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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDC907 it is the complementary color #1236F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDC907. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDC907 shade: #F2C902, #FFDB15, #FFED28, #FFFF3B and #FFFF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDC907. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDC907 shade: #EDC907, #DCB700, #CBA500, #BA9300 and #A98100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDC907 shade: #EDC907, #ED8B07, #ED4D07, #ED0F07 and #ED0707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDC907 shade: #EDC907, #D3ED07, #95ED07, #57ED07 and #19ED07

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDC907 shade matches the following richer shades: #EDC907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDC907 shade: #EDC907, #D9BB1B, #C5AE2E, #B2A042 and #9E9356

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDC907 shade: #ED4C07, #ED8907, #EDC707, #D6ED07 and #99ED07

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDC907 shade: #9D8504, #C5A706, #EDC907, #F8D725 and #F9DE4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDC907 shade: #EDC907, #07ED0F and #6B07ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDC907 shade: #EDC907, #07EDC7 and #C707ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDC907 shade: #EDC907, #07ED0F, #072DED and #ED07E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDC907 shade: #EDC907, #07ED54, #072DED and #ED07A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 97 / 7

HEX #EDC907

RGB 237 201 7

HSL 50.61, 0.94%, 0.48%

LAB 81.73, -2.44, 82.03

 

Complementary color

CMYK 93 / 78 / 0 / 3

HEX #1236F8

RGB 18 54 248

HSL 230.61, 0.94%, 0.52%

LAB 37.01, 61.33, -96.07

 

CMYK 0 / 17 / 99 / 5

HEX #F2C902

RGB 242 201 2

HSL 49.75, 0.98%, 0.48%

LAB 82.19, -0.33, 83.05

 

CMYK 0 / 14 / 92 / 0

HEX #FFDB15

RGB 255 219 21

HSL 50.77, 1%, 0.54%

LAB 87.96, -3.75, 85.85

 

CMYK 0 / 7 / 84 / 0

HEX #FFED28

RGB 255 237 40

HSL 54.98, 1%, 0.58%

LAB 92.57, -12.36, 86.14

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3B

RGB 255 255 59

HSL 60, 1%, 0.62%

LAB 97.27, -20.52, 85.51

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 0 / 15 / 97 / 7

HEX #EDC907

RGB 237 201 7

HSL 50.61, 0.94%, 0.48%

LAB 81.73, -2.44, 82.03

 

CMYK 0 / 17 / 100 / 14

HEX #DCB700

RGB 220 183 0

HSL 49.91, 1%, 0.43%

LAB 75.5, -0.57, 77.54

 

CMYK 0 / 19 / 100 / 20

HEX #CBA500

RGB 203 165 0

HSL 48.77, 1%, 0.4%

LAB 69.19, 1.42, 72.33

 

CMYK 0 / 21 / 100 / 27

HEX #BA9300

RGB 186 147 0

HSL 47.42, 1%, 0.36%

LAB 62.77, 3.49, 67.04

 

CMYK 0 / 24 / 100 / 34

HEX #A98100

RGB 169 129 0

HSL 45.8, 1%, 0.33%

LAB 56.22, 5.65, 61.65

 

CMYK 0 / 15 / 97 / 7

HEX #EDC907

RGB 237 201 7

HSL 50.61, 0.94%, 0.48%

LAB 81.73, -2.44, 82.03

 

CMYK 0 / 41 / 97 / 7

HEX #ED8B07

RGB 237 139 7

HSL 34.43, 0.94%, 0.48%

LAB 66.89, 30.08, 71.71

 

CMYK 0 / 68 / 97 / 7

HEX #ED4D07

RGB 237 77 7

HSL 18.26, 0.94%, 0.48%

LAB 55.41, 59.31, 64.64

 

CMYK 0 / 94 / 97 / 7

HEX #ED0F07

RGB 237 15 7

HSL 2.09, 0.94%, 0.48%

LAB 49.93, 74.65, 61.86

 

CMYK 0 / 97 / 97 / 7

HEX #ED0707

RGB 237 7 7

HSL 0, 0.94%, 0.48%

LAB 49.7, 75.31, 61.76

 

CMYK 0 / 15 / 97 / 7

HEX #EDC907

RGB 237 201 7

HSL 50.61, 0.94%, 0.48%

LAB 81.73, -2.44, 82.03

 

CMYK 11 / 0 / 97 / 7

HEX #D3ED07

RGB 211 237 7

HSL 66.78, 0.94%, 0.48%

LAB 89.13, -31.03, 86.57

 

CMYK 37 / 0 / 97 / 7

HEX #95ED07

RGB 149 237 7

HSL 82.96, 0.94%, 0.48%

LAB 85.49, -54.47, 82.18

 

CMYK 63 / 0 / 97 / 7

HEX #57ED07

RGB 87 237 7

HSL 99.13, 0.94%, 0.48%

LAB 83.24, -71.93, 79.44

 

CMYK 89 / 0 / 97 / 7

HEX #19ED07

RGB 25 237 7

HSL 115.3, 0.94%, 0.48%

LAB 82.27, -80.41, 78.25

 

CMYK 0 / 15 / 97 / 7

HEX #EDC907

RGB 237 201 7

HSL 50.61, 0.94%, 0.48%

LAB 81.73, -2.44, 82.03

 

CMYK 0 / 15 / 97 / 7

HEX #EDC907

RGB 237 201 7

HSL 50.61, 0.94%, 0.48%

LAB 81.73, -2.44, 82.03

 

