF7A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDEAB5 shade: #EDEAB5, #E5E3BC, #DEDCC3, #D6D6CB and #CFCFD2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDEAB5 shade: #EDCBB5, #EDDAB5, #EDE9B5, #E1EDB5 and #D2EDB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDEAB5 shade: #DDD772, #E5E093, #EDEAB5, #F5F3D6 and #FDFCF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDEAB5 shade: #EDEAB5, #B5EDBC and #D2B5ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDEAB5 shade: #EDEAB5, #B5EDE9 and #E9B5ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDEAB5 shade: #EDEAB5, #B5EDBC, #B5B8ED and #EDB5E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDEAB5 shade: #EDEAB5, #B5EDCD, #B5B8ED and #EDB5D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 24 / 7

HEX #EDEAB5

RGB 237 234 181

HSL 56.79, 0.61%, 0.82%

LAB 91.77, -7.28, 26.18

 

Complementary color

CMYK 76 / 72 / 0 / 71

HEX #12154A

RGB 18 21 74

HSL 236.79, 0.61%, 0.18%

LAB 10.25, 18.96, -33.34

 

CMYK 0 / 3 / 27 / 5

HEX #F2EAB0

RGB 242 234 176

HSL 52.73, 0.72%, 0.82%

LAB 92.07, -6.09, 29.21

 

CMYK 0 / 1 / 24 / 0

HEX #FFFCC3

RGB 255 252 195

HSL 57, 1%, 0.88%

LAB 97.96, -7.8, 27.74

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 0 / 1 / 24 / 7

HEX #EDEAB5

RGB 237 234 181

HSL 56.79, 0.61%, 0.82%

LAB 91.77, -7.28, 26.18

 

CMYK 0 / 2 / 26 / 14

HEX #DCD8A2

RGB 220 216 162

HSL 55.86, 0.45%, 0.75%

LAB 85.47, -7.05, 27.19

 

CMYK 0 / 2 / 30 / 20

HEX #CBC68F

RGB 203 198 143

HSL 55, 0.37%, 0.68%

LAB 79.08, -6.79, 28.26

 

CMYK 0 / 3 / 33 / 27

HEX #BAB47C

RGB 186 180 124

HSL 54.19, 0.31%, 0.61%

LAB 72.59, -6.49, 29.38

 

CMYK 0 / 4 / 38 / 34

HEX #A9A269

RGB 169 162 105

HSL 53.44, 0.27%, 0.54%

LAB 65.98, -6.13, 30.57

 

CMYK 0 / 1 / 24 / 7

HEX #EDEAB5

RGB 237 234 181

HSL 56.79, 0.61%, 0.82%

LAB 91.77, -7.28, 26.18

 

CMYK 0 / 8 / 24 / 7

HEX #EDDBB5

RGB 237 219 181

HSL 40.71, 0.61%, 0.82%

LAB 87.97, 0.35, 20.95

 

CMYK 0 / 14 / 24 / 7

HEX #EDCBB5

RGB 237 203 181

HSL 23.57, 0.61%, 0.82%

LAB 83.99, 8.65, 15.4

 

CMYK 0 / 21 / 24 / 7

HEX #EDBCB5

RGB 237 188 181

HSL 7.5, 0.61%, 0.82%

LAB 80.35, 16.56, 10.25

 

CMYK 0 / 24 / 24 / 7

HEX #EDB5B5

RGB 237 181 181

HSL 0, 0.61%, 0.82%

LAB 78.69, 20.28, 7.87

 

CMYK 0 / 1 / 24 / 7

HEX #EDEAB5

RGB 237 234 181

HSL 56.79, 0.61%, 0.82%

LAB 91.77, -7.28, 26.18

 

CMYK 5 / 0 / 24 / 7

HEX #E0EDB5

RGB 224 237 181

HSL 73.93, 0.61%, 0.82%

LAB 91.57, -13.51, 25.75

 

CMYK 12 / 0 / 24 / 7

HEX #D1EDB5

RGB 209 237 181

HSL 90, 0.61%, 0.82%

LAB 90.53, -18.86, 24.16

 

CMYK 18 / 0 / 24 / 7

HEX #C2EDB5

RGB 194 237 181

HSL 106.07, 0.61%, 0.82%

LAB 89.57, -24.05, 22.68

 

CMYK 24 / 0 / 23 / 7

HEX #B5EDB6

RGB 181 237 182

HSL 121.07, 0.61%, 0.82%

LAB 88.81, -28.21, 21

 

CMYK 0 / 1 / 24 / 7

HEX #EDEAB5

RGB 237 234 181

HSL 56.79, 0.61%, 0.82%

LAB 91.77, -7.28, 26.18

 

CMYK 0 / 2 / 29 / 4

HEX #F4F0AD

RGB 244 240 173

HSL 56.62, 0.76%, 0.82%

LAB 93.7, -8.73, 32.95

 

CMYK 0 / 2 / 34 / 2

HEX #FBF7A6

RGB 251 247 166

HSL 57.18, 0.91%, 0.82%

LAB 95.91, -10.42, 39.48

 

CMYK 0 / 1 / 24 / 7

HEX #EDEAB5

RGB 237 234 181

HSL 56.79, 0.61%, 0.82%

LAB 91.77, -7.28, 26.18

 

CMYK 0 / 1 / 18 / 10

HEX #E5E3BC

RGB 229 227 188

HSL 57.07, 0.44%, 0.82%

LAB 89.5, -5.67, 19.33

 

