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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDC759 it is the complementary color #1238A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDC759. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDC759 shade: #F2C754, #FFD967, #FFEB7A, #FFFD8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDC759. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDC759 shade: #EDC759, #DCB546, #CBA333, #BA9120 and #A97F0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDC759 shade: #ECC659, #EC9F59, #EC7759 and #EC5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDC759 shade: #ECC659, #EAEC59, #C3EC59, #9BEC59 and #73EC59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDC759 shade matches the following richer shades: #ECC659 and #FBCE4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDC759 shade: #ECC659, #DDBF68, #CEB877, #C0B186 and #B1AA95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDC759 shade: #EC7759, #EC9E59, #ECC559, #ECEC59 and #C5EC59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDC759 shade: #DBA918, #E8BA34, #ECC659, #F0D37E and #F4E0A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDC759 shade: #EDC759, #63EC59 and #8A59EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDC759 shade: #EDC759, #59ECC5 and #C559EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDC759 shade: #EDC759, #63EC59, #5980EC and #E259EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDC759 shade: #EDC759, #59EC7C, #5980EC and #EC59CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 62 / 7

HEX #EDC759

RGB 237 199 89

HSL 44.59, 0.8%, 0.64%

LAB 81.61, 1.31, 58.65

 

Complementary color

CMYK 89 / 66 / 0 / 35

HEX #1238A6

RGB 18 56 166

HSL 224.59, 0.8%, 0.36%

LAB 28.67, 31.46, -62.21

 

CMYK 0 / 18 / 65 / 5

HEX #F2C754

RGB 242 199 84

HSL 43.67, 0.86%, 0.64%

LAB 82.04, 3.09, 61.44

 

CMYK 0 / 15 / 60 / 0

HEX #FFD967

RGB 255 217 103

HSL 45, 1%, 0.7%

LAB 87.9, 0.43, 59.87

 

CMYK 0 / 8 / 52 / 0

HEX #FFEB7A

RGB 255 235 122

HSL 50.98, 1%, 0.74%

LAB 92.61, -7.22, 56.64

 

CMYK 0 / 1 / 45 / 0

HEX #FFFD8D

RGB 255 253 141

HSL 58.95, 1%, 0.78%

LAB 97.4, -14.43, 53.54

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 16 / 62 / 7

HEX #EDC759

RGB 237 199 89

HSL 44.59, 0.8%, 0.64%

LAB 81.61, 1.31, 58.65

 

CMYK 0 / 18 / 68 / 14

HEX #DCB546

RGB 220 181 70

HSL 44.4, 0.68%, 0.57%

LAB 75.27, 2.4, 59.61

 

CMYK 0 / 20 / 75 / 20

HEX #CBA333

RGB 203 163 51

HSL 44.21, 0.6%, 0.5%

LAB 68.85, 3.67, 60.26

 

CMYK 0 / 22 / 83 / 27

HEX #BA9120

RGB 186 145 32

HSL 44.03, 0.71%, 0.43%

LAB 62.33, 5.18, 60.26

 

CMYK 0 / 25 / 92 / 34

HEX #A97F0D

RGB 169 127 13

HSL 43.85, 0.86%, 0.36%

LAB 55.73, 6.96, 59.02

 

CMYK 0 / 16 / 62 / 7

HEX #ECC659

RGB 236 198 89

HSL 44.49, 0.79%, 0.64%

LAB 81.26, 1.41, 58.24

 

CMYK 0 / 33 / 62 / 7

HEX #EC9F59

RGB 236 159 89

HSL 28.57, 0.79%, 0.64%

LAB 71.79, 21.94, 47.51

 

CMYK 0 / 50 / 62 / 7

HEX #EC7759

RGB 236 119 89

HSL 12.24, 0.79%, 0.64%

LAB 63.13, 42.72, 37.17

 

CMYK 0 / 62 / 62 / 7

HEX #EC5959

RGB 236 89 89

HSL 0, 0.79%, 0.64%

LAB 57.75, 56.7, 30.46

 

CMYK 0 / 16 / 62 / 7

HEX #ECC659

RGB 236 198 89

HSL 44.49, 0.79%, 0.64%

LAB 81.26, 1.41, 58.24

 

CMYK 1 / 0 / 62 / 7

HEX #EAEC59

RGB 234 236 89

HSL 60.82, 0.79%, 0.64%

LAB 90.87, -18.5, 68.56

 

CMYK 17 / 0 / 62 / 7

HEX #C3EC59

RGB 195 236 89

HSL 76.73, 0.79%, 0.64%

LAB 88.12, -33.9, 64.8

 

CMYK 34 / 0 / 62 / 7

HEX #9BEC59

RGB 155 236 89

HSL 93.06, 0.79%, 0.64%

LAB 85.85, -48.39, 61.67

 

CMYK 51 / 0 / 62 / 7

HEX #73EC59

RGB 115 236 89

HSL 109.39, 0.79%, 0.64%

LAB 84.15, -60.56, 59.32

 

CMYK 0 / 16 / 62 / 7

HEX #ECC659

RGB 236 198 89

HSL 44.49, 0.79%, 0.64%

LAB 81.26, 1.41, 58.24

 

CMYK 0 / 18 / 71 / 2

HEX #FBCE4A

RGB 251 206 74

HSL 44.75, 0.96%, 0.64%

LAB 84.56, 2.72, 68.44

 

CMYK 0 / 16 / 62 / 7

HEX #ECC659

RGB 236 198 89

HSL 44.49, 0.79%, 0.64%

LAB 81.26, 1.41, 58.24

 

