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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDBD44 it is the complementary color #1242BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDBD44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDBD44 shade: #F2BD3F, #FFCF52, #FFE165, #FFF378 and #FFFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDBD44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDBD44 shade: #EDBD44, #DCAB31, #CB991E, #BA870B and #A97500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDBD44 shade: #ECBD45, #EC9045, #EC6245 and #EC4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDBD44 shade: #ECBD45, #ECEA45, #C1EC45, #94EC45 and #67EC45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDBD44 shade matches the following richer shades: #ECBD45 and #FDC434

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDBD44 shade: #ECBD45, #DCB655, #CBAE66, #BBA776 and #AAA087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDBD44 shade: #EC6145, #EC8D45, #ECBA45, #ECE745 and #C5EC45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDBD44 shade: #CB9714, #E8AF1F, #ECBD45, #F0CA6A and #F4D790

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDBD44 shade: #EDBD44, #56EC45 and #7745EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDBD44 shade: #EDBD44, #45ECBA and #BA45EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDBD44 shade: #EDBD44, #56EC45, #4577EC and #DB45EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDBD44 shade: #EDBD44, #45EC66, #4577EC and #EC45CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 71 / 7

HEX #EDBD44

RGB 237 189 68

HSL 42.96, 0.82%, 0.6%

LAB 78.94, 5.33, 64.71

 

Complementary color

CMYK 90 / 65 / 0 / 27

HEX #1242BB

RGB 18 66 187

HSL 222.96, 0.82%, 0.4%

LAB 33.16, 32.98, -67.34

 

CMYK 0 / 22 / 74 / 5

HEX #F2BD3F

RGB 242 189 63

HSL 42.23, 0.87%, 0.6%

LAB 79.4, 7.23, 67.27

 

CMYK 0 / 19 / 68 / 0

HEX #FFCF52

RGB 255 207 82

HSL 43.35, 1%, 0.66%

LAB 85.25, 4.27, 66.06

 

CMYK 0 / 12 / 60 / 0

HEX #FFE165

RGB 255 225 101

HSL 48.31, 1%, 0.7%

LAB 89.88, -3.75, 62.97

 

CMYK 0 / 5 / 53 / 0

HEX #FFF378

RGB 255 243 120

HSL 54.67, 1%, 0.74%

LAB 94.62, -11.34, 59.91

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 20 / 71 / 7

HEX #EDBD44

RGB 237 189 68

HSL 42.96, 0.82%, 0.6%

LAB 78.94, 5.33, 64.71

 

CMYK 0 / 22 / 78 / 14

HEX #DCAB31

RGB 220 171 49

HSL 42.81, 0.71%, 0.53%

LAB 72.6, 6.72, 65.15

 

CMYK 0 / 25 / 85 / 20

HEX #CB991E

RGB 203 153 30

HSL 42.66, 0.74%, 0.46%

LAB 66.19, 8.34, 64.83

 

CMYK 0 / 27 / 94 / 27

HEX #BA870B

RGB 186 135 11

HSL 42.51, 0.89%, 0.39%

LAB 59.7, 10.22, 63.19

 

CMYK 0 / 31 / 100 / 34

HEX #A97500

RGB 169 117 0

HSL 41.54, 1%, 0.33%

LAB 53.12, 12.39, 59.54

 

CMYK 0 / 20 / 71 / 7

HEX #ECBD45

RGB 236 189 69

HSL 43.11, 0.81%, 0.6%

LAB 78.84, 4.96, 64.19

 

CMYK 0 / 39 / 71 / 7

HEX #EC9045

RGB 236 144 69

HSL 26.95, 0.81%, 0.6%

LAB 68.17, 28.71, 53.12

 

CMYK 0 / 58 / 71 / 7

HEX #EC6245

RGB 236 98 69

HSL 10.42, 0.81%, 0.6%

LAB 58.97, 51.64, 43.02

 

CMYK 0 / 71 / 71 / 7

HEX #EC4545

RGB 236 69 69

HSL 0, 0.81%, 0.6%

LAB 54.57, 63.48, 37.96

 

CMYK 0 / 20 / 71 / 7

HEX #ECBD45

RGB 236 189 69

HSL 43.11, 0.81%, 0.6%

LAB 78.84, 4.96, 64.19

 

CMYK 0 / 1 / 71 / 7

HEX #ECEA45

RGB 236 234 69

HSL 59.28, 0.81%, 0.6%

LAB 90.37, -17.78, 75.53

 

CMYK 18 / 0 / 71 / 7

HEX #C1EC45

RGB 193 236 69

HSL 75.45, 0.81%, 0.6%

LAB 87.85, -35.93, 72.03

 

CMYK 37 / 0 / 71 / 7

HEX #94EC45

RGB 148 236 69

HSL 91.62, 0.81%, 0.6%

LAB 85.36, -52.22, 68.72

 

CMYK 56 / 0 / 71 / 7

HEX #67EC45

RGB 103 236 69

HSL 107.78, 0.81%, 0.6%

LAB 83.6, -65.35, 66.37

 

CMYK 0 / 20 / 71 / 7

HEX #ECBD45

RGB 236 189 69

HSL 43.11, 0.81%, 0.6%

LAB 78.84, 4.96, 64.19

 

CMYK 0 / 23 / 79 / 1

HEX #FDC434

RGB 253 196 52

HSL 42.99, 0.98%, 0.6%

LAB 82.17, 7.83, 74.07

 

CMYK 0 / 20 / 71 / 7

HEX #ECBD45

RGB 236 189 69

HSL 43.11, 0.81%, 0.6%

LAB 78.84, 4.96, 64.19

 

