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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDDAC8 it is the complementary color #122537. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDDAC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDDAC8 shade: #F2DAC3, #FFECD6, #FFFEE9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDDAC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDDAC8 shade: #EDDAC8, #DCC8B5, #CBB6A2, #BAA48F and #A9927C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDDAC8 shade: #EDDAC9, #EDD0C9 and #EDC9C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDDAC8 shade: #EDDAC9, #EDE4C9, #ECEDC9, #E2EDC9 and #D8EDC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDDAC8 shade matches the following richer shades: #EDDAC9, #F3DAC3, #F9DABD and #FEDAB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDDAC8 shade: #EDDAC9, #E7DACE, #E1DBD4, #DCDBDA and #D6DBE0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDDAC8 shade: #EDC9CA, #EDD0C9, #EDDAC9, #EDE4C9 and #ECEDC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDDAC8 shade: #D9B08A, #E3C5A9, #EDDAC9 and #F7EFE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDDAC8 shade: #EDDAC8, #D4EDC9 and #CCC9ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDDAC8 shade: #EDDAC8, #C9EDDA and #DAC9ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDDAC8 shade: #EDDAC8, #D4EDC9, #C9DBED and #E1C9ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDDAC8 shade: #EDDAC8, #C9EDC9, #C9DBED and #ECC9ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 16 / 7

HEX #EDDAC8

RGB 237 218 200

HSL 29.19, 0.51%, 0.86%

LAB 88.12, 3.64, 11.21

 

Complementary color

CMYK 67 / 33 / 0 / 78

HEX #122537

RGB 18 37 55

HSL 209.19, 0.51%, 0.14%

LAB 13.99, -1.1, -14.02

 

CMYK 0 / 10 / 19 / 5

HEX #F2DAC3

RGB 242 218 195

HSL 29.36, 0.64%, 0.86%

LAB 88.43, 4.7, 14.33

 

CMYK 0 / 7 / 16 / 0

HEX #FFECD6

RGB 255 236 214

HSL 32.2, 1%, 0.92%

LAB 94.36, 2.95, 12.98

 

CMYK 0 / 0 / 9 / 0

HEX #FFFEE9

RGB 255 254 233

HSL 57.27, 1%, 0.96%

LAB 99.23, -3.19, 10.15

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 0 / 8 / 16 / 7

HEX #EDDAC8

RGB 237 218 200

HSL 29.19, 0.51%, 0.86%

LAB 88.12, 3.64, 11.21

 

CMYK 0 / 9 / 18 / 14

HEX #DCC8B5

RGB 220 200 181

HSL 29.23, 0.36%, 0.79%

LAB 81.76, 3.95, 12.04

 

CMYK 0 / 10 / 20 / 20

HEX #CBB6A2

RGB 203 182 162

HSL 29.27, 0.28%, 0.72%

LAB 75.3, 4.29, 12.91

 

CMYK 0 / 12 / 23 / 27

HEX #BAA48F

RGB 186 164 143

HSL 29.3, 0.24%, 0.65%

LAB 68.73, 4.67, 13.84

 

CMYK 0 / 14 / 27 / 34

HEX #A9927C

RGB 169 146 124

HSL 29.33, 0.21%, 0.57%

LAB 62.04, 5.11, 14.84

 

CMYK 0 / 8 / 15 / 7

HEX #EDDAC9

RGB 237 218 201

HSL 28.33, 0.5%, 0.86%

LAB 88.14, 3.79, 10.72

 

CMYK 0 / 12 / 15 / 7

HEX #EDD0C9

RGB 237 208 201

HSL 11.67, 0.5%, 0.86%

LAB 85.67, 9, 7.18

 

CMYK 0 / 15 / 15 / 7

HEX #EDC9C9

RGB 237 201 201

HSL 0, 0.5%, 0.86%

LAB 83.96, 12.68, 4.72

 

CMYK 0 / 8 / 15 / 7

HEX #EDDAC9

RGB 237 218 201

HSL 28.33, 0.5%, 0.86%

LAB 88.14, 3.79, 10.72

 

CMYK 0 / 4 / 15 / 7

HEX #EDE4C9

RGB 237 228 201

HSL 45, 0.5%, 0.86%

LAB 90.65, -1.35, 14.27

 

CMYK 0 / 0 / 15 / 7

HEX #ECEDC9

RGB 236 237 201

HSL 61.67, 0.5%, 0.86%

LAB 92.85, -6.27, 17.36

 

CMYK 5 / 0 / 15 / 7

HEX #E2EDC9

RGB 226 237 201

HSL 78.33, 0.5%, 0.86%

LAB 92.11, -9.8, 16.22

 

CMYK 9 / 0 / 15 / 7

HEX #D8EDC9

RGB 216 237 201

HSL 95, 0.5%, 0.86%

LAB 91.41, -13.28, 15.13

 

CMYK 0 / 8 / 15 / 7

HEX #EDDAC9

RGB 237 218 201

HSL 28.33, 0.5%, 0.86%

LAB 88.14, 3.79, 10.72

 

CMYK 0 / 10 / 20 / 5

HEX #F3DAC3

RGB 243 218 195

HSL 28.75, 0.67%, 0.86%

LAB 88.51, 5.06, 14.46

 

CMYK 0 / 12 / 24 / 2

HEX #F9DABD

RGB 249 218 189

HSL 29, 0.83%, 0.86%

LAB 88.9, 6.41, 18.22

 

CMYK 0 / 14 / 28 / 0

HEX #FEDAB7

RGB 254 218 183

HSL 29.58, 0.97%, 0.86%

LAB 89.22, 7.45, 21.86

 

