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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDE844 it is the complementary color #1217BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDE844. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDE844 shade: #F2E83F, #FFFA52, #FFFF65, #FFFF78 and #FFFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDE844. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDE844 shade: #EDE844, #DCD631, #CBC41E, #BAB20B and #A9A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDE844 shade: #ECE745, #ECBA45, #EC8D45, #EC6045 and #EC4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDE844 shade: #ECE745, #C4EC45, #97EC45, #6AEC45 and #45EC4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDE844 shade matches the following richer shades: #ECE745 and #FDF734

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDE844 shade: #ECE745, #DCD855, #CBC866, #BBB976 and #AAA987

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDE844 shade: #EC8D45, #ECBA45, #ECE745, #C5EC45 and #99EC45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDE844 shade: #CBC514, #E8E21F, #ECE745, #F0EC6A and #F4F190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDE844 shade: #EDE844, #45EC61 and #A445EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDE844 shade: #EDE844, #45ECE7 and #E745EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDE844 shade: #EDE844, #45EC61, #454AEC and #EC45D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDE844 shade: #EDE844, #45EC93, #454AEC and #EC459E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 71 / 7

HEX #EDE844

RGB 237 232 68

HSL 58.22, 0.82%, 0.6%

LAB 89.92, -16.44, 75.47

 

Complementary color

CMYK 90 / 88 / 0 / 27

HEX #1217BB

RGB 18 23 187

HSL 238.22, 0.82%, 0.4%

LAB 24.73, 56.68, -81.3

 

CMYK 0 / 4 / 74 / 5

HEX #F2E83F

RGB 242 232 63

HSL 56.65, 0.87%, 0.6%

LAB 90.3, -14.59, 77.61

 

CMYK 0 / 2 / 68 / 0

HEX #FFFA52

RGB 255 250 82

HSL 58.27, 1%, 0.66%

LAB 96.1, -17.17, 77.09

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 2 / 71 / 7

HEX #EDE844

RGB 237 232 68

HSL 58.22, 0.82%, 0.6%

LAB 89.92, -16.44, 75.47

 

CMYK 0 / 3 / 78 / 14

HEX #DCD631

RGB 220 214 49

HSL 57.89, 0.71%, 0.53%

LAB 83.72, -15.42, 75.21

 

CMYK 0 / 3 / 85 / 20

HEX #CBC41E

RGB 203 196 30

HSL 57.57, 0.74%, 0.46%

LAB 77.44, -14.22, 74.09

 

CMYK 0 / 4 / 94 / 27

HEX #BAB20B

RGB 186 178 11

HSL 57.26, 0.89%, 0.39%

LAB 71.08, -12.81, 71.68

 

CMYK 0 / 5 / 100 / 34

HEX #A9A000

RGB 169 160 0

HSL 56.8, 1%, 0.33%

LAB 64.63, -11.17, 67.6

 

CMYK 0 / 2 / 71 / 7

HEX #ECE745

RGB 236 231 69

HSL 58.2, 0.81%, 0.6%

LAB 89.59, -16.32, 74.77

 

CMYK 0 / 21 / 71 / 7

HEX #ECBA45

RGB 236 186 69

HSL 42.04, 0.81%, 0.6%

LAB 78.1, 6.53, 63.43

 

CMYK 0 / 40 / 71 / 7

HEX #EC8D45

RGB 236 141 69

HSL 25.87, 0.81%, 0.6%

LAB 67.51, 30.29, 52.41

 

CMYK 0 / 59 / 71 / 7

HEX #EC6045

RGB 236 96 69

HSL 9.7, 0.81%, 0.6%

LAB 58.63, 52.55, 42.63

 

CMYK 0 / 71 / 71 / 7

HEX #EC4545

RGB 236 69 69

HSL 0, 0.81%, 0.6%

LAB 54.57, 63.48, 37.96

 

CMYK 0 / 2 / 71 / 7

HEX #ECE745

RGB 236 231 69

HSL 58.2, 0.81%, 0.6%

LAB 89.59, -16.32, 74.77

 

CMYK 17 / 0 / 71 / 7

HEX #C4EC45

RGB 196 236 69

HSL 74.37, 0.81%, 0.6%

LAB 88.04, -34.77, 72.29

 

CMYK 36 / 0 / 71 / 7

HEX #97EC45

RGB 151 236 69

HSL 90.54, 0.81%, 0.6%

LAB 85.5, -51.22, 68.91

 

CMYK 55 / 0 / 71 / 7

HEX #6AEC45

RGB 106 236 69

HSL 106.71, 0.81%, 0.6%

LAB 83.7, -64.6, 66.5

 

CMYK 71 / 0 / 67 / 7

HEX #45EC4D

RGB 69 236 77

HSL 122.87, 0.81%, 0.6%

LAB 82.8, -71.67, 62.3

 

CMYK 0 / 2 / 71 / 7

HEX #ECE745

RGB 236 231 69

HSL 58.2, 0.81%, 0.6%

LAB 89.59, -16.32, 74.77

 

CMYK 0 / 2 / 79 / 1

HEX #FDF734

RGB 253 247 52

HSL 58.21, 0.98%, 0.6%

LAB 95.01, -17.73, 85.32

 

CMYK 0 / 2 / 71 / 7

HEX #ECE745

RGB 236 231 69

HSL 58.2, 0.81%, 0.6%

LAB 89.59, -16.32, 74.77

 

CMYK 0 / 2 / 61 / 14

HEX #DCD855

RGB 220 216 85

HSL 58.22, 0.66%, 0.6%

LAB 84.48, -14.64, 63.06

 