CMYK 0 / 1 / 12 / 13

HEX #DEDCC3

RGB 222 220 195

HSL 55.56, 0.29%, 0.82%

LAB 87.32, -3.54, 12.53

 

CMYK 0 / 0 / 5 / 16

HEX #D6D6CB

RGB 214 214 203

HSL 60, 0.12%, 0.82%

LAB 85.35, -1.94, 5.42

 

CMYK 1 / 1 / 0 / 18

HEX #CFCFD2

RGB 207 207 210

HSL 240, 0.03%, 0.82%

LAB 83.2, 0.55, -1.49

 

CMYK 0 / 14 / 24 / 7

HEX #EDCBB5

RGB 237 203 181

HSL 23.57, 0.61%, 0.82%

LAB 83.99, 8.65, 15.4

 

CMYK 0 / 8 / 24 / 7

HEX #EDDAB5

RGB 237 218 181

HSL 39.64, 0.61%, 0.82%

LAB 87.72, 0.86, 20.6

 

CMYK 0 / 2 / 24 / 7

HEX #EDE9B5

RGB 237 233 181

HSL 55.71, 0.61%, 0.82%

LAB 91.51, -6.77, 25.83

 

CMYK 5 / 0 / 24 / 7

HEX #E1EDB5

RGB 225 237 181

HSL 72.86, 0.61%, 0.82%

LAB 91.65, -13.15, 25.86

 

CMYK 11 / 0 / 24 / 7

HEX #D2EDB5

RGB 210 237 181

HSL 88.93, 0.61%, 0.82%

LAB 90.6, -18.51, 24.26

 

CMYK 0 / 3 / 48 / 13

HEX #DDD772

RGB 221 215 114

HSL 56.64, 0.61%, 0.66%

LAB 84.58, -11.5, 50.15

 

CMYK 0 / 2 / 36 / 10

HEX #E5E093

RGB 229 224 147

HSL 56.34, 0.61%, 0.74%

LAB 88.01, -9.52, 38.35

 

CMYK 0 / 1 / 24 / 7

HEX #EDEAB5

RGB 237 234 181

HSL 56.79, 0.61%, 0.82%

LAB 91.77, -7.28, 26.18

 

CMYK 0 / 1 / 13 / 4

HEX #F5F3D6

RGB 245 243 214

HSL 56.13, 0.61%, 0.9%

LAB 95.32, -4.12, 14.23

 

CMYK 0 / 0 / 2 / 1

HEX #FDFCF7

RGB 253 252 247

HSL 50, 0.6%, 0.98%

LAB 98.91, -0.53, 2.49

 

CMYK 0 / 1 / 24 / 7

HEX #EDEAB5

RGB 237 234 181

HSL 56.79, 0.61%, 0.82%

LAB 91.77, -7.28, 26.18

 

CMYK 24 / 0 / 21 / 7

HEX #B5EDBC

RGB 181 237 188

HSL 127.5, 0.61%, 0.82%

LAB 88.93, -27.19, 18.06

 

CMYK 11 / 24 / 0 / 7

HEX #D2B5ED

RGB 210 181 237

HSL 271.07, 0.61%, 0.82%

LAB 77.79, 20.76, -24.05

 

CMYK 0 / 1 / 24 / 7

HEX #EDEAB5

RGB 237 234 181

HSL 56.79, 0.61%, 0.82%

LAB 91.77, -7.28, 26.18

 

CMYK 24 / 0 / 2 / 7

HEX #B5EDE9

RGB 181 237 233

HSL 175.71, 0.61%, 0.82%

LAB 89.99, -18.49, -3.87

 

CMYK 2 / 24 / 0 / 7

HEX #E9B5ED

RGB 233 181 237

HSL 295.71, 0.61%, 0.82%

LAB 79.89, 28.13, -20.67

 

CMYK 0 / 1 / 24 / 7

HEX #EDEAB5

RGB 237 234 181

HSL 56.79, 0.61%, 0.82%

LAB 91.77, -7.28, 26.18

 

CMYK 24 / 0 / 21 / 7

HEX #B5EDBC

RGB 181 237 188

HSL 127.5, 0.61%, 0.82%

LAB 88.93, -27.19, 18.06

 

CMYK 24 / 22 / 0 / 7

HEX #B5B8ED

RGB 181 184 237

HSL 236.79, 0.61%, 0.82%

LAB 76.2, 10.15, -26.69

 

CMYK 0 / 24 / 3 / 7

HEX #EDB5E5

RGB 237 181 229

HSL 308.57, 0.61%, 0.82%

LAB 80.02, 27.99, -16.13

 

CMYK 0 / 1 / 24 / 7

HEX #EDEAB5

RGB 237 234 181

HSL 56.79, 0.61%, 0.82%

LAB 91.77, -7.28, 26.18

 

CMYK 24 / 0 / 14 / 7

HEX #B5EDCD

RGB 181 237 205

HSL 145.71, 0.61%, 0.82%

LAB 89.3, -24.1, 9.75

 

CMYK 24 / 22 / 0 / 7

HEX #B5B8ED

RGB 181 184 237

HSL 236.79, 0.61%, 0.82%

LAB 76.2, 10.15, -26.69

 

CMYK 0 / 24 / 11 / 7

HEX #EDB5D4

RGB 237 181 212

HSL 326.79, 0.61%, 0.82%

LAB 79.5, 25.07, -7.72

 

Description

Color code: HEX #EDEAB5 | qconv.com Color code: HEX #EDEAB5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 234 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 234 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 24 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 24% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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