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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDDFF1 it is the complementary color #12200E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDDFF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDDFF1 shade: #F2DFEC and #FFF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDDFF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDDFF1 shade: #EDDFF1, #DCCDDE, #CBBBCB, #BAA9B8 and #A997A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDDFF1 shade: #EDDFF1, #F1DFF0, #F1DFEB, #F1DFE6 and #F1DFE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDDFF1 shade: #EDDFF1, #E8DFF1, #E3DFF1 and #DFDFF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDDFF1 shade matches the following richer shades: #EDDFF1, #EFDBF4, #F1D7F8 and #F3D3FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDDFF1 shade: #EDDFF1, #EAE2ED, #E8E6E9, #E6EAE5 and #E4EDE2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDDFF1 shade: #E3DFF1, #E8DFF1, #ECDFF1, #F1DFF0 and #F1DFEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDDFF1 shade: #CCA5D7, #DCC2E4, #EDDFF1 and #FDFBFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDDFF1 shade: #EDDFF1, #F1DFDF and #DFF1E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDDFF1 shade: #EDDFF1, #F1ECDF and #DFF1EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDDFF1 shade: #EDDFF1, #F1DFDF, #E3F1DF and #DFF1F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDDFF1 shade: #EDDFF1, #F1E3DF, #E3F1DF and #DFECF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 7 / 0 / 5

HEX #EDDFF1

RGB 237 223 241

HSL 286.67, 0.39%, 0.91%

LAB 90.38, 7.95, -7.05

 

Complementary color

CMYK 44 / 0 / 56 / 87

HEX #12200E

RGB 18 32 14

HSL 106.67, 0.39%, 0.09%

LAB 10.51, -10.67, 9.52

 

CMYK 0 / 8 / 2 / 5

HEX #F2DFEC

RGB 242 223 236

HSL 318.95, 0.42%, 0.91%

LAB 90.65, 8.73, -3.99

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 2 / 7 / 0 / 5

HEX #EDDFF1

RGB 237 223 241

HSL 286.67, 0.39%, 0.91%

LAB 90.38, 7.95, -7.05

 

CMYK 1 / 8 / 0 / 13

HEX #DCCDDE

RGB 220 205 222

HSL 292.94, 0.2%, 0.84%

LAB 84.04, 8.23, -6.53

 

CMYK 0 / 8 / 0 / 20

HEX #CBBBCB

RGB 203 187 203

HSL 300, 0.13%, 0.76%

LAB 77.61, 8.52, -6

 

CMYK 0 / 9 / 1 / 27

HEX #BAA9B8

RGB 186 169 184

HSL 307.06, 0.11%, 0.7%

LAB 71.06, 8.84, -5.46

 

CMYK 0 / 11 / 2 / 34

HEX #A997A5

RGB 169 151 165

HSL 313.33, 0.09%, 0.63%

LAB 64.39, 9.19, -4.89

 

CMYK 2 / 7 / 0 / 5

HEX #EDDFF1

RGB 237 223 241

HSL 286.67, 0.39%, 0.91%

LAB 90.38, 7.95, -7.05

 

CMYK 0 / 7 / 0 / 5

HEX #F1DFF0

RGB 241 223 240

HSL 303.33, 0.39%, 0.91%

LAB 90.67, 9.1, -6.06

 

CMYK 0 / 7 / 2 / 5

HEX #F1DFEB

RGB 241 223 235

HSL 320, 0.39%, 0.91%

LAB 90.54, 8.21, -3.63

 

CMYK 0 / 7 / 5 / 5

HEX #F1DFE6

RGB 241 223 230

HSL 336.67, 0.39%, 0.91%

LAB 90.41, 7.34, -1.2

 

CMYK 0 / 7 / 7 / 5

HEX #F1DFE1

RGB 241 223 225

HSL 353.33, 0.39%, 0.91%

LAB 90.28, 6.49, 1.24

 

CMYK 2 / 7 / 0 / 5

HEX #EDDFF1

RGB 237 223 241

HSL 286.67, 0.39%, 0.91%

LAB 90.38, 7.95, -7.05

 

CMYK 4 / 7 / 0 / 5

HEX #E8DFF1

RGB 232 223 241

HSL 270, 0.39%, 0.91%

LAB 89.99, 6.3, -7.67

 

CMYK 6 / 7 / 0 / 5

HEX #E3DFF1

RGB 227 223 241

HSL 253.33, 0.39%, 0.91%

LAB 89.61, 4.66, -8.28

 

CMYK 7 / 7 / 0 / 5

HEX #DFDFF1

RGB 223 223 241

HSL 240, 0.39%, 0.91%

LAB 89.31, 3.35, -8.76

 

CMYK 2 / 7 / 0 / 5

HEX #EDDFF1

RGB 237 223 241

HSL 286.67, 0.39%, 0.91%

LAB 90.38, 7.95, -7.05

 

CMYK 2 / 10 / 0 / 4

HEX #EFDBF4

RGB 239 219 244

HSL 288, 0.53%, 0.91%

LAB 89.65, 11.25, -9.69

 

CMYK 3 / 13 / 0 / 3

HEX #F1D7F8

RGB 241 215 248

HSL 287.27, 0.7%, 0.91%

LAB 88.96, 14.74, -12.8

 

CMYK 4 / 16 / 0 / 1

HEX #F3D3FC

RGB 243 211 252

HSL 286.83, 0.87%, 0.91%

LAB 88.29, 18.24, -15.9

 

CMYK 2 / 7 / 0 / 5

HEX #EDDFF1

RGB 237 223 241

HSL 286.67, 0.39%, 0.91%

LAB 90.38, 7.95, -7.05

 

