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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDD41B it is the complementary color #122BE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDD41B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDD41B shade: #F2D416, #FFE629, #FFF83C, #FFFF4F and #FFFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDD41B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDD41B shade: #EDD41B, #DCC208, #CBB000, #BA9E00 and #A98C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDD41B shade: #ECD31C, #EC9B1C, #EC631C, #EC2B1C and #EC1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDD41B shade: #ECD31C, #CDEC1C, #95EC1C, #5DEC1C and #24EC1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDD41B shade matches the following richer shades: #ECD31C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDD41B shade: #ECD31C, #D8C430, #C5B544, #B1A657 and #9D976B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDD41B shade: #EC611C, #EC991C, #ECD01C, #D0EC1C and #99EC1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDD41B shade: #A8960D, #CFB810, #ECD31C, #EFDB42 and #F2E268

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDD41B shade: #EDD41B, #1CEC2A and #7D1CEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDD41B shade: #EDD41B, #1CECD0 and #D01CEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDD41B shade: #EDD41B, #1CEC2A, #1C38EC and #EC1CDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDD41B shade: #EDD41B, #1CEC68, #1C38EC and #EC1CA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 89 / 7

HEX #EDD41B

RGB 237 212 27

HSL 52.86, 0.85%, 0.52%

LAB 84.57, -7.78, 81.61

 

Complementary color

CMYK 92 / 81 / 0 / 11

HEX #122BE4

RGB 18 43 228

HSL 232.86, 0.85%, 0.48%

LAB 32.83, 60.44, -91.69

 

CMYK 0 / 12 / 91 / 5

HEX #F2D416

RGB 242 212 22

HSL 51.82, 0.89%, 0.52%

LAB 85.01, -5.73, 82.95

 

CMYK 0 / 10 / 84 / 0

HEX #FFE629

RGB 255 230 41

HSL 52.99, 1%, 0.58%

LAB 90.79, -8.89, 84.46

 

CMYK 0 / 3 / 76 / 0

HEX #FFF83C

RGB 255 248 60

HSL 57.85, 1%, 0.62%

LAB 95.46, -17.13, 83.62

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 11 / 89 / 7

HEX #EDD41B

RGB 237 212 27

HSL 52.86, 0.85%, 0.52%

LAB 84.57, -7.78, 81.61

 

CMYK 0 / 12 / 96 / 14

HEX #DCC208

RGB 220 194 8

HSL 52.64, 0.93%, 0.45%

LAB 78.35, -6.19, 78.76

 

CMYK 0 / 13 / 100 / 20

HEX #CBB000

RGB 203 176 0

HSL 52.02, 1%, 0.4%

LAB 72.06, -4.39, 74.36

 

CMYK 0 / 15 / 100 / 27

HEX #BA9E00

RGB 186 158 0

HSL 50.97, 1%, 0.36%

LAB 65.67, -2.45, 69.07

 

CMYK 0 / 17 / 100 / 34

HEX #A98C00

RGB 169 140 0

HSL 49.7, 1%, 0.33%

LAB 59.15, -0.44, 63.69

 

CMYK 0 / 11 / 88 / 7

HEX #ECD31C

RGB 236 211 28

HSL 52.79, 0.85%, 0.52%

LAB 84.23, -7.69, 81.13

 

CMYK 0 / 34 / 88 / 7

HEX #EC9B1C

RGB 236 155 28

HSL 36.63, 0.85%, 0.52%

LAB 70.43, 21.52, 70.33

 

CMYK 0 / 58 / 88 / 7

HEX #EC631C

RGB 236 99 28

HSL 20.48, 0.85%, 0.52%

LAB 58.83, 49.85, 61.38

 

CMYK 0 / 82 / 88 / 7

HEX #EC2B1C

RGB 236 43 28

HSL 4.33, 0.85%, 0.52%

LAB 51.43, 69.98, 55.79

 

CMYK 0 / 88 / 88 / 7

HEX #EC1C1C

RGB 236 28 28

HSL 0, 0.85%, 0.52%

LAB 50.39, 72.96, 55.01

 

CMYK 0 / 11 / 88 / 7

HEX #ECD31C

RGB 236 211 28

HSL 52.79, 0.85%, 0.52%

LAB 84.23, -7.69, 81.13

 

CMYK 13 / 0 / 88 / 7

HEX #CDEC1C

RGB 205 236 28

HSL 68.94, 0.85%, 0.52%

LAB 88.47, -32.7, 83.5

 

CMYK 37 / 0 / 88 / 7

HEX #95EC1C

RGB 149 236 28

HSL 85.1, 0.85%, 0.52%

LAB 85.23, -53.71, 79.5

 

CMYK 61 / 0 / 88 / 7

HEX #5DEC1C

RGB 93 236 28

HSL 101.25, 0.85%, 0.52%

LAB 83.13, -69.85, 76.88

 

CMYK 85 / 0 / 88 / 7

HEX #24EC1C

RGB 36 236 28

HSL 117.69, 0.85%, 0.52%

LAB 82.08, -78.84, 75.58

 

CMYK 0 / 11 / 88 / 7

HEX #ECD31C

RGB 236 211 28

HSL 52.79, 0.85%, 0.52%

LAB 84.23, -7.69, 81.13

 

CMYK 0 / 11 / 88 / 7

HEX #ECD31C

RGB 236 211 28

HSL 52.79, 0.85%, 0.52%

LAB 84.23, -7.69, 81.13

 

CMYK 0 / 9 / 78 / 15

HEX #D8C430

RGB 216 196 48

HSL 52.86, 0.68%, 0.52%

LAB 78.63, -8.09, 70.82

 

