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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDDF86 it is the complementary color #122079. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDDF86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDDF86 shade: #F2DF81, #FFF194, #FFFFA7, #FFFFBA and #FFFFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDDF86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDDF86 shade: #EDDF86, #DCCD73, #CBBB60, #BAA94D and #A9973A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDDF86 shade: #EDDF87, #EDC387, #EDA887, #ED8C87 and #ED8787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDDF86 shade: #EDDF87, #DFED87, #C4ED87, #A8ED87 and #8DED87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDDF86 shade matches the following richer shades: #EDDF87 and #F8E77C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDDF86 shade: #EDDF87, #E1D792, #D6CF9D, #CBC6A8 and #C0BEB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDDF86 shade: #EDA787, #EDC287, #EDDD87, #E1ED87 and #C6ED87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDDF86 shade: #E2CC3F, #E7D563, #EDDF87, #F2E8AB and #F7F2CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDDF86 shade: #EDDF86, #87ED8C and #B587ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDDF86 shade: #EDDF86, #87EDDD and #DD87ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDDF86 shade: #EDDF86, #87ED8C, #8796ED and #ED87E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDDF86 shade: #EDDF86, #87EDAA, #8796ED and #ED87C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 43 / 7

HEX #EDDF86

RGB 237 223 134

HSL 51.84, 0.74%, 0.73%

LAB 88.21, -7.28, 45.21

 

Complementary color

CMYK 85 / 74 / 0 / 53

HEX #122079

RGB 18 32 121

HSL 231.84, 0.74%, 0.27%

LAB 18.11, 29.99, -51.68

 

CMYK 0 / 8 / 47 / 5

HEX #F2DF81

RGB 242 223 129

HSL 49.91, 0.81%, 0.73%

LAB 88.56, -5.78, 48.18

 

CMYK 0 / 5 / 42 / 0

HEX #FFF194

RGB 255 241 148

HSL 52.15, 1%, 0.79%

LAB 94.44, -7.85, 46.51

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 6 / 43 / 7

HEX #EDDF86

RGB 237 223 134

HSL 51.84, 0.74%, 0.73%

LAB 88.21, -7.28, 45.21

 

CMYK 0 / 7 / 48 / 14

HEX #DCCD73

RGB 220 205 115

HSL 51.43, 0.6%, 0.66%

LAB 81.9, -6.75, 46.4

 

CMYK 0 / 8 / 53 / 20

HEX #CBBB60

RGB 203 187 96

HSL 51.03, 0.51%, 0.59%

LAB 75.5, -6.13, 47.6

 

CMYK 0 / 9 / 59 / 27

HEX #BAA94D

RGB 186 169 77

HSL 50.64, 0.44%, 0.52%

LAB 69, -5.38, 48.76

 

CMYK 0 / 11 / 66 / 34

HEX #A9973A

RGB 169 151 58

HSL 50.27, 0.49%, 0.45%

LAB 62.4, -4.48, 49.78

 

CMYK 0 / 6 / 43 / 7

HEX #EDDF87

RGB 237 223 135

HSL 51.76, 0.74%, 0.73%

LAB 88.22, -7.18, 44.73

 

CMYK 0 / 18 / 43 / 7

HEX #EDC387

RGB 237 195 135

HSL 35.29, 0.74%, 0.73%

LAB 81.17, 7.22, 35.73

 

CMYK 0 / 29 / 43 / 7

HEX #EDA887

RGB 237 168 135

HSL 19.41, 0.74%, 0.73%

LAB 74.67, 21.49, 27.17

 

CMYK 0 / 41 / 43 / 7

HEX #ED8C87

RGB 237 140 135

HSL 2.94, 0.74%, 0.73%

LAB 68.39, 36.26, 18.65

 

CMYK 0 / 43 / 43 / 7

HEX #ED8787

RGB 237 135 135

HSL 0, 0.74%, 0.73%

LAB 67.34, 38.85, 17.19

 

CMYK 0 / 6 / 43 / 7

HEX #EDDF87

RGB 237 223 135

HSL 51.76, 0.74%, 0.73%

LAB 88.22, -7.18, 44.73

 

CMYK 6 / 0 / 43 / 7

HEX #DFED87

RGB 223 237 135

HSL 68.24, 0.74%, 0.73%

LAB 90.78, -19.55, 47.7

 

CMYK 17 / 0 / 43 / 7

HEX #C4ED87

RGB 196 237 135

HSL 84.12, 0.74%, 0.73%

LAB 88.95, -29.68, 45.01

 

CMYK 29 / 0 / 43 / 7

HEX #A8ED87

RGB 168 237 135

HSL 100.59, 0.74%, 0.73%

LAB 87.31, -39.52, 42.6

 

CMYK 41 / 0 / 43 / 7

HEX #8DED87

RGB 141 237 135

HSL 116.47, 0.74%, 0.73%

LAB 86, -48.1, 40.65

 

CMYK 0 / 6 / 43 / 7

HEX #EDDF87

RGB 237 223 135

HSL 51.76, 0.74%, 0.73%

LAB 88.22, -7.18, 44.73

 

CMYK 0 / 7 / 50 / 3

HEX #F8E77C

RGB 248 231 124

HSL 51.77, 0.9%, 0.73%

LAB 91.04, -7.85, 53.69

 

CMYK 0 / 6 / 43 / 7

HEX #EDDF87

RGB 237 223 135

HSL 51.76, 0.74%, 0.73%

LAB 88.22, -7.18, 44.73

 