CMYK 1 / 5 / 0 / 7

HEX #EAE2ED

RGB 234 226 237

HSL 283.64, 0.23%, 0.91%

LAB 90.78, 4.67, -4.39

 

CMYK 0 / 1 / 0 / 9

HEX #E8E6E9

RGB 232 230 233

HSL 280, 0.06%, 0.91%

LAB 91.52, 1.21, -1.23

 

CMYK 2 / 0 / 2 / 8

HEX #E6EAE5

RGB 230 234 229

HSL 108, 0.11%, 0.91%

LAB 92.28, -2.22, 1.95

 

CMYK 4 / 0 / 5 / 7

HEX #E4EDE2

RGB 228 237 226

HSL 109.09, 0.23%, 0.91%

LAB 92.82, -4.95, 4.28

 

CMYK 6 / 7 / 0 / 5

HEX #E3DFF1

RGB 227 223 241

HSL 253.33, 0.39%, 0.91%

LAB 89.61, 4.66, -8.28

 

CMYK 4 / 7 / 0 / 5

HEX #E8DFF1

RGB 232 223 241

HSL 270, 0.39%, 0.91%

LAB 89.99, 6.3, -7.67

 

CMYK 2 / 7 / 0 / 5

HEX #ECDFF1

RGB 236 223 241

HSL 283.33, 0.39%, 0.91%

LAB 90.3, 7.62, -7.17

 

CMYK 0 / 7 / 0 / 5

HEX #F1DFF0

RGB 241 223 240

HSL 303.33, 0.39%, 0.91%

LAB 90.67, 9.1, -6.06

 

CMYK 0 / 7 / 2 / 5

HEX #F1DFEB

RGB 241 223 235

HSL 320, 0.39%, 0.91%

LAB 90.54, 8.21, -3.63

 

CMYK 5 / 23 / 0 / 16

HEX #CCA5D7

RGB 204 165 215

HSL 286.8, 0.38%, 0.75%

LAB 72.66, 23.13, -19.94

 

CMYK 4 / 15 / 0 / 11

HEX #DCC2E4

RGB 220 194 228

HSL 285.88, 0.39%, 0.83%

LAB 81.51, 15.21, -13.51

 

CMYK 2 / 7 / 0 / 5

HEX #EDDFF1

RGB 237 223 241

HSL 286.67, 0.39%, 0.91%

LAB 90.38, 7.95, -7.05

 

CMYK 0 / 1 / 0 / 1

HEX #FDFBFD

RGB 253 251 253

HSL 300, 0.33%, 0.99%

LAB 98.82, 1.02, -0.73

 

CMYK 2 / 7 / 0 / 5

HEX #EDDFF1

RGB 237 223 241

HSL 286.67, 0.39%, 0.91%

LAB 90.38, 7.95, -7.05

 

CMYK 0 / 7 / 7 / 5

HEX #F1DFDF

RGB 241 223 223

HSL 0, 0.39%, 0.91%

LAB 90.23, 6.15, 2.21

HEX #F1DFDF

CMYK 7 / 0 / 5 / 5

HEX #DFF1E5

RGB 223 241 229

HSL 140, 0.39%, 0.91%

LAB 93.56, -8.11, 3.75

HEX #DFF1E5

CMYK 2 / 7 / 0 / 5

HEX #EDDFF1

RGB 237 223 241

HSL 286.67, 0.39%, 0.91%

LAB 90.38, 7.95, -7.05

 

CMYK 0 / 2 / 7 / 5

HEX #F1ECDF

RGB 241 236 223

HSL 43.33, 0.39%, 0.91%

LAB 93.46, -0.53, 6.88

 

CMYK 7 / 0 / 2 / 5

HEX #DFF1EC

RGB 223 241 236

HSL 163.33, 0.39%, 0.91%

LAB 93.73, -6.83, 0.37

 

CMYK 2 / 7 / 0 / 5

HEX #EDDFF1

RGB 237 223 241

HSL 286.67, 0.39%, 0.91%

LAB 90.38, 7.95, -7.05

 

CMYK 0 / 7 / 7 / 5

HEX #F1DFDF

RGB 241 223 223

HSL 0, 0.39%, 0.91%

LAB 90.23, 6.15, 2.21

HEX #F1DFDF

CMYK 6 / 0 / 7 / 5

HEX #E3F1DF

RGB 227 241 223

HSL 106.67, 0.39%, 0.91%

LAB 93.7, -7.83, 7.09

HEX #E3F1DF

CMYK 7 / 0 / 0 / 5

HEX #DFF1F0

RGB 223 241 240

HSL 176.67, 0.39%, 0.91%

LAB 93.84, -6.08, -1.56

HEX #DFF1F0

CMYK 2 / 7 / 0 / 5

HEX #EDDFF1

RGB 237 223 241

HSL 286.67, 0.39%, 0.91%

LAB 90.38, 7.95, -7.05

 

CMYK 0 / 6 / 7 / 5

HEX #F1E3DF

RGB 241 227 223

HSL 13.33, 0.39%, 0.91%

LAB 91.22, 4.09, 3.65

 

CMYK 6 / 0 / 7 / 5

HEX #E3F1DF

RGB 227 241 223

HSL 106.67, 0.39%, 0.91%

LAB 93.7, -7.83, 7.09

 

CMYK 7 / 2 / 0 / 5

HEX #DFECF1

RGB 223 236 241

HSL 196.67, 0.39%, 0.91%

LAB 92.59, -3.35, -3.91

 

Description

Color code: HEX #EDDFF1 | qconv.com Color code: HEX #EDDFF1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 223 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 223 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 7 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 7% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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