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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDE081 it is the complementary color #121F7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDE081. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDE081 shade: #F2E07C, #FFF28F, #FFFFA2, #FFFFB5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDE081. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDE081 shade: #EDE081, #DCCE6E, #CBBC5B, #BAAA48 and #A99835

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDE081 shade: #EDE082, #EDC382, #EDA682, #ED8982 and #ED8282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDE081 shade: #EDE082, #DDED82, #C0ED82, #A3ED82 and #86ED82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDE081 shade matches the following richer shades: #EDE082 and #F8E976

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDE081 shade: #EDE082, #E1D78D, #D6CE99, #CAC5A4 and #BEBDB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDE081 shade: #EDA582, #EDC282, #EDDE82, #DEED82 and #C2ED82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDE081 shade: #E2CE39, #E7D75D, #EDE082, #F2E9A6 and #F7F2CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDE081 shade: #EDE081, #82ED89 and #B482ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDE081 shade: #EDE081, #82EDDE and #DE82ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDE081 shade: #EDE081, #82ED89, #8290ED and #ED82E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDE081 shade: #EDE081, #82EDA9, #8290ED and #ED82C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 46 / 7

HEX #EDE081

RGB 237 224 129

HSL 52.78, 0.75%, 0.72%

LAB 88.4, -8.26, 47.89

 

Complementary color

CMYK 86 / 75 / 0 / 51

HEX #121F7E

RGB 18 31 126

HSL 232.78, 0.75%, 0.28%

LAB 18.43, 32.55, -54.34

 

CMYK 0 / 7 / 49 / 5

HEX #F2E07C

RGB 242 224 124

HSL 50.85, 0.82%, 0.72%

LAB 88.75, -6.73, 50.82

 

CMYK 0 / 5 / 44 / 0

HEX #FFF28F

RGB 255 242 143

HSL 53.04, 1%, 0.78%

LAB 94.63, -8.84, 49.17

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 5 / 46 / 7

HEX #EDE081

RGB 237 224 129

HSL 52.78, 0.75%, 0.72%

LAB 88.4, -8.26, 47.89

 

CMYK 0 / 6 / 50 / 14

HEX #DCCE6E

RGB 220 206 110

HSL 52.36, 0.61%, 0.65%

LAB 82.1, -7.71, 49.07

 

CMYK 0 / 7 / 55 / 20

HEX #CBBC5B

RGB 203 188 91

HSL 51.96, 0.52%, 0.58%

LAB 75.71, -7.06, 50.24

 

CMYK 0 / 9 / 61 / 27

HEX #BAAA48

RGB 186 170 72

HSL 51.58, 0.45%, 0.51%

LAB 69.22, -6.27, 51.32

 

CMYK 0 / 10 / 69 / 34

HEX #A99835

RGB 169 152 53

HSL 51.21, 0.52%, 0.44%

LAB 62.63, -5.32, 52.18

 

CMYK 0 / 5 / 45 / 7

HEX #EDE082

RGB 237 224 130

HSL 52.71, 0.75%, 0.72%

LAB 88.41, -8.17, 47.42

 

CMYK 0 / 18 / 45 / 7

HEX #EDC382

RGB 237 195 130

HSL 36.45, 0.75%, 0.72%

LAB 81.1, 6.72, 38.2

 

CMYK 0 / 30 / 45 / 7

HEX #EDA682

RGB 237 166 130

HSL 20.19, 0.75%, 0.72%

LAB 74.12, 22.04, 29.11

 

CMYK 0 / 42 / 45 / 7

HEX #ED8982

RGB 237 137 130

HSL 3.93, 0.75%, 0.72%

LAB 67.66, 37.31, 20.42

 

CMYK 0 / 45 / 45 / 7

HEX #ED8282

RGB 237 130 130

HSL 0, 0.75%, 0.72%

LAB 66.2, 40.91, 18.42

 

CMYK 0 / 5 / 45 / 7

HEX #EDE082

RGB 237 224 130

HSL 52.71, 0.75%, 0.72%

LAB 88.41, -8.17, 47.42

 

CMYK 7 / 0 / 45 / 7

HEX #DDED82

RGB 221 237 130

HSL 68.97, 0.75%, 0.72%

LAB 90.58, -20.83, 49.8

 

CMYK 19 / 0 / 45 / 7

HEX #C0ED82

RGB 192 237 130

HSL 85.23, 0.75%, 0.72%

LAB 88.63, -31.7, 46.97

 

CMYK 31 / 0 / 45 / 7

HEX #A3ED82

RGB 163 237 130

HSL 101.5, 0.75%, 0.72%

LAB 86.98, -41.83, 44.55

 

CMYK 43 / 0 / 45 / 7

HEX #86ED82

RGB 134 237 130

HSL 117.76, 0.75%, 0.72%

LAB 85.63, -50.84, 42.57

 

CMYK 0 / 5 / 45 / 7

HEX #EDE082

RGB 237 224 130

HSL 52.71, 0.75%, 0.72%

LAB 88.41, -8.17, 47.42

 

CMYK 0 / 6 / 52 / 3

HEX #F8E976

RGB 248 233 118

HSL 53.08, 0.9%, 0.72%

LAB 91.48, -9.34, 57.01

 

CMYK 0 / 5 / 45 / 7

HEX #EDE082

RGB 237 224 130

HSL 52.71, 0.75%, 0.72%

LAB 88.41, -8.17, 47.42

 

CMYK 0 / 4 / 37 / 12

HEX #E1D78D

RGB 225 215 141

HSL 52.86, 0.58%, 0.72%

LAB 85.27, -7.2, 37.76

 