CMYK 0 / 17 / 61 / 14

HEX #DCB655

RGB 220 182 85

HSL 43.11, 0.66%, 0.6%

LAB 75.65, 2.79, 53.39

 

CMYK 0 / 14 / 50 / 20

HEX #CBAE66

RGB 203 174 102

HSL 42.77, 0.49%, 0.6%

LAB 72.18, 1.24, 40.61

 

CMYK 0 / 11 / 37 / 27

HEX #BBA776

RGB 187 167 118

HSL 42.61, 0.34%, 0.6%

LAB 69.12, 0.09, 28.02

 

CMYK 0 / 6 / 21 / 33

HEX #AAA087

RGB 170 160 135

HSL 42.86, 0.17%, 0.6%

LAB 66.09, -0.56, 14.35

 

CMYK 0 / 59 / 71 / 7

HEX #EC6145

RGB 236 97 69

HSL 10.06, 0.81%, 0.6%

LAB 58.8, 52.1, 42.82

 

CMYK 0 / 40 / 71 / 7

HEX #EC8D45

RGB 236 141 69

HSL 25.87, 0.81%, 0.6%

LAB 67.51, 30.29, 52.41

 

CMYK 0 / 21 / 71 / 7

HEX #ECBA45

RGB 236 186 69

HSL 42.04, 0.81%, 0.6%

LAB 78.1, 6.53, 63.43

 

CMYK 0 / 2 / 71 / 7

HEX #ECE745

RGB 236 231 69

HSL 58.2, 0.81%, 0.6%

LAB 89.59, -16.32, 74.77

 

CMYK 17 / 0 / 71 / 7

HEX #C5EC45

RGB 197 236 69

HSL 74.01, 0.81%, 0.6%

LAB 88.11, -34.38, 72.37

 

CMYK 0 / 26 / 90 / 20

HEX #CB9714

RGB 203 151 20

HSL 42.95, 0.82%, 0.44%

LAB 65.66, 9.2, 66.82

 

CMYK 0 / 25 / 87 / 9

HEX #E8AF1F

RGB 232 175 31

HSL 42.99, 0.81%, 0.52%

LAB 74.77, 9.27, 72.84

 

CMYK 0 / 20 / 71 / 7

HEX #ECBD45

RGB 236 189 69

HSL 43.11, 0.81%, 0.6%

LAB 78.84, 4.96, 64.19

 

CMYK 0 / 16 / 56 / 6

HEX #F0CA6A

RGB 240 202 106

HSL 42.99, 0.82%, 0.68%

LAB 82.81, 2.19, 52.26

 

CMYK 0 / 12 / 41 / 4

HEX #F4D790

RGB 244 215 144

HSL 42.6, 0.82%, 0.76%

LAB 86.92, 0.57, 38.7

 

CMYK 0 / 20 / 71 / 7

HEX #EDBD44

RGB 237 189 68

HSL 42.96, 0.82%, 0.6%

LAB 78.94, 5.33, 64.71

 

CMYK 64 / 0 / 71 / 7

HEX #56EC45

RGB 86 236 69

HSL 113.89, 0.81%, 0.6%

LAB 83.13, -69.2, 65.73

 

CMYK 50 / 71 / 0 / 7

HEX #7745EC

RGB 119 69 236

HSL 257.96, 0.81%, 0.6%

LAB 44.57, 58.76, -76.64

 

CMYK 0 / 20 / 71 / 7

HEX #EDBD44

RGB 237 189 68

HSL 42.96, 0.82%, 0.6%

LAB 78.94, 5.33, 64.71

 

CMYK 71 / 0 / 21 / 7

HEX #45ECBA

RGB 69 236 186

HSL 162.04, 0.81%, 0.6%

LAB 84.38, -53.93, 12.09

 

CMYK 21 / 71 / 0 / 7

HEX #BA45EC

RGB 186 69 236

HSL 282.04, 0.81%, 0.6%

LAB 52.68, 70.76, -63.1

 

CMYK 0 / 20 / 71 / 7

HEX #EDBD44

RGB 237 189 68

HSL 42.96, 0.82%, 0.6%

LAB 78.94, 5.33, 64.71

 

CMYK 64 / 0 / 71 / 7

HEX #56EC45

RGB 86 236 69

HSL 113.89, 0.81%, 0.6%

LAB 83.13, -69.2, 65.73

 

CMYK 71 / 50 / 0 / 7

HEX #4577EC

RGB 69 119 236

HSL 222.04, 0.81%, 0.6%

LAB 52.41, 21.98, -64.04

 

CMYK 7 / 71 / 0 / 7

HEX #DB45EC

RGB 219 69 236

HSL 293.89, 0.81%, 0.6%

LAB 57.44, 77.39, -55.2

 

CMYK 0 / 20 / 71 / 7

HEX #EDBD44

RGB 237 189 68

HSL 42.96, 0.82%, 0.6%

LAB 78.94, 5.33, 64.71

 

CMYK 71 / 0 / 57 / 7

HEX #45EC66

RGB 69 236 102

HSL 131.86, 0.81%, 0.6%

LAB 83.03, -68.98, 52.07

 

CMYK 71 / 50 / 0 / 7

HEX #4577EC

RGB 69 119 236

HSL 222.04, 0.81%, 0.6%

LAB 52.41, 21.98, -64.04

 

CMYK 0 / 71 / 14 / 7

HEX #EC45CB

RGB 236 69 203

HSL 311.86, 0.81%, 0.6%

LAB 58.42, 76.03, -34.83

 

Description

Color code: HEX #EDBD44 | qconv.com Color code: HEX #EDBD44 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 189 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 189 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 71 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 71% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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