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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDBF4A it is the complementary color #1240B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDBF4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDBF4A shade: #F2BF45, #FFD158, #FFE36B, #FFF57E and #FFFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDBF4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDBF4A shade: #EDBF4A, #DCAD37, #CB9B24, #BA8911 and #A97700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDBF4A shade: #EDBF4A, #ED934A, #ED674A and #ED4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDBF4A shade: #EDBF4A, #EDEB4A, #C3ED4A, #97ED4A and #6BED4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDBF4A shade matches the following richer shades: #EDBF4A and #FDC639

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDBF4A shade: #EDBF4A, #DDB85A, #CCB16A, #BCAA7A and #ACA38A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDBF4A shade: #ED674A, #ED934A, #EDBE4A, #EDEA4A and #C4ED4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDBF4A shade: #D09B14, #E9B124, #EDBF4A, #F0CC6F and #F4D995

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDBF4A shade: #EDBF4A, #57ED4A and #7D4AED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDBF4A shade: #EDBF4A, #4AEDBE and #BE4AED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDBF4A shade: #EDBF4A, #57ED4A, #4A78ED and #DF4AED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDBF4A shade: #EDBF4A, #4AED6D, #4A78ED and #ED4AC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 69 / 7

HEX #EDBF4A

RGB 237 191 74

HSL 43.07, 0.82%, 0.61%

LAB 79.48, 4.59, 62.83

 

Complementary color

CMYK 90 / 65 / 0 / 29

HEX #1240B5

RGB 18 64 181

HSL 223.07, 0.82%, 0.39%

LAB 32.1, 31.98, -65.53

 

CMYK 0 / 21 / 71 / 5

HEX #F2BF45

RGB 242 191 69

HSL 42.31, 0.87%, 0.61%

LAB 79.94, 6.45, 65.48

 

CMYK 0 / 18 / 65 / 0

HEX #FFD158

RGB 255 209 88

HSL 43.47, 1%, 0.67%

LAB 85.79, 3.58, 64.12

 

CMYK 0 / 11 / 58 / 0

HEX #FFE36B

RGB 255 227 107

HSL 48.65, 1%, 0.71%

LAB 90.44, -4.35, 60.95

 

CMYK 0 / 4 / 51 / 0

HEX #FFF57E

RGB 255 245 126

HSL 55.35, 1%, 0.75%

LAB 95.19, -11.84, 57.85

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 19 / 69 / 7

HEX #EDBF4A

RGB 237 191 74

HSL 43.07, 0.82%, 0.61%

LAB 79.48, 4.59, 62.83

 

CMYK 0 / 21 / 75 / 14

HEX #DCAD37

RGB 220 173 55

HSL 42.91, 0.7%, 0.54%

LAB 73.14, 5.9, 63.47

 

CMYK 0 / 24 / 82 / 20

HEX #CB9B24

RGB 203 155 36

HSL 42.75, 0.7%, 0.47%

LAB 66.72, 7.42, 63.52

 

CMYK 0 / 26 / 91 / 27

HEX #BA8911

RGB 186 137 17

HSL 42.6, 0.83%, 0.4%

LAB 60.22, 9.21, 62.46

 

CMYK 0 / 30 / 100 / 34

HEX #A97700

RGB 169 119 0

HSL 42.25, 1%, 0.33%

LAB 53.63, 11.26, 59.88

 

CMYK 0 / 19 / 69 / 7

HEX #EDBF4A

RGB 237 191 74

HSL 43.07, 0.82%, 0.61%

LAB 79.48, 4.59, 62.83

 

CMYK 0 / 38 / 69 / 7

HEX #ED934A

RGB 237 147 74

HSL 26.87, 0.82%, 0.61%

LAB 69.02, 27.8, 51.71

 

CMYK 0 / 57 / 69 / 7

HEX #ED674A

RGB 237 103 74

HSL 10.67, 0.82%, 0.61%

LAB 60.07, 49.94, 41.64

 

CMYK 0 / 69 / 69 / 7

HEX #ED4A4A

RGB 237 74 74

HSL 0, 0.82%, 0.61%

LAB 55.48, 62.21, 36.25

 

CMYK 0 / 19 / 69 / 7

HEX #EDBF4A

RGB 237 191 74

HSL 43.07, 0.82%, 0.61%

LAB 79.48, 4.59, 62.83

 

CMYK 0 / 1 / 69 / 7

HEX #EDEB4A

RGB 237 235 74

HSL 59.26, 0.82%, 0.61%

LAB 90.74, -17.62, 74.18

 

CMYK 18 / 0 / 69 / 7

HEX #C3ED4A

RGB 195 237 74

HSL 75.46, 0.82%, 0.61%

LAB 88.29, -35.33, 70.74

 

CMYK 36 / 0 / 69 / 7

HEX #97ED4A

RGB 151 237 74

HSL 91.66, 0.82%, 0.61%

LAB 85.83, -51.29, 67.45

 

CMYK 55 / 0 / 69 / 7

HEX #6BED4A

RGB 107 237 74

HSL 107.85, 0.82%, 0.61%

LAB 84.06, -64.32, 65.07

 

CMYK 0 / 19 / 69 / 7

HEX #EDBF4A

RGB 237 191 74

HSL 43.07, 0.82%, 0.61%

LAB 79.48, 4.59, 62.83

 

CMYK 0 / 22 / 77 / 1

HEX #FDC639

RGB 253 198 57

HSL 43.16, 0.98%, 0.61%

LAB 82.68, 6.97, 72.9

 

CMYK 0 / 19 / 69 / 7

HEX #EDBF4A

RGB 237 191 74

HSL 43.07, 0.82%, 0.61%

LAB 79.48, 4.59, 62.83

 