CMYK 0 / 14 / 88 / 15

HEX #D9BB1B

RGB 217 187 27

HSL 50.53, 0.78%, 0.48%

LAB 76.3, -3.61, 74.32

 

CMYK 0 / 12 / 77 / 23

HEX #C5AE2E

RGB 197 174 46

HSL 50.86, 0.62%, 0.48%

LAB 71.1, -5, 63.97

 

CMYK 0 / 10 / 63 / 30

HEX #B2A042

RGB 178 160 66

HSL 50.36, 0.46%, 0.48%

LAB 65.75, -4.84, 50.03

 

CMYK 0 / 7 / 46 / 38

HEX #9E9356

RGB 158 147 86

HSL 50.83, 0.3%, 0.48%

LAB 60.61, -4.76, 33.65

 

CMYK 0 / 68 / 97 / 7

HEX #ED4C07

RGB 237 76 7

HSL 18, 0.94%, 0.48%

LAB 55.27, 59.69, 64.57

 

CMYK 0 / 42 / 97 / 7

HEX #ED8907

RGB 237 137 7

HSL 33.91, 0.94%, 0.48%

LAB 66.45, 31.13, 71.42

 

CMYK 0 / 16 / 97 / 7

HEX #EDC707

RGB 237 199 7

HSL 50.09, 0.94%, 0.48%

LAB 81.22, -1.41, 81.66

 

CMYK 10 / 0 / 97 / 7

HEX #D6ED07

RGB 214 237 7

HSL 66, 0.94%, 0.48%

LAB 89.34, -29.81, 86.82

 

CMYK 35 / 0 / 97 / 7

HEX #99ED07

RGB 153 237 7

HSL 81.91, 0.94%, 0.48%

LAB 85.68, -53.09, 82.42

 

CMYK 0 / 15 / 97 / 38

HEX #9D8504

RGB 157 133 4

HSL 50.59, 0.95%, 0.32%

LAB 56.04, -2.07, 60.24

 

CMYK 0 / 15 / 97 / 23

HEX #C5A706

RGB 197 167 6

HSL 50.58, 0.94%, 0.4%

LAB 69.13, -2.25, 71.27

 

CMYK 0 / 15 / 97 / 7

HEX #EDC907

RGB 237 201 7

HSL 50.61, 0.94%, 0.48%

LAB 81.73, -2.44, 82.03

 

CMYK 0 / 13 / 85 / 3

HEX #F8D725

RGB 248 215 37

HSL 50.62, 0.94%, 0.56%

LAB 86.35, -4.42, 81.46

 

CMYK 0 / 11 / 69 / 2

HEX #F9DE4D

RGB 249 222 77

HSL 50.58, 0.93%, 0.64%

LAB 88.41, -6.1, 71.09

 

CMYK 0 / 15 / 97 / 7

HEX #EDC907

RGB 237 201 7

HSL 50.61, 0.94%, 0.48%

LAB 81.73, -2.44, 82.03

 

CMYK 97 / 0 / 94 / 7

HEX #07ED0F

RGB 7 237 15

HSL 122.09, 0.94%, 0.48%

LAB 82.19, -81.07, 77.42

 

CMYK 55 / 97 / 0 / 7

HEX #6B07ED

RGB 107 7 237

HSL 266.09, 0.94%, 0.48%

LAB 36.73, 77.02, -90.16

 

CMYK 0 / 15 / 97 / 7

HEX #EDC907

RGB 237 201 7

HSL 50.61, 0.94%, 0.48%

LAB 81.73, -2.44, 82.03

 

CMYK 97 / 0 / 16 / 7

HEX #07EDC7

RGB 7 237 199

HSL 170.09, 0.94%, 0.48%

LAB 84.35, -55.73, 5.15

 

CMYK 16 / 97 / 0 / 7

HEX #C707ED

RGB 199 7 237

HSL 290.09, 0.94%, 0.48%

LAB 49.99, 86.85, -67.91

 

CMYK 0 / 15 / 97 / 7

HEX #EDC907

RGB 237 201 7

HSL 50.61, 0.94%, 0.48%

LAB 81.73, -2.44, 82.03

 

CMYK 97 / 0 / 94 / 7

HEX #07ED0F

RGB 7 237 15

HSL 122.09, 0.94%, 0.48%

LAB 82.19, -81.07, 77.42

 

CMYK 97 / 81 / 0 / 7

HEX #072DED

RGB 7 45 237

HSL 230.09, 0.94%, 0.48%

LAB 34.06, 62.09, -94.77

 

CMYK 0 / 97 / 3 / 7

HEX #ED07E5

RGB 237 7 229

HSL 302.09, 0.94%, 0.48%

LAB 55.9, 91.39, -53.55

 

CMYK 0 / 15 / 97 / 7

HEX #EDC907

RGB 237 201 7

HSL 50.61, 0.94%, 0.48%

LAB 81.73, -2.44, 82.03

 

CMYK 97 / 0 / 65 / 7

HEX #07ED54

RGB 7 237 84

HSL 140.09, 0.94%, 0.48%

LAB 82.51, -76.9, 59.03

 

CMYK 97 / 81 / 0 / 7

HEX #072DED

RGB 7 45 237

HSL 230.09, 0.94%, 0.48%

LAB 34.06, 62.09, -94.77

 

CMYK 0 / 97 / 32 / 7

HEX #ED07A0

RGB 237 7 160

HSL 320.09, 0.94%, 0.48%

LAB 52.61, 83.1, -18.8

 

Description

Color code: HEX #EDC907 | qconv.com Color code: HEX #EDC907 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 201 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 201 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 97 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 97% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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