CMYK 0 / 8 / 65 / 23

HEX #C5B544

RGB 197 181 68

HSL 52.56, 0.53%, 0.52%

LAB 73.11, -7.57, 57.54

 

CMYK 0 / 6 / 51 / 31

HEX #B1A657

RGB 177 166 87

HSL 52.67, 0.37%, 0.52%

LAB 67.51, -6.8, 41.96

 

CMYK 0 / 4 / 32 / 38

HEX #9D976B

RGB 157 151 107

HSL 52.8, 0.2%, 0.52%

LAB 61.97, -4.86, 24.02

 

CMYK 0 / 59 / 88 / 7

HEX #EC611C

RGB 236 97 28

HSL 19.9, 0.85%, 0.52%

LAB 58.48, 50.77, 61.11

 

CMYK 0 / 35 / 88 / 7

HEX #EC991C

RGB 236 153 28

HSL 36.06, 0.85%, 0.52%

LAB 69.96, 22.57, 69.97

 

CMYK 0 / 12 / 88 / 7

HEX #ECD01C

RGB 236 208 28

HSL 51.92, 0.85%, 0.52%

LAB 83.46, -6.17, 80.52

 

CMYK 12 / 0 / 88 / 7

HEX #D0EC1C

RGB 208 236 28

HSL 68.08, 0.85%, 0.52%

LAB 88.68, -31.49, 83.75

 

CMYK 35 / 0 / 88 / 7

HEX #99EC1C

RGB 153 236 28

HSL 83.94, 0.85%, 0.52%

LAB 85.43, -52.33, 79.74

 

CMYK 0 / 11 / 92 / 34

HEX #A8960D

RGB 168 150 13

HSL 53.03, 0.86%, 0.35%

LAB 61.8, -6.13, 63.61

 

CMYK 0 / 11 / 92 / 19

HEX #CFB810

RGB 207 184 16

HSL 52.77, 0.86%, 0.44%

LAB 74.56, -6.62, 74.48

 

CMYK 0 / 11 / 88 / 7

HEX #ECD31C

RGB 236 211 28

HSL 52.79, 0.85%, 0.52%

LAB 84.23, -7.69, 81.13

 

CMYK 0 / 8 / 72 / 6

HEX #EFDB42

RGB 239 219 66

HSL 53.06, 0.84%, 0.6%

LAB 86.71, -9.27, 73.13

 

CMYK 0 / 7 / 57 / 5

HEX #F2E268

RGB 242 226 104

HSL 53.04, 0.84%, 0.68%

LAB 89.05, -9.34, 60.41

 

CMYK 0 / 11 / 89 / 7

HEX #EDD41B

RGB 237 212 27

HSL 52.86, 0.85%, 0.52%

LAB 84.57, -7.78, 81.61

 

CMYK 88 / 0 / 82 / 7

HEX #1CEC2A

RGB 28 236 42

HSL 124.04, 0.85%, 0.52%

LAB 82.06, -78.89, 72.59

 

CMYK 47 / 88 / 0 / 7

HEX #7D1CEC

RGB 125 28 236

HSL 267.98, 0.85%, 0.52%

LAB 39.99, 74.74, -84.13

 

CMYK 0 / 11 / 89 / 7

HEX #EDD41B

RGB 237 212 27

HSL 52.86, 0.85%, 0.52%

LAB 84.57, -7.78, 81.61

 

CMYK 88 / 0 / 12 / 7

HEX #1CECD0

RGB 28 236 208

HSL 171.92, 0.85%, 0.52%

LAB 84.38, -52.24, 0.47

 

CMYK 12 / 88 / 0 / 7

HEX #D01CEC

RGB 208 28 236

HSL 291.92, 0.85%, 0.52%

LAB 52.17, 85.69, -63.75

 

CMYK 0 / 11 / 89 / 7

HEX #EDD41B

RGB 237 212 27

HSL 52.86, 0.85%, 0.52%

LAB 84.57, -7.78, 81.61

 

CMYK 88 / 0 / 82 / 7

HEX #1CEC2A

RGB 28 236 42

HSL 124.04, 0.85%, 0.52%

LAB 82.06, -78.89, 72.59

 

CMYK 88 / 76 / 0 / 7

HEX #1C38EC

RGB 28 56 236

HSL 231.92, 0.85%, 0.52%

LAB 36.24, 56.74, -90.58

 

CMYK 0 / 88 / 6 / 7

HEX #EC1CDE

RGB 236 28 222

HSL 304.04, 0.85%, 0.52%

LAB 56.02, 88.25, -49.4

 

CMYK 0 / 11 / 89 / 7

HEX #EDD41B

RGB 237 212 27

HSL 52.86, 0.85%, 0.52%

LAB 84.57, -7.78, 81.61

 

CMYK 88 / 0 / 56 / 7

HEX #1CEC68

RGB 28 236 104

HSL 141.92, 0.85%, 0.52%

LAB 82.51, -73.27, 50.42

 

CMYK 88 / 76 / 0 / 7

HEX #1C38EC

RGB 28 56 236

HSL 231.92, 0.85%, 0.52%

LAB 36.24, 56.74, -90.58

 

CMYK 0 / 88 / 32 / 7

HEX #EC1CA0

RGB 236 28 160

HSL 321.92, 0.85%, 0.52%

LAB 53.17, 80.73, -17.97

 

Description

Color code: HEX #EDD41B | qconv.com Color code: HEX #EDD41B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 212 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 212 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 89 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 89% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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