CMYK 0 / 17 / 59 / 13

HEX #DDB85A

RGB 221 184 90

HSL 43.05, 0.66%, 0.61%

LAB 76.31, 2.5, 51.83

 

CMYK 0 / 13 / 48 / 20

HEX #CCB16A

RGB 204 177 106

HSL 43.47, 0.49%, 0.61%

LAB 73.1, 0.44, 39.74

 

CMYK 0 / 10 / 35 / 26

HEX #BCAA7A

RGB 188 170 122

HSL 43.64, 0.33%, 0.61%

LAB 70.07, -0.63, 27.14

 

CMYK 0 / 5 / 20 / 33

HEX #ACA38A

RGB 172 163 138

HSL 44.12, 0.17%, 0.61%

LAB 67.13, -0.96, 14.17

 

CMYK 0 / 57 / 69 / 7

HEX #ED674A

RGB 237 103 74

HSL 10.67, 0.82%, 0.61%

LAB 60.07, 49.94, 41.64

 

CMYK 0 / 38 / 69 / 7

HEX #ED934A

RGB 237 147 74

HSL 26.87, 0.82%, 0.61%

LAB 69.02, 27.8, 51.71

 

CMYK 0 / 20 / 69 / 7

HEX #EDBE4A

RGB 237 190 74

HSL 42.7, 0.82%, 0.61%

LAB 79.23, 5.11, 62.57

 

CMYK 0 / 1 / 69 / 7

HEX #EDEA4A

RGB 237 234 74

HSL 58.9, 0.82%, 0.61%

LAB 90.48, -17.13, 73.92

 

CMYK 17 / 0 / 69 / 7

HEX #C4ED4A

RGB 196 237 74

HSL 75.09, 0.82%, 0.61%

LAB 88.35, -34.95, 70.83

 

CMYK 0 / 25 / 90 / 18

HEX #D09B14

RGB 208 155 20

HSL 43.09, 0.82%, 0.45%

LAB 67.2, 9.25, 68.25

 

CMYK 0 / 24 / 85 / 9

HEX #E9B124

RGB 233 177 36

HSL 42.94, 0.82%, 0.53%

LAB 75.39, 8.76, 72.12

 

CMYK 0 / 19 / 69 / 7

HEX #EDBF4A

RGB 237 191 74

HSL 43.07, 0.82%, 0.61%

LAB 79.48, 4.59, 62.83

 

CMYK 0 / 15 / 54 / 6

HEX #F0CC6F

RGB 240 204 111

HSL 43.26, 0.81%, 0.69%

LAB 83.37, 1.55, 50.53

 

CMYK 0 / 11 / 39 / 4

HEX #F4D995

RGB 244 217 149

HSL 42.95, 0.81%, 0.77%

LAB 87.5, 0.08, 36.92

 

CMYK 0 / 19 / 69 / 7

HEX #EDBF4A

RGB 237 191 74

HSL 43.07, 0.82%, 0.61%

LAB 79.48, 4.59, 62.83

 

CMYK 63 / 0 / 69 / 7

HEX #57ED4A

RGB 87 237 74

HSL 115.21, 0.82%, 0.61%

LAB 83.49, -68.92, 64.29

 

CMYK 47 / 69 / 0 / 7

HEX #7D4AED

RGB 125 74 237

HSL 258.77, 0.82%, 0.61%

LAB 46.14, 57.53, -74.61

 

CMYK 0 / 19 / 69 / 7

HEX #EDBF4A

RGB 237 191 74

HSL 43.07, 0.82%, 0.61%

LAB 79.48, 4.59, 62.83

 

CMYK 69 / 0 / 20 / 7

HEX #4AEDBE

RGB 74 237 190

HSL 162.7, 0.82%, 0.61%

LAB 84.86, -52.71, 10.7

 

CMYK 20 / 69 / 0 / 7

HEX #BE4AED

RGB 190 74 237

HSL 282.7, 0.82%, 0.61%

LAB 53.98, 69.8, -61.53

 

CMYK 0 / 19 / 69 / 7

HEX #EDBF4A

RGB 237 191 74

HSL 43.07, 0.82%, 0.61%

LAB 79.48, 4.59, 62.83

 

CMYK 63 / 0 / 69 / 7

HEX #57ED4A

RGB 87 237 74

HSL 115.21, 0.82%, 0.61%

LAB 83.49, -68.92, 64.29

 

CMYK 69 / 49 / 0 / 7

HEX #4A78ED

RGB 74 120 237

HSL 223.07, 0.82%, 0.61%

LAB 52.95, 22.41, -63.72

 

CMYK 6 / 69 / 0 / 7

HEX #DF4AED

RGB 223 74 237

HSL 294.85, 0.82%, 0.61%

LAB 58.7, 76.67, -53.72

 

CMYK 0 / 19 / 69 / 7

HEX #EDBF4A

RGB 237 191 74

HSL 43.07, 0.82%, 0.61%

LAB 79.48, 4.59, 62.83

 

CMYK 69 / 0 / 54 / 7

HEX #4AED6D

RGB 74 237 109

HSL 132.88, 0.82%, 0.61%

LAB 83.51, -67.6, 49.49

 

CMYK 69 / 49 / 0 / 7

HEX #4A78ED

RGB 74 120 237

HSL 223.07, 0.82%, 0.61%

LAB 52.95, 22.41, -63.72

 

CMYK 0 / 69 / 15 / 7

HEX #ED4AC9

RGB 237 74 201

HSL 313.25, 0.82%, 0.61%

LAB 59.08, 74.3, -32.64

 

Description

Color code: HEX #EDBF4A | qconv.com Color code: HEX #EDBF4A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 191 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 191 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 69 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 69% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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