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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDB9E2 it is the complementary color #12461D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDB9E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDB9E2 shade: #F2B9DD, #FFCBF0, #FFDDFF and #FFEFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDB9E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDB9E2 shade: #EDB9E2, #DCA7CF, #CB95BC, #BA83A9 and #A97196

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDB9E2 shade: #EDBAE2, #EDBAD4, #EDBAC6 and #EDBABA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDB9E2 shade: #EDBAE2, #EABAED, #DCBAED, #CEBAED and #C0BAED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDB9E2 shade matches the following richer shades: #EDBAE2, #F4B3E6 and #FBACEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDB9E2 shade: #EDBAE2, #E6C1DE, #DFC8DA, #D8CFD6 and #D1D6D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDB9E2 shade: #DCBAED, #E9BAED, #EDBAE2, #EDBAD5 and #EDBAC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDB9E2 shade: #DC78C7, #E499D4, #EDBAE2, #F5DAF0 and #FEFBFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDB9E2 shade: #EDB9E2, #EDCEBA and #BAEDE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDB9E2 shade: #EDB9E2, #E2EDBA and #BAE2ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDB9E2 shade: #EDB9E2, #EDCEBA, #BAEDC4 and #BAD8ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDB9E2 shade: #EDB9E2, #EDDDBA, #BAEDC4 and #BAC9ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 5 / 7

HEX #EDB9E2

RGB 237 185 226

HSL 312.69, 0.59%, 0.83%

LAB 80.85, 25.33, -13.27

 

Complementary color

CMYK 74 / 0 / 59 / 73

HEX #12461D

RGB 18 70 29

HSL 132.69, 0.59%, 0.17%

LAB 25.56, -27.29, 19.69

 

CMYK 0 / 24 / 9 / 5

HEX #F2B9DD

RGB 242 185 221

HSL 322.11, 0.69%, 0.84%

LAB 81.18, 26.15, -10.03

 

CMYK 0 / 20 / 6 / 0

HEX #FFCBF0

RGB 255 203 240

HSL 317.31, 1%, 0.9%

LAB 87.13, 24.26, -11.19

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 0 / 22 / 5 / 7

HEX #EDB9E2

RGB 237 185 226

HSL 312.69, 0.59%, 0.83%

LAB 80.85, 25.33, -13.27

 

CMYK 0 / 24 / 6 / 14

HEX #DCA7CF

RGB 220 167 207

HSL 314.72, 0.43%, 0.76%

LAB 74.42, 25.9, -12.76

 

CMYK 0 / 27 / 7 / 20

HEX #CB95BC

RGB 203 149 188

HSL 316.67, 0.34%, 0.69%

LAB 67.89, 26.52, -12.23

 

CMYK 0 / 30 / 9 / 27

HEX #BA83A9

RGB 186 131 169

HSL 318.55, 0.28%, 0.62%

LAB 61.25, 27.19, -11.66

 

CMYK 0 / 33 / 11 / 34

HEX #A97196

RGB 169 113 150

HSL 320.36, 0.25%, 0.55%

LAB 54.5, 27.92, -11.04

 

CMYK 0 / 22 / 5 / 7

HEX #EDBAE2

RGB 237 186 226

HSL 312.94, 0.59%, 0.83%

LAB 81.08, 24.79, -12.92

 

CMYK 0 / 22 / 11 / 7

HEX #EDBAD4

RGB 237 186 212

HSL 329.41, 0.59%, 0.83%

LAB 80.67, 22.4, -6

 

CMYK 0 / 22 / 16 / 7

HEX #EDBAC6

RGB 237 186 198

HSL 345.88, 0.59%, 0.83%

LAB 80.29, 20.15, 1

 

CMYK 0 / 22 / 22 / 7

HEX #EDBABA

RGB 237 186 186

HSL 0, 0.59%, 0.83%

LAB 79.99, 18.34, 7.04

 

CMYK 0 / 22 / 5 / 7

HEX #EDBAE2

RGB 237 186 226

HSL 312.94, 0.59%, 0.83%

LAB 81.08, 24.79, -12.92

 

CMYK 1 / 22 / 0 / 7

HEX #EABAED

RGB 234 186 237

HSL 296.47, 0.59%, 0.83%

LAB 81.14, 25.79, -18.77

 

CMYK 7 / 22 / 0 / 7

HEX #DCBAED

RGB 220 186 237

HSL 280, 0.59%, 0.83%

LAB 79.87, 21.25, -20.82

 

CMYK 13 / 22 / 0 / 7

HEX #CEBAED

RGB 206 186 237

HSL 263.53, 0.59%, 0.83%

LAB 78.67, 16.77, -22.75

 

CMYK 19 / 22 / 0 / 7

HEX #C0BAED

RGB 192 186 237

HSL 247.06, 0.59%, 0.83%

LAB 77.54, 12.4, -24.57

 

CMYK 0 / 22 / 5 / 7

HEX #EDBAE2

RGB 237 186 226

HSL 312.94, 0.59%, 0.83%

LAB 81.08, 24.79, -12.92

 

CMYK 0 / 27 / 6 / 4

HEX #F4B3E6

RGB 244 179 230

HSL 312.92, 0.75%, 0.83%

LAB 80.28, 31.54, -16.2

 

CMYK 0 / 31 / 7 / 2

HEX #FBACEA

RGB 251 172 234

HSL 312.91, 0.91%, 0.83%

LAB 79.59, 38.19, -19.34

 

CMYK 0 / 22 / 5 / 7

HEX #EDBAE2

RGB 237 186 226

HSL 312.94, 0.59%, 0.83%

LAB 81.08, 24.79, -12.92

 