CMYK 0 / 4 / 29 / 16

HEX #D6CE99

RGB 214 206 153

HSL 52.13, 0.43%, 0.72%

LAB 82.24, -5.39, 27.42

 

CMYK 0 / 2 / 19 / 21

HEX #CAC5A4

RGB 202 197 164

HSL 52.11, 0.26%, 0.72%

LAB 79.14, -3.72, 17.21

 

CMYK 0 / 1 / 7 / 25

HEX #BEBDB0

RGB 190 189 176

HSL 55.71, 0.1%, 0.72%

LAB 76.36, -1.97, 6.68

 

CMYK 0 / 30 / 45 / 7

HEX #EDA582

RGB 237 165 130

HSL 19.63, 0.75%, 0.72%

LAB 73.89, 22.57, 28.8

 

CMYK 0 / 18 / 45 / 7

HEX #EDC282

RGB 237 194 130

HSL 35.89, 0.75%, 0.72%

LAB 80.85, 7.24, 37.89

 

CMYK 0 / 6 / 45 / 7

HEX #EDDE82

RGB 237 222 130

HSL 51.59, 0.75%, 0.72%

LAB 87.9, -7.16, 46.78

 

CMYK 6 / 0 / 45 / 7

HEX #DEED82

RGB 222 237 130

HSL 68.41, 0.75%, 0.72%

LAB 90.65, -20.44, 49.91

 

CMYK 18 / 0 / 45 / 7

HEX #C2ED82

RGB 194 237 130

HSL 84.11, 0.75%, 0.72%

LAB 88.76, -30.97, 47.15

 

CMYK 0 / 9 / 75 / 11

HEX #E2CE39

RGB 226 206 57

HSL 52.9, 0.74%, 0.55%

LAB 82.17, -8.57, 71.5

 

CMYK 0 / 7 / 60 / 9

HEX #E7D75D

RGB 231 215 93

HSL 53.04, 0.74%, 0.64%

LAB 85.19, -9.09, 60.69

 

CMYK 0 / 5 / 45 / 7

HEX #EDE082

RGB 237 224 130

HSL 52.71, 0.75%, 0.72%

LAB 88.41, -8.17, 47.42

 

CMYK 0 / 4 / 31 / 5

HEX #F2E9A6

RGB 242 233 166

HSL 52.89, 0.75%, 0.8%

LAB 91.64, -6.84, 33.73

 

CMYK 0 / 2 / 18 / 3

HEX #F7F2CA

RGB 247 242 202

HSL 53.33, 0.74%, 0.88%

LAB 94.97, -4.71, 19.94

 

CMYK 0 / 5 / 46 / 7

HEX #EDE081

RGB 237 224 129

HSL 52.78, 0.75%, 0.72%

LAB 88.4, -8.26, 47.89

 

CMYK 45 / 0 / 42 / 7

HEX #82ED89

RGB 130 237 137

HSL 123.93, 0.75%, 0.72%

LAB 85.56, -50.97, 39.02

 

CMYK 24 / 45 / 0 / 7

HEX #B482ED

RGB 180 130 237

HSL 268.04, 0.75%, 0.72%

LAB 63.16, 39.89, -46.97

 

CMYK 0 / 5 / 46 / 7

HEX #EDE081

RGB 237 224 129

HSL 52.78, 0.75%, 0.72%

LAB 88.4, -8.26, 47.89

 

CMYK 45 / 0 / 6 / 7

HEX #82EDDE

RGB 130 237 222

HSL 171.59, 0.75%, 0.72%

LAB 87.28, -34.49, -2.36

 

CMYK 6 / 45 / 0 / 7

HEX #DE82ED

RGB 222 130 237

HSL 291.59, 0.75%, 0.72%

LAB 67.73, 51.65, -39.48

 

CMYK 0 / 5 / 46 / 7

HEX #EDE081

RGB 237 224 129

HSL 52.78, 0.75%, 0.72%

LAB 88.4, -8.26, 47.89

 

CMYK 45 / 0 / 42 / 7

HEX #82ED89

RGB 130 237 137

HSL 123.93, 0.75%, 0.72%

LAB 85.56, -50.97, 39.02

 

CMYK 45 / 39 / 0 / 7

HEX #8290ED

RGB 130 144 237

HSL 232.15, 0.75%, 0.72%

LAB 62.34, 18.86, -48.54

 

CMYK 0 / 45 / 3 / 7

HEX #ED82E6

RGB 237 130 230

HSL 303.93, 0.75%, 0.72%

LAB 69.24, 54.69, -33.13

 

CMYK 0 / 5 / 46 / 7

HEX #EDE081

RGB 237 224 129

HSL 52.78, 0.75%, 0.72%

LAB 88.4, -8.26, 47.89

 

CMYK 45 / 0 / 29 / 7

HEX #82EDA9

RGB 130 237 169

HSL 141.87, 0.75%, 0.72%

LAB 86.1, -45.66, 23.56

 

CMYK 45 / 39 / 0 / 7

HEX #8290ED

RGB 130 144 237

HSL 232.15, 0.75%, 0.72%

LAB 62.34, 18.86, -48.54

 

CMYK 0 / 45 / 17 / 7

HEX #ED82C5

RGB 237 130 197

HSL 322.43, 0.75%, 0.72%

LAB 68.02, 49.35, -16.67

 

Description

Color code: HEX #EDE081 | qconv.com Color code: HEX #EDE081 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 224 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 224 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 46 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 46% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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