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Color name
HEX #EDD025

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDD025 it is the complementary color #122FDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDD025. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDD025 shade: #F2D020, #FFE233, #FFF446, #FFFF59 and #FFFF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDD025. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDD025 shade: #EDD025, #DCBE12, #CBAC00, #BA9A00 and #A98800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDD025 shade: #EDD025, #ED9A25, #ED6425, #ED2F25 and #ED2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDD025 shade: #EDD025, #D4ED25, #9EED25, #68ED25 and #33ED25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDD025 shade matches the following richer shades: #EDD025

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDD025 shade: #EDD025, #DAC338, #C7B54B, #B4A85E and #A19A71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDD025 shade: #ED6525, #ED9A25, #EDCF25, #D6ED25 and #A0ED25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDD025 shade: #B29A0E, #D8BB11, #EDD025, #F0D84C and #F3E072

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDD025 shade: #EDD025, #25ED2F and #7F25ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDD025 shade: #EDD025, #25EDCF and #CF25ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDD025 shade: #EDD025, #25ED2F, #2543ED and #ED25E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDD025 shade: #EDD025, #25ED6B, #2543ED and #ED25A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 84 / 7

HEX #EDD025

RGB 237 208 37

HSL 51.3, 0.85%, 0.54%

LAB 83.57, -5.55, 78.78

 

Complementary color

CMYK 92 / 78 / 0 / 15

HEX #122FDA

RGB 18 47 218

HSL 231.3, 0.85%, 0.46%

LAB 32.31, 55.32, -86.81

 

CMYK 0 / 14 / 87 / 5

HEX #F2D020

RGB 242 208 32

HSL 50.29, 0.89%, 0.54%

LAB 84.01, -3.53, 80.42

 

CMYK 0 / 11 / 80 / 0

HEX #FFE233

RGB 255 226 51

HSL 51.47, 1%, 0.6%

LAB 89.81, -6.63, 81.14

 

CMYK 0 / 4 / 73 / 0

HEX #FFF446

RGB 255 244 70

HSL 56.43, 1%, 0.64%

LAB 94.48, -14.81, 79.65

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 12 / 84 / 7

HEX #EDD025

RGB 237 208 37

HSL 51.3, 0.85%, 0.54%

LAB 83.57, -5.55, 78.78

 

CMYK 0 / 14 / 92 / 14

HEX #DCBE12

RGB 220 190 18

HSL 51.09, 0.85%, 0.47%

LAB 77.33, -4.02, 76.82

 

CMYK 0 / 15 / 100 / 20

HEX #CBAC00

RGB 203 172 0

HSL 50.84, 1%, 0.4%

LAB 71.01, -2.29, 73.61

 

CMYK 0 / 17 / 100 / 27

HEX #BA9A00

RGB 186 154 0

HSL 49.68, 1%, 0.36%

LAB 64.6, -0.3, 68.32

 

CMYK 0 / 20 / 100 / 34

HEX #A98800

RGB 169 136 0

HSL 48.28, 1%, 0.33%

LAB 58.08, 1.77, 62.94

 

CMYK 0 / 12 / 84 / 7

HEX #EDD025

RGB 237 208 37

HSL 51.3, 0.85%, 0.54%

LAB 83.57, -5.55, 78.78

 

CMYK 0 / 35 / 84 / 7

HEX #ED9A25

RGB 237 154 37

HSL 35.1, 0.85%, 0.54%

LAB 70.35, 22.67, 67.84

 

CMYK 0 / 58 / 84 / 7

HEX #ED6425

RGB 237 100 37

HSL 18.9, 0.85%, 0.54%

LAB 59.21, 49.95, 58.47

 

CMYK 0 / 80 / 84 / 7

HEX #ED2F25

RGB 237 47 37

HSL 3, 0.85%, 0.54%

LAB 52.03, 69.45, 52.33

 

CMYK 0 / 84 / 84 / 7

HEX #ED2525

RGB 237 37 37

HSL 0, 0.85%, 0.54%

LAB 51.22, 71.74, 51.63

 

CMYK 0 / 12 / 84 / 7

HEX #EDD025

RGB 237 208 37

HSL 51.3, 0.85%, 0.54%

LAB 83.57, -5.55, 78.78

 

CMYK 11 / 0 / 84 / 7

HEX #D4ED25

RGB 212 237 37

HSL 67.5, 0.85%, 0.54%

LAB 89.25, -30.14, 82.67

 

CMYK 33 / 0 / 84 / 7

HEX #9EED25

RGB 158 237 37

HSL 83.7, 0.85%, 0.54%

LAB 85.99, -50.74, 78.61

 

CMYK 56 / 0 / 84 / 7

HEX #68ED25

RGB 104 237 37

HSL 99.9, 0.85%, 0.54%

LAB 83.78, -67.23, 75.83

 

CMYK 78 / 0 / 84 / 7

HEX #33ED25

RGB 51 237 37

HSL 115.8, 0.85%, 0.54%

LAB 82.6, -77.21, 74.33

 

CMYK 0 / 12 / 84 / 7

HEX #EDD025

RGB 237 208 37

HSL 51.3, 0.85%, 0.54%

LAB 83.57, -5.55, 78.78

 

CMYK 0 / 12 / 84 / 7

HEX #EDD025

RGB 237 208 37

HSL 51.3, 0.85%, 0.54%

LAB 83.57, -5.55, 78.78

 

CMYK 0 / 11 / 74 / 15

HEX #DAC338

RGB 218 195 56

HSL 51.48, 0.69%, 0.54%

LAB 78.59, -6.41, 68.23

 