CMYK 0 / 16 / 3 / 10

HEX #E6C1DE

RGB 230 193 222

HSL 312.97, 0.43%, 0.83%

LAB 81.97, 17.99, -9.52

 

CMYK 0 / 10 / 2 / 13

HEX #DFC8DA

RGB 223 200 218

HSL 313.04, 0.26%, 0.83%

LAB 82.94, 11.17, -6

 

CMYK 0 / 4 / 1 / 15

HEX #D8CFD6

RGB 216 207 214

HSL 313.33, 0.1%, 0.83%

LAB 84.01, 4.35, -2.36

 

CMYK 2 / 0 / 2 / 16

HEX #D1D6D2

RGB 209 214 210

HSL 132, 0.06%, 0.83%

LAB 85.15, -2.42, 1.37

 

CMYK 7 / 22 / 0 / 7

HEX #DCBAED

RGB 220 186 237

HSL 280, 0.59%, 0.83%

LAB 79.87, 21.25, -20.82

 

CMYK 2 / 22 / 0 / 7

HEX #E9BAED

RGB 233 186 237

HSL 295.29, 0.59%, 0.83%

LAB 81.05, 25.46, -18.92

 

CMYK 0 / 22 / 5 / 7

HEX #EDBAE2

RGB 237 186 226

HSL 312.94, 0.59%, 0.83%

LAB 81.08, 24.79, -12.92

 

CMYK 0 / 22 / 10 / 7

HEX #EDBAD5

RGB 237 186 213

HSL 328.24, 0.59%, 0.83%

LAB 80.7, 22.57, -6.49

 

CMYK 0 / 22 / 16 / 7

HEX #EDBAC7

RGB 237 186 199

HSL 344.71, 0.59%, 0.83%

LAB 80.32, 20.31, 0.5

 

CMYK 0 / 45 / 10 / 14

HEX #DC78C7

RGB 220 120 199

HSL 312.6, 0.59%, 0.67%

LAB 63.98, 49.37, -24.15

 

CMYK 0 / 33 / 7 / 11

HEX #E499D4

RGB 228 153 212

HSL 312.8, 0.58%, 0.75%

LAB 72.25, 36.96, -18.7

 

CMYK 0 / 22 / 5 / 7

HEX #EDBAE2

RGB 237 186 226

HSL 312.94, 0.59%, 0.83%

LAB 81.08, 24.79, -12.92

 

CMYK 0 / 11 / 2 / 4

HEX #F5DAF0

RGB 245 218 240

HSL 311.11, 0.57%, 0.91%

LAB 89.79, 13.05, -7.33

 

CMYK 0 / 1 / 0 / 0

HEX #FEFBFD

RGB 254 251 253

HSL 320, 0.6%, 0.99%

LAB 98.89, 1.35, -0.61

 

CMYK 0 / 22 / 5 / 7

HEX #EDB9E2

RGB 237 185 226

HSL 312.69, 0.59%, 0.83%

LAB 80.85, 25.33, -13.27

 

CMYK 0 / 13 / 22 / 7

HEX #EDCEBA

RGB 237 206 186

HSL 23.53, 0.59%, 0.83%

LAB 84.84, 7.8, 13.94

 

CMYK 22 / 0 / 5 / 7

HEX #BAEDE2

RGB 186 237 226

HSL 167.06, 0.59%, 0.83%

LAB 90.09, -18.44, -0.03

 

CMYK 0 / 22 / 5 / 7

HEX #EDB9E2

RGB 237 185 226

HSL 312.69, 0.59%, 0.83%

LAB 80.85, 25.33, -13.27

 

CMYK 5 / 0 / 22 / 7

HEX #E2EDBA

RGB 226 237 186

HSL 72.94, 0.59%, 0.83%

LAB 91.81, -12.07, 23.54

 

CMYK 22 / 5 / 0 / 7

HEX #BAE2ED

RGB 186 226 237

HSL 192.94, 0.59%, 0.83%

LAB 87.46, -10.61, -9.67

 

CMYK 0 / 22 / 5 / 7

HEX #EDB9E2

RGB 237 185 226

HSL 312.69, 0.59%, 0.83%

LAB 80.85, 25.33, -13.27

 

CMYK 0 / 13 / 22 / 7

HEX #EDCEBA

RGB 237 206 186

HSL 23.53, 0.59%, 0.83%

LAB 84.84, 7.8, 13.94

 

CMYK 22 / 0 / 17 / 7

HEX #BAEDC4

RGB 186 237 196

HSL 131.76, 0.59%, 0.83%

LAB 89.39, -24.17, 14.6

 

CMYK 22 / 9 / 0 / 7

HEX #BAD8ED

RGB 186 216 237

HSL 204.71, 0.59%, 0.83%

LAB 84.83, -5.46, -13.6

 

CMYK 0 / 22 / 5 / 7

HEX #EDB9E2

RGB 237 185 226

HSL 312.69, 0.59%, 0.83%

LAB 80.85, 25.33, -13.27

 

CMYK 0 / 7 / 22 / 7

HEX #EDDDBA

RGB 237 221 186

HSL 41.18, 0.59%, 0.83%

LAB 88.57, 0.02, 19.18

 

CMYK 22 / 0 / 17 / 7

HEX #BAEDC4

RGB 186 237 196

HSL 131.76, 0.59%, 0.83%

LAB 89.39, -24.17, 14.6

 

CMYK 22 / 15 / 0 / 7

HEX #BAC9ED

RGB 186 201 237

HSL 222.35, 0.59%, 0.83%

LAB 80.92, 2.46, -19.48

 

Description

Color code: HEX #EDB9E2 | qconv.com Color code: HEX #EDB9E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 185 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 185 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 5 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 5% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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