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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDB05E it is the complementary color #124FA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDB05E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDB05E shade: #F2B059, #FFC26C, #FFD47F, #FFE692 and #FFF8A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDB05E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDB05E shade: #EDB05E, #DC9E4B, #CB8C38, #BA7A25 and #A96812

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDB05E shade: #EDB05E, #ED895E, #ED635E and #ED5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDB05E shade: #EDB05E, #EDD65E, #DDED5E, #B6ED5E and #90ED5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDB05E shade matches the following richer shades: #EDB05E and #FBB24F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDB05E shade: #EDB05E, #DEAE6C, #D0AC7B, #C1A989 and #B3A798

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDB05E shade: #ED635E, #ED895E, #EDAF5E, #EDD55E and #DEED5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDB05E shade: #E08B18, #E99E39, #EDB05E, #F1C283 and #F5D4A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDB05E shade: #EDB05E, #7FED5E and #765EED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDB05E shade: #EDB05E, #5EEDAF and #AF5EED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDB05E shade: #EDB05E, #7FED5E, #5E9CED and #CB5EED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDB05E shade: #EDB05E, #5EED67, #5E9CED and #ED5EE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 60 / 7

HEX #EDB05E

RGB 237 176 94

HSL 34.41, 0.8%, 0.65%

LAB 75.99, 13.68, 49.96

 

Complementary color

CMYK 89 / 51 / 0 / 37

HEX #124FA1

RGB 18 79 161

HSL 214.41, 0.8%, 0.35%

LAB 34.59, 13.82, -49.55

 

CMYK 0 / 27 / 63 / 5

HEX #F2B059

RGB 242 176 89

HSL 34.12, 0.85%, 0.65%

LAB 76.47, 15.42, 53.05

 

CMYK 0 / 24 / 58 / 0

HEX #FFC26C

RGB 255 194 108

HSL 35.1, 1%, 0.71%

LAB 82.34, 12.62, 51.11

 

CMYK 0 / 17 / 50 / 0

HEX #FFD47F

RGB 255 212 127

HSL 39.84, 1%, 0.75%

LAB 86.94, 4.84, 47.41

 

CMYK 0 / 10 / 43 / 0

HEX #FFE692

RGB 255 230 146

HSL 46.24, 1%, 0.79%

LAB 91.65, -2.55, 43.96

 

CMYK 0 / 3 / 35 / 0

HEX #FFF8A5

RGB 255 248 165

HSL 55.33, 1%, 0.82%

LAB 96.46, -9.51, 40.75

 

CMYK 0 / 26 / 60 / 7

HEX #EDB05E

RGB 237 176 94

HSL 34.41, 0.8%, 0.65%

LAB 75.99, 13.68, 49.96

 

CMYK 0 / 28 / 66 / 14

HEX #DC9E4B

RGB 220 158 75

HSL 34.34, 0.67%, 0.58%

LAB 69.6, 14.93, 51.31

 

CMYK 0 / 31 / 72 / 20

HEX #CB8C38

RGB 203 140 56

HSL 34.29, 0.59%, 0.51%

LAB 63.13, 16.37, 52.53

 

CMYK 0 / 34 / 80 / 27

HEX #BA7A25

RGB 186 122 37

HSL 34.23, 0.67%, 0.44%

LAB 56.58, 18.04, 53.39

 

CMYK 0 / 38 / 89 / 34

HEX #A96812

RGB 169 104 18

HSL 34.17, 0.81%, 0.37%

LAB 49.95, 20, 53.37

 

CMYK 0 / 26 / 60 / 7

HEX #EDB05E

RGB 237 176 94

HSL 34.41, 0.8%, 0.65%

LAB 75.99, 13.68, 49.96

 

CMYK 0 / 42 / 60 / 7

HEX #ED895E

RGB 237 137 94

HSL 18.04, 0.8%, 0.65%

LAB 67.05, 34.26, 39.32

 

CMYK 0 / 58 / 60 / 7

HEX #ED635E

RGB 237 99 94

HSL 2.1, 0.8%, 0.65%

LAB 59.65, 52.96, 30.06

 

CMYK 0 / 60 / 60 / 7

HEX #ED5E5E

RGB 237 94 94

HSL 0, 0.8%, 0.65%

LAB 58.81, 55.19, 28.98

 

CMYK 0 / 26 / 60 / 7

HEX #EDB05E

RGB 237 176 94

HSL 34.41, 0.8%, 0.65%

LAB 75.99, 13.68, 49.96

 

CMYK 0 / 10 / 60 / 7

HEX #EDD65E

RGB 237 214 94

HSL 50.35, 0.8%, 0.65%

LAB 85.46, -6.04, 60.69

 

CMYK 7 / 0 / 60 / 7

HEX #DDED5E

RGB 221 237 94

HSL 66.71, 0.8%, 0.65%

LAB 90.21, -23.86, 65.52

 

CMYK 23 / 0 / 60 / 7

HEX #B6ED5E

RGB 182 237 94

HSL 83.08, 0.8%, 0.65%

LAB 87.64, -38.85, 61.98

 

CMYK 39 / 0 / 60 / 7

HEX #90ED5E

RGB 144 237 94

HSL 99.02, 0.8%, 0.65%

LAB 85.66, -51.96, 59.22

 

CMYK 0 / 26 / 60 / 7

HEX #EDB05E

RGB 237 176 94

HSL 34.41, 0.8%, 0.65%

LAB 75.99, 13.68, 49.96

 

CMYK 0 / 29 / 69 / 2

HEX #FBB24F

RGB 251 178 79

HSL 34.53, 0.96%, 0.65%

LAB 77.82, 17.52, 59.4

 

