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Color name
HEX #EDA721

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDA721 it is the complementary color #1258DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDA721. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDA721 shade: #F2A71C, #FFB92F, #FFCB42, #FFDD55 and #FFEF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDA721. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDA721 shade: #EDA721, #DC950E, #CB8300, #BA7100 and #A95F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDA721 shade: #EDA721, #ED7021, #ED3921 and #ED2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDA721 shade: #EDA721, #EDDE21, #C5ED21, #8EED21 and #57ED21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDA721 shade matches the following richer shades: #EDA721

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDA721 shade: #EDA721, #D9A134, #C69A48, #B2945B and #9F8E6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDA721 shade: #ED3921, #ED6F21, #EDA521, #EDDC21 and #C7ED21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDA721 shade: #AD760E, #D39111, #EDA721, #F0B647 and #F3C56D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDA721 shade: #EDA721, #3FED21 and #5421ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDA721 shade: #EDA721, #21EDA5 and #A521ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDA721 shade: #EDA721, #3FED21, #2168ED and #CE21ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDA721 shade: #EDA721, #21ED3F, #2168ED and #ED21CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 86 / 7

HEX #EDA721

RGB 237 167 33

HSL 39.41, 0.85%, 0.53%

LAB 73.38, 15.69, 71.45

 

Complementary color

CMYK 92 / 60 / 0 / 13

HEX #1258DE

RGB 18 88 222

HSL 219.41, 0.85%, 0.47%

LAB 41.82, 32.08, -73.43

 

CMYK 0 / 31 / 88 / 5

HEX #F2A71C

RGB 242 167 28

HSL 38.97, 0.89%, 0.53%

LAB 73.93, 17.72, 73.35

 

CMYK 0 / 27 / 82 / 0

HEX #FFB92F

RGB 255 185 47

HSL 39.81, 1%, 0.59%

LAB 79.71, 14.24, 73.54

 

CMYK 0 / 20 / 74 / 0

HEX #FFCB42

RGB 255 203 66

HSL 43.49, 1%, 0.63%

LAB 84.16, 5.58, 71.19

 

CMYK 0 / 13 / 67 / 0

HEX #FFDD55

RGB 255 221 85

HSL 48, 1%, 0.67%

LAB 88.75, -2.7, 68.48

 

CMYK 0 / 6 / 59 / 0

HEX #FFEF68

RGB 255 239 104

HSL 53.64, 1%, 0.7%

LAB 93.45, -10.53, 65.62

 

CMYK 0 / 30 / 86 / 7

HEX #EDA721

RGB 237 167 33

HSL 39.41, 0.85%, 0.53%

LAB 73.38, 15.69, 71.45

 

CMYK 0 / 32 / 94 / 14

HEX #DC950E

RGB 220 149 14

HSL 39.32, 0.88%, 0.46%

LAB 67.08, 17.64, 69.85

 

CMYK 0 / 35 / 100 / 20

HEX #CB8300

RGB 203 131 0

HSL 38.72, 1%, 0.4%

LAB 60.72, 19.83, 66.58

 

CMYK 0 / 39 / 100 / 27

HEX #BA7100

RGB 186 113 0

HSL 36.45, 1%, 0.36%

LAB 54.29, 22.24, 61.35

 

CMYK 0 / 44 / 100 / 34

HEX #A95F00

RGB 169 95 0

HSL 33.73, 1%, 0.33%

LAB 47.78, 24.73, 56.07

 

CMYK 0 / 30 / 86 / 7

HEX #EDA721

RGB 237 167 33

HSL 39.41, 0.85%, 0.53%

LAB 73.38, 15.69, 71.45

 

CMYK 0 / 53 / 86 / 7

HEX #ED7021

RGB 237 112 33

HSL 23.24, 0.85%, 0.53%

LAB 61.4, 44.16, 61.77

 

CMYK 0 / 76 / 86 / 7

HEX #ED3921

RGB 237 57 33

HSL 7.06, 0.85%, 0.53%

LAB 52.99, 66.58, 54.96

 

CMYK 0 / 86 / 86 / 7

HEX #ED2121

RGB 237 33 33

HSL 0, 0.85%, 0.53%

LAB 50.92, 72.44, 53.27

 

CMYK 0 / 30 / 86 / 7

HEX #EDA721

RGB 237 167 33

HSL 39.41, 0.85%, 0.53%

LAB 73.38, 15.69, 71.45

 

CMYK 0 / 6 / 86 / 7

HEX #EDDE21

RGB 237 222 33

HSL 55.59, 0.85%, 0.53%

LAB 87.17, -12.66, 82.56

 

CMYK 17 / 0 / 86 / 7

HEX #C5ED21

RGB 197 237 33

HSL 71.76, 0.85%, 0.53%

LAB 88.23, -36.22, 82.2

 

CMYK 40 / 0 / 86 / 7

HEX #8EED21

RGB 142 237 33

HSL 87.94, 0.85%, 0.53%

LAB 85.21, -56.3, 78.45

 

CMYK 63 / 0 / 86 / 7

HEX #57ED21

RGB 87 237 33

HSL 104.12, 0.85%, 0.53%

LAB 83.29, -71.33, 76.03

 

CMYK 0 / 30 / 86 / 7

HEX #EDA721

RGB 237 167 33

HSL 39.41, 0.85%, 0.53%

LAB 73.38, 15.69, 71.45

 

CMYK 0 / 30 / 86 / 7

HEX #EDA721

RGB 237 167 33

HSL 39.41, 0.85%, 0.53%

LAB 73.38, 15.69, 71.45

 