CMYK 0 / 14 / 53 / 13

HEX #DDBF68

RGB 221 191 104

HSL 44.62, 0.63%, 0.64%

LAB 78.25, -0.08, 47.38

 

CMYK 0 / 11 / 42 / 19

HEX #CEB877

RGB 206 184 119

HSL 44.83, 0.47%, 0.64%

LAB 75.29, -1.13, 35.84

 

CMYK 0 / 8 / 30 / 25

HEX #C0B186

RGB 192 177 134

HSL 44.48, 0.32%, 0.64%

LAB 72.48, -1.24, 23.99

 

CMYK 0 / 4 / 16 / 31

HEX #B1AA95

RGB 177 170 149

HSL 45, 0.15%, 0.64%

LAB 69.66, -1.1, 11.73

 

CMYK 0 / 50 / 62 / 7

HEX #EC7759

RGB 236 119 89

HSL 12.24, 0.79%, 0.64%

LAB 63.13, 42.72, 37.17

 

CMYK 0 / 33 / 62 / 7

HEX #EC9E59

RGB 236 158 89

HSL 28.16, 0.79%, 0.64%

LAB 71.56, 22.47, 47.24

 

CMYK 0 / 17 / 62 / 7

HEX #ECC559

RGB 236 197 89

HSL 44.08, 0.79%, 0.64%

LAB 81.01, 1.93, 57.96

 

CMYK 0 / 0 / 62 / 7

HEX #ECEC59

RGB 236 236 89

HSL 60, 0.79%, 0.64%

LAB 91.03, -17.69, 68.77

 

CMYK 17 / 0 / 62 / 7

HEX #C5EC59

RGB 197 236 89

HSL 75.92, 0.79%, 0.64%

LAB 88.25, -33.13, 64.98

 

CMYK 0 / 23 / 89 / 14

HEX #DBA918

RGB 219 169 24

HSL 44.62, 0.8%, 0.48%

LAB 71.89, 6.66, 71.56

 

CMYK 0 / 20 / 78 / 9

HEX #E8BA34

RGB 232 186 52

HSL 44.67, 0.8%, 0.56%

LAB 77.59, 4.1, 69.15

 

CMYK 0 / 16 / 62 / 7

HEX #ECC659

RGB 236 198 89

HSL 44.49, 0.79%, 0.64%

LAB 81.26, 1.41, 58.24

 

CMYK 0 / 12 / 48 / 6

HEX #F0D37E

RGB 240 211 126

HSL 44.74, 0.79%, 0.72%

LAB 85.31, -0.75, 45.59

 

CMYK 0 / 8 / 33 / 4

HEX #F4E0A4

RGB 244 224 164

HSL 45, 0.78%, 0.8%

LAB 89.5, -1.78, 31.91

 

CMYK 0 / 16 / 62 / 7

HEX #EDC759

RGB 237 199 89

HSL 44.59, 0.8%, 0.64%

LAB 81.61, 1.31, 58.65

 

CMYK 58 / 0 / 62 / 7

HEX #63EC59

RGB 99 236 89

HSL 115.92, 0.79%, 0.64%

LAB 83.63, -64.56, 58.6

 

CMYK 42 / 62 / 0 / 7

HEX #8A59EC

RGB 138 89 236

HSL 260, 0.79%, 0.64%

LAB 50.22, 51.92, -67.35

 

CMYK 0 / 16 / 62 / 7

HEX #EDC759

RGB 237 199 89

HSL 44.59, 0.8%, 0.64%

LAB 81.61, 1.31, 58.65

 

CMYK 62 / 0 / 17 / 7

HEX #59ECC5

RGB 89 236 197

HSL 164.08, 0.79%, 0.64%

LAB 85.07, -48.29, 7.37

 

CMYK 17 / 62 / 0 / 7

HEX #C559EC

RGB 197 89 236

HSL 284.08, 0.79%, 0.64%

LAB 57.14, 64.77, -55.85

 

CMYK 0 / 16 / 62 / 7

HEX #EDC759

RGB 237 199 89

HSL 44.59, 0.8%, 0.64%

LAB 81.61, 1.31, 58.65

 

CMYK 58 / 0 / 62 / 7

HEX #63EC59

RGB 99 236 89

HSL 115.92, 0.79%, 0.64%

LAB 83.63, -64.56, 58.6

 

CMYK 62 / 46 / 0 / 7

HEX #5980EC

RGB 89 128 236

HSL 224.08, 0.79%, 0.64%

LAB 55.7, 19.53, -58.7

 

CMYK 4 / 62 / 0 / 7

HEX #E259EC

RGB 226 89 236

HSL 295.92, 0.79%, 0.64%

LAB 61.11, 71.48, -49.31

 

CMYK 0 / 16 / 62 / 7

HEX #EDC759

RGB 237 199 89

HSL 44.59, 0.8%, 0.64%

LAB 81.61, 1.31, 58.65

 

CMYK 62 / 0 / 47 / 7

HEX #59EC7C

RGB 89 236 124

HSL 134.29, 0.79%, 0.64%

LAB 83.74, -62.38, 42.77

 

CMYK 62 / 46 / 0 / 7

HEX #5980EC

RGB 89 128 236

HSL 224.08, 0.79%, 0.64%

LAB 55.7, 19.53, -58.7

 

CMYK 0 / 62 / 14 / 7

HEX #EC59CA

RGB 236 89 202

HSL 313.88, 0.79%, 0.64%

LAB 60.99, 68.57, -30.26

 

Description

Color code: HEX #EDC759 | qconv.com Color code: HEX #EDC759 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 199 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 199 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 62 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 62% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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