CMYK 0 / 4 / 35 / 12

HEX #E1D792

RGB 225 215 146

HSL 52.41, 0.57%, 0.73%

LAB 85.34, -6.63, 35.32

 

CMYK 0 / 3 / 27 / 16

HEX #D6CF9D

RGB 214 207 157

HSL 52.63, 0.41%, 0.73%

LAB 82.57, -5.38, 25.78

 

CMYK 0 / 2 / 17 / 20

HEX #CBC6A8

RGB 203 198 168

HSL 51.43, 0.25%, 0.73%

LAB 79.56, -3.26, 15.68

 

CMYK 0 / 1 / 7 / 25

HEX #C0BEB3

RGB 192 190 179

HSL 50.77, 0.09%, 0.73%

LAB 76.85, -1.26, 5.79

 

CMYK 0 / 30 / 43 / 7

HEX #EDA787

RGB 237 167 135

HSL 18.82, 0.74%, 0.73%

LAB 74.44, 22.02, 26.85

 

CMYK 0 / 18 / 43 / 7

HEX #EDC287

RGB 237 194 135

HSL 34.71, 0.74%, 0.73%

LAB 80.93, 7.75, 35.41

 

CMYK 0 / 7 / 43 / 7

HEX #EDDD87

RGB 237 221 135

HSL 50.59, 0.74%, 0.73%

LAB 87.71, -6.17, 44.09

 

CMYK 5 / 0 / 43 / 7

HEX #E1ED87

RGB 225 237 135

HSL 67.06, 0.74%, 0.73%

LAB 90.93, -18.79, 47.91

 

CMYK 16 / 0 / 43 / 7

HEX #C6ED87

RGB 198 237 135

HSL 82.94, 0.74%, 0.73%

LAB 89.08, -28.94, 45.19

 

CMYK 0 / 10 / 72 / 11

HEX #E2CC3F

RGB 226 204 63

HSL 51.9, 0.74%, 0.57%

LAB 81.68, -7.3, 68.96

 

CMYK 0 / 8 / 57 / 9

HEX #E7D563

RGB 231 213 99

HSL 51.82, 0.73%, 0.65%

LAB 84.73, -7.65, 57.51

 

CMYK 0 / 6 / 43 / 7

HEX #EDDF87

RGB 237 223 135

HSL 51.76, 0.74%, 0.73%

LAB 88.22, -7.18, 44.73

 

CMYK 0 / 4 / 29 / 5

HEX #F2E8AB

RGB 242 232 171

HSL 51.55, 0.73%, 0.81%

LAB 91.47, -5.72, 30.96

 

CMYK 0 / 2 / 17 / 3

HEX #F7F2CE

RGB 247 242 206

HSL 52.68, 0.72%, 0.89%

LAB 95.05, -4.13, 18

 

CMYK 0 / 6 / 43 / 7

HEX #EDDF86

RGB 237 223 134

HSL 51.84, 0.74%, 0.73%

LAB 88.21, -7.28, 45.21

 

CMYK 43 / 0 / 41 / 7

HEX #87ED8C

RGB 135 237 140

HSL 122.94, 0.74%, 0.73%

LAB 85.81, -49.12, 37.9

 

CMYK 24 / 43 / 0 / 7

HEX #B587ED

RGB 181 135 237

HSL 267.06, 0.74%, 0.73%

LAB 64.38, 37.41, -45.05

 

CMYK 0 / 6 / 43 / 7

HEX #EDDF86

RGB 237 223 134

HSL 51.84, 0.74%, 0.73%

LAB 88.21, -7.28, 45.21

 

CMYK 43 / 0 / 7 / 7

HEX #87EDDD

RGB 135 237 221

HSL 170.59, 0.74%, 0.73%

LAB 87.46, -33.54, -1.56

 

CMYK 7 / 43 / 0 / 7

HEX #DD87ED

RGB 221 135 237

HSL 290.59, 0.74%, 0.73%

LAB 68.62, 48.8, -38.1

 

CMYK 0 / 6 / 43 / 7

HEX #EDDF86

RGB 237 223 134

HSL 51.84, 0.74%, 0.73%

LAB 88.21, -7.28, 45.21

 

CMYK 43 / 0 / 41 / 7

HEX #87ED8C

RGB 135 237 140

HSL 122.94, 0.74%, 0.73%

LAB 85.81, -49.12, 37.9

 

CMYK 43 / 37 / 0 / 7

HEX #8796ED

RGB 135 150 237

HSL 231.18, 0.74%, 0.73%

LAB 64.22, 16.59, -45.55

 

CMYK 0 / 43 / 2 / 7

HEX #ED87E8

RGB 237 135 232

HSL 302.94, 0.74%, 0.73%

LAB 70.29, 52.55, -32.62

 

CMYK 0 / 6 / 43 / 7

HEX #EDDF86

RGB 237 223 134

HSL 51.84, 0.74%, 0.73%

LAB 88.21, -7.28, 45.21

 

CMYK 43 / 0 / 28 / 7

HEX #87EDAA

RGB 135 237 170

HSL 140.59, 0.74%, 0.73%

LAB 86.32, -44.15, 23.38

 

CMYK 43 / 37 / 0 / 7

HEX #8796ED

RGB 135 150 237

HSL 231.18, 0.74%, 0.73%

LAB 64.22, 16.59, -45.55

 

CMYK 0 / 43 / 15 / 7

HEX #ED87C9

RGB 237 135 201

HSL 321.18, 0.74%, 0.73%

LAB 69.15, 47.44, -17.2

 

Description

Color code: HEX #EDDF86 | qconv.com Color code: HEX #EDDF86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 223 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 223 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 43 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 43% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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