CMYK 0 / 1 / 50 / 20

HEX #CBC866

RGB 203 200 102

HSL 58.22, 0.49%, 0.6%

LAB 79.02, -12.28, 48.89

 

CMYK 0 / 1 / 37 / 27

HEX #BBB976

RGB 187 185 118

HSL 58.26, 0.34%, 0.6%

LAB 73.91, -9.43, 34.28

 

CMYK 0 / 1 / 21 / 33

HEX #AAA987

RGB 170 169 135

HSL 58.29, 0.17%, 0.6%

LAB 68.51, -5.42, 17.72

 

CMYK 0 / 40 / 71 / 7

HEX #EC8D45

RGB 236 141 69

HSL 25.87, 0.81%, 0.6%

LAB 67.51, 30.29, 52.41

 

CMYK 0 / 21 / 71 / 7

HEX #ECBA45

RGB 236 186 69

HSL 42.04, 0.81%, 0.6%

LAB 78.1, 6.53, 63.43

 

CMYK 0 / 2 / 71 / 7

HEX #ECE745

RGB 236 231 69

HSL 58.2, 0.81%, 0.6%

LAB 89.59, -16.32, 74.77

 

CMYK 17 / 0 / 71 / 7

HEX #C5EC45

RGB 197 236 69

HSL 74.01, 0.81%, 0.6%

LAB 88.11, -34.38, 72.37

 

CMYK 35 / 0 / 71 / 7

HEX #99EC45

RGB 153 236 69

HSL 89.82, 0.81%, 0.6%

LAB 85.6, -50.54, 69.04

 

CMYK 0 / 3 / 90 / 20

HEX #CBC514

RGB 203 197 20

HSL 58.03, 0.82%, 0.44%

LAB 77.69, -14.93, 76.14

 

CMYK 0 / 3 / 87 / 9

HEX #E8E21F

RGB 232 226 31

HSL 58.21, 0.81%, 0.52%

LAB 87.8, -16.78, 83.27

 

CMYK 0 / 2 / 71 / 7

HEX #ECE745

RGB 236 231 69

HSL 58.2, 0.81%, 0.6%

LAB 89.59, -16.32, 74.77

 

CMYK 0 / 2 / 56 / 6

HEX #F0EC6A

RGB 240 236 106

HSL 58.21, 0.82%, 0.68%

LAB 91.49, -14.95, 62.24

 

CMYK 0 / 1 / 41 / 4

HEX #F4F190

RGB 244 241 144

HSL 58.2, 0.82%, 0.76%

LAB 93.52, -12.51, 47.11

 

CMYK 0 / 2 / 71 / 7

HEX #EDE844

RGB 237 232 68

HSL 58.22, 0.82%, 0.6%

LAB 89.92, -16.44, 75.47

 

CMYK 71 / 0 / 59 / 7

HEX #45EC61

RGB 69 236 97

HSL 130.06, 0.81%, 0.6%

LAB 82.98, -69.59, 54.23

 

CMYK 31 / 71 / 0 / 7

HEX #A445EC

RGB 164 69 236

HSL 274.13, 0.81%, 0.6%

LAB 49.74, 66.54, -67.98

 

CMYK 0 / 2 / 71 / 7

HEX #EDE844

RGB 237 232 68

HSL 58.22, 0.82%, 0.6%

LAB 89.92, -16.44, 75.47

 

CMYK 71 / 0 / 2 / 7

HEX #45ECE7

RGB 69 236 231

HSL 178.2, 0.81%, 0.6%

LAB 85.52, -42.54, -9.89

 

CMYK 2 / 71 / 0 / 7

HEX #E745EC

RGB 231 69 236

HSL 298.2, 0.81%, 0.6%

LAB 59.25, 79.86, -52.2

 

CMYK 0 / 2 / 71 / 7

HEX #EDE844

RGB 237 232 68

HSL 58.22, 0.82%, 0.6%

LAB 89.92, -16.44, 75.47

 

CMYK 71 / 0 / 59 / 7

HEX #45EC61

RGB 69 236 97

HSL 130.06, 0.81%, 0.6%

LAB 82.98, -69.59, 54.23

 

CMYK 71 / 69 / 0 / 7

HEX #454AEC

RGB 69 74 236

HSL 238.2, 0.81%, 0.6%

LAB 41.56, 49.5, -81.72

 

CMYK 0 / 71 / 12 / 7

HEX #EC45D0

RGB 236 69 208

HSL 310.06, 0.81%, 0.6%

LAB 58.64, 76.73, -37.33

 

CMYK 0 / 2 / 71 / 7

HEX #EDE844

RGB 237 232 68

HSL 58.22, 0.82%, 0.6%

LAB 89.92, -16.44, 75.47

 

CMYK 71 / 0 / 38 / 7

HEX #45EC93

RGB 69 236 147

HSL 148.02, 0.81%, 0.6%

LAB 83.63, -62.03, 31.16

 

CMYK 71 / 69 / 0 / 7

HEX #454AEC

RGB 69 74 236

HSL 238.2, 0.81%, 0.6%

LAB 41.56, 49.5, -81.72

 

CMYK 0 / 71 / 33 / 7

HEX #EC459E

RGB 236 69 158

HSL 328.02, 0.81%, 0.6%

LAB 56.64, 70.4, -11.53

 

Description

Color code: HEX #EDE844 | qconv.com Color code: HEX #EDE844 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 232 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 232 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 71 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 71% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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