CMYK 0 / 8 / 15 / 7

HEX #EDDAC9

RGB 237 218 201

HSL 28.33, 0.5%, 0.86%

LAB 88.14, 3.79, 10.72

 

CMYK 0 / 6 / 11 / 9

HEX #E7DACE

RGB 231 218 206

HSL 28.8, 0.34%, 0.86%

LAB 87.77, 2.45, 7.49

 

CMYK 0 / 3 / 6 / 12

HEX #E1DBD4

RGB 225 219 212

HSL 32.31, 0.18%, 0.86%

LAB 87.69, 0.83, 4.15

 

CMYK 0 / 0 / 1 / 14

HEX #DCDBDA

RGB 220 219 218

HSL 30, 0.03%, 0.86%

LAB 87.46, 0.16, 0.6

 

CMYK 4 / 2 / 0 / 12

HEX #D6DBE0

RGB 214 219 224

HSL 210, 0.14%, 0.86%

LAB 87.16, -0.75, -3.05

 

CMYK 0 / 15 / 15 / 7

HEX #EDC9CA

RGB 237 201 202

HSL 358.33, 0.5%, 0.86%

LAB 83.99, 12.84, 4.22

 

CMYK 0 / 12 / 15 / 7

HEX #EDD0C9

RGB 237 208 201

HSL 11.67, 0.5%, 0.86%

LAB 85.67, 9, 7.18

 

CMYK 0 / 8 / 15 / 7

HEX #EDDAC9

RGB 237 218 201

HSL 28.33, 0.5%, 0.86%

LAB 88.14, 3.79, 10.72

 

CMYK 0 / 4 / 15 / 7

HEX #EDE4C9

RGB 237 228 201

HSL 45, 0.5%, 0.86%

LAB 90.65, -1.35, 14.27

 

CMYK 0 / 0 / 15 / 7

HEX #ECEDC9

RGB 236 237 201

HSL 61.67, 0.5%, 0.86%

LAB 92.85, -6.27, 17.36

 

CMYK 0 / 19 / 36 / 15

HEX #D9B08A

RGB 217 176 138

HSL 28.86, 0.51%, 0.7%

LAB 74.6, 9.68, 25.09

 

CMYK 0 / 13 / 26 / 11

HEX #E3C5A9

RGB 227 197 169

HSL 28.97, 0.51%, 0.78%

LAB 81.36, 6.39, 17.96

 

CMYK 0 / 8 / 15 / 7

HEX #EDDAC9

RGB 237 218 201

HSL 28.33, 0.5%, 0.86%

LAB 88.14, 3.79, 10.72

 

CMYK 0 / 3 / 6 / 3

HEX #F7EFE8

RGB 247 239 232

HSL 28, 0.48%, 0.94%

LAB 94.88, 1.5, 4.32

 

CMYK 0 / 8 / 16 / 7

HEX #EDDAC8

RGB 237 218 200

HSL 29.19, 0.51%, 0.86%

LAB 88.12, 3.64, 11.21

 

CMYK 11 / 0 / 15 / 7

HEX #D4EDC9

RGB 212 237 201

HSL 101.67, 0.5%, 0.86%

LAB 91.14, -14.65, 14.7

 

CMYK 14 / 15 / 0 / 7

HEX #CCC9ED

RGB 204 201 237

HSL 245, 0.5%, 0.86%

LAB 82.23, 8.06, -17.37

 

CMYK 0 / 8 / 16 / 7

HEX #EDDAC8

RGB 237 218 200

HSL 29.19, 0.51%, 0.86%

LAB 88.12, 3.64, 11.21

 

CMYK 15 / 0 / 8 / 7

HEX #C9EDDA

RGB 201 237 218

HSL 148.33, 0.5%, 0.86%

LAB 90.8, -15.31, 5.29

 

CMYK 8 / 15 / 0 / 7

HEX #DAC9ED

RGB 218 201 237

HSL 268.33, 0.5%, 0.86%

LAB 83.33, 12.55, -15.6

 

CMYK 0 / 8 / 16 / 7

HEX #EDDAC8

RGB 237 218 200

HSL 29.19, 0.51%, 0.86%

LAB 88.12, 3.64, 11.21

 

CMYK 11 / 0 / 15 / 7

HEX #D4EDC9

RGB 212 237 201

HSL 101.67, 0.5%, 0.86%

LAB 91.14, -14.65, 14.7

 

CMYK 15 / 8 / 0 / 7

HEX #C9DBED

RGB 201 219 237

HSL 210, 0.5%, 0.86%

LAB 86.6, -2.4, -10.85

 

CMYK 5 / 15 / 0 / 7

HEX #E1C9ED

RGB 225 201 237

HSL 280, 0.5%, 0.86%

LAB 83.91, 14.83, -14.68

 

CMYK 0 / 8 / 16 / 7

HEX #EDDAC8

RGB 237 218 200

HSL 29.19, 0.51%, 0.86%

LAB 88.12, 3.64, 11.21

 

CMYK 15 / 0 / 15 / 7

HEX #C9EDC9

RGB 201 237 201

HSL 120, 0.5%, 0.86%

LAB 90.41, -18.36, 13.58

 

CMYK 15 / 8 / 0 / 7

HEX #C9DBED

RGB 201 219 237

HSL 210, 0.5%, 0.86%

LAB 86.6, -2.4, -10.85

 

CMYK 0 / 15 / 0 / 7

HEX #ECC9ED

RGB 236 201 237

HSL 298.33, 0.5%, 0.86%

LAB 84.85, 18.46, -13.17

 

Description

Color code: HEX #EDDAC8 | qconv.com Color code: HEX #EDDAC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 218 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 218 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 16 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 16% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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