CMYK 0 / 26 / 76 / 15

HEX #D9A134

RGB 217 161 52

HSL 39.64, 0.68%, 0.53%

LAB 69.82, 10.88, 61.32

 

CMYK 0 / 22 / 64 / 22

HEX #C69A48

RGB 198 154 72

HSL 39.05, 0.53%, 0.53%

LAB 66.2, 7.49, 48.29

 

CMYK 0 / 17 / 49 / 30

HEX #B2945B

RGB 178 148 91

HSL 39.31, 0.36%, 0.53%

LAB 62.84, 3.73, 34.2

 

CMYK 0 / 11 / 31 / 38

HEX #9F8E6E

RGB 159 142 110

HSL 39.18, 0.2%, 0.53%

LAB 59.75, 1.32, 19.4

 

CMYK 0 / 76 / 86 / 7

HEX #ED3921

RGB 237 57 33

HSL 7.06, 0.85%, 0.53%

LAB 52.99, 66.58, 54.96

 

CMYK 0 / 53 / 86 / 7

HEX #ED6F21

RGB 237 111 33

HSL 22.94, 0.85%, 0.53%

LAB 61.21, 44.65, 61.61

 

CMYK 0 / 30 / 86 / 7

HEX #EDA521

RGB 237 165 33

HSL 38.82, 0.85%, 0.53%

LAB 72.91, 16.75, 71.07

 

CMYK 0 / 7 / 86 / 7

HEX #EDDC21

RGB 237 220 33

HSL 55, 0.85%, 0.53%

LAB 86.65, -11.67, 82.15

 

CMYK 16 / 0 / 86 / 7

HEX #C7ED21

RGB 199 237 33

HSL 71.18, 0.85%, 0.53%

LAB 88.36, -35.43, 82.36

 

CMYK 0 / 32 / 92 / 32

HEX #AD760E

RGB 173 118 14

HSL 39.25, 0.85%, 0.37%

LAB 53.89, 13.85, 57.63

 

CMYK 0 / 31 / 92 / 17

HEX #D39111

RGB 211 145 17

HSL 39.59, 0.85%, 0.45%

LAB 65.07, 15.92, 67.38

 

CMYK 0 / 30 / 86 / 7

HEX #EDA721

RGB 237 167 33

HSL 39.41, 0.85%, 0.53%

LAB 73.38, 15.69, 71.45

 

CMYK 0 / 24 / 70 / 6

HEX #F0B647

RGB 240 182 71

HSL 39.41, 0.85%, 0.61%

LAB 77.54, 10.41, 62.18

 

CMYK 0 / 19 / 55 / 5

HEX #F3C56D

RGB 243 197 109

HSL 39.4, 0.85%, 0.69%

LAB 81.89, 6.24, 49.8

 

CMYK 0 / 30 / 86 / 7

HEX #EDA721

RGB 237 167 33

HSL 39.41, 0.85%, 0.53%

LAB 73.38, 15.69, 71.45

 

CMYK 73 / 0 / 86 / 7

HEX #3FED21

RGB 63 237 33

HSL 111.18, 0.85%, 0.53%

LAB 82.77, -75.72, 75.39

 

CMYK 65 / 86 / 0 / 7

HEX #5421ED

RGB 84 33 237

HSL 255, 0.85%, 0.53%

LAB 36.15, 70.04, -91.19

 

CMYK 0 / 30 / 86 / 7

HEX #EDA721

RGB 237 167 33

HSL 39.41, 0.85%, 0.53%

LAB 73.38, 15.69, 71.45

 

CMYK 86 / 0 / 30 / 7

HEX #21EDA5

RGB 33 237 165

HSL 158.82, 0.85%, 0.53%

LAB 83.76, -62.63, 22.05

 

CMYK 30 / 86 / 0 / 7

HEX #A521ED

RGB 165 33 237

HSL 278.82, 0.85%, 0.53%

LAB 45.91, 78.6, -74.78

 

CMYK 0 / 30 / 86 / 7

HEX #EDA721

RGB 237 167 33

HSL 39.41, 0.85%, 0.53%

LAB 73.38, 15.69, 71.45

 

CMYK 73 / 0 / 86 / 7

HEX #3FED21

RGB 63 237 33

HSL 111.18, 0.85%, 0.53%

LAB 82.77, -75.72, 75.39

 

CMYK 86 / 56 / 0 / 7

HEX #2168ED

RGB 33 104 237

HSL 219.12, 0.85%, 0.53%

LAB 47.42, 28.27, -72.75

 

CMYK 13 / 86 / 0 / 7

HEX #CE21ED

RGB 206 33 237

HSL 290.88, 0.85%, 0.53%

LAB 52.2, 84.69, -64.28

 

CMYK 0 / 30 / 86 / 7

HEX #EDA721

RGB 237 167 33

HSL 39.41, 0.85%, 0.53%

LAB 73.38, 15.69, 71.45

 

CMYK 86 / 0 / 73 / 7

HEX #21ED3F

RGB 33 237 63

HSL 128.82, 0.85%, 0.53%

LAB 82.51, -77.49, 66.91

 

CMYK 86 / 56 / 0 / 7

HEX #2168ED

RGB 33 104 237

HSL 219.12, 0.85%, 0.53%

LAB 47.42, 28.27, -72.75

 

CMYK 0 / 86 / 13 / 7

HEX #ED21CE

RGB 237 33 206

HSL 309.12, 0.85%, 0.53%

LAB 55.63, 85.53, -40.9

 

Description

Color code: HEX #EDA721 | qconv.com Color code: HEX #EDA721 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 167 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 167 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 86 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 86% 7% C M Y K

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