CMYK 0 / 9 / 62 / 22

HEX #C7B54B

RGB 199 181 75

HSL 51.29, 0.53%, 0.54%

LAB 73.35, -6.27, 54.82

 

CMYK 0 / 7 / 48 / 29

HEX #B4A85E

RGB 180 168 94

HSL 51.63, 0.36%, 0.54%

LAB 68.4, -5.94, 39.57

 

CMYK 0 / 4 / 30 / 37

HEX #A19A71

RGB 161 154 113

HSL 51.25, 0.2%, 0.54%

LAB 63.24, -4.06, 22.49

 

CMYK 0 / 57 / 84 / 7

HEX #ED6525

RGB 237 101 37

HSL 19.2, 0.85%, 0.54%

LAB 59.38, 49.49, 58.62

 

CMYK 0 / 35 / 84 / 7

HEX #ED9A25

RGB 237 154 37

HSL 35.1, 0.85%, 0.54%

LAB 70.35, 22.67, 67.84

 

CMYK 0 / 13 / 84 / 7

HEX #EDCF25

RGB 237 207 37

HSL 51, 0.85%, 0.54%

LAB 83.32, -5.04, 78.57

 

CMYK 10 / 0 / 84 / 7

HEX #D6ED25

RGB 214 237 37

HSL 66.9, 0.85%, 0.54%

LAB 89.39, -29.33, 82.85

 

CMYK 32 / 0 / 84 / 7

HEX #A0ED25

RGB 160 237 37

HSL 83.1, 0.85%, 0.54%

LAB 86.09, -50.03, 78.74

 

CMYK 0 / 13 / 92 / 30

HEX #B29A0E

RGB 178 154 14

HSL 51.22, 0.85%, 0.38%

LAB 63.84, -3.73, 65.43

 

CMYK 0 / 13 / 92 / 15

HEX #D8BB11

RGB 216 187 17

HSL 51.26, 0.85%, 0.46%

LAB 76.18, -4.22, 75.93

 

CMYK 0 / 12 / 84 / 7

HEX #EDD025

RGB 237 208 37

HSL 51.3, 0.85%, 0.54%

LAB 83.57, -5.55, 78.78

 

CMYK 0 / 10 / 68 / 6

HEX #F0D84C

RGB 240 216 76

HSL 51.22, 0.85%, 0.62%

LAB 86.09, -6.87, 68.88

 

CMYK 0 / 8 / 53 / 5

HEX #F3E072

RGB 243 224 114

HSL 51.16, 0.84%, 0.7%

LAB 88.72, -7.17, 55.52

 

CMYK 0 / 12 / 84 / 7

HEX #EDD025

RGB 237 208 37

HSL 51.3, 0.85%, 0.54%

LAB 83.57, -5.55, 78.78

 

CMYK 84 / 0 / 80 / 7

HEX #25ED2F

RGB 37 237 47

HSL 123, 0.85%, 0.54%

LAB 82.47, -78.2, 71.72

 

CMYK 46 / 84 / 0 / 7

HEX #7F25ED

RGB 127 37 237

HSL 267, 0.85%, 0.54%

LAB 41.14, 72.8, -82.8

 

CMYK 0 / 12 / 84 / 7

HEX #EDD025

RGB 237 208 37

HSL 51.3, 0.85%, 0.54%

LAB 83.57, -5.55, 78.78

 

CMYK 84 / 0 / 13 / 7

HEX #25EDCF

RGB 37 237 207

HSL 171, 0.85%, 0.54%

LAB 84.72, -52.38, 1.51

 

CMYK 13 / 84 / 0 / 7

HEX #CF25ED

RGB 207 37 237

HSL 291, 0.85%, 0.54%

LAB 52.62, 84.08, -63.59

 

CMYK 0 / 12 / 84 / 7

HEX #EDD025

RGB 237 208 37

HSL 51.3, 0.85%, 0.54%

LAB 83.57, -5.55, 78.78

 

CMYK 84 / 0 / 80 / 7

HEX #25ED2F

RGB 37 237 47

HSL 123, 0.85%, 0.54%

LAB 82.47, -78.2, 71.72

 

CMYK 84 / 72 / 0 / 7

HEX #2543ED

RGB 37 67 237

HSL 231, 0.85%, 0.54%

LAB 38.76, 51.38, -86.95

 

CMYK 0 / 84 / 4 / 7

HEX #ED25E3

RGB 237 37 227

HSL 303, 0.85%, 0.54%

LAB 56.95, 87.7, -50.75

 

CMYK 0 / 12 / 84 / 7

HEX #EDD025

RGB 237 208 37

HSL 51.3, 0.85%, 0.54%

LAB 83.57, -5.55, 78.78

 

CMYK 84 / 0 / 55 / 7

HEX #25ED6B

RGB 37 237 107

HSL 141, 0.85%, 0.54%

LAB 82.93, -72.51, 49.57

 

CMYK 84 / 72 / 0 / 7

HEX #2543ED

RGB 37 67 237

HSL 231, 0.85%, 0.54%

LAB 38.76, 51.38, -86.95

 

CMYK 0 / 84 / 30 / 7

HEX #ED25A7

RGB 237 37 167

HSL 321, 0.85%, 0.54%

LAB 54.15, 80.15, -20.58

 

Description

Color code: HEX #EDD025 | qconv.com Color code: HEX #EDD025 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 208 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 208 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 84 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 84% 7% C M Y K

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