CMYK 0 / 26 / 60 / 7

HEX #EDB05E

RGB 237 176 94

HSL 34.41, 0.8%, 0.65%

LAB 75.99, 13.68, 49.96

 

CMYK 0 / 22 / 51 / 13

HEX #DEAE6C

RGB 222 174 108

HSL 34.74, 0.63%, 0.65%

LAB 74.12, 9.65, 40.36

 

CMYK 0 / 17 / 41 / 18

HEX #D0AC7B

RGB 208 172 123

HSL 34.59, 0.47%, 0.65%

LAB 72.46, 6.5, 30.11

 

CMYK 0 / 12 / 29 / 24

HEX #C1A989

RGB 193 169 137

HSL 34.29, 0.31%, 0.65%

LAB 70.54, 3.84, 19.74

 

CMYK 0 / 7 / 15 / 30

HEX #B3A798

RGB 179 167 152

HSL 33.33, 0.15%, 0.65%

LAB 69.1, 1.76, 9.31

 

CMYK 0 / 58 / 60 / 7

HEX #ED635E

RGB 237 99 94

HSL 2.1, 0.8%, 0.65%

LAB 59.65, 52.96, 30.06

 

CMYK 0 / 42 / 60 / 7

HEX #ED895E

RGB 237 137 94

HSL 18.04, 0.8%, 0.65%

LAB 67.05, 34.26, 39.32

 

CMYK 0 / 26 / 60 / 7

HEX #EDAF5E

RGB 237 175 94

HSL 33.99, 0.8%, 0.65%

LAB 75.74, 14.21, 49.68

 

CMYK 0 / 10 / 60 / 7

HEX #EDD55E

RGB 237 213 94

HSL 49.93, 0.8%, 0.65%

LAB 85.2, -5.54, 60.41

 

CMYK 6 / 0 / 60 / 7

HEX #DEED5E

RGB 222 237 94

HSL 66.29, 0.8%, 0.65%

LAB 90.28, -23.47, 65.62

 

CMYK 0 / 38 / 89 / 12

HEX #E08B18

RGB 224 139 24

HSL 34.5, 0.81%, 0.49%

LAB 65.26, 24.86, 66.7

 

CMYK 0 / 32 / 76 / 9

HEX #E99E39

RGB 233 158 57

HSL 34.43, 0.8%, 0.57%

LAB 70.92, 19.52, 61.04

 

CMYK 0 / 26 / 60 / 7

HEX #EDB05E

RGB 237 176 94

HSL 34.41, 0.8%, 0.65%

LAB 75.99, 13.68, 49.96

 

CMYK 0 / 20 / 46 / 5

HEX #F1C283

RGB 241 194 131

HSL 34.36, 0.8%, 0.73%

LAB 81.25, 8.94, 37.96

 

CMYK 0 / 13 / 31 / 4

HEX #F5D4A8

RGB 245 212 168

HSL 34.29, 0.79%, 0.81%

LAB 86.67, 5.25, 26.04

 

CMYK 0 / 26 / 60 / 7

HEX #EDB05E

RGB 237 176 94

HSL 34.41, 0.8%, 0.65%

LAB 75.99, 13.68, 49.96

 

CMYK 46 / 0 / 60 / 7

HEX #7FED5E

RGB 127 237 94

HSL 106.15, 0.8%, 0.65%

LAB 84.94, -57.12, 58.22

 

CMYK 50 / 60 / 0 / 7

HEX #765EED

RGB 118 94 237

HSL 250.07, 0.8%, 0.65%

LAB 49.46, 45.55, -69.23

 

CMYK 0 / 26 / 60 / 7

HEX #EDB05E

RGB 237 176 94

HSL 34.41, 0.8%, 0.65%

LAB 75.99, 13.68, 49.96

 

CMYK 60 / 0 / 26 / 7

HEX #5EEDAF

RGB 94 237 175

HSL 153.99, 0.8%, 0.65%

LAB 85.02, -52.67, 18.79

 

CMYK 26 / 60 / 0 / 7

HEX #AF5EED

RGB 175 94 237

HSL 273.99, 0.8%, 0.65%

LAB 55.31, 57.6, -59.49

 

CMYK 0 / 26 / 60 / 7

HEX #EDB05E

RGB 237 176 94

HSL 34.41, 0.8%, 0.65%

LAB 75.99, 13.68, 49.96

 

CMYK 46 / 0 / 60 / 7

HEX #7FED5E

RGB 127 237 94

HSL 106.15, 0.8%, 0.65%

LAB 84.94, -57.12, 58.22

 

CMYK 60 / 34 / 0 / 7

HEX #5E9CED

RGB 94 156 237

HSL 213.99, 0.8%, 0.65%

LAB 63.57, 4.12, -46.74

 

CMYK 14 / 60 / 0 / 7

HEX #CB5EED

RGB 203 94 237

HSL 285.73, 0.8%, 0.65%

LAB 58.8, 64.12, -53.71

 

CMYK 0 / 26 / 60 / 7

HEX #EDB05E

RGB 237 176 94

HSL 34.41, 0.8%, 0.65%

LAB 75.99, 13.68, 49.96

 

CMYK 60 / 0 / 57 / 7

HEX #5EED67

RGB 94 237 103

HSL 123.78, 0.8%, 0.65%

LAB 83.93, -64.5, 52.83

 

CMYK 60 / 34 / 0 / 7

HEX #5E9CED

RGB 94 156 237

HSL 213.99, 0.8%, 0.65%

LAB 63.57, 4.12, -46.74

 

CMYK 0 / 60 / 4 / 7

HEX #ED5EE3

RGB 237 94 227

HSL 304.2, 0.8%, 0.65%

LAB 62.97, 70.6, -41.23

 

Description

Color code: HEX #EDB05E | qconv.com Color code: HEX #EDB05E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 176 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 176 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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